Tipsday: Writerly Goodness found on the interwebz, June 21-27, 2020

Black lives matter. Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter. I’ll keep saying it until it’s true.

Pandemic life continues. A number of states have decided to roll back reopening. The Spanish flu pandemic lasted three years. Mind you, they didn’t have the world-wide medical resources to throw at the virus that we do. Still, I fear covid-19 will turn out to be a virus akin to the common cold and that a true vaccine will not be possible. What I hope is that immunologists will be able to account for mutations in covid-19 like they do with the annual flu vaccination and that we will have an ongoing method of control.

One way or another, this virus will change the way we live. I only hope that we take advantage of this opportunity to make the post-covid world a better one.

Cree Myles issues a challenge: if you want to unlearn racism, read Black science fiction authors. The Mary Sue

Tasha Seegmiller wants to have a candid conversation about publication. Then, Kris Maze wonders, is it YA, or not YA? Later in the week, Ellen Buikema explains how to develop a memorable character. Writers in the Storm

K.M. Weiland is using all four cognitive functions as a writer. Helping Writers Become Authors

Manuela Williams shares the four elements of a compelling book blurb. DIY MFA

Bonnie Randall explains why you can’t concentrate right now. Fiction University

Nathan Bransford: a year of living uncomfortably.

Mathina Calliope: you win this round, comma. Jane Friedman

Shaelin questions whether these writing rules are really unbreakable. Reedsy

Jami Gold helps you fix choppy writing. Then, she wants you to make your chapters count.

Martha Alderson considers the emotional roller coaster all writers experience. Writers Helping Writers

John J. Kelley explains how to write characters with trauma. Then, Yuvi Zalkow is accepting the multi-creative lifestyle. Writer Unboxed

Chris Winkle helps you send a message with your story (without getting preachy). Then, Oren Ashkenazi discusses five characters with weak motivations and how to fix them. Mythcreants

Princess Weekes considers the influence of the Byronic hero. PBS Storied

Thank you for stopping by and I hope you’ve come away with something to support your current work in progress.

Until Thursday, be well and stay safe.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, June 14-20, 2020

Black lives matter. Indigenous lives matter. All lives cannot matter until all Black and Indigenous lives matter. I don’t have a huge platform, but I’ll make use of it as I can to keep this message front and centre for my readers. I’m still listening. I’m still learning. And I’m still trying to do better.

Meanwhile, reopening continues, to more or less success, given the area/province/state. They’re discovering people who’d apparently recovered from covid getting sick again two months on. Worldwide, the number of cases continue to increase. This thing is a beast.

Let’s get to the informal writerly learnings.

Vaughn Roycroft: regarding privilege, empathy, and voice. Writer Unboxed

A Black booktuber shares her experience. Click through to her other videos and to the resources in the notes. Silence is complicity. Listen. Do the work. Don’t stop. Bookish Realm

And if you’re a booktube fan, legitimately commit to diversify your viewing and support some of these lovely people. Google is a thing you can use. Besides, like one video and YouTube will generally cue up three similar vids for you to check out.

Nic Stone: don’t just read about racism—read about Black people living. Cosmopolitan

Black Lives Matter. How can I help? Jenna Moreci

John Peragine helps you harness the power of pronouns (part 1). Then, Lori Freeland says, write your story forward. Writers in the Storm

Joanna Penn interviews Kris Spisak about self-editing your novel. The Creative Penn

K.B. Owen visits Elizabeth Spann Craig’s blog: writing real-life historical characters.

Sangeeta Mehta interviews Stefanie Sanchez von Borstel and Leslie Zampetti about writing, pitching, and promoting in the age of coronavirus. Jane Friedman

Lucy V. Hays explains how to avoid a half-baked idea. Writers Helping Writers

Kristen Lamb explains how you can use the Johari window to understand and harness the character blind spot.

Nathan Bransford: the climax should resolve your character’s desires.

Shaelin explains line editing (with examples). Reedsy

Rochelle Melander helps you revise your book for word choice. Fiction University

The Take considers the tomboy trope.

Chris Winkle gets facetious: if stories treated straight couples like they treated queer couples. Then, Oren Ashkenazi considers five over-burdened stories and how to fix them. Mythcreants

Thanks for the visit. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, June 7-13, 2020

Black lives matter. Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter.

Trans women are women. Trans men are men. Trans non-binary folks are non-binary folks.

These pandemic times are increasingly complex ones. Protests against anti-Black racism and anti-Indigenous racism continue even as the world begins to “reopen.” Black and Indigenous people continue to suffer from and die because of police violence but, as has been pointed out, police violence is only the symptom. Institutionalized racism is the virus that must be eradicated.

Here in Canada, the RCMP has recently done an about face, first denying their endemic racism, and then admitting it and committing to do better. In the meantime, Indigenous and Black lives continue to be threatened.

People across the publishing industry—across all media, in fact—have been fired for their racism. Various governments are seriously considering defunding their police. Monuments to white supremacy are falling.

And TERFs who expose their prejudices are being publicly and thoroughly schooled.

The world is still in chaos. But with the continued protests, change is coming. I continue to hope and to support efforts to achieve reform and justice. I continue to listen and learn, because there’s so much I don’t know, and I want to do better.

Onto the informal writerly learnings!

Why poetry is so important/powerful/relevant right now. “Hollow” – Bristol’s City Poet, Vanessa Kisuule.

Jenny Hansen lists the eight Cs of character development. Writers in the Storm

Nya Wilcox busts six writing excuses and explains how she wrote—and published—a novel at the age of eleven. Helping Writers Become Authors

Jane Friedman recommends questions to ask your publisher before you sign the contract.

Laura Highcove offers an introduction to writer’s intuition. DIY MFA

The Take explains the superhero genre.

Jami Gold helps you make the right impression with character introductions. Writers Helping Writers

On her own blog, Jami shares four further tips for making the right impression for your characters.

Jenna Moreci offers her first ten tips for evoking emotion through your writing.

Jim Dempsey is writing and hiking. Kathryn Craft shares six ways to add a dash of foreign language. Then, Laurie R. King helps you keep your series fresh. Writer Unboxed

Janice Hardy reveals the hidden danger backstory poses for writers (and it’s not what you think). Fiction University

Nathan Bransford: listen to your characters, but don’t let them run away with your story.

Hard worldbuilding vs. soft worldbuilding. And yes, Tim does discuss Harry Potter as an example of soft worldbuilding, so be warned if J.K.’s recent TERF-dom is offensive or triggering for you. Hello, Future Me

Chris Winkle is judging what backstory to keep and what to let go. Then, Oren Ashkenazi lists what does and doesn’t make a signature weapon cool. Mythcreants

And that is tipsday for this week. Thank you for visiting, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe. Be willing to listen, learn, and do better.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, May 10-16, 2020

Welcome to week nine of #pandemiclife.

Here in Ontario, the Premiere has authorized some businesses to reopen. Street-facing retail stores that can deliver curb-side service. Veterinarians, groomers, and pet boarding businesses. Essential-adjacent health support services. My mother-in-law will be able to get her housekeeper back—physically distanced, of course. And golf courses. And cottage country (which really doesn’t want to be open, from what I’ve been hearing).

Will we have another spike? Will we have to dial back? I’m maintaining the status quo. Kind of. I’ll be delivering virtual training over the next couple weeks. It’s going to be interesting. And … I’ve already been asked to deliver the next session, which is pretty much back to back, because there aren’t enough trainers who are comfortable with the platform, or even virtual training, to spread out the burden.

There are apparently five such courses to be delivered between now and September. I hesitate to be on the hook for all of them. But this may be my work life, moving forward.

I’ll keep you updated.

In the meantime, please enjoy some informal writerly learnings 🙂

K.M. Weiland uses a brave critique volunteer’s work to discuss seven possible hooks for your opening chapter. Helping Writers Become Authors

K.B. Jensen explains how to throw a virtual book launch using Facebook Live. Then, Chantel Hamilton provides a comprehensive guide to finding, hiring, and working with an editor. Jane Friedman

Shaelin Bishop continues her series on developing a novel with part 4: form, style, and voice. Reedsy

Joanna Penn interviews Larry Brooks about how to develop strong fiction ideas. The Creative Penn

Leanne Sowul touts the power of paying attention. Later in the week, Sarah Fraser lists five signs you’re ready to work with an editor. DIY MFA

Jim Dempsey helps you decide, your words, or your editor’s? Juliet Marillier: consolation or challenge? Kathryn Craft shares eight ways to unblock your scene’s potential. Writer Unboxed

September C. Fawkes explains how plotlines add dimension. Writers Helping Writers

Jami Gold wonders whether breaking the rules is easy or hard.

Jenna Moreci says imposter syndrome sucks, but you don’t.

Nathan Bransford tells you everything authors need to know about dialogue tags.

Aliza Mann explains how to get back on track when all your planning fails. Fiction University

Kristen Lamb wants you to create a story-worthy problem that will captivate an audience.

How the strong black woman trope has evolved. The Take

Barbara Linn Probst lists three motivations to write: artistry, identity, and legacy. Writers in the Storm

Chris Winkle says, no. “Art” does not entitle you to spread harmful messages. Then, Oren Ashkenazi gets facetious with seven musts for dominating a fantasy battle. Mythcreants

Richard Marpole goes for a walk among the trees: a look at forests in myth and media. Fantasy Faction

Esther Jones: science fiction builds resilience in young readers. Phys.org

Simon Winchester: has “run” run amok? It has 645 meanings … so far. NPR

Thanks for stopping by. I hope you’ve taken away something to support your current work in progress (or planning/development of same).

Until Thursday, stay safe and be well, my writerly friends!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, May 3-9, 2020

Even as various provincial governments consider “opening up,” we are becoming aware of reports from China and South Korea that their attempts to do the same are resulting in another spike in infections and deaths. While I think that, with testing and tracking and sufficient PPE, a certain degree of business resumption can occur, I’m worried that the testing, tracking, and PPE are not in place as yet.

Time will tell.

In the meantime, this week was another rich one for informal writerly learnings. Enjoy!

Sara Letourneau explains how your protagonist’s motivations influence your story’s themes. Later in the week, Gabriela Pereira interviews Helen J. Darling for an inside look at self-publishing. Pamela Gay shares five ways to write about something difficult. DIY MFA

Sonja Yoerg encourages you to give your story the time of day. Donald Maass: the meaning of meaning. Julie Carrick Dalton considers the earned plot twist. Jennie Nash: the secret to more efficient revision is pattern recognition. Writer Unboxed

How to develop a novel, part 3: plot & world. Reedsy

Nathan Bransford shows you how to weave exposition naturally into your story. Later in the week, he suggests giving your protagonist a mini-quest before the plot takes off.

Aziraphale and Crowley share a message with the world.

Tiffany Yates Martin wants you to give your characters agency. Then, Susan DeFreitas serves up the next part of her developing a writing practice series: captivating. Jane Friedman

Jami Gold explains how to improve your story with action beats. Later in the week, she wonders, do your characters take on lives of their own?

The Take explains the woman-child trope.

Joanna Penn shares her self-editing process. The Creative Penn

Meg LaTorre explains how to juggle writing and parenting. Writers Helping Writers

Fae Rowan show you how small decisions can make big story impact. Julie Glover: in defense of editing as you go. Writers in the Storm

Juliette Dunn profiles five characters coded as autistic. Mythcreants

What English does that no other languages do. NativLang

Eileen Hunt Botting introduces us to Mary Shelley’s journals of sorrow. The Times Literary Supplement

I’ve been trying to avoid a lot of overt covid-19 material, but Kim Stanley Robinson’s article is too amazing not to share. Coronavirus is rewriting our imaginations. The New Yorker

And this: Sabrina Orah Mark. Fuck the Bread. The Bread is over. On making your own fairy tale, embarking on your own epic tasks, and finding meaning. Beautiful and wrenching and ultimately hopeful. The Paris Review

Thanks for stopping by, and I hope you’ve taken away something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, April 26-May 2, 2020

We’re staying the course here. I will likely be working from home for the foreseeable. I could also see our local and regional management making the case that we can and should continue to work from home on a permanent basis.

My current position has been largely virtual since I moved into it eleven years ago. There’s still an element of the surreal to the situation (where does the job end, how do I transition into home/creative life?) but now that we’re closing in on two months of pandemic life and  six weeks (for me) of working from home, I’m finding my way to a workable routine.

Here’s hoping that whatever your circumstances are, that you’re finding your feet, so to speak. Everyone’s dealing with “stuff.” Take a break and peruse some of these informal writerly learnings.

Tasha Seegmiller offers five tips for having hard conversations. Ellen Buikema teaches you how to love your hateful antagonist. Writers in the Storm

K.M. Weiland lists 15 productive tasks you can do when you don’t feel like writing. Helping Writers Become Authors

How to master fight scenes (a follow up from the other fight scene video I shared—as Tim will tell you, please watch that one first). Hello, Future Me

Justin Attas explains the puzzle piece plotting method: using what you know to build what you don’t. Susan DeFreitas is helping you develop your writing practice, part five: neurohacks. Later in the week, C.S. Lakin touts the three Ms of character setup. Jane Friedman

Developing a book, part 2: the characters. Reedsy

Nathan Bransford tells you everything you need to know about inciting incidents.

Related: Jami Gold explains the difference between the inciting incident and the first plot point.

Jenn Walton shares three ways to preserve your creativity. DIY MFA

Chris Winkle lists five reasons tension is missing from your story. Then, Oren Ashkenazi considers six ridiculous cultures in speculative fiction. Mythcreants

Nina Munteanu uses a walk in the forest to discover hidden character archetypes.

Alison Flood: study shows most authors hear their characters speak. Do you? The Guardian

Keziah Weir says poetry is having its moment. Vanity Fair

Thank you for visiting. I hope you found something to assist you with your current work in progress, even if you’re not actively writing.

Until Thursday, be well and stay safe!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, April 19-25, 2020

Sunday (April 26th) marked one month since I started working from home and a little over six weeks since covid-19 was declared a pandemic and physical distancing measures were put in place. In that time, several of the small businesses and independent workers whose services I used have shut down operations. This past week, one of those small businesses made the decision to close permanently.

I understand the decision and wish the two wonderful businesswomen all the best, but it makes me sad that they were forced to the extremity. Unfortunately, none of the measures the government offered for small businesses were appropriate for them. I worry that more small businesses will follow suit.

This has been a trying time for everyone for a variety of reasons. Take care of yourselves and take some time to enjoy these informal writerly learnings.

Jan O’Hara: turning points (or, how not to kill your partner during covid-19 lockdown). Dave King discusses the practice novel (also called the shelf novel or trunk novel—scarier words were never writ). Anne Greenwood Brown reveals the science behind the meet-cute. Heather Webb explains how to find and hone your author voice. Writer Unboxed

Becca Puglisi offers nine ways to originalize your story. Writers in the Storm

Shaelin starts a new series about developing a novel. Part one: concept and idea. Reedsy

K.M. Weiland lists four ways writing improves your relationship with yourself. Helping Writers Become Authors

Joanna Penn talks to Gail Carriger about building a unique author brand. The Creative Penn

Susan DeFreitas continues her series on developing a writing practice with part four: easy. Jane Friedman

Lisa Hall-Wilson explains what emotional context is and why your story needs it. Later in the week, Angela Ackerman shows you how to describe a location you’ve never visited. Writers Helping Writers

Jami Gold helps you use scene and sequel better.

Chris Winkle lists five common dialogue problems and how to fix them. Then, Oren Ashkenazi digs into the world building of Naomi Novik’s Temeraire. Mythcreants

How the manic pixie dream girl has evolved. The Take

And the crazy woman.

Maria Popova introduces us to The Lost Words: an illustrated dictionary of poetic spells reclaiming the language of nature. Brain Pickings

Kate Yoder considers the words this unprecedented time of change have brought into our lexicon. Grist

Thank you for stopping by and I hope you found something to support your current work in progress.

Until next time, be well and stay safe, my writerly friends.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, April 12-18, 2020

I hope everyone is staying safe and keeping well. Here’s your weekly dose of informal writerly learnings to help fill some of your time (I know you’re all doing what you can to keep yourselves occupied).

Helen J. Darling says that if you’re finding it hard to write, try keeping a pandemic journal. Sara Farmer considers fiction from Daphne du Maurier to Megan Abbott: the gothic horror of womanhood. Later in the week, Gabriela Pereira interviews Jeff Garvin about dismantling the stigma of mental illness. DIY MFA

Lori Freeland helps you understand point of view: P-O-What? Writers in the Storm

K.M. Weiland explains how to get some writing done: discipline vs. enthusiasm. Helping Writers Become Authors

Jim Dempsey offers a simple guide to symbolism in stories. Kathleen McCleary wants you to fuel your writing with feeling. Barbara Linn Probst shares five ways to light the spark of a novel. Writer Unboxed

Sacha Black wants you to breathe life into your prose with the sense of touch. Writers Helping Writers

Specificity and concrete language. Shaelin Writes

Susan DeFreitas shares part three of her developing a writing practice series: important.  Then, Mathina Calliope reveals the easy-to-fix tense problem that might be tripping up your readers. Jane Friedman

Jami Gold explains the difference between passive and active voice: was and not was. Later in the week, she wonders if pandemic anxiety is forcing everyone to count their spoons.

Chris Winkle breaks down act 3 of Dr. Horrible’s Sing-Along Blog. Then, Oren Ashkenazi looks at six magic systems that need stricter limits. Mythcreants

Writing fight scenes. Hello, Future Me

Chuck Wendig writes about being broken in half but wanting to be whole. Terribleminds

Steve Toase confronts the default: portraying homelessness in fantasy and science fiction. Tor.com

Thanks for stopping by, and I hope you take away something that will support your current work in progress.

Until Thursday, stay safe and well, my writerly friends.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, March 22-28, 2020

I hope you’re all keeping safe and well.

I’m now working from home and only leaving to walk the dog. Phil continues to be our designated shopper. We’re all remaining as isolated as possible given the circumstances.

While you’re at home, you might have the time to catch up on your informal writerly learnings.

Julianna Baggott is creating in the time of quarantine. Liz Michalski: sea glass. Heather Webb says, the beauty is in the words. John J Kelley: for the love of Moira—the arc of a memorable character. Writer Unboxed

K.M. Weiland touts the power of hopeful stories in a stressful time. Helping Writers Become Authors

E.J. Wenstrom explains how authors can build a true community of fans. Later in the week, Savannah Cordova lists five signs your story’s structure needs work. DIY MFA

Shaelin shares six ways to improve your craft. Reedsy

Barbara Linn Probst visit’s Jane Friedman’s blog to explain the when, why, and how of peer critique and professional editing.

Lisa Hall-Wilson explains how to write compelling emotional triggers. Ellen Buikema explores white space on the page. Writers in the Storm

The Take takes on the weird girl trope.

Chris Winkle helps you make the most of your narrative premise. Then, Oren Ashkenazi explains why zombies aren’t a good pandemic parallel. Mythcreants

Meg LaTorre shares ten fantasy tropes she loves. iWriterly

Jami Gold explains how point of view affects dialogue.

Nina Munteanu: dreams and perceptions and “the other.”

Robert Lee Brewer clarifies fable vs. parable vs. allegory. Writer’s Digest

Adrienne Westenfeld recommends the best books for distancing yourself from reality right now. Esquire

Open Culture introduces us to the world’s first author: the Sumerian High Priestess Enheduanna.

Thank you for visiting, and I hope you took away something to support your current work in progress.

Until Thursday, be well!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, March 1-7, 2020

Welcome to the second week of March, the week that starts out with daylight savings time and International Women’s Day, proceeds through the full moon, and ends with Friday the 13th!

You’re going to need some informal writerly learnings to see you through.

Greer Macallister says, instead of promotion, try participation. Nancy Johnson: you had me at the title. Donald Maass: it can’t happen here. Bryn Greenwood can’t decide whether it’s a sophomore slump or derailment. Steven James: they just won’t understand. File in writers is weird. Writer Unboxed

K.M. Weiland: creativity vs. the ego, or, the value of unpublishable stories. Helping Writers Become Authors

James Scott Bell: synopsis writing made easy. Writers Helping Writers

Susanne Cokal lists four reasons to spend time with “bad” books. Jane Friedman

Nathan Bransford: you gotta tell the story. No matter what.

Shaelin offers eleven tips for new writers. I think these work for everyone. If nothing else, they’re good reminders. Reedsy

Jenn Walton explains how to deepen characters by assessing their fears. Sara Farmer introduces us to Jo March’s twisted sisters: the thrillers of Louisa May Alcott. Gabriela Pereira interviews Claire Waller about writing an unlikable but sympathetic protagonist. DIY MFA

Eldred Bird is colouring with words. Writers in the Storm

Kassandra Lamb explains the importance of backstory, or, how the brain connects the present with the past. Then, Janice Hardy shares three reasons your perfectly good scene is boring your readers.  Later in the week, Janice offers tips for showing character motivation. Fiction University

Jenna Moreci discusses the breaking point.

Chris Winkle explains how to describe female characters without degrading them. Then, Oren Ashkenazi recommends five questions to diagnose an overpowered hero. Mythcreants

Robert Lee Brewer extols the virtues of the Oxford, or serial, comma. Writer’s Digest

Sad news for the already small Canadian publishing scene. Bryan Eneas reports on the bankruptcy of Coteau books, closing their doors after 45 years. CBC

Thank you for visiting and I hope you came away with some fabulous resources to support your current work in progress.

Until Thursday, be well, my writerly friends 🙂

Tipsday2019