Tipsday: Writerly Goodness found on the interwebz, May 9-15, 2021

Welcome to another tipsday, your opportunity to fill up on informal writerly learnings 🙂

KL Burd helps you incorporate social issues into your manuscript. Therese Walsh: spring thaws and the buzz of the muse. Then, Juliet Marillier wants you to consider your author photo. Kathryn Craft wants you to embrace unapologetic characterization. Later in the week, David Corbett recounts his experience murdering 22,000 darlings. Writer Unboxed

Shaelin guides you through the process of content and developmental editing. Reedsy

K.M. Weiland covers the mage’s shadow archetypes in part 14 of her archetypal character arcs series. Helping Writers Become Authors

Star Wuerdemann explains how to find compelling comps for your book. Jane Friedman

Joanna Penn interviews Gail Carriger about The Heroine’s Journey. The Creative Penn

Princess Weekes looks at the literary power of manga. It’s Lit | PBS Storied

Laurence MacNaughton shares three shortcuts to character-driven stories. Then, Savannah Cordova helps you figure out which story structure is right for your novel. Fiction University

Stephanie BwaBwa explains how to use bookstagram to increase your novel’s visibility. Then, Olivia Fisher is all about short stories. Gabriela Pereira interviews Suyi Davies Okungbowa about layers of world building in epic fantasy. Later in the week, Melanie Gibson shares five tips for writing about your mental health journey. DIY MFA

How the self-aware teen movie almost killed the genre. The Take

Marissa Graff explains how to power up individual scenes with a scene tracker. Writers Helping Writers

Margie Lawson touts the power of quirky-smirky assonance and alluring alliteration. Then, Ellen Buikema explains the relationship between stress and creativity. Writers in the Storm

Kristine Kathryn Rusch starts a new series: fear-based decision-making (part one).

Chris Winkle lists five ways to incorporate dreams into your plot. Then, Oren Ashkenazi analyzes five fascinating monsters in speculative fiction. Mythcreants

Kristen Lamb follows the writer’s journey from total newbie to the joy of mastery.

Vicky Qaio reports that Robert J. Sawyer and Silvia Moreno-Garcia are among the finalists for the 2021 Aurora Awards. CBC

Sagal Mohammed interviews Barry Jenkins about avoiding the exploitation of Black trauma in The Underground Railroad. Buzzfeed

Thank you for taking the time to stop by, and I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Writerly Goodness found on the interwebz, May 2-8, 2021

It’s another full week of informal writerly learnings. Enjoy!

E.J. Wenstrom explains the relationship between engagement rate and your author platform. Then, Sara Farmer says there’s an Eyre for every era, from cozy to cold-blooded. Later in the week, Leslie A. Rasmussen goes from television writing to novel writing. Then, Melissa Haas suggests five items for cats and the authors who live with them. DIY MFA

Obi-Wan vs. Stabby Crab fight analysis. Jill Bearup

Janice Hardy shares five reasons you’re struggling with your revisions (and how to fix them). Timely! Then, Jenna Harte offers some easy tips to incorporate backstory in your novel. José Pablo Iriarte explains how to punch readers in the feels (a case study). Fiction University

Shaelin shows you how to assess your manuscript. Reedsy

Greer Macallister: the responsibility of world building. Then, Sarah Penner shares 100 content ideas for every stage of your writing career. Donald Maass: it’s inevitable. Desmond Hall has a new edition of Desmond’s Drops for May. Writer Unboxed

Erica Brozovsky: can computers really talk? Otherwords | PBS Storied

K.M. Weiland examines the crone’s shadow archetypes in part 13 of her archetypal character arcs series. Helping Writers Become Authors

Elizabeth Spann Craig explains what it means to show up as an author.

The age of fanfiction. The Take

September C. Fawkes helps you balance your cast of characters. Then, Angela Ackerman shows you how to set yourself up for success before you write a single word. Writers Helping Writers

Janice Hardy shares five ways to keep your protagonist proactive. Later in the week, John Peragine discusses Vella in part 2 of his serializing storytelling series. Writers in the Storm

Jenna Moreci hosts Iona Wayland to discuss writing mental illness.

Desiree Villena shares five tips for crafting an irresistible first line. Flogging the Quill

Kristen Lamb says that characters are the emotional touchstone readers crave.

John B. Thompson shares an excerpt from Book Wars: the new Holy Grail for traditional publishers is direct-to-reader relationships. Jane Friedman

Chris Winkle: your plot s fractal. Then, Oren Ashkenazi analyzes five baffling tech explanations in speculative fiction. Mythcreants

Thank you for taking the time to visit and I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Writerly Goodness found on the interwebz, Feb 21-27, 2021

Welcome to March! You’ve made it through Monday. Reward yourself with some informal writerly learnings 🙂

K.M. Weiland presents part three of her archetypal character arcs series: the hero arc. Helping Writers Become Authors

Writing Fat Characters – a conversation with Marianne Kirby | Writing the Other

Tiffany Yates Martin explains the difference between criticism and critique. Then, Tasha Seegmiller asks, are you a whole-hearted writer? Later in the week, Laurie Schnebly Campbell explains why character motivation matters. Writers in the Storm

Tim Hickson talks elemental magic systems. Hello, Future Me

Susan DeFreitas shares four key tactics for addressing backstory and exposition. Jane Friedman

Abigail K. Perry points out some must-knows about picking comparable titles. Then, Sara Farmer recounts crime authors caught up in real crimes, cozy to cold-blooded. Later in the week, Constance Sayers shares four historical fiction writing hacks. Then, Briana Cole offers five tips to get your story written fast. DIY MFA

Shaelin breaks down the Save the Cat plot structure. Reedsy

Janice Hardy offers some tips to understand and control your novel’s pacing. Then, Orly Konig shares some revision tips for pantsers: three steps to a full rewrite. Fiction University

Kasey LeBlanc is learning to say no thanks: standing up for your creative vision. Heather Webb declares that hope springs eternal: hang on, writers. We’re almost there. Then, Julianna Baggott shares the results of a survey on process: that thing you do. Later in the week, Julie Duffy wants you to focus on short fiction. Writer Unboxed

Literary Icons You NEED to Know from the Harlem Renaissance (feat. Princess Weekes). It’s Lit | PBS Storied

Kristen Lamb: tough choices are the professional writer’s daily grind.

Chris Winkle set out to praise “The Eye of Argon” and all she got were these lousy writing lessons (and a t-shirt?). Then, Oren Ashkenazi looks at ten justifications for oppressed mages and why they fail. Mythcreants

Bridgerton is a fan fiction about today. The Take

The Jewish American Princess – beyond the stereotype. The Take

Trey Mangum reports that Ta-Nehisi Coates will write the next Superman film for DC and Warner Bros. Shadow and Cut

Thanks for visiting. I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, Feb 7-13, 2021

Another week, another batch of informal writerly goodness. Enjoy!

Janice Hardy lists four ways to develop character agency. Then, Laurence MacNaughton shares six steps to fast and easy revision. Fast and easy? OMG, this is what I need. Fiction University

Jessica Conoley is helping you build your writing support triangle. Then, Lisa Cooper Ellison helps you fix your story shapes to quickly improve your manuscript. Jane Friedman

Pride & Prejudice & Zombies: Lizzy vs. Darcy proposal fight. Jill Bearup

K.M. Weiland starts a new series: archetypal character arcs, pt. 1. Helping Writers Become Authors

Joanna Penn interviews David Farland about valuing your books for the long term. The Creative Penn

The Queen’s Gambit – what happens when the genius is female? The Take

Jim Dempsey wonders, what makes a good editor? Then, Kathleen McCleary asks, who are we now? Kathryn Craft examines the power of declaration. Later in the week, David Corbett explains the unique structure of the love story. Then, Desmond Hall drops some writing wisdom. Writer Unboxed

The bimbo trope, explained. The Take

Marissa Graff lists three critical elements of opening scenes. Again, advice I seem to be in desperate need of. Then, Savannah Cordova shares five tips for writing stellar romantic subplots. Writers Helping Writers

Leanne Sowul shares her DIY MFA story: trust your gut. Then, Adam W. Burgess answers the question, what is LGBTQ+ literature? Gabriela Pereira interviews Sharon Harrigan about point of view. Later in the week, Dr. Antonio Gomes helps you write medical fiction. Then, Kendra Beckley shares five effective tips on fiction writing. DIY MFA

Ellen Buikema offers ten self-editing tips. Later in the week, Eldred Bird explains how to write locations as characters. Writers in the Storm

All about structure: how to plot a book. Jenna Moreci

Chris Winkle lists five ways to make a selfish character likable. Then, Oren Ashkenazi discusses five bad habits writers learn from movies and television. Mythcreants

Shannon Luders-Manuel examines the “tragic mulatta” of Bridgerton. JSTOR Daily

Thank you for taking the time to visit. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Writerly Goodness found on the interwebz, Dec 13-19, 2020

Ah! The penultimate tipsday of the year! Time to get your informal writerly learnings 🙂

John J. Kelley helps you stage the scene. Yuvi Zalkow is embracing the I-don’t-know-ness. Porter Anderson hopes you work wonders in 2021. Writer Unboxed

Janice Hardy shares three steps to crafting a stronger first draft. Fiction University

Jenna Moreci shares her top ten tips for writing fantasy.

Lori Freeland lists five things every writer needs to thrive. Then, Barbara Linn Probst considers scene coherence from the reader’s perspective. Writers in the Storm

My name is Inigo Montoya: Princess Bride fight analysis. Jill Bearup

Lucy V. Hay shares ten steps to revise your NaNo novel. Writers Helping Writers

Nathan Bransford explains what to expect when you work with a freelance editor.

The strong female character trope, explained. The Take

Abigail K. Perry demonstrates the importance of internal and external value shifts in characters. Later in the week, Amy Ayers offers five ways to talk about writing with nonwriters. DIY MFA

The funny fat girl trope, explained. The Take

Ken Brosky explains how to effectively manage multiple narrators in your novel. Then, Louise Tondeur asks, is your writer’s block really writer’s indecision? Jane Friedman

Chris Winkle does a narration makeover to create tension. Oren Ashkenazi: what The Black Company teaches us about dark stories. Mythcreants

Emily Zarka considers the Nuckelavee, Scotland’s skinless, evil monstrosity. Monstrum |PBS Storied

Mildred Europa Taylor: Cynthia Erivo to star in and produce film about enslaved Yoruba girl who became a gift to the queen of England. Face 2 Face Africa

Stephanie Cram: Darcie Little Badger’s YA debut Elatsoe landed on Time’s list of the best fantasy novels of all time. CBC’s “Unreserved”

A Poem for All The ‘Old Hags’ // Sarah MacGillivray

Tom Grater reports that Charlie Mackesy, author of The Boy, the Mole, the Fox, and the Horse, teams up with Bad Robot to produce animated short. Deadline

Thanks for dropping by, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Writerly Goodness found on the interwebz, Dec 1-5, 2020

Welcome to the first post-NaNo tipsday of 2020! Because I don’t watch YouTube during November, I have a lot of videos to catch up on. Expect a fair number of videos in the next two or three weeks 🙂

Black and Indigenous lives matter.

Wear your masks, maintain physical distance, wash your hands, and get your flu shot as soon as they’re available. I say this last because our local pharmacies ran out of flu vaccine almost as soon as they were stocked. We’re hoping to make our appointments, soonish, now that we’ve heard they have more in.

Leanne Sowul dubs 2020 the year of reflection. Then, Gabriela Pereira interviews Veena Rao: the unexpected female protagonist. Later in the week, Anita Ramirez lists five reasons you’re never too old to launch a writing career. DIY MFA

Princess Weekes explains why the cynical superhero isn’t that interesting (with philosophy). Melina Pendulum

Donald Mass: the beat goes on. Kathryn Magendie talks royalties: what this writer made, once upon one time. Then, Julianna Baggott nurturing the automatic writer. Writer Unboxed

John Peragine shares seven more plot structures for pantsers. Later in the week, James Preston helps you get past the black page. Writers in the Storm

Shaelin explains how to write a character arc. Reedsy

James Scott Bell wonders, do you have a sense of where you are? Writers Helping Writers

Allison K. Williams helps you move from first draft to second draft to publishable book. Jane Friedman

The spicy Latina trope, explained. The Take

Chris Winkle explains how and why you should consolidate your story. Then, Oren Ashkenazi analyzes the climaxes of Marvel’s phase three (part 2). Mythcreants

Princess Weekes tackles the question, are graphic novels … novels? It’s Lit | PBS Storied

Nina Munteanu revisits Darwin’s Paradox: compassion and evolution.

Andrew Liptak: SFWA names Nalo Hopkinson the 37th Damon Knight Grand Master. Tor.com

The Torontonian roots of Doctor Who. The Toronto Dreams Project Historical Ephemera Blog

Thank you for visiting, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!

NaNoWriMo 2020, week 1 update

Here we are, my writerly friends. It’s November 8th, week one of NaNoWriMo is over, and Joe Biden is the president-elect. Kamala Harris is the first woman of colour to be elected vice president. The world breathes a sigh of relief … and then one of exasperation as the big, orange baby continues to insist that he “won by a lot.” In the words of the late, great Stan Lee, ‘nuff said.

Week one was a good one for me. I’ve cut almost 4,000 words off my draft, rewritten significant portions of text, but it still feels like I’m cheating when I put the word count of the chapter I’ve just revised into my spreadsheet and into the NaNo site.

I’ve declared myself a rebel. I’m not drafting this year. I’m editing. The point is to get some work done. And work is getting done. I’ve edited 19, 851 words this week. By NaNo stats reckoning, I’ll be done by November 20th. I’ll probably loop around again, though, just to make sure I’ve got the draft as “right” as I can make it at this point.

And then it’s off to the critique group for review and I move on to another project. 2020 has been so messed up, I’m not sure what that will be at this point. I had wanted to go back and rewrite/revise Marushka this year, but the Ascension series is always sitting at the back of my mind. And MageBlood. And Gerod and the Lions. And the half a dozen other ideas that have sprouted up over the years. Projects aren’t the problem. It’s the choosing that’s hard.

I just have to figure out where my energy is best used and go there.

I hope you’re all experiencing success, however you’ve chosen to define it. Every word’s a victory.

Until next week, be well and stay safe, be kind, and stay strong. The world needs your stories.

The next chapter: October 2020 update

October has ended. NaNoWriMo has begun. This year has been temporally bizarre. Covid time moves both slower and faster than normal time. Months have passed at a snail’s pace, and then I blink and the next month is gone.

Black and Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter. Marcellis Stinnette and Jonathan Price were killed by police in October. The RCMP has refused to protect Mi’kmaw fishers and their rights.

I’m so afraid for what will happen, not just in the US, but also to countries and economies all over the world if Trump gets in for a second term. Not a little of my anxiety these days is due to this election.

Pandemic Life

Worldwide, we’re in the second wave. Numbers of infections are exceeding those seen in the spring in many countries are increasing restrictions. While I understand that people are tired, if we don’t recommit to reasonable restrictions like wearing masks in public, maintaining physical distance, washing your hands, and getting your flu shot, governments will have no choice but to implement lockdowns again.

It’s not about inconveniencing you. It’s not about violating your civil liberties. It’s about protecting other people. It’s about preventing the spread of disease.

Do your part.

The month in writing

Having finally finished my rewrite of Reality Bomb in September, I’d hoped to map things out and revise by the end of October. Once again, my ambitions exceeded my capabilities.

I didn’t finish mapping the story until October 20th. When I got to work on revisions, it wasn’t too bad. With eleven days left on the month, I set the goal of revising 30,000 words. I managed 24,714 words, or 82%. I’ve not just been cutting words, I’ve been rewriting whole sections again, so this is not bad. This is also the first month I’ve posted substantial revision numbers all year.

For NaNoWriMo this year, I’m doing the rebel thing again and I’m hoping to revise the remaining 60,000 (and a bit) words. I’ve already cut over 2,000 words from the over 120,000-word draft. I’m hopeful that I’ll be able to tighten everything up and end up with a 90,000-word story that I can present to my critique group. I’m sure there will be further revisions, but this is my short-term goal.

Thanks in part to these long monthly updates, I once again outstripped my blogging goal by 174%. I wrote 6,532 words of my 3,750-word goal.

I also drafted most of my next Speculation column for DIY MFA. I managed to write 840 word of my 1,000-word goal, or 84%.

Overall, I wrote 155% of my writing goal of 4,750 words.

Also, my poem “Visiting Endymion” was published in Polar Borealis 16.

Filling the well

My family did get together for a low-key Thanksgiving at my Mom’s. Even though there were just five of us, we had more than enough food to send everyone home with leftovers.

For my birthday, Phil ordered sushi, I had wine, and we watched a seasonally appropriate movie (more on that, below). I’m a level 51 human now. I still behave like I’m a kid 😛

Virtual event-wise, I started the month with the launch of Ariel Gordon’s Tree Talk on the 1st. On the second, I attended a Carl Brandon Society lecture by Desi authors called Our Literary Mothers.

On the 6th, I attended a talk with Waubgeshig Rice and Eden Robinson in anticipation of the CBC series Trickster, based on Robinson’s books. It’s awesome. You need to watch it. CBC Gem.

I signed up for a series of webinars from Free Expressions. So far, I’ve attended a couple of Donald Maass lectures/workshops, and a Lisa Cron presentation on story and the brain.

I also registered for Surry International Writers’ Conference (SiWC) online, which combined their usual weekend offering with the Writing Excuses virtual retreat. I have to admit that I hit peak zoom saturation on Saturday night, but the recorded sessions will be available for a month for registered attendees. I’ll catch up.

Almost full/blue/hunter’s moon

What I’ve been watching and reading

In the viewing category, the month started off on a lowish note.

We finished Wizards: Tales of Arcadia. It wasn’t as good as Three Below, but it was okay and a better interpretation of Arthurian legend than Cursed.

Season two of The New Legends of Monkey was fun, but dumb. It doesn’t pretend to be anything else.

We watched The Boys, season two, and it was awesome and bloody and surprising, but Lucy traumatized me.

Lovecraft Country blew my freaking mind. I’ve seen some less than stellar reviews, but Phil and I loved it.

Utopia was good as well. I enjoyed it more than Phil, but I think what got him was the lack of resolution. Every plot line ended on a cliffhanger. I’m more comfortable with this than Phil is.

We also watched two movies. The Old Guard was good, but fairly standard and somewhat predictable. Zombieland Double Tap was as delightful a romp as the first one.

Reading-wise, I finished Jade City by Fonda Lee. I’ve been diversifying my reading and quite enjoyed the Asian-based fantasy world. The characters were fabulous.

Then, I backfilled a gap with Sabriel by Garth Nix. I quite liked the world of the Abhorsen.

I consumed Harrow the Ninth, Tamsyn Muir’s follow up to Gideon the Ninth. I went in prepared for the second person narrative, the apparent retconning of many of the events of the first book, and the lack of Gideon’s exquisitely kiss-my-ass voice. There is a point to it. Trust me. The second novel is as much a mystery as the first and part of the delight is trying to figure out what the hell is going on. The pay off is worth it, though the ending still leaves a lot of questions unanswered. Loved.

I also read K.M. Weiland’s Writing Your Story’s Theme. You may have noticed my book review 🙂 Yes, I’m A K.M. fangirl, but her analysis is on the mark and she has a way of making theme accessible to the reader without too much brain twisting.

I finished off the month with Alice Munro’s Runaway. There are only two standalone stories in this collection and the rest are linked in two groups. The title tale is chilling.

And that was the month in this writer’s life.

Just a reminder, I won’t be doing curation for most of the month of November. There is just one each of tipsday and thoughty Thursday, and then I’ll be devoting most of my time to RB revisions/NaNo. Of course, I hope to provide you with a weekly update on my revision progress.

Until tipsday, be well and stay safe, be kind, and stay strong. The world needs your stories.

The next chapter: September 2020 update

I blink, and it’s October.

Black and Indigenous lives matter

The good fight goes on despite losses. There was no justice for Breonna Taylor. Joyce Echaquan died after enduring racist abuse from the people who were supposed to be helping her. Two of the staff were fired, but it looks like there won’t be justice for Joyce Echaquan either.

On the positive side, Annamie Paul is the first Black leader of a Canadian political party. I’m watching with interest.

We have to keep educating ourselves (those of us who benefit from white privilege), listening, reading, promoting Black and Indigenous artists and entrepreneurs, and bringing issues affecting Black and Indigenous people to the fore. We need to do better.

Pandemic life

Ten months into this hellacious year and seven months into the pandemic. We’re firmly into the second wave in many areas of the province and country. Pre-reopening restrictions have been institutes again. We all have to do our part to protect each other.

Wear your masks, maintain physical distance, wash your hands, don’t go out unless you need to, and get your flu shots as soon as they’re available.

I’m just boggled that Trump decided to break quarantine to give his supporters a “gift.” What gift is that? The rona? I shake my head and wait to see what happens next.

Work wise, while front line workers have returned to the office (with appropriate protections), the rest of us are teleworking for the foreseeable. So, nothing new there. I’ve adapted to my new work laptop and the shelf Phil made for me to elevate my monitors over my laptop also provides additional storage space.

With respect to the assessment process I was involved in for the new job at work … the manager wanted to proceed with next steps in the informal process. If I was interested. To which I responded with a resounding “YES!” The potential start date has been pushed to November to accommodate any approvals that might need to be obtained. And then I was called for the interview in the formal process. Still nervous about it, but they did proceed to contact my references from there.

And now … we wait. Again. Did I mention these things tend to take a fair amount of time?

The month in writing

Please excuse the block caps, but I think some shouting is in order. THE NEVERENDING DRAFT FINALLY ENDED! Yes, I finished this iteration of Reality Bomb. It was basically 120k and I have to cut around 30k, but I’m optimistic. I’m currently mapping in anticipation of revising later this month.

So, 5,234 words, or 105% of my 5k-word goal.

I finished the short story I started last month and promptly submitted it. It was rejected and so will be added to my pile of revise and resubmit stories, but I feel that it was an accomplishment, nonetheless. Then, I started on another story, not expecting to finish it, let alone submit it, but I did both! I probably won’t hear from that submission process for a while yet. I’m just happy to have done it.

I also submitted a previously published story for consideration in a Canadian reprint special issue of a popular SFF magazine. I’ll definitely let you know if anything comes of that 🙂

2,489 word of short fiction in the month, or 124% of my 2k-word goal.

I blogged 6,815 words of my 3,750-word goal, or a whopping 182%. Whop.

Overall, I wrote 14,538 words. I’d aimed for 10,750 and surpassed my goals on all counts. 135% of my monthly writing goal ain’t bad.

In the poetry arena, “Fire and Ice,” one of the five poems accepted for publication in Polar Borealis was also selected for Stellar Evolutions, an anthology featuring the best of the first 15 issues of PB. The pieces for the anthology were selected by Rhea E. Rose of RainWood Press. Pre-orders start October 15th, and the anthology is officially out on October 31st—my birthday!

Isn’t the cover beautiful?

It’s nice to get some external validation again.

Filling the well

Over Labour Day long weekend, our small family gathered at my sister-in-law’s for what’s probably our last outdoor family gathering of the year (it’s too cold for the moms, now). Chicken wings on the barbeque and fresh-cut fries. The sandhill cranes (AKA dinos) were EVERYWHERE.

Later in the month, I went out with Torvi a couple of times for walks in the fields.

In September, I attended Jane Friedman’s workshop on Researching Agents and Publishers like a Pro, a Word on the Street event with Michael Christie (Greenwood), Kerri Sakamoto (Floating City), and Doreen Vanderstoop (Watershed), the Writing Excuses Retreat fall reunion, How to Astronaut with Mary Robinette Kowal and Terry Virts, a NaNoWriMo session on How to Unlock the Key to Your Novel (adaptation to screen) with Jenny Han (To All the Boys I’ve Loved Before), Angie Thomas (The Hate U Give), Nancy Springer (Enola Holmes), and Roshani Chokshi (Aru Shah), a world building tutorial with Mary Robinette Kowal, and a presentation on The Inner Workings of Spacesuit Design with Adam Savage, Cady Coleman, and (again) Mary Robinette Kowal.

Whew! That was a lot of virtual events.

I also attended several meetings for the Canadian Authors Association and the AGM for CIRA as well as several learning events at work (virtual facilitation, Orange Shirt Day, anti-racism, and mental health). What can I say? I’m a learning mutt.

What I’m watching and reading

Because many series stopped filming and/or production because of covid-19, there hasn’t been a lot on cable these days. Don’t get me wrong, I’m kind of grateful. I get more writing done of an evening if I don’t have regular series to watch. I’m actually catching up on my streaming viewing, but I haven’t finished any more series/seasons that way, either.

I watched the first six episodes of Wynona Earp. It’s the usual wacky shenanigans, but we didn’t get much of anywhere before covid intervened. Apparently, the rest of the season should start coming out in January. I’ll reserve full judgement until then.

Phil and I endured Cursed. It’s okay to envision a new interpretation of traditional myths and legends, but you have to have some kind of cohesive story going in. This was just stuff happening, just to have stuff happen. Pirates and Vikings and fairies, oh my? In what timescape do these all coexist with Arthurian legend (the fairies, okay, but the rest)? It’s fiction. I get it. But it all felt contrived, like, oh yeah, now we have the Inquisition (nobody expects the Spanish Inquisition)!

By all means, let Nimue be the one true queen, but she should act like one (some of the time, please?). She can have (indeed should have) conflicting goals and desires, but she’s running away with Arthur one minute and then making deals with Uther to save her people the next? Everyone was changing allegiances, left, right, and centre, again, apparently for no reason.

In short, nothing came together for us. We’ve watched and enjoyed shows that have done truly bizarre things with Arthurian legend, but they worked because there was a cohesive story to wrap all the crazy in. Someone let their idea monkey out of its cage and the poor dear just started flinging poop everywhere.

The rest of my viewing was long form, that is movies.

I watched Birds of Prey (and the fantabulous emancipation of one Harley Quinn) and it was fabulous. I think it’s the best DCEU film I’ve seen yet. It was all style and fun and it had a legit story. Margot Robbie was *chef’s kiss.* Nice to see strong women coming together to kick some ass and save each other.

Then, I saw Knives Out. Hilarious and clever, though I did wonder how Benoit Blanc, master detective, missed the distinct scent of vomit when he got into the car. You know the scene I’m talking about. This movie isn’t a whodunnit, but a who-woulda-dunnit-if-the-intended-victim-hadn’t-dunnit-first … and committed murder, extortion, and arson to cover their tracks. It’s about true friendship and kindness and a suspect who vomits every time she lies. A feelgood movie. Yeah, that’s what I’m going with.

Finally, Phil and I watched Enola Holmes. Another feelgood movie. It’s a plot wrapped in a mystery. Millie Bobbie Brown was perfect and got to use her own accent (sort of). Henry Cavill and Helena Bonham Carter were lovely. There were a few key differences from the book as I understand it, but I think I’m going to pick it up. I’ve always enjoyed Nancy Springer’s novels 🙂

In terms of reading, I have four offerings, two short story collections and two novels.

The first collection was Lynn Coady’s Hell Going. This collection won the Giller in 2013. I enjoyed the stories, but they all seemed to revolve around absences, and how people only end up hurting themselves by not communicating.

Daniel José Older’s Salsa Nocturna is a collection of stories featuring the characters from the first two novels in his Bone Street Rumba series. Humans who can see the dead, half-dead ghost hunters, witches who trap the souls of their victims in dolls, mammoth ghosts (not big ghosts, but the ghosts of woolly mammoths), and regular folks who get caught up in the world of the NY Council of the Dead.

Then, I read Justina Ireland’s Deathless Divide, the sequel to Dread Nation. As dark as the first novel was, DD is darker. You have to read them both to get the full effect, and I’m not going to spoil it.  The metaphoric nature of the story is killer (pun intended).

Finally, I read Barney’s Version by Mordecai Richler. Well, I listened to it. Audible offered Giller prize winning novels for free back in the spring and I got a bunch. I didn’t expect to like this novel, but I did. The twist in the final pages is perfect. The narrator … I’m not as impressed with. He persisted in pronouncing yarmulke (yah-muhl-kah) as yarmuckel—that’s not even how it’s written—gah! I would think a professional voice actor would care enough to look up these things before he began narration … but I’ll leave it there.

Barney is the ultimate unreliable narrator. He’s starting to forget things and eventually dies from complications related to Alzheimer’s. So, basically, the reader can’t trust a word he’s written. He’s writing his memoir, such as it is, in response to former friend turned rival, Terry MacIvor’s fictional expose.

The problem is that Barney readily admits his faults and he does terrible things, but he’s adamant on one point: he did not kill his best friend as everyone thinks he did.

And that was the month in this writer’s life.

Until next time, be well and stay safe, be kind, and stay strong. The world needs your stories.

The next chapter: August 2020 update

Another month has passed. I am experiencing covid time. Sometimes, it feels like March was only yesterday. At others, the second drag on. Though I’ve made my monthly goals more manageable, and revised my yearly goals every month, I’ve gotten more done than I thought I would.

Before we get to the month in writing, we have to make a brief stop in covid-ville.

Pandemic life

Black and Indigenous lives matter. All lives cannot matter until Black and Indigenous (and indeed, all marginalized or racialized people’s) lives matter. White privilege and white supremacy are real. We must interrogate our biases, listen, learn, and do better.

Tomorrow marks the return to school for students in Ontario. I’m not optimistic, and I can only wait to see how things turn out.

Working from home continues. I finally, after nearly six months, received my work laptop. The process was poorly organized and involved calls to the service desk. My system was still not working properly at the end of Friday and I ended up returning to the virtual desktop so I could get some work done.

I hope that all of my programs will have been downloaded by tomorrow morning and I can finish reconfiguring the laptop the way I want. Because I only have the one desk and no room to set up a second in my office, Phil will be making me a unit to raise my monitors above the level of the laptop, which has to remain on, open, and connected to our network so that updates can be pushed after working hours.

I have one of my monitors set up so that I can switch inputs between the laptop and my computer. It’s funny. When we were told we were going to be getting dual monitors at work, I and most of my colleagues questioned the necessity. Now, it’s difficult to conceive of working without them. We have so many programs, it really is easier to have them spread out over a larger visual area.

These are all first world problems of privilege. I just have to put on my big girl panties and git ‘er done. It’s interesting how little is takes to throw me off in these covid times. I can’t imagine how teachers are dealing with the possibility of turning on a dime and converting their lessons for online delivery in the event of an outbreak, which we’ve been told to expect.

The exciting events of July have not resulted in any news. That’s to be expected. Sometimes these assessment processes take months to sort through, and I believe the unit has been since slammed with other priorities.

Work itself is still frustrating and fraught. ‘Nuff said about that.

The month in writing

The never-ending novel is never-ending. I’m now over 116k words and not yet finished with the story. It’s going to be a hell of an edit. I did achieve 153% of my writing goal on Reality Bomb, however, writing 7,662 words of my 5k-word goal.

I wrote 173% of my 3,500-word blogging goal, writing 6,040 words in August.

I wrote 905 words for my latest Speculations column, which, though only 91% of my 1k-word goal, I count as a win, because I’m forever going over my 1k-word limit 🙂

Finally, I drafted 611 word on a new short story. I had wanted to write 1k words, but I ran out of spoons, or maybe hands, by the end of the month.

Overall, I wrote 15,218 words, or 145% of my 10,500-work goal.

Filling the well

There were just a few virtual events in August.

The first was When Words Collide, from the 14th to the 16th. They opted to provide the entire weekend of programming free this year because they had to cancel the in-person event. I only attended one session live, with Swati Chavda, on burnout. Unfortunately, the unsecured Zoom account WWC borrowed from the Alberta Romance Writers Association meant the intrusion of a Zoom bomber, which was not fun even though the session was great.

Phil and I were invited out to his sister’s backyard paradise for a bubbled day of social fun on the Saturday, so I wasn’t able to take in any further live sessions. I’m waiting for them to be edited and posted to WWC’s YouTube channel. The Aurora Awards were presented on Saturday evening. That’s the only session that’s been posted so far.

On the 16th, I watched Lavie Tidhar and Silvia Moreno-Garcia in conversation.

On the 18th, I started a free online course on short fiction from Steven L. Sears offered in conjunction with the Roswell Awards. This was the impetus for the new short story I started working on. The last of the classes is tomorrow.

On the 19th, I enjoyed Melissa Yuan-Innes’s workshop on How to Build Worlds without Boring your Readers to Death.

Finally, on the 24th, I attended a Penguin Random House Star Talk with Saleema Nawaz about her book Songs for the End of the World, which is now out.

I’m doing a lot more of these virtual events, I find. I’m enjoying them and they’re doing the job of inspiring me to keep on with the keeping on.

What I’m watching and reading

Phil and I watched the second season of Doom Patrol. It seemed to be one of the shows that was interrupted by covid. It ended at episode 9, and in a bit of an odd way. Sure enough, I found confirmation online that they were in the middle of filming episode 9 when production shut down. The cliff-hanger at the end of season one was apparently intentional. The cliff-hanger at the end of season two was not.

It was okay. We like most of the characters, though we both agree that Cliff is useless. The disappointment was that after the whole of season one was spend delving into the personal traumas of the various heroes and the big reveal that the Chief actually caused all of their “accidents” in one way or the other, or took advantage of their circumstances in a kind of hero syndrome on steroids, the whole of season two was more of the same. The heroes made progress, but several of them were still stuck in the mire of their various issues.

We’re hoping for actual progress in season three … please?

The Umbrella Academy season two was admittedly better than season one, but it, too, suffered from many of the same problems. Again, all the heroes struggle with trauma associated with their upbringing by Hargreaves—who is revealed to be an alien in this season—and most of them end up exactly where they started.

At the end of season one, the rest of the team take down Vanya, but fail to stop her from ending the world. Five’s solution is to take them back in time, but his time travel abilities malfunction conveniently, scattering the UA members over several years in the early 60’s. While they do eventually get together again, because, of course, there’s another apocalypse, they’re all as deeply messed up as they ever were.

They deal with Vanya’s overpowered and ill-defined abilities by giving her amnesia, but she’s still nearly the cause of the apocalypse—again. Five’s powers continue to malfunction, until they don’t. And even though he’s trapped in the body of his pre-teen self, he’s actually in his 50s and should know better, especially when the Handler screws him over—again. Allison feels so much guilt over abusing her abilities to manipulate her daughter in the future that she proudly refuses to use her powers. Until she doesn’t and goes on a power trip that includes a “shopping spree” and getting a racist diner owner to scald himself. Luther uses his super strength to win fixed fights for Jack Ruby. Diego is so obsessed with saving the soon-to-be-assassinated Kennedy that he winds up in an asylum. Klaus starts a cult with dead Ben’s help and tries to prevent the man he fell in love with during the Vietnam War from enlisting.

And that’s not mentioning the Swedish assassins, the Handler’s daughter, or Harlan, whom Vanya inadvertently endows with her powers.

At the end, apocalypses apparently dealt with, Five manages to get them back to 2019, except Hargreaves, having met his failed experiments in the 60s, decides to go with a whole different set of enhanced babies (except for Ben), who are now The Sparrow Academy.

I watched the final season of Agents of S.H.I.E.L.D. and enjoyed it, though I felt that they had lost their way as far back as the Inhumans storyline … which they resurrected in this final season. In fact, it’s like they picked bits and pieces from all of the previous seasons and brought them together, intending to tie everything up with a nice bow, only to fumble the bow like a three-year-old. No, honey, the rabbit goes into its hole. The show ended in a similar way to iZombie, with the team having a virtual reunion. It was satisfying and there are intimations that there might be some kind of tie in to the MCU/Disney+ (which has thus far ignored everything the networks or Netfix has put out), but we’ll have to wait and see.

Lost in Space wasn’t bad. I was left thinking that the Robot is kind of like the TARDIS, taking the Robinsons where they need to go, despite where they might tell him to go.

Finally, I watched the limited series Unorthodox. It was an interesting window into orthodox Hasidic culture, but it’s nothing like the true story it’s based upon. The writers were not unsympathetic to Esty’s husband, but they didn’t offer any resolution with regard to her aspirations in the music program she’d auditioned for. It was good, and I was riveted, but I was left wanting more.

In the reading department, I read seven books in August.

First, I finished Joe Abercrombie’s The Blade Itself. It was good and definitely an epic fantasy, but something didn’t sit well with me for most of the book. I think it’s that there were only two women characters of note, one with a history of abuse who resorts to alcohol for self-medication and the other a feral warrior who was enslaved and abused in the past.

Ardee West seems to serve no purpose but to provide motivation to the male characters of the novel. To her brother Collem West, she is burden and a source of guilt. To Jezal, she is a potential love interest and borderline obsession. To Sand, she is a bittersweet reminder of what might have been.

Ferro Maljinn is a powerful woman, but she is the ultimate wild card, hating everyone without cause or reason, and bent on her personal quest for revenge even though she understands the bigger issues at stake.

Also, the book was very much the first act of the larger story that is the trilogy. It could never have stood on its own. I was, accordingly, ambivalent.

I read Kai Ashante Wilson’s A Taste of Honey. Though it is the second in series, it was a complete story on its own. At first, I thought that it was an alternate world historical fantasy, but part-way through, there was math and advanced science. So, science fantasy, then? I liked it, regardless, and the first novella is on my TBR list.

Then, I read Bethany C. Morrow’s A Song Below Water. I loved it. Though it was YA, it didn’t suffer from the agonized romantic subplot that most YA novels feature. Instead, it focused on the emotional journeys of its two young Black protagonists. Tavia is a siren living in hiding. Sirens are the most feared of the supernatural peoples because of their ability to rob their victims of their free will. Effie, who’s lived with Tavia’s family since her mother’s death, swims like she was born to the element and plays a mermaid at the annual Renaissance Fair.

Set in Portland, the story explores both girls’ trauma, not only as Black women in a mostly white city, but also as women who must unravel secrets—which their families actively keep from them—in order to become the people they were meant to be. Ultimately, it’s the girls’ friendship that gives them the strength to succeed. Morrow doesn’t shy away from the complexities of racism and intersectionality in various contexts.

Then, I read two Lawrence Hill books. The Illegal tells the story of a runner, Keita Ali, from the fictional country of Zantoroland, where dissidents are held for ransom, tortured, and killed by their corrupt government. Keita escapes to another fictional country, Freedom State, where he attempts to achieve his goal to become a competitive marathoner, when he discovers that his sister has been kidnapped and is being held in Zantoroland. If Keita can’t come up with the ransom, she’ll be killed, and so he runs, not just for his own life, but for that of his sister.

Based on a true story, The Book of Negroes is about Aminata Diallo, stolen from her home in Bayo (in Mali) by other Africans, and sold into the slave trade. She is bought by a cruel indigo plantation owner in South Carolina, her first child is taken from her, and she is subsequently sold to a Jewish man who, though he ensures she has work worthy of her skills and education, nonetheless abuses her after his own fashion. When Aminata discovers that he was responsible for selling her child, Aminata escapes while they’re in New York as the America Revolution begins.

Aminata works for the British during the war and once hostilities cease, becomes scribe, noting the names of the slaves freed through service to the British in the titular book. Pregnant with her second child, she is prevented from joining her husband on their way to Nova Scotia when her previous owners make claim upon her. Though eventually emancipated in truth, by the time Aminata makes it to Nova Scotia, she cannot find her husband and learns that circumstances in Canada are little better than they were in America.

Her second child is abducted during the chaos of a white attack on the Black settlement, and Aminata is once again on her own. Abolitionists come and recruit Nova Scotian Blacks, none of whom have been given the land promised them by the British, to create a free Black settlement in Sierra Leone. Aminata signs up because it has been her dream to return to Africa since she was first stolen from her home.

Again, the repatriated settlers of Sierra Leone are denied land and must endure the continuing slave trade that goes on around them. Aminata travels inland with guides and though she fails to find Bayo, she does find an African village where she stays for a while before eventually returning to Sierra Leone and accepting an offer to travel to England and help the abolitionists end the slave trade.

In a beautiful ending, Aminata is reunited with her daughter May, writes her story for the abolitionists, and helps to end the slave trade, though not slavery itself. This is a novel that everyone should read. Full stop.

Then, I read Danielle Jensen’s The Stolen Songbird. Cécile is kidnapped and magically bonded to the troll prince in the hope of ending a curse that a human witch places on the trolls centuries ago. The bonding does not break the curse and Cécile must navigate troll politics and a rebellion in the attempt to win her freedom. But, of course, she falls in love with the troll prince.

Finally, I marked as read Mary Robinette Kowal’s The Relentless Moon. I didn’t actually read it this month, but I was involved in the beta read last year and was invited to the live streaming of Mary Robinette’s recording of the audiobook this summer.

This is the third in Kowal’s Lady Astronaut series and focuses on Nicole Wargin during Alma York’s journey to Mars (in The Fated Sky). Earth first is sabotaging Artemis Base and Wargin must uncover the plot while dealing with the effects of the sabotage, personal injury, and threats to her husband, the governor of Kansas, on Earth. It was gut-wrenching and wonderful. I won’t say anything more about it. Read.

And that was the month in this writer’s life.

Until next time, be well and stay safe, be kind, and stay strong. The world needs your stories.