The next chapter: October and November 2019 mega update

It’s been a while. Two months, to be precise. Let’s just get right to it 🙂

October in writing

Once more, I was busy with non-productive writing-related tasks. I was prepping for NaNoWriMo and my rewrite of Reality Bomb. Though I think I worked through most of the problematic bits of the story and had a good idea of the reworked outline, with plot points, etc., the writing took me in slightly different directions, as it does. More on that, below.

I continued my reread of Ascension and got half-way through Playing with Fire, book four of the series.

OctoberProgress

Writing-wise, I blogged 4,529 words of my 4,500-word goal, or 101%.

I also wrote 496 words of short fiction of my 2,000-word goal, or 25%.

And that was it for October.

November in writing

I won’t belabor things too much. If you’ve been watching my NaNo updates, you’ll have a pretty good idea of where I landed. I wrote 30,502 words of the revised RB, or 61% of my goal. At this rate, it will likely be the end of January before I’m finished with the rewrite.

The last week of November, during which I was training at work, was appropriately fatiguing, but I cracked 30k, which was a realistic goal I was happy to achieve.

I also wrote my latest Speculations column for DIY MFA. It should be coming out Tuesday. That came in at 1052 words of my 1,000-word goal, or 105%.

I had expected my weekly NaNo updates to be brief and predicted about 250 words each, or 1,000 words overall. I blogged 1,293 words, or 129% of goal.

NovemberProgress

Filling the well

In October, I went to Can-Con in Ottawa, which I first attended three years ago. This year’s attraction was that the Aurora Awards (the Canadian Hugos) were presented there. Well, they were off-site at Christchurch Cathedral, which was a lovely venue. I met up with a few friends from professional organizations and had a genuinely lovely time.

In November, Sudbury’s own Wordstock Literary festival took place and I attended what sessions I could given that I was also beginning NaNoWriMo and my 50th birthday party (!) took place that weekend. Still, I connected with writer friends and bought books (when do I not?).

What I’m watching and reading

On the viewing front, Phil and I finished watching the final season of Preacher. It was mostly satisfying. I read the graphic novels so long ago that I wasn’t able to remember well enough to know if the series was a faithful-ish adaptation. I have the feeling that it wasn’t. There were some significant logic issues that can probably be attributed to the graphic (like how they got the car overseas). Handwavium aside, it was enjoyable.

I finished watching the final season of The Santa Clarita Diet. Meh. I liked the characters and the actors, but the story was lacking.

Phil and I started watching the (third?) season of Ash vs. the Evil Dead and haven’t finished it. As with other shows of its ilk, it was playing the same tropes over and over.

Instead, we took in a delightful animated kids’ show, Three Below, which was created by Guillermo del Toro. We enjoyed the tale of a family of aliens stranded on Earth. There were tie-ins to The Troll Hunters.

We also watched the first season of Happy! It was all kinds of twisted and we just enjoyed the scenery-chewing antics of the cast 🙂

I finished off the last season of The Mortal Instruments. It was okay. I was mostly seeing it through for the sake of completeness.

Finally, Phil and I watched Raising Dion. We enjoyed it, and burned through it, more or less, but there were some problematic storytelling issues we took exception to. The first was that, in an attempt at attaining some realism, the writers gave time to the characters’ daily lives and struggles, even though they had little to nothing to do with the main plot.

**WARNING: HERE BE SPOILERS.**

Yes, Nicole deserves a life and interests of her own, but did it need so much screen time? Nicole gave up her dancing career when she was pregnant with Dion. Pertinent, but it’s a fact that can be stated and we can move on with the story. That she gets a job at the same dance theatre is good (‘cause she needs a job to support Dion) but then the job becomes the source of meaningless conflict, in which the owner continually makes Nicole choose between her job and her son’s wellbeing to the point of unreasonableness. And then there’s the potential relationship with hot dancer guy when it’s made abundantly clear that Nicole isn’t over her husband’s death yet. I was waiting for this whole subplot to tie in somehow, but I was disappointed.

Nicole’s sister is a no-nonsense doctor and seems only to be present to remind Nicole of what a failure she is, how delusional she is, and what a poor mother she is. Later in the series, when Nicole’s sister has to take Dion to the hospital because he’s spiking a fever and Nicole’s boss won’t let her leave work, Nicole is finally able to prove to her sister that she’s not crazy and Dion does have powers. But then the sister has to risk her career and medical licence to erase all evidence of Dion from the hospital’s systems. She does help Nicole get Dion away from Pat (see below) but then she drops out of the plot, her usefulness exhausted.

Even Dion’s friends and the bullying he experiences as the new kid in school are, at best, peripherally tied to the plot. But peripheral is better than pointless.

**HERE IT IS. THE BIG SPOILER. READ NO FURTHER IF YOU DON’T WANT TO KNOW.**

And then, there’s Pat. Oh, Pat. I love Jason Ritter as an actor, but damn did the writers give him some shit to portray.

The series begins with Pat being the friend and coworker of Nicole’s dead husband, Mark, and godfather to Dion. They play games together, Dion tells Pat things he can’t tell his mom, and Pat is helpful, though it’s clear he’s crushing on Nicole.

Dion begins to exhibit powers and then he and Nicole witness strange ghosts that appear in a sudden storm, one of them, Dion’s dad. Then a man made of lightning, whom Dion names the crooked man, shows up and sucks all the ghosts back to him before disappearing.

Pat begins to help Nicole and Dion, being Dion’s “superhero mentor” and helping them to investigate Biona, where Pat still works, when Nicole discovers that Mark didn’t trust his employer.

During Dion’s health crisis, Pat even points out the way to save Dion, having learned what Mark discovered about his own changed physiology in the wake of the meteor shower that resulted in his developing powers.

Then, in a reveal so clumsy they had to include a retcon flashback, Pat goes from awkward family friend and geeky investigator to full-on incel and … the crooked man. There was so much WTF, I didn’t know what to do with it.

In the end, Pat/the crooked man is defeated by Nicole and Dion in a tag team effort, and there is a touching, if temporary family reunion, but the crooked man escapes and inhabits another young boy with powers much like Dion. This makes no sense as the crooked man “consumes” those with powers and Pat wanted Dion to heal him (of the crooked man, I assume), which would have killed Dion. There’s no precedent for this outcome in the series. Also, it presents the recurrent villain trope, in which Dion will again have to face the crooked man at the end of next season. Not promising.

I read a lot of books in the last couple of months. I’ll touch on them briefly, here.

I decided to check out Zen and the Art of Writing because it had long been on my TBR list and someone in my critique group mentioned that it was her go-to, feel-good, writing craft book. I liked it and Bradbury’s approach to writing but didn’t feel like I could adopt much of it for my own process.

Having just finished The Handmaid’s Tale in the wake of the series’ third season, I nabbed The Testaments. Atwood made a wise decision in placing the events of The Testaments fifteen years after the events of The Handmaid’s Tale, giving the series room to breathe and become its own thing in between. The narration alternates between Aunt Lydia, at the end of a storied career, Agnes, June’s oldest daughter, raised in Gilead by a Commander and his wife, and Daisy, raised in Toronto, who eventually learns that she is “Baby Nicole,” June’s younger daughter. I won’t give anything away, but I liked The Testaments better than The Handmaid’s Tale. The three narrators, though still unreliable in their own ways, are not as unreliable as Offred/June was in the first book. Their stories, though still traumatic, are revealing in ways that June’s could not be.

Then, I read one of my favourite books of the last two months, Gideon the Ninth, by Tamsyn Muir. It’s admittedly weird, as only a space opera set in a system with nine planets (ahem), each controlled by a necromantic house in service to the Emperor God necromancer can be. It’s a little off-putting that the main action is basically sword and sorcery—I found myself asking, why set this in space at all?—I’m sure there will be a payoff in the upcoming sequel Harrow the Ninth. It’s a wicked and charming character study, exposed through mystery and puzzle-solving, and the writing is just—forgive me—to die for.

Next, I turned to Cassandra Khaw’s novella, Hammers on Bone, which puts a Cthulian twist on the hard-boiled detective narrative. Interesting and brutal and satisfying.

Eden Robinson’s follow up to Son of a Trickster, Trickster Drift, continues Jared’s story. He travels to Vancouver to attend college, away from his mother’s protection, moves in with his mother’s estranged sister and her haunted apartment, is stalked by his mother’s vicious ex, David, who abused Jared when he was a child, and stalwartly attempts to have a normal life. Things, of course, do not go as planned.

A Brightness Long Ago is Guy Gavriel Kay’s latest alt-historical fantasy and like all his work, is lyrical and touching and nuanced. This is one novel I want you all to read for yourselves, so I’ll just say that I loved it.

The City in the Middle of the Night is Charlie Jane Anders’ second novel. For the most part, I loved it as much as All the Birds in the Sky, but the ending seemed rushed and the novel was ultimately unsatisfying for that reason. On a tidally locked planet, where humans can only survive in the thin band of twilight between the inferno of the light side and the frozen tomb of the dark, the reader follows Sophie, kind, gentle, naïve Sophie, as she learns that no matter where we go or what we do, humans are the absolute worst. At every turn they fail her and each other. It’s no wonder she turns toward the native species of the planet toward the end of the novel.

Brooke Bolander’s The Only Harmless Great Thing is heartbreaking, but ultimately hopeful. Like Anders’ novel, Bolander’s novella shows us how humans are doomed to make all the wrong choices. Elephants and women are the victims in this case. Why is it that we need a holocaust, or a nuclear bomb to remind us that “never again” is more than just words?

Finally got around to reading Leigh Bardugo’s Shadow and Bone. While I enjoyed the book, I found, as others have, that Alina, the protagonist, doesn’t have a lot of agency in the novel. From the moment she evidences her grisha powers, Alina is taken, trained, manipulated, enslaved, and though she ultimately manages to win her freedom and the day, it felt that luck had as much a hand in it as Alina.

Next was P Djélì Clark’s Black God’s Drums. This novella is set in an alternate history in which both steam punk elements and African culture. It was entertaining and I loved the protagonist 🙂

Then, I read the third novel in A.M. Dellamonica’s Hidden Sea Tales, The Nature of a Pirate. These novels are basically police procedurals in a post-post-post-apocalyptic future. Sophie Hansa is transported into a world which is more ocean than land. Aside from living on islands, there is an armada/floating nation of ships. There is magic, but it works largely by inscription, which needs specific and often rare materials, and must be worked on a person, whose full name is required for the spell. One person can only be inscribed so much before they reach their individual capacity and then they start to suffer and may even die horribly. The world building is impeccable, the characters are endearing, and the mysteries are engaging.

My other non-fiction read of the month was Robin Wall Kimmerer’s Braiding Sweetgrass. It’s the tale of an indigenous woman finding her way back to her culture. It’s a beautiful, lyrical book, and because Kimmerer is a botanist, she weaves science in with her teachings. It’s an ecological tour de force.

I read Alyssa Wong’s short story, “A Fist of Permutations in Lightning and Wildflowers.” Two sisters destroy the world again and again in an attempt to save one another.

I burned through Maggie Stiefvater’s Call Down the Hawk. I read several awesome books in the last couple of months (Muir’s, Kay’s, Kimmerer’s), but this has to be my absolute favourite. It delves into the lives of the Lynch brothers in the wake of The Raven Cycle. There are other dreamers in the world, and they’re being systematically hunted and killed by an organization that believes one of them will destroy the world. They’re closing in on Ronan, Declan is dating the living dream of another, and Matthew has just realized that he’s just like his mother, Aurora Lynch, and that his existence depends on Ronan. It’s twisted and juicy and everything I wanted. The ending was a little precipitous, but I know this is the beginning of a trilogy, so I’m willing to forgive Stiefvater for that. The cliffhanger, though—!

Finally, I read Chuck Wendig’s short story collection, Irregular Creatures. Some of the stories were endearing. Some of them were downright disturbing. A lot of douchecannoes got what they deserved.

And—whew!—that was the last two months in this writer’s life.

Until next time, be well, be kind, and stay strong. The world needs your stories!

The Next Chapter

NaNoWriMo 2019 update 4

Rough week, being back to work and all.

I had a couple days where I wrote less than 500 words and have slowly increased from there to the point where I wrote 2085 again today and even have time to get this post written and out before I’m to bed at a reasonable-ish time. I need to get to work a little earlier than usual for the training I mentioned.

NaNoupdate4

I’m up at 27,339 words, so my prediction of between 30 and 40k seems reasonable.

I’ll likely fall behind again during the week. Training kicks my butt, energy-wise, and though I’ve technically recovered from the cold, I’m still clearly out the gunk. Blech.

This will be my last NaNo update for this year. Next weekend marks the end of November and the beginning of December, so I’ll be composing a slightly epic monthly update for October and November combined on Sunday.

It’ll be another week after that before curation resumes, but you should see the first post-NaNo tipsday on the tenth.

That’s it for now.

Until next weekend, be well, be kind, and stay strong. The world needs your stories!

NaNoWriMoBanner

NaNoWriMo 2019 update 3

In week three, I rallied. A bit. I used four days of vacation and turned a long weekend into a full week off. But, because I’d procrastinated about my DIY MFA column, I had that to do. And my week 2 update, which I put out on Monday.

So, it took me a few days to get into high(er) gear.

I can’t write as much as I used to. Two thousand-ish words seems to be my limit, even on a day when I technically don’t have anything else to do. Except I do have other stuff to do. We all do. It’s not an excuse. Just a fact.

The family health situation I mentioned last week was resolved. The additional tests came back negative. Oddly, being a puddle of relief can be just as distracting as being worried about a loved one. Go figure.

I also got sick. Well, Phil got sick first and, generous man that he is … But I was well enough to go back to work yesterday.

Unfortunately, the cold kind of kicked my butt. I wrote for as long as I could and had nothing left for my update. It was supposed to be posted on Sunday.

The last two days back at work have been crazy. I managed a thousand words yesterday, but tonight, I’m feeling all kinds of busted. So, I’m writing this post and I’ll write what words I can (I’m not giving up, but I need a break). I’ll get back on the horse, so to speak, to the degree that I can for the rest of the week, but one of the crazy things that happening right now is prep for a training course I have to deliver next week.

NaNoupdate3

As of yesterday, the 18th, I had 21,325 words written. That just under seven thousand words behind. I can’t produce the same volume of words while I’m working that I can when I’m off.

I anticipate that I’ll rack up somewhere between 30 and 40k words by the end of November.

We’ll see if I surprise myself.

Until next time, be well, be kind, and stay strong. The world needs your stories.

NaNoWriMoBanner

The next chapter: September 2019 update

Ah, October. My favourite month, mostly ‘cause my birthday 🙂 Yes. I’m a child.

The month in writing

We’re just going to get right to it.

SeptProgress

I made the decision to post only two book reviews this month (though one was of two novellas), and so I was a bit short of my blogging goal. 5,071 words of my 5,600-word goal, or 91%.

I got my latest Speculations written and submitted early because I headed down to Toronto for a day-job learning event. I wrote 1,327 words of my 1,000-word goal, or 133%.

I wrote all of 50 new words on short story number two and revised 41 words on short story number one. Even with a meagre 500-word goal for each, that was 10% and 8% respectively.

I went through the poetry collection again. This one, I decided to track by the number of poems revised. 51 of 51, or 100%. I have one more pass to make before the collection is ready for submission. I hope to get that done this month.

I got my second rejection on my poetry. Will send out more submissions.

In non-tracking projects, the read-through of Ascension continues. I’m almost finished with book three and will move onto book for this month.

I’m also 31 handwritten pages into revision notes for the SF novel that didn’t know what it was. It’s shaping up and I should be ready for my stint as a NaNo rebel next month.

I’ve also critiqued another project for my online critique group and have moved on to another.

One thing I’ve learned in the past few months is that you can still be a working writer, even if you’re not producing a lot of words. Not all writing is writing. Sometimes it’s reading, critiquing, planning, and thinking. You have to make space for all of it.

Filling the well

No writerly events in September, but I did get together with a couple of writer friends for and evening of Thai food and chat. It was just what I needed to refresh and refocus.

No pictures. Sorry.

Here are a few of my random photos from the last month instead 🙂

What I’m watching and reading

This month, Phil and I watched Carnival Row. We enjoyed the gritty, alternate world, the murder mystery wrapped up in a tragic origin story, and cheesy prophecy trope. It was nice how most of the story elements were connected to the main plot and so, as events unfolded, the characters developed and changed accordingly.

The final season of Killjoys came to an end in September as well. I didn’t appreciate all the creative choices that were made in this final season. Several of them felt forced, or worse, contrived. The series has always been more fun than philosophical, though, and things ended well.

I finished watching the first season of The Order. It really didn’t know what it wanted to be. Magical university? Werewolf story? Magical revenge tale? Things were tied together loosely, and the ending was disappointing. The titular order erases the memories of the werewolves and steals all their artefacts and research library. Really, I was left wondering why I should care.

Finally, The OA. The first season kind of ruined me with the second to last episode. When the box of incriminating books was found and everyone basically abandoned Prairie, deciding that she must be crazy/delusional, it completely undermined everything that happened in the final episode. Having broken my credibility, the series could not restore it. I basically went through the motions to finish watching, because I prefer to have a complete picture.

I wasn’t going to watch the second season, but I wanted to see how they could possibly move forward. And, honestly, it wasn’t horrible. The second season suffered from some of the same issues as the first, however. I watched it with a sceptic’s eye, distrusting everything the creators asked me to take on faith. Again, things were building to a climax and then, Pairie/Nina and Hap end up jumping to a universe in which they are Brit Marling and Jason Isaacs on a movie set. Oh, yeah. Though Michelle’s soul was retrieved by detective Karim, there was no real resolution for those left behind in the first universe, or for Homer, who finally remembered who he was but was trapped in the second.

I’m glad there won’t be a season three. At least, that’s the word on the interwebz at the moment.

Reading wise, I finished Mary Robinette Kowal’s Ghost Talkers, in which a corps of mediums help the allies in an alternate WWII. Loved. Kowal has indicated that she would like to revisit the world, but her Lady Astronaut books are demanding her time and creative energy at the moment.

I also finished Matthew Hughes’ What the Wind Brings, which he unabashedly calls his magnum opus. This was historical fiction, and I reviewed it last month.

Sarah Gailey’s A Taste of Marrow was next, and I enjoyed this second novella in her alternate America inspired by a strange-but-true plan to import hippos. This was my second posted book review last month and I looked at both novellas, which have been combined in one volume as American Hippo.

After I finished watching the last season of The Handmaid’s Tale, I finally read the book that inspired the series. I enjoyed the book more than some of Atwood’s others, I have to say, though it does share some of the aspects that I found problematic. June is another unreliable narrator, but why wouldn’t she be? The June of the book is never dependably identified by that name, though there is some speculation in the symposium appended to the end of the novel. She lives in fear, far more fear than Elizabeth Moss portrays in the series. She’s far less empowered. June is, essentially, a slave. It makes for an oddly distanced read.

Finally, I read Sean Carroll’s Something Deeply Hidden: Quantum Worlds and the Emergence of Spacetime, which I enjoyed though much of the content was over my head. Frankly, it blew my mind a bit. I read this one for research. It ties into the SF novel I want to revise.

Again, selected reviews will be forthcoming.

And that was September in this writer’s life.

Until next time, be well, be kind, and stay strong. The world needs your stories.

The Next Chapter

Tipsday: Writerly Goodness found on the interwebz, Sept 15-21, 2019

Here we are, officially in the fall. Take the time to enjoy the turning leaves and the delicious smells of the season. And, of course, spoil yourself with some informal writerly learnings.

Vaughn Roycroft is using theme to leverage revision. Julie Carrick Dalton hopes no one will notice. Writer Unboxed

K.M. Weiland critiques another brave writer to demonstrate ten ways to write excellent dialogue. Helping Writers Become Authors

Susan de Freitas points out three things you won’t learn from an MFA program. Jane Friedman

Joanna Penn interviews James Scott Bell about writing unforgettable endings. Then, Harrison Demchick offers you four ideas to help authors revise a first draft. The Creative Penn

Chris Winkle returns with the fourth aspect of goal-oriented storytelling: satisfaction. Writers Helping Writers

Jenna Moreci offers her top ten tips on character arcs.

Nathan Bransford offers six ways to build intimacy between characters. Later in the week, he asks, are you creating a mystery, or are you just being vague?

Jenn Walton shares three ways to find inspiration at a writing conference (or any work event). DIY MFA

Jenny Hansen wants you to find and share your story’s theme. Writers in the Storm

Chuck Wendig explains how to be a professional author and not die screaming and starving in a lightless abyss. Terribleminds

Jami Gold helps you figure out how to build your story with chapters, scenes, or both. Then, Kris Kennedy returns with part four of her avoid infodumping by making backstory essential series.

Bunny discusses choosing a follow-up strategy for a popular story. Then, Oren Ashkenazi shares five ways to handle parents without killing them. Mythcreants

Robert Lee Brewer advises writers regarding spacing between sentences. Writer’s Digest

Daniel Ross Goodman shows us the haunting magic of Maurice Sendak. National Review

Thank you for visiting. I hope you found something you need to move your work in progress forward.

Until Thursday, be well!

Tipsday2019

The next chapter: August 2019 update

September. The end of summer; the resumption of everything else. Fall is a favourite season of mine. Cooler days, brilliant colours, and the bittersweet retreat of the light. Fall is a season of gathering, mustering, of rededicating oneself to one’s priorities.

To that end, I’ve taken this long weekend and, with the exception of this blog post, I’m not writing anything, nor am I critiquing anything. I’m just taking some time for myself and to think about the rest of the year in terms of what I want to accomplish.

The goals I set at the start of the year have mostly been laid aside. Now I’m laying aside a few more and narrowing my focus yet again.

Taking stock

While I did finish drafting the final novel in my epic fantasy series around the time that I’d hoped to, my subsequent review of the series has been agonizingly slow. I haven’t yet finished reading through book two and making my notes. I’d hoped to have read through the whole and started on the next round of revisions. I see that it’s going to take significantly more time than I had allotted. At this rate, I’ll be reading through the end of the year, at least, and not getting to revisions until some time next year.

This is okay. I have more learning and more improving to do before I can do justice to the series.

I’d also set the rather lofty goal of trying to write one short story per month. I have one finished and I’m trying to revise that into shape so I can start submitting it. I’ve remembered that I suck at short. Half the stories I come up with are actually novel length, or at least novella length. Still, I’m going to keep working at the one I’ve written and working on the second story idea I came up with. I hope to have two decent stories moving into next year.

I decided to leave off revising my short stories into collections for self-publication. They’ll still be there. I can return to the projects (one genre and one non-genre collection) in the future.

I did assemble my poetry into a collection and I’ve now received some excellent revision notes. I’ll look at preparing that for submission in September. I’ve also written a few new poems and hope to get those published somewhere in the nearish future. I already sent one submission, in fact, and got a rejection the next day. I hope that doesn’t reflect the overall success of this venture. It’s been a few years since I’ve written much poetry and I’m out of touch with the market.

I’ve received some insightful, but difficult-to-hear, critique on the SF novel I put up for my critique group. I’ve decided that I’m going to work on restructuring and revising that novel for the remainder of the year. This includes November.

Yes, for the first year since I’ve participated, I’m going to be a NaNoWriMo rebel and work on revision instead of a new work. I had thought I was going to proceed to one of the other novel series, but I realize that I can’t keep producing new material without dedicating focused time to revising my existing novels.

Something else I must confess: I have yet to figure out revision in a practical way that works for me. The closest I’ve come to true revision is the work I’ve done on the first book of my epic fantasy series. I’ve changed PoV, removed PoV characters, and removed characters entirely. I’ve rewritten chapters, put chapters on index cards, pinned them to my cork board, and reorganized them for more structural integrity. Still, after all that work, the core story has stayed the same.

In subsequent novels, I’ve only reviewed the work, maybe added a few elements, and mapped the structure as it exists without changing it substantially. I’ve grown fearful of revision. I think I just have to put on my mature writer trousers and do the work. Revision is where all my resistance lives these days.

So, I’m going to go back to basics. I’m going to read through the critiques again and let everything settle. I’ve already started to make some notes and I’m thinking about the story all the time. I’m going to take a page from Victoria Mixon’s book and “reverse engineer” the story, work on the character arcs and story structure, and then I’m going to rewrite the story.

I want to focus on this novel because it’s my only standalone right now. I think it will be my best chance at getting representation.

Wish me luck many broken pencils.

The month in writing

This month was a quiet one. My sense of things is that the sea change happening now has been in the works for a long time. It’s probably been trying to make itself heard since my epic burnout, if I’m being honest. I have to find a better way of taking my work from crappy draft to publishable work.

Accordingly, the bulk of my writing this past month has been on this blog. I increased my blogging goal because of the addition of book reviews, which I’m still trying to catch up on. I’m only going back to the books I read this year, otherwise I’d never catch up (!) still, there are a lot of books to catch up on. Still even with the increased goal of 4,800 words, I blogged 5,097 words, or 106%.

I finished the second version of my January short story. It’s now 6,222 words and will likely have to be cut, but I only wrote 602 “new” words on the story in August. After that, it was all cutting and editing, so there wasn’t anything to report, because how do you record a negative word count? Well, I could put a minus sign beside it, but it becomes even more of a challenge when the word count goes up and down several times in a single writing session. Although I probably did write at least 2,000 words on the story, I can only count the 602, which is 24% of my 2,500-word goal for short fiction in the month.

AugustProgress

The third thing I did was continue my review of the Ascension series. As I mentioned, I’m still on book two.

‘Nuff said there.

Filling the well

The two things I have to report here were not events, per se, and there are no pictures or other artefacts to share with you.

The first thing was my meeting with my poet friend to go over my manuscript. That few hours going over what I needed to fix or change and her encouragement to write some new material was refreshing and I came away from the meeting feeling lighter. It helps that she’s one of my best friends and has always liked my poetry. I’ve already written one new poem which has passed muster 😉

The other was a brief note from one of my critique group encouraging me to take stock and not give up on the SF novel. Another said she enjoyed the novel despite its deficiencies. It’s something to move forward with.

Hope is always a good thing.

What I’m watching and reading

August saw the end of a few mid-season shows.

The latest season of The Handmaid’s Tale came to its close with more harrowing trials for poor June. She’s thoroughly mad now and determined to stay in Gilead until her daughter is free. She’s killed one of the commanders, the Commander, in fact, and Gilead is reeling. The Waterfords have basically screwed each other over and are both in American custody. June’s also been shot helping more than fifty children, with their handmaidens and marthas, to escape. She’s managed to stay clear of retribution, so far, but I don’t think that situation can pertain without seriously straining credibility. That June has remained largely unscathed has already strained my credibility to breaking.

But, of course, I’ll be watching the next season to see what happens. I’ll probably pick up The Testaments when it’s released later this month.

Marvel’s Agents of SHIELD also finished its, what, sixth season? They continued with the fall out from the time travel shenanigans of last season, searching for and finding Fitz, getting embroiled in Chronicom politics, and a strange plague of beasties that destroys worlds. That plague and its mistress, Izel, are being hunted by a man called Sarge who looks exactly like Coulson and, in fact, turns out to be what’s left of him in some inexplicable (literally, they never do manage to explain it to my satisfaction) cosmic switcheroo. Izel is heading for Earth.

She gets possession of the monoliths, which were apparently hers all along, and Coulson let the alien personality within him, Izel’s partner, take over. Though the team manages to defeat the otherworldly pair and close the portal they opened to their realm, May is dying. Fitz and Simmons, aided by a deus ex machina Enoch, come to the rescue. May is put in stasis and they travel back in time to New York to foil the plans of the other Chronicoms who want to make Earth their new home world and have gone back in time to set in motion the events that will destroy the human race and make the world ready for their occupancy when the time comes.

The next season is supposed to be their last and I’m kind of looking forward to it (the end, that is).

I also watch the latest season of The Good Witch. It’s a guilty pleasure of mine.

Finally, Phil and I watch the first season of The Boys. It was dark and bloody and thoroughly enjoyable.

Reading-wise, I tackled Mary Robinette Kowal’s The Fated Sky, the sequel to The Calculating Stars. Loved.

Then, I read Richard Wagamese’s unfinished last novel, Starlight. It was lovely and touching and I wish he had been able to finish it.

Next, I dove into Emma Newman’s Planetfall series, reading Planetfall, After Atlas, and Before Mars. I enjoyed all three, the third the most, but, as in her Split Worlds series, Newman is drawn to writing isolated and somewhat powerless characters. It’s sometimes difficult to read, but ultimately satisfying.

Finally, I read Ursula K. Le Guin’s Words are My Matter, a collection of some of her speeches, critical introductions, and reviews. Loved.

Again, I’ll be reviewing several of these in coming months.

And that was a month in this writer’s life. Thanks for coming by.

Until tomorrow, be well, be kind, and stay strong. The world needs your stories 🙂

The Next Chapter

Tipsday: Writerly Goodness found on the interwebz, Aug 4-10, 2019

You’ve worked hard this week (so far). Reward yourself with some informal writerly learnings.

Jael McHenry: it’s always in the last place you look. Donald Maass considers persuasion.  Then, Kathryn Craft wants you to give your reader an experience. David Corbett has a conversation with Zoe Quinton about developmental editing. And Kathryn Magendie writes about becoming a rogue planet (when you lose your publisher). Writer Unboxed

K.M. Weiland shares part two of her five character arcs at a glance series: the three negative arcs. Helping Writers Become Authors

Abigail K. Perry looks at characters in terms of grit, wit, and it. Slush Pile Survivor

C.S. Lakin explains when telling, not showing, emotion is the right choice. Writers Helping Writers

Leanne Sowul: what writing can do for you. DIY MFA

Jenna Moreci lists her top ten worst dystopian tropes.

Sangeeta Mehta interviews Sarah LaPolla and Kim Lionetti for Jane Friedman’s blog.

Chuck Wendig: on writing from a place of fear vs from a place of love. Terribleminds

Reedsy offers a guide to fantasy subgenres.

Chris Winkle: filling in your story’s middle. Then, Oren Ashkenazi relates six common forms of bad writing advice. Mythceants

Jami Gold: when writing advice goes wrong.

Robert Lee Brewer looks at the difference between it’s and its. I know, seems basic. Doesn’t mean I don’t make the mistake from time to time. Reinforcement is always good. Writer’s Digest

Richard Lea and Sian Cain pay tribute to Toni Morrison, who died August 6, at the age of 88. The Guardian

Dwight Garner honours Morrison as a writer of many gifts who bent language to her will. The New York Times

There were so many more tributes, this humble curation would have been huge. I just chose a couple.

Thanks for stopping by. I hope you found something of value.

Until Thursday, be well, my writerly friends!

Tipsday2019

The next chapter: June 2019 update

Happy July, everyone! The summer weather has finally arrived in my area of the world. I hope you’re enjoying the season, whatever it is where you live.

And now, it’s time for my next chapter update for June 2019.

The month in writing

My “big” project continues to be my reread, restructuring, and preparation for revision of my Ascension series. As with many of my plans or goals, what I hoped to accomplish at the beginning of the year is changing.

To be specific, I had hoped that by the end of June, I’d have read through all five novels and be ready to start revising book one. Here, in July, I’m still reading through book one … As a result, I’ve decided that I’m just going to focus on laying the groundwork for future revisions. I’m going to continue reading through the series through to the end of September. For now.

While I’ve reviewed the various documents that will make up my series bible, I haven’t yet done the work of pulling everything together. This is part of the work I have to do to get ready for revising. I’m not sure if I’ll have this done before I have to shift gears into NaNo prep.

One of the challenges that I’ve been facing is that, since April, as I’ve noted in past updates, the day job has kicked into high gear. I finish most days exhausted and unable to nab even a little time during breaks of lunch to devote to my WIP. In the early months of this year, there was some downtime that I was able to capitalize on.

Also, I’ve been critiquing, which takes up time in the evening that I might otherwise use to work on my series. Accordingly, I’ve adjusted my goal, but what I’ll accomplish by the end of September is a bit up in the air. Sometimes we have to do what we can and live within the uncertainty.

Still it’s important work and I’m doing it, regardless of the pace 🙂

I blogged 4,073 words of my 2,600-word goal, or 157%.

Toward the end of the month, I got back to my short fiction. While I didn’t reach my 1,000-word goal, I wrote 693 words, or 69%. While this is, strictly speaking, revision of my January short story, most or the work is new. I’ve added scenes and switched things up. In the end, I think the story will be closer to 5,000 words than the 2,500 I’d planned on. It’ll be a better story, but I have a feeling that this draft won’t be the end of my work on the piece.

Revision-wise, I got Reality Bomb ready for critique and it is now posted. I had hoped to get the draft up to 80,000 words, but I’m still 1,175 words short of that. Still, 99% is good. It’s not a huge gap and it gives me room to work with. I’m nervous because there’s a lot of material in the novel that I’m not sure works. We’ll see what my critique group thinks.

JuneProgress

And that’s all the writing and revision I accomplished this past month.

Filling the well

On June 20th, A couple of poet friends, Kim Fahner and Tom Leduc, held a reading at One Sky they called On the Cusp of the Solstice. After their sets, the evening became an open mic and we got to hear five other local poets share their work. It was a great evening and a lovely, artistic venue.

What I’m watching and reading

I watched the final season of A series of Unfortunate Events. It was okay. I know it adhered fairly closely to the books (which I haven’t read) and I understand the choice not to give the Beaudelaires a happy ending, but it felt unsatisfactory because most of that denouement happened off-screen and the story was given to Lemony and Beatrice the second. In a way, the story was always Lemony’s, but he never did anything to propel the narrative, so it felt like a cheat.

I also finished the most recent season of Homeland released to Netflix. I think they’re a season behind what’s on the network, but I prefer to watch some shows when I want to rather than when the network wants me to. It was dark, as every season of Homeland has been to date. The twist at the end was interesting and promises a climactic next season. We’ll see.

I finally reached the end of season one of Man in the High Castle. I know I’m behind in this one, but I watch multiple series at the same time on both Netflix and Amazon Prime (like, between six and ten at any given time) and I only watch them on the weekends or days off and that means slow progress. I enjoy where the series is going and the characters. It’s interesting to see what they’re doing with another of Dick’s shorter works.

Phil and I devoured Good Omens. We loved it. I know a good deal has been made of focusing the story on Azirophale and Crowley because they are secondary characters. Like Lemony Snicket, above, they don’t really do anything to progress the plot or save the world. They just mess up and luck into every win. Still, I loved seeing David Tennant on screen again and Crowley’s friendship with Azirophale is a beautiful thing.

We also enjoyed Spiderman: Into the Spiderverse. I LOLed quite a bit. The movie didn’t take itself seriously and mocked its own tropes. I see why a lot of people consider it one of the best Marvel property movies (even though it was a Sony movie), better even than Endgame. I think comparing the two isn’t something that can be done. They’re both their own beasts.

Valerian remains in limbo, and Phil and I, on the strength of our liking of the original, checked out Reboot: The Guardian Code. One episode and I was, no. So no.

Reading-wise, I finished American Gods, which I liked much more than the Amazon Prime series. Events and gods have been juggled in the series so much that it’s almost unrecognizable. I recommend the book, though I did enjoy the series on its own merits.

For my literary selection, I read Ralph Ellison’s Invisible Man. I know it was probably the author’s intention, but I was alternately depressed and enraged throughout the novel. I still have unsettled feelings about it, and I think it will take some time to come to an understanding.

I read Sarah Negovetich’s Rite of Rejection, her YA dystopian. The story has similarities to books like The Handmaid’s Tale, in that society has doubled down on traditional gender roles and anyone considered divergent is identified through their activities (arrested) or by “the machine” which identifies those with undesirable traits. In both cases, undesirables are sent to camps so that they will never be able to spread dissent or reproduce. It’s another stark book, but I’ll probably read the rest of the series.

Finally, I listened to both volumes of The Outlandish Companion on Audible. It was a great refresh of the series, the Lord John books, and the interstitial shorts along with a lot of fascinating insights into Gabaldon’s process, research, and tasty tidbits about the series. It was a nice palate cleanser 🙂

And that was this month in the writerly life.

Until the next time I blog, be well, be kind, and stay strong. The world needs your stories.

The Next Chapter

Tipsday: Writerly Goodness found on the interwebz, May 26-June 1, 2019

You’ve survived Monday! Reward yourself with these informal writerly learnings 🙂

K.M. Weiland unpacks four challenges of writing for a modern audience. Helping Writers Become Authors

Julia Munroe Martin shares lessons from a revision. Writer Unboxed

Leslie Marshman: when giving up is not an option. Tiffany Yates Martin waxes on the rarity of one random “yes” and what to do if you never get one. (Hint: keep writing!) Laurie Schnebly wants you to grab ‘em, keep ‘em, bring ‘em back. Writers in the Storm

Jenn Walton is turning daily news into story fodder. Bronwen Fleetwood helps you figure out whether your book is YA or adult. Charlene Jimenez shares five truths about receiving writing critiques. DIY MFA

Janice Hardy five tips to help you move forward when you’re stuck on a scene. Fiction University

Becca Puglisi explains how to introduce otherworldly elements without confusing readers. Then, Oren Ashkenazi says, stories need to stop promoting torture. Mythcreants

Chuck Wendig: on running and writing and how a little becomes a lot. Terribleminds

Jami Gold discusses the importance of balance in our lives.

Mareila Santos introduces us to Beth Phelan, the literary agent behind #DVPit, who brings new voices of colour to the literary world. Ozy

And that was Tipsday.

Until Thursday, be well!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Apr 21-27, 2019

Another week, another batch of informal writerly learnings.

Emily Wenstrom advises what to post on social media when you have nothing to say. And here’s my latest speculations column: why you should follow myth and legend off the beaten path. DIY MFA

Kim Bullock shows you the positive side of envy (it’s great motivation!). Barbara O’Neal is finding the world through reading. Julianna Baggott issues a challenge: if your room has a view, but also wifi, will you ever see anything but a screen? Writer Unboxed

K.M. Weiland is helping authors become artists. Helping Writers Become Authors

Lisa Hall-Wilson shares the three-act emotional arc for showing shame in fiction. Laura Drake looks at the reality of writing for a living today. Writers in the Storm

Janice Hardy points out two reasons your protagonist isn’t driving your plot. Fiction University

Jami Gold wonders whether to revise or start fresh? What’s better when you’re stuck?

Oren Ashkenazi shares five activities to beat writer’s block. Then, Oren lists six pros and cons of the magic school genre. Mythcreants

Cherie Demaline answers the question, who gets to write Indigenous stories? (Yes, it’s from last year, but always a timely reminder.) CBC Books

And that tipsday.

Consider returning on Thursday for your weekly dose of thoughty.

Until then, be well, my friends.

tipsday2016