Tipsday: Informal writerly learnings, Sept 25-Oct 1, 2022

Welcome to October! Energize yourself for the rest of the week with some informal writerly learnings.

Tiffany Yates Martin explains why plots fail. Then, Amanda Miller shares five ways to use community marketing for your book. Jane Friedman

Jenny Hansen suggests a strength-based approach to writing. Then, Lisa Hall-Wilson explains why rhetorical questions help you go deeper with emotions. Eldred Bird is writing through life’s storms. Writers in the Storm

C.S. Lakin helps you show the world through your character’s senses. Live, Write, Thrive

Angela Ackerman says, if you want lifelike characters, create a character bible. Elizabeth Spann Craig

Sauron wasn’t always evil. What happened? The Philosophy of Tolkien. Hello, Future Me

Vaughn Roycroft talks turning points. Then, Kelsey Allagood shares decision trees, angry bees, and other writer brain hacks. Julia Whelan: I’ve heard such mixed things. Jeanne Kisacky wonders who are you reading now? Writer Unboxed

Becca Puglisi explains how to reveal a character’s inner conflict. Writers Helping Writers

Nathan Bransford encourages you to close off your protagonist’s easy off-ramps.

Richelle Lyn is designing a logo from scratch. Then, Melanie Bell offers five things to think about when writing a coming-of-age story. Barbara Rubin shares how she found balance between capturing joy, sorrow, humor, and rage in her writing. DIY MFA

Tiffany Yates Martin answers the question, how much should you plot your stories? Fox Print Editorial

Chris Winkle says storytellers must stop dehumanizing prisoners. Then, Oren Ashkenazi analyzes five overshadowed characters in popular stories. Mythcreants

How H.P. Lovecraft wrote the unimaginable. Tale Foundry

Nalo Hopkinson has won the Theodore Sturgeon Memorial Award. J. Wayne and Elsie M. Gunn Center for the Study of Science Fiction

Sean Wetselaar says Judy I. Lin’s recipe for success is fantasy and a cup of tea. The Walrus

Adrian Daub writes about losing oneself in the geography of fantasy worlds: here at the end of all things. Longreads

Guy Kawasaki interviews Min Kym about her book Gone: A Girl, a Violin, and a Life Unstrung. The Remarkable People Podcast

Jessica Winter explains how E. Nesbit used her grief, her politics, and her imagination to create a new kind of children’s book. The New Yorker

Check out Publishers Weekly’s annual publishing in Canada report. Interesting reading.

Thanks for taking the time to visit. I hope you took away something to support your current work(s) in progress.

Until Thursday, keep staying safe and well!

Tipsday: Informal writerly learnings, Sept 4-10, 2022

So far, September has been an awesome month, weather-wise. We’ve even had to use the portable air conditioner here and there.

Without further ado, here are your informal writerly learnings for the week. Enjoy!

LA Bourgeois suggests you boost your creativity with a break. Then, F.E. Choe helps you overcome the preciousness of your prose. Lori Walker interview Khirsten Wierman about overcoming differences and the ability to change. Kyomi O’Connor explains how she uses writing as a healing tool. Later in the week, Ellen Barker shares five ways to use literary fiction to write about the pressing topics of today. DIY MFA

How we overcorrected the damsel in distress. The Take

Greer Macallister points out the second most important thing. Then, Tiffany Yates Martin wonders, are you telling yourself the wrong stories? Donald Maass considers novels that shouldn’t work, but do—and why. Then, Kathryn Craft is exposing inner conflict in non-POV characters. David Corbett checks out a new model for self-publishing—Emily Kimelman. Writer Unboxed

Janice Hardy helps you take the work out of writing a scene. Then, Angela Ackerman explains how to use conflict to show character development. Fiction University

Chinnamasta: the headless goddess of self-sacrifice. Fate & Fabled | PBS Storied

K.M. Weiland wonders, do you need personal experience to write about something? Helping Writers Become Authors

Angela Ackerman explains how to amp up your conflict. Elizabeth Spann Craig

Angela Ackerman says, if you want to build tension, encourage your reader to ask questions. Then, Tom Bentley explains why persistence pays the weary writer. Allison K. Williams reveals how to get published in Modern Love, McSweeney’s, or anywhere else you want.  Jane Friedman

Kris Maze offers more ways to fix filler words. Then, Piper Bayard is writing about robberies and burglaries. Writers in the Storm

How to stay creative as a writer. Reedsy

Nathan Bransford says, don’t criticize a book’s editing unless you saw the original manuscript.

Chris Winkle shares some lessons learned from the cursed writing of Vicious. Then, Oren Ashkenazi evaluates five tropes that sound cool but rarely work. Mythcreants

Tiffany Yates Martin offers a caveat scriptor: when creators become the customers. Fox Print Editorial

Lincoln Michel unpacks some of the stats emerging from the PRH/SS Merger trial: no, most books don’t sell only a dozen copies. It’s a substack newsletter, but you can read one article for free.

We added 370 new words to the dictionary for September 2022. Merriam-Webster

And that was tipsday.

Thanks for stopping by. I hope you took away something to support your current work in progress, whatever stage it’s at.

Until Thursday, keep staying safe and well, my writerly friends!

Tipsday: Informal writerly learnings, Aug 21-27, 2022

It’s the last tipsday of August 2022. Where has the time gone?! It was a week jam-packed with informal writerly learnings. Enjoy!

Sara Farmer investigates some celebrity sleuths. Then, Ambre Leffler recommends the right lighting for your writing life. Tammy Lough: and the Nobel Prize in Literature awarded to … artificial intelligence? Susanne Dunlap tells the tale of how she came to write a novel about Adélaïde Labille-Guiard. Later in the week, Dianne C. Braley shares five tips on character development when writing about starting over. DIY MFA

The real history of Partition in India and Pakistan in Ms. Marvel. Historian’s Take | PBS Origins

Vaughn Roycroft considers the power of generational storytelling. Then, Gwen Hernandez helps you create an epub in Scrivener 3. Kelsey Allagood shares some lessons from the climbing wall. Then, Donna Giovinazzo explains how learning another language turned her into a grammar nerd. Natalie Hart wonders, what if you have what you need? Writer Unboxed

How Cthulu transcended its creator H.P. Lovecraft. Monstrum | PBS Storied

K.M. Weiland shares nine signs your story may be too complicated. Helping Writers Become Authors

Tiffany Yates Martin explains how to let readers into your characters’ inner life. Then, Kris Maze helps you fix fluff words — 14 filler words to avoid. Jenny Hansen says your mess is your message (a writing tip). Writers in the Storm

Why kids’ stories should be darker. Tale Foundry

Jim C. Hines makes a point about historical accuracy (in the context of House of the Dragon).

Heidi Ulrichsen announces that works by Sudbury’s 6th poet laureate now up at airport. Sudbury.com

The history of fonts. Struthless

Joni B. Cole says don’t fall for these five writing myths that can set back your writing. Jane Friedman

Tiffany Yates Martin discusses handling rejection (and what rejection letters mean—and don’t mean). Fox Print Editorial

How Freaks and Geeks got geek culture and freak culture. The Take

Angela Ackerman explains how to use conflict to target a character’s soft spots. Writers Helping Writers

Chris Winkle explains why you should theme your world. Then, Oren Ashkenazi analyzes five stories with too many characters. Mythcreants

Six signs it’s time to shelve your book. Reedsy

Joshua Hammer wonder was King Arthur a real person? The Smithsonian Magazine

Ed Simon: Mary Sydney and the voice of God. JSTOR Daily

The story behind food names. Otherwords | PBS Storied

Industry news: Jenn Northington wonders what is going on with Barnes & Noble? Book Riot

Thank you for spending some time with me, and I hope you found something to support your current work(s) in progress.

Until Thursday, keep staying safe and well!

Tipsday: Informal writerly learnings, Aug 14-20, 2022

Week four of August is here along with your weekly batch of informal writerly learnings! Enjoy!

K.M. Weiland explains how to write emotional scenes (without making them cringey). Helping Writers Become Authors

Lisa Norman reveals how to painlessly generate dozens of blog ideas. Then, Sandy Vaile digs into research: how far will fiction authors go for facts? Laurie Schnebly Campbell wonders how much does genre matter? Writers in the Storm

Joanna Penn interviews Becca Puglisi about writing conflict. The Creative Penn

How to write a plot summary and a synopsis. Reedsy

Roz Morris considers using real people in historical fiction—how much can you invent? Nail Your Novel

Barbara Linn Probst wonders what does “award-winning author” mean—and does it matter? Then, Marcie Geffner discusses aphantasia and writing fiction with no “mind’s eye.” Writer Unboxed

AJ Harper helps you get in front of your readers’ doubts and objections. Jane Friedman

Good characters are overrated. Tale Foundry

Christina Delay: small focus. Big creativity. Becca Puglisi wants you to use your character’s career to support your story’s theme. Writers Helping Writers

Nathan Bransford says don’t outsource your agent search.

Kris Hill considers fairy tales and once upon a time. Manuela Williams: what is the poetry of witness? Then, Daria White proposes an alternative to traditional time management for writers.  Abigail Cutter suggests five ways to get inside your historical characters’ heads. DIY MFA

This fight changed everything … Jill Bearup

Angela Ackerman: does conflict really belong on every page? Jami Gold

Tiffany Yates Martin explains how to write a query letter (without losing your mind). Fox Print Editorial

Kristen Lamb examines the priority parallax: what’s truly important?

Chris Winkle lists ten reasons your characters might stop communicating. Then, Oren Ashkenazi analyzes five stories with well-written families. Mythcreants

How to write your first novel. Reedsy

Chris Martin discusses poetry, autism, and the joy of working with neurodiverse writers. Literary Hub

Peter Kafka: the newsletter boom is over. What’s next? Vox

S.L. Huang investigates the ghost of workshops past: how communism, conservatism, and the Cold War still mold our paths to SFF writing. Outstanding essay! Tor.com

Thank you for spending some time with me. I hope you found something to support your current work in progress.

Until Thursday, keep staying safe and well!

Tipsday: Informal writerly learnings, July 17-23, 2022

Welcome to the last tipsday of July (!) Is summer really half over? I’ll call for a moment of silence … Half over. Really? Damn. All rightie, then. Console yourselves with some informal writerly learnings.

Disha Walia: ready … set … writing prompts! Richelle Lyn helps you build your brain power. Then, Patrice Gopo explains how the direct address and epistolary essay can energize your writing. Mason Engel provides a reconnaissance report on creativity’s six greatest enemies. Later in the week, Anson Leung shares five tips for writing an emotional piece. DIY MFA

The home that lives in you. Tale Foundry

Jan O’Hara says, I hear sizzling. Where’s the steak? Then, Dave King wonders, how long should your book be? John J. Kelley is getting back to basics—the character arc. Writer Unboxed

Donnie Darko’s meaning of life. The Take

K.M. Weiland shares seven tips for opening your story in medias res. Helping Writers Become Authors

Angela Ackerman explains how to avoid writer’s guilt this summer. Then, Lynette M. Burrows helps you create a compelling plot with what-but-therefore. Ellen Buikema shares satisfying ways to end a story. Writers in the Storm

Aztec mythology and the origins of humanity. Fate & Fabled | PBS Storied

Alexander Lewis shares the secret side careers of successful authors. Then, Sharon Oard Warner says, good scenes require specifics. Jane Friedman

Lisa Hall Wilson explains how to identify your character’s emotional triggers. Writers Helping Writers

Tips for discovery writers. Shaelin Writes

Nathan Bransford says, don’t count on agents and publishers to polish your diamond in the rough.

Tiffany Yates Martin: giving your all for the few. Fox Print Editorial

Genre conventions are the must-have elements of story. Worldbuilding in story: how to create a compelling alternate world. Character development: writing believable avatars that change. Story Grid

How to structure the third quarter. Ellen Brock

Kristen Lamb is experiencing optimism overdose: sometimes life stinks.

Chris Winkle cribs lessons from the appropriative writing of Gemma Doyle. Then, Oren Ashkenazi stages a three-way battle between The Mandalorian, The Book of Boba Fett, and Obi-Wan Kenobi. Mythcreants

How to build a world building bible. Reedsy

V.M. Braganza lists ten women writing in the time of Shakespeare. Mental Floss

Mary Ann Sieghart asked Ian McEwen, Salman Rushdie, Richard Curtis, and others to recommend books by women every man should read. The Guardian

Silvia Moreno-Garcia shares her fascination with creation gone awry: on the build-a-humans of 19th-century literature. Literary Hub

And that was tipsday.

Thanks for taking the time to visit, and I hope you took away something too support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Informal writerly learnings, May 8-14, 2022

Ah, Tuesday. My favourite day of the week, when I get to share my favourite informal writerly learnings of the week with you 🙂 Enjoy!

K.M. Weiland explains the role of the antagonist in story structure (part 2 of 2). Helping Writers Become Authors

Sophie Masson: the hardworking magic of book design. Then, Jim Dempsey considers the creativity of emotions. Juliet Marillier wants a helping hand: supporting your fellow writers. Then, Kathryn Craft gives you six hall passes for grammar un-school. David Corbett is writing wrongs: the color of my low-down, dirty vote. Yuvi Zalkow: gatekeepers and creativity. Writer Unboxed

Does this make my hammer look big? Jill Bearup

Melinda VanLone continues her book cover 101: mystery/thriller. Then, Kathleen Baldwin shares five secret ingredients for writing a killer teen novel. Later in the week, William F. Wu wonders if you’re a plotter, pantser, or … roadster? Writers in the Storm

A quick tip for outliners. Elizabeth Spann Craig

Heather Davis explains the difference between plot and story and why you need both. Anne Carley: your journal as time machine. Jane Friedman

Reading like a writer. Reedsy

Roz Morris: writers, can you feel it? How to use gut feeling to guide your writing. Nail Your Novel

Richelle Lyn shares her insights on when to formalize your business entity. Then, Amanda Polick lists 25 tips for pitching, writing, and being published in magazines. Catherine Drake explains how setting can serve as a catalyst for story. Later in the week, EC Hanes shares five ways to tell enough without telling all. DIY MFA

Ember Randall: self-defense vs. martial arts. Then, Sarah J. Sover is making magic systems stronger with science. Dan Koboldt

How Beauty and the Beast’s Belle launched the bookworm princess hero. The Take

Angela Ackerman says, if you want readers to connect with your character, include this. Writers Helping Writers

Tiffany Yates Martin: prioritizing your life. Fox Print Editorial

The crime genre: justice and injustice; stories of mystery and intrigue. The structure genre: arch-plot, anti-plot, and mini-plot. Story Grid

Chris Winkle wants you to use your story’s premise to create novelty. Then, Oren Ashkenazi wonders how useful Pixar’s rules of storytelling are (part 1). Mythcreants

Gaslighting: narcissists and tampering with reality. Kristen Lamb

11 tips to take your short stories to the next level. Shaelin Writes

Bill Sanders: welcome to Greater Sudbury, where art comes to die. The Sudbury Star

Sudbury Theatre Centre not transparent with new direction, say critics. CBC

James Whitbrook announces that Ncuti Gatwa is Doctor Who’s new Doctor. Gizmodo

Thanks for stopping by and spending some time with me. I hope you found something to support you current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Informal writerly learnings, April 24-30, 2022

Welcome to May! Start off the month right with some informal writerly learnings 🙂

Vaughn Roycroft: the applicability of … zombies? Elizabeth Huergo discusses social psychology and the novel. Then, Kelsey Allagood explains why you should embrace the fallow times. Diana Giovinazzo wants us to embrace our literary influences. Kristan Hoffman: revising the stories we tell ourselves. Writer Unboxed

K.M. Weiland lists ten pros and cons to writing every day. Do you have to? (Hint: maybe not.) Helping Writers Become Authors

Princess Weekes discusses Beloved, Toni Morrison’s magnum opus about confronting a terrible past. It’s Lit | PBS Storied

Kris Maze shares six ways to fix manuscript problems with an outline. Then, Laura Baker is discovering story magic: the x-factor. Eldred Bird poses ten questions to ask your characters. Writers in the Storm

Jim Denney shares the fast-writing secrets of C.S. Lewis. Live, Write, Thrive

Andrea A. Firth explains how the literary journal landscape is and isn’t changing. Allison K. Williams: writers, stop using social media (like that). Anne Carley wonders is journaling a waste of writing time? Jane Friedman

The hungry goddess. Tale Foundry

Melissa Haas offers some leisure learning for April 2022. Then, Colice Sanders is unpacking racism and colorism in character descriptions. Disha Walia shows you how to create your world with six questions. Then, Krystal N. Craiker provides a copyediting checklist: a recipe for clean, clear writing. Finally, Jeneva Rose goes through the five stages of dealing with rejection. DIY MFA

Becca Puglisi wants to know what’s your character hiding? Angela Ackerman: you wrote a killer love story … but did you romance the reader? Writers Helping Writers

The one thing every antihero fears … The Take

Tiffany Yates Martin explains how to transition into a flashback. Fox Print Editorial

The style genre: set the experience for the reader. The reality genre: realism or science fiction/fantasy. The time genre: how the reader experiences time in your story. Story Grid

The ten worst magic tropes. Jenna Moreci

Chris Winkle provides five tips for avoiding disorientation in your opening hook. Then, Oren Ashkenazi hosts a head-to-head-to-head competition between Antz, A Bug’s Life, and Ant-Man. Mythcreants

Kristen Lamb says that lies, deception, and betrayal are the deepest wounds.

Tajja Isen explains how the book industry turns its racism into a marketable product. Literary Hub

Thank you for taking the time to visit, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Informal writerly learnings, April 17-23, 2022

Happy Tuesday! You survived Monday 🙂 Reward yourself with some informal writerly learnings.

Sara Farmer enters the not-so-elementary university of Sherlock Holmes, part 1. Then, LA Bourgeois wants you to acknowledge your limitations and set your stage for success. Gabriela Pereira interviews GG Kellner about using history to speculate the future and change the present. Then, F.E. Choe helps you create your own writing space at home. Gracie Bialecki bemoans the double-edged sword of deadlines. Finally, Ashley Christiano lists five ways astrology can help you write your novel. DIY MFA

Jill Bearup says choreography doesn’t matter.

Jan O’Hara: and the Oscar for best reality show script goes to Will Smith (or, writerly takeaways from the infamous slap). Dave King is in search of faith and goodness. Then, Barbara Linn Probst considers time: backstory, flashback, and chronology. Natalie Hart wonders what if you gave up? Writer Unboxed

K.M. Weiland outlines the six challenges of writing a second novel. Helping Writers Become Authors

Shaelin shares 11 writing exercises to help break writer’s block. Reedsy

Becca Puglisi shares creative ways to brainstorm story ideas. Then, Lynette M. Burrows presents one plotting tool for all. Ellen Buikema continues her literary tour of the senses with the power of vision in writing. Writers in the Storm

Alice Gaines offers three tools for deep point of view. Elizabeth Spann Craig

Margaret McNellis helps you tell your story with three tarot cards. Then, Catherine Baab-Maguira explains why Frankenstein still sells 40,000 copies a year. Jane Friedman

Erica Brozovsky talks about pronouns: the little words that say a lot. Otherwords | PBS Storied

Lisa Hall-Wilson offers one reason readers cheer for unlikeable characters. Then, Angela Ackerman explains how writers can turn the page this spring. Writers Helping Writers

Tiffany Yates Martin: “Leave me alone—I know what I’m doing.” Fox Print Editorial

Kristen Lamb: small steps and the value of just showing up.

Why we’re still so obsessed with the Heather. The Take

Chris Winkle recommends seven external plots for relationship-centered stories. Then, Oren Ashkenazi wonders how useful Michael Moorcock’s ten rules of writing are.  Mythcreants

Angie Hodapp helps you balance the explainable with the inexplicable in speculative fiction. Then, Kristin Nelson says all the writing talent in the world won’t save the wrong story. Pub Rants

Why is Turning Red getting so many weird reviews? Xiran Jay Zhao

Alana Pickerel: new poster exhibit by the Sudbury Writers’ Guild highlights Sudbury’s rainbow hospital. CTV Northern Ontario

Alan Neal interviews John Degen of the Writers’ Union of Canada about proposed Copyright Act changes. CBC’s “All in a Day”

Thanks for taking the time to stop by, and I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Informal writerly learnings, March 27-April 2, 2022

Welcome to April! Celebrate the season with some informal writerly learnings 🙂

Melissa Haas rounds out March with some leisure learning suggestions. Then, Kris Hill is writing dynamic combat scenes with Dungeons & Dragons. Gabriela Pereira interviews Rob Hart about setting as character in speculative fiction. Angela Yeh: world building without losing your mind (or the reader). Jeanette the Writer wants you to keep these five things in mind during the editing process. DIY MFA

The missing key to understanding Christopher Nolan. Like Stories of Old

K.M. Weiland shares six ways to create spectacular set-piece scenes. Helping Writers Become Authors

Vaughn Roycroft: the autumn writer. Yasmin Angoe shares eight lessons learned as a debut author—so far. Then, Jeanne Kisacky offers a writer’s review of Aeon Timeline software. Sarah McCoy provides your guide to water when the inspiration well runs dry. Leslie Budewitz considers discomfort, intention, and creativity (again, click through to the podcast—it’s worth your time). Writer Unboxed

14 revision tips. How to edit your book. Shaelin Writes

Angela Ackerman points out setting description mistakes that weaken stories. Then, Becca Puglisi shows you how to use vocal cues to reveal hidden emotion. Writers Helping Writers

Kris Maze shares seven foolproof tricks to outsmart writing procrastination. Margie Lawson: beware of the Great Oz effect! Writers in the Storm

Nathan Bransford explains how to show a character reacting to a dramatic moment.

Sacha Black interview Mark Leslie Lefebvre and Helen Glynn-Jones about writing and marketing an anthology. The Rebel Author Podcast

Lindsay Ellis explains why magical realism is a global phenomenon. It’s Lit | PBS Storied

Tiffany Yates Martin: character, conflict, and that infamous Oscar slap. Fox Print Editorial

The story crisis triggers change in the protagonist. The story climax reveals the character of the protagonist. Story Grid

Chris Winkle: originality is dead! Long live novelty! Mythcreants

Jenna Moreci shares her 10 best tips for action scenes.

100 things you might not know about Beverly Cleary. CBC Books

Eleanor Wachtel interviews Sarah Polley: from child star to award-winning filmmaker. CBC’s “Writers and Company”

Thank you for taking the time to stop by. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends.