The next chapter: October and NaNoWriMo 2016 update

I’m baaaa-aack!

Didja miss me?

Let’s just get right to the good stuff.

October

As was the case with September and August before it, October was a month in which I was focused on non-word-count-y stuff.

I finished off my read through and note-taking on Apprentice of Wind and the rest of the time I was making notes in preparation for tackling Wavedancer (book three of the epic fantasy series) as this year’s NaNoWriMo project.

I knew that I’d likely be writing the novel into the New Year. 50k is only half the length of any epic worthy of the name 😉

I had some trepidation, however, as I knew I’d be out of town, training for the day job for the first week of November, and I had Wordstock Sudbury upon my return, the launch of the Sudbury Writers’ Guild anthology, Sudbury Ink, the weekend following, and my own, belated birthday celebration the weekend after that.

And I was only able to use two days of vacation leave in November. Otherwise, I was working.

I fully expected a repeat of 2014, during which I was also working. That year, I didn’t even crack 30k, but I went on to finish the draft over the next months.

So, zero words revised in October, but, amazingly, that still puts me at 96% of my revision goal for the year. Yup. I’m just that awesome 😉

And I have my work cut out for me with regard to some additional amendments to Initiate of Stone (one more run through, methinks), as well as a whole slew of revision notes for AoW. As the series arc progresses, I get further insights into what I’ve already written. It’s all good.

I think, more than anything, it was good to immerse myself in the world and characters of the story. It put me in a good place, mentally, to tackle Wavedancer.

As for the writing done in October, all 7,939 words of it were written on this blog.

octoberprogress

NaNoWriMo 2016

I’m a traditionalist. I work on a new novel each NaNo challenge and, this time, I was tackling a work I knew I wouldn’t complete in November, even if I could achieve the word count necessary for a NaNo win.

As I mentioned, above, I had my doubts I’d even manage that.

As a result, I made some decisions, one of which was, with the exception of the curation posts I had prepared for the first week of November (960 words between the two of them), I wasn’t going to blog.

Working around professional and personal commitments, I fought for my writing time.

Here’s how things shaped up:

While I was out of town, I didn’t even manage a thousand words a day, and I didn’t write one word on the day of Wordstock Sudbury. I was out, manning the book table, participating in a panel on commercial genre fiction (specifically SF&F), attending a book launch, and reading my poetry. It was a full day.

I started to gain ground on the weekend, though, and though there were still a number of days on which I didn’t achieve the average 1,667 words, there were more days on which I wrote 2,000 or more.nanowrimo_2016_webbadge_winner

And . . . drum roll please . . . I reached November 30 with 52,298 words written.

Flailing Kermit arms! Yaaaaaaaa!

novemberprogress

I also don’t hate what I’ve written, not even during those hard slogging early days. That is, in itself, a triumph 😀

I continue to draft at a more reasonable pace. I’m aiming for 500 words a day, and so far (a whole three days in) I’m exceeding that goal.

Other stuff

I received a very kind rejection for one of the short stories I’d submitted to an anthology call earlier in the year.

Phil finished the renovations on the living room. We’re now, very slowly, cleaning up the house and purchasing our new furniture.

My love isn’t getting any younger, and had decided that next year (after a winter of building bookshelves and stocking them) he’s going to renovate the kitchen, bathroom, and side entry.

I’m happy to report that Phil and I are in good health.

The regular blogging schedule will resume, starting with this post. Tipsday and thoughty Thursday will also be returning. Next week, I’ll be moving on with the next session I took notes on at WorldCon.

I tried a new system for my curation posts in October, leading up to NaNo, that I’m going to return to.

In the past, I spent several hours every Sunday, reviewing my social media shares for the week and linking them with a brief framing sentence in my curation drafts in Word. Then, on the day, I’d copy the text into WordPress, format the links, add the picture, post, and then share to my social media accounts.

I’ll still have to do that this week, but now, I’ll be working smarter, not harder.

Every day, I’m going to spend a little time reviewing my posts of the day and copying them into the curation draft in Word. Then, on Sunday, I copy the text into WP, format, add the pictures, and schedule the posts, so that all I have to do on the day of is share it to my various social media accounts.

Much easier.

If I weren’t so paranoid about hackage and losing work, I might choose to draft right in WordPress, but once bitten, and all that 😉

I just thought I’d share in the event that this might make sense for you.

Next month: It will be another double update. I’ll be reviewing December’s progress and 2016 as a whole (goals and other gorgeous stuff). W00t!

Have yourselves a wonderful week.

Until Tipsday!

The Next Chapter

The next chapter: September 2016 update

Another month has passed and I don’t know where it went. Yes, September was a short month, but I spent most of it focusing on Initiate of Stone and Apprentice of Wind, working long hand, in my journal and on scrap paper, so none of it was spreadsheet-worthy.

So all I have to show for it is my month of blogging, 9,151 words, 158% of my goal.

septemberprogress

Surprisingly, even with two months of no revision, I’m still at 96% of my revision goal for the year. Yeah, I was kind of a beast January through July 🙂

This is to say that I’m making great progress, fine tuning my epic fantasy series. This month, if I finish a second round of revisions on AoW (which means I will be able to show some actual revision progress on my Writing and Revision Tracker*), I have some solid planning in place for the third novel in the series, which has a new working title—Wavedancer.

I should be well-placed to rock NaNoWriMo 2016. I must temper expectations by letting you know that I’ll once more be out of town, training, for the first few days of November (1st through 4th), and, I’ll be participating in Wordstock Sudbury 2016 ** the weekend following, November 5th.

I can’t guarantee a “win” this year, but, as I’ve said in the past, any words I write in the month of November are words that didn’t exist before. It’ll be a win, for me, regardless. I already expected to be drafting into December, in any case, because, epic 🙂

Querying has been temporarily suspended while I rework the first chapter, query letter, and synopsis for IoS.

Something that’s been very helpful is K.M. Weiland’s Character Arcs Course on the Digital Freedom Academy. I’m working through at my own pace. LURVE!

I’m also reading Kate’s Structuring Your Novel, and an ARC of her forthcoming Structuring Your Character Arcs. All of it is serving to, with my memories of the original blog/vlog/pocast posts that became the basis of these books and her course, ingrain Kate’s techniques in my long-term memory.

So helpful.

I can’t even.

Finally, I’m trying to find an editor/mentor with whom I can work, long-term, to develop my drafts into finished products. I will, of course, let you know how that goes.

kimnorthbay

In September, I also attended a couple of writerly events. The first was 100,000 Poets for Change in North Bay, Sept 22. I went on a poetic road trip with my friend and Sudbury Poet Laureate, Kim Fahner 🙂

Then, last night, I took a friend to the launch of Danielle Daniel’s memoir, The Dependent. Latitude 46, the publisher, put on a lovely event in the catering space at Verdiccio’s. There was music, food, and a reading by Danielle. And, of course, I bought her book 🙂thedependentlaunch2

It’s so nice to be able to support local arts and artists.

Today, despite it being Culture Days weekend here in Sudbury, and chock full of events, I had to retreat.

September also marked the first meeting of the 2016-17 Sudbury Writers’ Guild season, and it was anthology-palooza. We’re hoping to have Sudbury Ink, which features two of my speculative stories, printed in time for Wordstock.

The anthology is a promotional tool for the Guild and just shows the variety of the talent within the SWG. Having said that, it does have an ISBN and will be a formal, self-published, writing credit.

We hope to have a launch event, aside from Wordstock, later in the year. I’ll keep you posted 🙂

Although I attempted to gather my C.V. together for a Canada Council Works in Progress Grant, I realized the significant gaps in it. I haven’t kept track of the workshops I’ve attended, organized, or delivered. I haven’t kept track of the readings I’ve done. I have some forensic investigation of my writerly exploits to complete before December, when the Ontario Arts Council Northern Writers grant application is due.

I just couldn’t get my shit together for the CC app. It’s due today. Next year, the CC will be moving to a new funding model, so I might have a better chance then, in any case.

I’m also looking forward to how my writing life will take shape in coming years.

In past years, I was focused on writing in preference to everything else. I have six novels to show for it, but only one was even close to complete. This year, I focused on revision, but was only able to do a basic run-through of each novel, get the lay of the land, so to speak, and make notes for more in-depth revisions in the future.

I want to plan out a reasonable pattern which will balance writing and revising and hopefully allow me to get something to market.

The basic idea, for now, is to focus on in-depth revision on one project from January through to March, draft a new novel, April and May, revise another novel June through August, focus on NaNo prep and other projects (short fiction?) in September and October, participate in NaNo in November, and finally finish whatever might be outstanding from the NaNo project in December and prep for my next in-depth revision.

It may be ambitious, but my plans are always subject to change, given life 😉

And that was the month of September in this writer’s life.

Next week, I’ll get on with session reportage from WorldCon.

*Jamie Raintree, the creator of the Writing and Revision Tracker I use (and have used for years), is busy preparing the 2017 version. Watch this space for news on when the 2017 tracker is ready for order! Seriously, it’s worth it.

**Wordstock Sudbury 2016 will take place from November 3-5, 2017. Though I’ll be out of town training for the Thursday and Friday events, I will be manning the Indie Bookstore for a while on Saturday, and then participating in the commercial genre fiction panel in the afternoon! There will also be an opportunity to read at the open mic Saturday night. I’ll let you know more as the schedule is firmed up.

The Next Chapter

The next chapter: August 2016 update

Let me tell you a story 🙂

Dark season

Over the last couple of years, August has been a bad month for me, emotionally speaking.

I’ve been down. Living with depression, if you do it consciously, means that you can see the signs and take action, or not, whatever is most appropriate for your mental health at the time. Trying to barge through rarely works. For me, anyway.

Last year, I was away from home, delivering training, for two and a half weeks in August. I thought London was a lovely city, and I did enjoy myself to the extent I could—I even went shopping (!) and if you know me, you know I hate shopping of any kind with a passion—but it was too far away for me to go home on the weekends, and I had discovered earlier in the year how much more difficult it was for me to write or blog while travelling. So except for curation, I gave over.

Writing on the road isn’t undoable, and I have put on my big girl panties and done it since (I started NaNoWriMo while travelling last year), but, at the time, I was at a low ebb, and sometimes you have to be kind to yourself.

This year, I went to Kansas City for WorldCon and stayed an extra day or so to visit with a friend who’d moved down there several years ago. More on WorldCon in a bit. The bottom line is that health issues and my introvert nature (exacerbated by my emotional low) conspired to rob the trip of some of its joy.

Remembering what had happened last year, I had even planned for the dog-day doldrums. I figured I’d have the first run-through of all my drafted novels done by August (and I did) and that I would need a little break (and I did).

My plan to turn to other projects, though, didn’t work out as well as I’d thought. I worked on some short fiction, made a few submissions (a rejection from one of which was returned within a week), but I never touched the poetry collection or the non-speculative short fiction collection. I just didn’t have the heart.

I journalled, trying to work out what my plan for the rest of the year would look like and trying to find my way back to what is, for me, normal. I also participated in a Nelson Literary Agency workshop on first pages with Angie Hodapp.

Though the initial review of my first five pages wasn’t horrible, I wanted to try something completely different for the revision, see if the advice of the readers would work. It was a spectacular failure, but I learned a lot from the experience.

You really do have to fail to learn, even if it’s painful 🙂

I’m now delving back into Initiate of Stone, working long hand in a notebook. Sometimes you just have to write it out. I find that writing long hand helps give me the time to examine the words and sentences, and get a fresh perspective.

I can now also disclose that I did not succeed with my application to #PitchWars. Reality Bomb was the project I chose for that experience. I didn’t expect to get in this first year of applying, but one pair of mentors, Michael Mammay and Dan Koboldt, was very supportive. They asked for additional materials, a synopsis and first 50 pages.

Our email exchanges in that first week or so were productive and illuminating for me. I now have some great ideas to return to that manuscript with. So, ultimately, #PitchWars was a win.

This brings me to another realization of why this year has been a difficult one for me.

Last year was the year of almost. I got on several long and short lists in contests, had my work set aside for second readings for anthologies, and while it didn’t result in any publications, the nature of the responses was reassuring. I also had a couple of stories accepted into the Sudbury Writers’ Guild anthology, which should be coming out this fall.

This year, with the exception of #PitchWars, has been the year of no. Form rejections all around, whether from querying or from short fiction submissions. Though I have, to some extent, found a way to turn rejection into a positive, when so many pile up, it becomes disheartening.

You begin to question your worth and skill as a writer, to doubt the kind things that have been said about your work (because there are so few of them, relatively speaking, that they must be the flukes, you reason). You begin to look for those opportunities to confirm your negative bias, blow small faux pas into huge incidents. Reasonable lapses in communication become the occasion for self-blame and recrimination.

Fortunately, since my return from Kansas City, I’ve been coming across the most wonderful articles and posts that have given me the encouragement I’ve needed, some of which you’ll see in this week’s curation. Between that, and the long hand work I’ve been doing on IoS, I’m making my way back to the page.

WorldCon

I’d left with the best of intentions and wanted to practice Gabriela Pereira’s method of networking with a number of authors I’d only ever seen online. In the moment, though, I was so nervous, I basically blathered.

I did get to meet and have a couple of nice, brief chats with Mary Robinette Kowal, met Cat Cambo and Foz Meadows at their Literary Beer sessions (informal chats), but otherwise, I just did my usual and took notes in panel discussions.

I was within three feet of George R.R. Martin, but as he was just coming out of the second of two autographing sessions in which fans lined up for the better part of an hour to see him, I just couldn’t bring myself to be that fan. Instead, I smiled, nodded, and moved on without harassing the poor man.

I had gone to the Tor Party with the intention of meeting John Scalzi, but several people seemed to be running interference and by the time I was able to politely make my excuses, Mr. Scalzi was monopolized by other Tor authors and friends. After that, he turned his attention to his beautiful wife and, again, I could not bring myself to interrupt just to say “hi, and thank you for writing wonderful books.”

Maybe it’s because I’m Canadian, or an introvert, or both, but I just couldn’t.

I’m also a total newb and have no clue with regard to what’s appropriate and what’s not in which context.

The Hugo Awards Ceremonies were wonderful, though, and the sad puppies were soundly trounced.

N.K. Jemesin won best novel for The Fifth Season, Nnedi Okorafor won best novella for Binti, Hao Jingfang and Ken Liu (translator) won best novelette for Folding Beijing, and Neil Gaiman (who wasn’t there in person) had a special message for the sad puppies when he won best graphic story for The Sandman: Overture.

Really, you can just go to the Hugo Awards site and check out all the winners. Diversity was the word of the evening.

It was a great event, but at the end, I felt like I needed a vacation to get over my vacation 🙂

I returned home with a whopping case of imposter’s syndrome, though. I’d met and seen and learned from all of these authors, many of whom I read and respect. Who am I, with my two publications in what the Science Fiction Writers Association (SFWA) considers “token” markets, to think that I can get a traditional deal in a market that’s more competitive than ever?

When I confided my doubts to Phil, his response was that print publishing was on its way to extinction and why would I want that, anyway? So not what I needed to hear, but I forgave him instantly. Though he is very supportive of me and my creative calling, he, like most non-writers, will never understand what it’s like to be in my neurotic wee skull.

But, as I said, I’m surfacing now. I have no further conventions I’ve committed to (having used up my budget for such things) and the only challenge I’ve set for myself is to get through another revision of IoS and Apprentice of Wind before I tackle the third novel in the series for NaNoWriMo.

I still want to get back to the poetry collection and the non-speculative short fiction collection, but neither is a big priority for me at the moment.

I’m taking my time with the short fiction. Some of my stories are actually the seeds of novels. I have to set those aside in their own project folders for the future, and then get on with revising and submitting what I have. Who knows? I may even surprise myself and write some more new stories. It has been known to happen.

In the meantime, I’ve applied for my winter leave at work and am crossing my fingers.

Persistent payroll issues may affect my application for another leave with income averaging. Until things are sorted out, the powers that be may recommend against such special considerations. I may have to defer again until next year.

It won’t be the worst thing that’s ever happened, but Phil and I are ready to look for another furry dependent. I need the five weeks for acclimatization and training. We’d rather it be sooner than later, but we’ll be patient if we must.

Having a new puppy in the spring would probably be more convenient (she says, mentally willing leave approval).

And then there are the renovations to consider, but that’s another post. Probably several 😉

The month in writing

August was sparse as far as writing goes. Aside from the blog, from which I took a vacation for WorldCon, the only writing I did was to finish off the one short story I was working on.

AugustProgress

6,451 words on the blog and 901 words on the short story. 7,362 altogether. That’s literally all she wrote.

I didn’t revise a thing. Fortunately, because I met or exceeded my revision goals in every other month so far this year, I’m not that far behind.

I didn’t count the minor revisions I did to the stories I submitted, or any of the journalling or long hand writing I did.

Besides, I wasn’t anticipating (until part way through the year) that I’d return to IoS, so I don’t have a column for that on my spreadsheet. I could make one. I have the skill, but I don’t want to take the time to do it now. Yes. I know. Lazy Mellie.

I’m getting my mojo back. The writing’s the thing.

Science fiction is the literature of ideas. It is the great “what if?” that leads us into the future. Fantasy is the literature of (im)possibility. It longingly wonders “If only . . .” and whispers in our dreams. I write both and I think I’m pretty damned lucky.

And that’s it until next month.

I hope you’re all experiencing great creative breakthroughs and are satisfied with what you’ve done. In the end, that’s all that matters.

Be well!

The Next Chapter

The next chapter: July 2016 update

So, here we are again at a monthly update. August. Where has the year gone?

One of the great things about tracking your production (and this applies to all things, not just writing) is that you can look back and see the evidence of your work. It’s very comforting.

In addition to wrapping up my work in July this time, I’m going to review the year to date.

July

JulyProgress

This month, I finished my first review of Gerod and the Lions. As with the last couple of novels, I wasn’t twitching as I reread, reacquainted myself with the story, and worked on some of the flow issues I saw. One reason for the flow issues was that GatL was written in chunks, separated by work done on other projects.

Sometimes the gaps were months long, and it shows. I had to get my head back into Gerod’s world and each time I returned to it, it took a few days to recapture the feeling.

The draft comes in at 44,996 words, which is decent for a middle grade book and 124% of my revision goal for the month.

I also continued work on the short story, which I’ll be submitting for consideration soon. 2,615 words written on that.

And, of course, there was the blog, and since I continued to participate in the weekly challenges presented by Gabriela Pereira to her DIYMFA Street Team, I far outblogged my goal.

Between the short story and the blog, I wrote 173% of my goal for July.

I also had the pleasure of guest blogging a couple of times in July, once on Mel’s Madness, and later, on DIYMFA (holy cow!). I have another guest blog due out this month on Kristene Perron’s Warp World blog.

I continued querying.

Year-to-date

Please keep in mind that revision is a very different animal than writing. I’m not writing all these words from scratch. I’m rearranging words, rewriting sentences or paragraphs for flow, inserting or removing punctuation, and making notes for future revisions.

Writing equates to original words.

Month Revision Writing Projects
January 69,774 words 186% of goal 9,274 words 141% of goal Apprentice of Wind, blog
February 40,708 words 108% of goal 5,027 words 90% of goal Apprentice of Wind, blog
March 66,637 words 177% of goal 8,436 words 141% of goal AoW, Figments, Marushka, blog
April 37,478 words 100% of goal 10,498 words 187% of goal Marushka, blog
May 50,882 words 136% of goal 10,474 words 181% of goal Marushka, Reality Bomb, blog
June 48,009 words 128% of goal 12,013 words 207% of goal Reality Bomb, blog
July 46,656 words 124% of goal 11,387 words 173% of goal RB, Gerod and the Lions, short fiction, blog

 Now and the rest of the year

With GatL, I’ve finished reviewing all of my drafted novels. Many of them are still grossly underwritten, but at least I have a better idea now of where I’m going with each.

For August, I just finished up my short story, which I will now revise, and otherwise, the only writing I’m doing is on the blog.

I’ve taken some time off to consider the remainder of the year and what I want to do.

Under consideration are:

  • Assembling a poetry collection (going to submit to a local small press) – August
  • Organizing a collection of my non-SFF short fiction (again, targeted at the small publisher) – August
  • Outlining the third book in my epic fantasy series. I’ve already taken a shot at it, but I know I have to rework it. I’ll do this anyway, because it’s this year’s NaNoWriMo project, but it’s on the list. – concurrent with other projects through to the end of October
  • Returning to Initiate of Stone and AoW, to recapture the voice of the series and bring everything into line in light of the outlining and NaNo for the third book. I want to get to November steeped in the world and its characters. – September and October

Because the third in series is of the epic nature, I expect to be continuing the drafting well into December.

I’m also taking a bit of time to think out how I want to structure my writing year from here on out. Previous to 2016, my focus was on getting the words down. Great, but then I had six novels drafted, only one of which was ready for querying.

This year, I’m focusing on the revision of all those drafts. They won’t be completely ready to go, but I’ll be in a place where I can alternate writing and revision in the coming years.

I want to draft new work twice a year, and then work on revision in between. I don’t know exactly what form that’s going to take (except for NaNo), but I think it’s something I can do.

Other stuff

I’m heading out to WorldCon/MidAmeriCon II on the 17th. It will be my first big con, so I’m super excited. This will be my last convention or conference for the year, though. I’ve blown my budget.

As a result, though, I’m going on a blogging vacay. I’ll schedule my Thoughty Thursday curation for the 18th before I leave, but you won’t hear from me again until I’m back and recovered and ready to resume bloggage on the 27th. Sacrifices have to be made.

I’ve done the crazy and applied for Brenda Drake’s #PitchWars. I’ll find out how that goes on the 25th. Not saying more about it for now.

I’m investigating partnerships with an editor. I want something long term, a professional editor who can help me get my drafts into publishable states.

I signed up for a first five pages workshop with NLA. Again, I’ll leave the deets for later.

And that’s this writer’s life.

Next weekend, I’ll be continuing with my CWS 2016 reportage with my notes from the Writing Hard Truths panel.

The Next Chapter

The next chapter: June 2016 update

Welcome to July! Half of 2016 is already past 😦

Let’s get right down to business.

June was a good month. As far as revision goes, I focused on Reality Bomb. It was another pleasant surprise. I didn’t hate what I wrote. This was just the first pass, and I’ve identified a number of things I need to work on, but I wasn’t writhing as I read 🙂 I don’t know if this means I’m a better writer now, or if I’ve just become inured to my failings (!)

I approached RB as I did Marushka before it, reading, mapping, editing, and making notes as I went. RB was my 2015 NaNoWriMo project and my second “win.”

I finished the first pass on July 1st (yes, Canada Day—the fireworks were for me, too) and the draft comes in at 282 pages and 67,808 words. Not bad for what I still consider a rough draft.

I’ve moved on to Gerod and the Lions, since. Early days, but not hating this one, either 😀 I should be finished this first run through of GatL in early August, just in time for another break—for WorldCon!

Since I’ve been a part of Gabriella Pereira’s Launch Team for DIYMFA, I’ve had extra blogging to do each weekend. As a result, I more than doubled my blogging goals for the month. I’ve also had some guest posting opportunities come my way, which has been another, validating surprise.

I went to the Canadian Writers’ Summit from June 17th to 19th and took a wee vacay from revising, blogging, and, in fact, most social media. It was a nice break.

My query, synopsis, and opening for Initiate of Stone have been revised and querying continues.

I’m starting work on some short fiction. It kind of just happened. It’s a good thing, though.

This is how the month settled out:

I achieved 128% on my revision goal with 48,009 words.

I achieved 207% of my blogging goal (yes, even with the vacay) with 12,013 words.

JuneProgress

The summer office is in operation, and I’ve been enjoying our lovely, lovely weather (so far). The garden is growing, though I haven’t been able to keep up with the weeding 😦 Still, we’ve been enjoying the fruits (literally) of what labour has been done and have had strawberries every day for the last three weeks. The raspberries are ripening. Phil’s been harvesting lettuces and herbs for the occasional meal.

It just makes you feel good to eat food out of your own garden.

In other news, I’m walking a little more, and getting some minor health issues sorted. I’ll be getting a new pair of glasses, not because my prescription has changed, but because my current pair is in disrepair. It’s time for a new perspective 🙂

Phil’s in good shape, now. He and his doctor have sorted his meds and he’s feeling well. All of his labs are showing results in the acceptable range, as well. I’m glad. Through the first few months of the year, it was not a good situation. Very stressful.

And that’s what June brought into this writer’s life.

Next weekend: I’ll be back to Ad Astra 2016 reportage.

Happy Independence Day to all of my American friends!

I’ll be back to work tomorrow.

The Next Chapter

Catching up with the DIYMFA Launch Team

Since I was away last weekend, I have a leetle catching up to do. So you get twice the DIYMFA QotW this week.

Let’s start with the week 11 prompt:

QOTW 11: What’s Your Favorite Supporting Character Archetype, and Why?

As you already know, at DIY MFA, we’re big on archetypes. We’ve talked about protagonist archetypes and supporting character archetypes on the site and podcast. We even created our Storytelling Superpower quiz by understanding what different protagonist archetypes want (and how that want drives the story). This week, I want you to turn your attention to the supporting cast. What’s your favorite supporting character archetype and why?

Muse-inks

We’ve established previously that my storytelling superpower is the Protector. All of my protagonists are trying to protect, or save something. Interestingly, I think they all start out as survivors and make the transition to protector. Check out Gabriela’s Storytelling Superpower video series (it’s free!) to find out more 🙂

I’ll approach this by going through each of my WIPs and look at who I’ve written by way of supporting characters. I’ll also limit it to the main supporting characters. For example, my epic fantasy has a lot of characters. It’s the nature of the beast; so I’ll do y’all the favour of not covering all of the supporting cast members.

By the way, I’ve based my assessment on the 12 character archetype system. I know there are a lot more potential archetypes out there, but I, like Gabriela, wanted to keep it simple 😉

Interestingly, these are mostly groupings of three (protagonist + 2 supporting characters). Nice how I managed to get the whole power of three thing without even thinking about it (!) If you want to find out more about the power of three, check out the DIYMFA book, coming soon!

Initiate of Stone/Apprentice of Wind

Protagonist: Ferathainn Devlin. She’s an uninitiated mage from whom war takes everything. She starts out wanting to take revenge on the man she believes to be responsible, but when she realizes there’s more at stake, like, the fate of her world, she has to choose between revenge and sacrifice.

Eoghan: Eoghan doesn’t fit neatly into one archetype. This is because he is physically transformed over the course of the first novel.

He starts out as an innocent, a postulant monk living in a dormitory with a bunch of other orphans, waiting to be called to serve. His much older brother, a priest, is accused of, and executed for, heresy. Eoghan is exiled, and then the goddess Auraya calls him to become her Kas’Hadden, her hammer of light. That’s where the transformation comes in.

On his way, though, fleeing the destruction of war and trying to help the wounded and dying left in the wake of it, he finds Ferathainn, apparently dead. He decides to make her his last stand. He will save her no matter what. And he does, though it involves months of care to nurse her back to health. So he becomes caregiver.

And once Auraya insists, he finally goes to her where she waits, at the Well of Souls, and she transforms him into her holy warrior, her hammer of light. And he becomes a hero/warrior. He has been made to spare his goddess the indignity of murder.

Dairragh: Dairragh transforms, too, though not in the same way as Eoghan. He starts out as the son of an aging lord, eager to prove himself and inherit Gryphonskeep and its lands. He’s been taking care of things in all but name for years now, and is impatient for his father to recognise that he is worthy. He is the ruler without anything to rightly rule.

After Gryphonskeep is destroyed, his father killed, and the gryphons slaughtered, he is taken in by the anogeni, the hidden people, and through their influence, he learns shamanism.

When he meets Ferathainn, Dairragh is becoming the magician.

Figments

Protagonist: Charlene Kalveras (Chas). Chas has been pretty messed up since her father was murdered. Depression and nightmares have yielded to insomnia. When she starts to see things the other kids can’t, she’s worried she’s had some kind of psychotic break. When her figments turn out to be real, though, she discovers a whole other world, and truths about herself and her father that she could never have suspected.

Chas is a protector-mage, an hereditary group of magic-using humans devoted to maintaining balance between Earth and Regnarium (think Plato’s world of ideals mashed up with Jung’s universal unconscious—crazyworld of myth, fairy tale, and, of course, gods).

Ben: Ben is one of Chas’s two best friends. They’ve known each other all their lives. He’s an athlete and a beautiful brown boy who’s smart enough to get by without studying and has developed an unrequited crush on Chas. She’s just been so damaged since her dad was killed, he can’t help himself. He wants to fix things for her.

Though there are shades of the caregiver and lover in there, Ben’s pure everyman. He’s the realist. He keeps Chas grounded.

Finn: The other of Chas’s life-long friends, Finn, might seem to be another everyman. Every person? Whatever, that’s not her. She’s perfectly average, in most respects, but she has a secret fondness for dreams and dream interpretation. Finn also has no internal censor. She says everything she thinks and has to really struggle to be polite sometimes.

When Chas finally reveals what’s happened to her, Finn is on board. She is the creator, the visionary. It’s no surprise to any of them that she has some of the mage-blood in her family, too.

To make the dynamic of the threesome just a little more problematic, Finn’s crushing on Ben, and Chas is aware of the awkeird love triangle but she doesn’t feel anything romantic for Ben and wants nothing more than for Ben to shift his moony gaze to Finn.

Marushka

Protagonist: Marushka. She’s a weirdo, but anyone would be, in her place. Stolen at birth by Baba Yaga (who then ate her mother—shudder), she’s lived in Baba’s sentient hut, Khizhina (literally, hut), all her life. She has no idea how old she is and aside from a few adventures into the normal world to attempt to go to school, or get some books to read, she’s never left Khizhina. Until, that is, Khizhina tells her she has to take Baba Yaga’s place.

Khizhina has mercifully segregated Marushka from her horrid kidnapper/captor, who regularly dines on young, homeless people. Marushka can’t bear the thought of becoming a cannibalistic hag and runs away.

Out in the world, though, she learns she can’t escape her destiny. First, her latent powers begin to express themselves. Second, a patriarchal shadow organisation, bent on destroying goddess-power and subjugating all women for all time, targets Marushka and tries to take her out of the game before she becomes the next Yaga.

She’s socially awkward and doesn’t make friends.

Declan Russell: Declan’s parents decide to foster Marushka. He’s never met anyone like her before and is pretty much instantly smitten. He’s a computer geek/gamer-boy, loves death metal, and is a brown belt in Aikido. His younger sister, Cindy, is the pain in his ass.

In a home invasion and arson (an attack by the shadow org) Declan’s family is killed and only he and Marushka are rescued. Kind of. They’re not allowed to go out, even to the police. Marushka’s birth father, Alex Solomon, who led their rescue, calls it protective custody.

Who the heck is this girl?

He’s the lover.

Yuki Oshiro: Yuki is the Matriarch of the Oshiro family, one of a number of Old Families who have been tasked with the preservation of goddess-power and women’s agency in the world. Her mother actually represents the Oshiros on the Matriarch Council, because boring, and because Yuki would much rather have boots on the ground. She has to be doing something concrete and meaningful. She leaves the political manoeuvring to the Council.

When Marushka suggests a clandestine invasion of the shadow organisation’s stronghold, Yuki can’t resist. Now if they could only dump the kid . . .

Yuki’s another hero/warrior.

This one’s not such a neat grouping. Marushka’s constantly moving, constantly changing circumstances, from Khizhina, to a Children’s Aid Society group home, to foster care, to her (surprise-surprise) birth father’s other family home, and then finally to the Oshiro’s. She doesn’t have a lot of time to make friends, not that she’s any good at it. Declan attaches himself to her, and, after the Russells are killed, Marushka feels responsible for him.

Another attack happens while Marushka and Declan are with the Solomons and after Marushka manages to save them, Yuki, who’s been on patrol, takes them to her family’s home. Yuki’s a bit of an odd duck herself, and so she kind of likes Marushka. That whole goddess thing—bonus. Until Declan proves himself, which he does, she’d as soon turn him over to the CAS.

Reality Bomb

Protagonist: Brenda O’Connell. Brenda is a PhD candidate in physics and astronomy who becomes aware that a fellow candidate, Simon, is attempting to prove that time travel into the past is possible. She tries—and fails—to stop him resulting in the destruction of their reality and the relocation of her consciousness into her alternate self in another reality, nearly a year in the past.

Her alternate self is nothing like her and Brenda has no idea how she’s going to make her situation known to her other self, let alone how she’s going to try to figure out if Simon’s alternate self is heading toward the same disastrous experiment in this world.

B2: This is another weird one. Brenda’s alternate self is in the fashion design program at an art school co-located with Brenda’s university. She’s a cool girl, fashion whore, hard partier, and pretty much everything Brenda’s not, including straight (!)

When Brenda finally is able to make contact, B2’s first reaction is to think she’s insane. Understandably. They fight each other over everything, initially, but eventually come to an uneasy understanding. Brenda can’t do anything without her alternate self.

Over time, they start to influence each other—until disaster happens.

B2 is the explorer/hedonist. Truthfully, Brenda’s a little repressed. She needs B2’s influence.

Morgan Estys: Morgan was the woman Brenda was in love with in her reality. In the alternate world, she’s in the journalism program, and the key to uncovering Simon’s secret lab where he is trying to prove that time travel into the past is possible.

Morgan is the sage.

Gerod and the Lions

Protagonist: Gerod Tucker. Gerod is the youngest boy and the second youngest child of the very large Tucker family. His father, Old John, values strong hands and strong backs, neither of which Gerod possesses. He’s small for his age, not that anyone knows what that is, and makes it his business to try to take care of his family, who all work on Lord Somber’s land and estate. Still, the Tuckers are destitute.

It’s a lean year, and the Child Merchants always come in lean years to buy the ‘surplus’ children of the poor and sell them to the noble families and merchants in the big cities, far away.

Gerod’s been working on a plan, and a hiding place for himself and his little sister, Annabelle, but the Child Merchants come to his village before Gerod is ready, and when Old John sells Annabelle in Gerod’s absence, Gerod chases after the Child Merchants, determined to rescue his sister.

Unfortunately, by himself he can’t fight the large and well-armed Child Merchants. In desperation, he attempts a night rescue, but the cries of the frightened children alert the Child Merchants, sending Gerod running, pell-mell through the woods, into an enormous tent, and right into the paws of a lion.

Maisy: Maisy is the lioness whose enclosure Gerod stumbles into. Prior to her capture in her distant home, Maisy was the queen of her pride, and proud mother of many cubs. A rival fought her and beat her, killing her cubs and driving her out of the pride. She doesn’t mind being in a cage so much. It saves her from having to think about her home and her poor babies . . .

She quite likes this furless cub that fell into her cage. He understands her. He can speak to her. She thinks she’ll keep him.

Maisy is another caregiver, a mother-figure who will actually defend him.

Brawn: Brawn is the lion-tamer of Melchior’s Arcadia of World Oddities. Maisy is his best girl and the one he performs with most for the villagers who come to see them. He also has Tefta and Neruk, but those lionesses belonged to royalty and have never taken well to training. When he sees a boy in the cage with his Maisy, he knows the child must be something special and he’s not disappointed. He brokers a deal between Gerod and Master Melchior. The Arcadia will help Gerod find his sister and get her away from the Child Merchants if Gerod will perform with the lions.

Brawn is a mentor, another kind of caregiver.

So I think the caregivers have it, followed by the hero/warrior.

I wouldn’t say I have a favourite character archetype. As a plantser (combination plotter and pantser), everything starts with the characters for me. I start with my protagonist and the other supporting characters just seem to appear around her or him as the story world forms around them. And then I make bad things happen to them, muwahahahahaha!

I’ll be back in a few with QotW #12!

Tomorrow: Ad Astra 2016 reportage continues with ‘How to get an agent,’ and I’ll have a long overdue post of the home and garden variety 🙂

The next chapter: May 2016 update

The year of revision is progressing steadily.

MayProgress

I finished my first run through of Marushka, which ended up at 75,473 words total, 33,258 of which were revised in May, and moved on to Reality Bomb. I revised 17,624 words on that manuscript.

I achieved 136% of my revision goal for May with 50,882 words revised.

All my writing was on Writerly Goodness, and, because I joined Gabriela Pereira’s DIYMFA launch team and have been posting twice each weekend, I’ve achieved 181% of my writing goal for May with 10,474 words on the web.

In other news, I’ve let my querying slip. I’ve received enough form rejections that I have this feeling I need to return to Initiate of Stone and give the manuscript another run. I’ve come up with some ideas to improve my first pages (and other stuff) as a result of working on Apprentice of Wind and I’m not sure I should burn any more agent bridges . . .

At the same time, I want to continue on the chance that I haven’t presented IoS to the agent that will love it. I’ve had success pitching the novel in person to both agents and small publishers, so the idea has merit. It must be the execution that needs work.

Accordingly, I’m probably going to take a break from revising RB for a few days to focus on reworking the first chapter and query of IoS and then get back at it.

I’ve booked my flight to Kansas City in August. I’m one step closer to WorldCon and a visit with a friend who lives in KC. So looking forward.

In the meantime, the Canadian Writers’ Summit is taking place in less than two weeks. I’m looking forward to that, as well, but the scheduling is a bit strange. Because the

CWS is a joint conference between a number of professional writing organizations in Canada, some of the sessions are overlapping. It will make things challenging, but I’m also going to get to attend a great session by Robert J. Sawyer, as well as key note addresses by Jean Little, Kenneth Oppel, and Nalo Hopkinson.

If I had more leave, I might have gone down Wednesday evening to see Lawrence Hill, but I had to make a choice between the CWS and WorldCon/friend visitation. Seeing a new city and an old friend won out 🙂

A new short story idea is brewing for an anthology call later in the year, but I haven’t been paying a lot of attention to short fiction this year, as was the plan. We’ll see if I can keep the idea from blowing up into a novel-sized concept and premise.

I’ve signed up for another online course, this time from one of my favourite authors/writing craft experts, Kate Weiland. It’s another thing I’m looking forward to. We’ll let you know how things go in future updates.

And that’s it for now.

I’m doing too much, as usual, but enjoying every minute of it. I’m really not happy unless I’m learning something/pushing my boundaries.

Hope everyone has a productive, happy-making month!

The Next Chapter

What’s my storytelling superpower and my writer’s Kryptonite?

Because I was away last weekend, I didn’t have a chance to cover my DIYMFA question of the week (QotW) and now I have two to answer (!)

Note, before I begin: superpower and Kryptonite come into play in this context with respect to the kinds of characters I create and the weaknesses in writing those kinds of characters. I have other writerly strengths and weaknesses, but I’ll limit this post to the questions asked.

QOTW 4: What’s Your Storytelling Superpower?

I’ve done the quiz three times so far, and it’s been Protector every time 🙂 Here’s what the result of the quiz says:

Your superpower is writing superheroes! Your favorite characters see their world in danger and will do whatever it takes to protect it and those they love in it. These characters may not wear spandex and capes, but they show almost superhuman fortitude in their quest to prevent disaster, whatever the cost to themselves. From Scarlett O’Hara to James Bond to Iron Man, you’re drawn to characters who stand up to the forces of evil and protect what they believe in.

Looking at the protagonists of my novels (so far) they are all protectors, to a one.

In terms of her series arc, Ferathainn (Fer), is ultimately going to heal the world (literally, the planet). She just doesn’t do it the way the spirit of the world wants her to 😉 In Initiate of Stone—by the way, I’m considering a change in title, but I’ll hang on to IoS in terms of discussing the book on this blog—Fer is out to avenge her friends, family, and the destruction of her village. In Apprentice of Wind, Fer defeats Yllel (temporarily); Book three sees her trying to stop a continental power struggle and war while trying not to become the god-killer her father has told her she will be; In book four, she helps to stop a civil war among the dwergen and liberates the dragons; and in book five, Yllel escapes his temporary prison, forcing Fer to confront the monumental task of healing the world, which will eliminate the threat of the mad god for good. It all revolves around Fer’s solution to god killing, which is what she faces from book two on.

She’s all about saving the world, to a greater, or lesser, degree.

Charlene (Chas), protagonist of Figments, starts out trying to solve the mystery of her father’s murder and ends up becoming a protector-mage, defending the balance between Earth and Regnarium.

Marushka runs away from a distasteful destiny (becoming the next Baba Yaga) but, once out in the world, struggles with her emerging powers and a shadow organization bent on the subjugation of all womankind.

Brenda, protagonist of my new adult science fiction (and yeah, I know it’s a genre stretch, but I have seen them out there), Reality Bomb, fails to stop a fellow PhD in physics candidate from conducting his experiment to prove time travel is possible. As a result, her reality is destroyed, and she is thrown into the past of a parallel reality in which nothing is the same, especially her alternate self . . . except that her former colleague is still working toward his fateful experiment and the destruction of another reality.

Finally, Gerod, protagonist of my MG fantasy, Gerod and the Lions, just wants to save his sister from the Child Merchants. He ends up convincing the king that he should outlaw the Child Merchants altogether.

All protectors. They each become larger-than-life characters and they each want to preserve something or someone. But . . . the way in which they preserve often involves changing the way things are, or are done. So they’re all a bit on the disruptor side of things as well.

DIYMFASuperpower

QOTW 5: What’s Your Writer’s Krpytonite?

The elaboration of the question indicates that the writer’s weakness is often related to her greatest strength.

So I guess the problem for me would be that my characters, by virtue of their talents and abilities, might come off as too perfect to the reader, the stereotypical Mary Sue or Gary Stu.

Not to worry, my characters all have their challenges and foibles.

Fer fears she might become a monster because of her magickal talent (origin story stuff). She has to overcome the trauma she experiences from witnessing the destruction of her village and the murders of the people she loves. It’s some serious PTSD. Though she has to fight battles, physical and magickal, she firmly believes that killing is wrong and has to overcome a lot of self-loathing to come to terms with the reality that killing, right or wrong, is sometimes necessary to serve a greater good.

Charlene has been suffering from depression and insomnia since her father’s death and is obsessed with finding her father’s killer, which she sees as the solution to all her problems. She’s willing to lie and steal (literally—she commits a B&E) to bring the killer to justice. And when she learns that the murderer is one of her parent’s friends, that her mother might be involved, and that she’s the monster to her father’s magical Frankenstein, things get complicated.

Marushka, having been raised in isolation by what most people would understand as a supernatural serial killer and her sentient, chicken-legged hut, is just strange. She doesn’t know how to relate to people. She doesn’t understand body language or facial expressions. Her reactions are very clinical. She just wants a normal life, but comes to understand quickly that it won’t be possible for her, and not just because she’s inheriting Baba Yaga’s powers.

Brenda faces a unique challenge in the alternate reality she’s thrust into. She’s trapped inside her alternate reality self, a woman who is so different from her it shouldn’t be possible. Brenda first has to discover some common ground and a way to reach her alternate self without making her think she’s lost her mind before they can find a way to stop the time travel experiment from unravelling another reality.

Gerod is simpler. He’s small, and, as a consequence, weak, and this frustrates him to no end. Though he tries, he can’t protect either himself or his sister from the Child Merchants, only luck saves him, initially. He can’t rely on his parents, who sold his sister in the first place. Stubbornly, he follows the Child Merchants out of his village, but they are several men who know how to fight, and they have many more children than the ones they bought in Gerod’s village. A failed attempt at a night time rescue ends with Gerod fleeing through the woods . . . and right into the paws of one of the titular lions.

You could say I like being mean to my characters. They kind of have to become bigger-than-life to face the challenges I put in front of them.

My next chapter update will have to wait for tomorrow.

See you then!

The next chapter: March 2016 update

In my 2015 year-end update, I said that 2016 would be the year of revision. To this point, I’d only ever revised the one novel, Initiate of Stone. I revised IoS eight times and I recently got a few ideas on how to improve it further as a result of my first run through of Apprentice of Wind.

In the first few days of March, I finished that first review of AoW. I’m going to return to it again, but this time, as I mentioned last month, I’m going to apply what I hope to be improvements to IoS and then move on to AoW.

My idea is to reinforce my voice over the two novels, which is quite different to the other novels I’ve drafted so far. Most of those are in a modern setting. Urban fantasy of various stripes. Though I’ve worked with IoS for so long, when it came to reviewing AoW, because I’d drafted the five other novels in between, I found I’d lost touch with the voice of the series and its characters.

We’ll see how that turns out, later in the year (I hope).

YTDProgress

Year Goals and Totals page

The current draft of AoW stands at 119,590 words. So 120K, which is reasonable for an epic fantasy.

I then moved onto Figments, my YA urban fantasy. It’s considerably shorter, nineteen chapters, and 53,536 words. I know I’ll have to punch that up a bit, but I have a number of ideas to make that happen.

Both of these novels were drafted, let to sit, printed out, read through, mapped, let to sit again, read through again, and then reviewed. I just changed some of the major things, POV, character deletion, consistency over the novels (in the case of AoW), and notes for future revision.

I don’t think I’ll need as many drafts of either AoW or Figments as I needed with IoS to finish them to my satisfaction.

I’m trying something different with Marushka, which I moved on to in the last few days of March.

My revision plan so far has been to review a chapter a day, which was challenging for AoW and Figments, because a number of the chapters of both were several thousand words long. I often found myself up until midnight on a weekday trying to get my work finished before I went to bed.

Marushka was the first novel I drafted using Scrivener and it really changed the way I drafted. The chapters are comparatively tiny (1000 to 1500 words so far) but there are a lot more of them (54).

I didn’t print Marushka out. I didn’t read it through or map it. As I review each chapter, I’m reading it through for the first time and mapping it as I go.

We’ll see if this is more or less productive than printing the draft out, and reading and mapping it out prior to my first run through.

I’m approaching this year of revision as an opportunity to experiment. My process is in continual evolution and, as I learn, from both success and failure, I’m seeing improvement in my process and in my writing overall.

I’m not looking for short cuts as much as efficiencies. I’m not doing any less work, I’m just doing it differently.

Again, we’ll see how it goes.

So here’s how the month breaks down.

MarchProgress

MarchProgress1

Want your own Writing and Revision Tracker? Visit http://jamieraintree.com/writing-revision-tracker

  • AoW – 7,334 words revised
  • Figments – 53,536 words revised
  • Marushka – 4,737 words revised
  • Blog – 8,436 words written.

I achieved 141% of my writing goal and 177% of my revision goal.

At this rate, I’ll finish the first run through on Marushka part way through May and move onto Reality Bomb and finally, Gerod and the Lions. Once I’ve got everything reviewed once, I’m going to take a break (which I tend to need in the summer months) and work on my outline for Mistress of Waves, the third book in my Ascension series and NaNo 2016 project 🙂

Then I’ll get back to deeper revisions until November arrives. I may not be able to conquer more than IoS/AoW. Maybe I make it as far as Figments.

Querying continues. I’ve not devoted much time to short fiction recently, though.

As far as conferences and conventions, I’m hitting Ad Astra (April 29-May 1), The Canadian Writers’ Summit (June 15-19, though I’ll only be attending June 17-19), and WorldCon, AKA MidAmericon II (August 17-21). I have paid my fees and reserved accommodation, but it’s all pending leave approval.

I’m holding my breath until I know it’s approved. Once it is, I’ll be able to book my flight to Kansas City.

My employer asks us to apply for leave every six months. We apply in March for the first half of the fiscal year, April to September, and in September for October through March. Approval is subject to seniority and operational demands (peak seasons).

I should know whether this first round of leave requests has been approved by the end of April.

My plans for fall and winter will have to wait on the approval of the second round of leave in October.

I’ll save those potential plans for a later update.

For the remainder of this month, I’ll be offering some Series discoveries posts (fall season, part two, mid-season follies, and anime) and at least one book review (Jane Ann McLachlan’s second Kia novel, The Salarian Desert Game).

As of Ad Astra, the convention reportage will resume.

So there’s lots of Writerly Goodness to look forward to, and of course, Tipsday and Thoughty Thursday curations will continue through the week.

In the meantime, break a bunch of pencils, you wonderful, creative people.

The Next Chapter

The next chapter: February 2016 update

February is always a struggle for me, even in this year, when we didn’t have snow until after Christmas. By the time February rolls around, the dimness of winter has resulted in some degree of seasonal affective disorder (SAD). I’m tired of being cold. I’m tired of slogging through the snow. I’m just tired.

Just a note here: We’ve had more snow in January and February that we had by this time last year, and last year, the snow started in the last week of October. That’s global warming for you.

Add to that Phil’s health issues (which are steadily showing improvement, so we’re good on that score), my illness, and my subsequent discovery that I’m anaemic, and we have a perfect storm of personal stress.

I suspect that I’ve been anaemic for some time. Persistent exhaustion and difficulty sleeping (among numerous other symptoms) have supported this hypothesis. Heck, in the days when I used to donate blood, I remember being turned away on several occasions because of low iron.

Then there’s work. The problems there are mostly political in nature and not anything I have either control or influence over. It’s frustrating and disappointing more than anything else, but that’s contributed to my desire to leap-month over February and get on with things.

Creatively, I’ve still managed to exceed my revision goal, but was unable to meet my writing goal in February. I’m not going to go into the reasons for that because it doesn’t have an impact on you, gentle readers, nor would there be any nugget of wisdom to be pulled from those events.

My challenge in February was in trying to continue my coursework in Story Genius while proceeding with my writing and revision goals, which were set prior to the course, and (for me) take precedence. I also committed to another, shorter course from Jamie Raintree, and though I enjoyed it, I think I simply took on far too much. Far. Too. Much.

I had a rough week during which I felt stupid because I couldn’t effectively implement the Story Genius lesson. It blocked me. I couldn’t even revise for a number of days because I could see my failures too clearly in front of me. I could see all the ways in which my existing work sucked ass (sorry, but that was the exact thought in my head at the time).

There are several reasons for this:

  1. I’m a keener and I have been learning my entire life. I’m a perfectionist. I’m used to doing well. I’m so much harder on myself than anyone else can be. My confidence is easily shaken. Usually, I can write through the malaise, but this time, I balked.
  2. I chose to work on a finished draft rather than a new story idea. Worse, I chose the second book in a series. I set myself up for failure because the focus of the course is to develop an idea from, “oh, this is cool,” to a realized story map given the specifics of the Story Genius methodology. It would have been much easier if I had chosen to do this. I was stubborn and thought I could both revise Apprentice of Wind and use it as the basis for my work in the course. Silly rabbit.
  3. This was an opportunity I couldn’t pass up, but I had neither budgeted for the expense of the course, nor, because of my day job, could I budget sufficient time to do a good job.
  4. Illness played a role, both mine and Phil’s. My personal circumstances have made me less able to cope with what would otherwise be a minor disappointment.

Ultimately, I’ve stepped back. I have the lessons, transcripts, examples, etc., and I’m going to take the time to do the learning, and incorporate it into my creative process. In my own time. Benefits will be reaped, just not tomorrow.

There’s one week left and I’m not going to ignore it or dog it. I’m going to do the best I’m currently capable of and be content that, with practice, the true learning will occur.

My difficulties have been completely of my own making and I could have prevented them from happening by waiting for the next time the course was offered, or the time after that. If I’m able to prepare properly, I can meet (and sometimes exceed) my own, admittedly high, expectations.

Learning nugget for y’all: If we fail to plan, we plan to fail. Thank you, Benjamin Franklin.

Mel’s version: If you’re keen on something that’s popped up unexpectedly, sit back and really assess the situation. What will happen if you don’t do it this very minute? Are there future opportunities you could take advantage of? Do you really have the resources (time, money, focus) you need to invest? If not, is there a way you can shift things around to make those resources appear? Look at the long game. What part in your career does this opportunity have? Will things look any different in five years (or ten, or twenty) if you don’t “do all the things” now?

Above all, be kind to yourself.

Having said that, Story Genius is a mind blowing course and I value the opportunity to learn from Lisa Cron and Jennie Nash, both incredible experts in writing and editing. My assigned editor is also a fabulous guy and he’s been very supportive. It’s well worth the investment in time and money.

I’ll reiterate what I wrote above: my problems are of my own making and should not in any way reflect on Jennie and Lisa’s amazeballs course.

So. What did I get done in February?

I have finished the first run-through of Apprentice of Wind. There is at least one more structural edit I have to do, in which I will make use of the Story Genius method, but I’m going to let the work relax for a bit before I dive back in. In fact, I’ve seen some further areas for improvement in Initiate of Stone, as well. I might start at the beginning and work straight through both novels on the next round. It will keep me in the Ascension series headspace and voice, too, something I feel is lacking in AoW.

In the meantime, I’ve moved on to Figments. Reading through it, it’s a lot better than I remember, which has been comforting. I’m going to apply Story Genius to that, too. Before I get to the actual revision, so I’m not mucking up one process (planning) with the other (revision).

I think that repeated practice will be the key to successful implementation. Eventually, it will become second nature. Then, I will actually be able to say that I’m a story genius 😉

I resumed querying, and I submitted more short stories.

I also received more rejections. Some of them were positive (this story isn’t suitable, but please send something else), but it still results in no further publications.

This hits home in tax season, during which one becomes acutely aware of how little income one has made from one’s creative efforts.

It doesn’t help, either, that nominations for various awards have opened. Even though I really don’t have a chance in hell of getting on a ballot, it would be nice to be able to put my name beside the title of a story I wrote (and was paid for), and then stand back and say, like a proud five year old, “I made this.” 😀

FebruaryProgress

Here’s how the numbers break down.

I achieved 108% of my revision goal with 40,708 words revised.

I achieved 90% of my writing goal with 5027 words, all written on this blog.

I sent out five queries and one package for a publisher’s open call.

I submitted short stories to one anthology call, and one magazine.

And that was my month in review.

This month, as I mentioned, I’m moving on to revising Figments, and will be submitting more queries and short stories.

And I’m going to give myself a break. I’m making progress. It’s enough. So am I. I just have to remind myself what would happen if publishing was taken out of the equation.

That’s right. I’d still be writing.

If you don’t love what you’re doing, why the hell are you doing it?

Have a good week, everyone.

Hugs all around.

You’re awesomesauce, each and every one of you.

The Next Chapter