Welcome to August, everyone! Enjoying your summer?
For me, the answer to that question is yes … and no. I am enjoying the summer in the sense that I still get out twice a day to walk Torvi and I enjoy the light and the warmth and the activity. The no part of the answer comes in with the long stretches of higher-than-seasonal temperatures we’ve been having.
It’s too hot most days to enjoy the patio/summer office during the day and, by the time it cools off in the evening to the degree I could enjoy the office, the insects emerge and cause a whole new kind of misery.
And the days when it isn’t unseasonably hot, it’s overcast and raining.
Have picked raspberries, though. It’s a decent crop this year.
The other complication to my summer is work. I should really learn to take more time off in the summer. I could avoid a lot of aggravation if I did. Unfortunately, I need to take more time off in the fall and winter. I’m a hibernator. And I’m not due more vacation for a few years yet. Almost when I’ll be thinking about retirement. Le sigh. First world problems. Privileged white woman first world problems.
And, as July ends, we’ve had a lovely break in the weather. Maybe I’ll be able to get out and enjoy the rest of the season 🙂
The month in writing
In general, I’m keeping on. I’ve narrowed focus to Reality Bomb, which I’m revising in 20-page chunks with Suzy Vadori’s guidance.
I have a side project in the form of revising a short story, but there’s no deadline for it. It’s just something I can dip into from time to time when I need a change of pace.
In other news, I’m really enjoying not curating content and moving back to monthly updates (with the odd addition of posts about writerly news, which tend to be short). It’s been a relief, which tells me that it’s been more onerous than I thought. It also gives me more time to write, which is what I really need to be doing right now.
Also, work is kicking my butt with another big project. This seems to be the way of things in the summer over the past few years. We may need to do some strategic thinking about workload. What this means in practical terms for my writing is that I’m often out of spoons by the end of the workday and weekends are focused on recovery. When do I write? When I can, which is not as often as I’d like, but often enough to make progress.
I’m trying to have compassion for myself. It’s harder than it sounds.
Welp, I was informed by email on July 5th, that while my Access Copyright Foundation Professional Development Grant application was recommended by their assessment committee, there were not enough funds to award all the applicants who were recommended. I did not make the cut. So, a bittersweet notification.
I will definitely apply again in the future. Maybe not for the PD grant again, but we’ll see what else is on my creative horizon the next time I wade into the grant waters.
On the 5th, I also met with a professional photographer, Gerry Kingsley, and we discussed getting a shoot together. We’re starting with a vision board but hope to have the shoot scheduled by the end of the month/early next month, and the photos ready for use by mid-August.
Unfortunately, another project took precedence for him and we’re kind of in limbo.
I had my second session with Suzy on July 6th and my third on the 19th. Things are progressing. I still feel that I’m not picking up on her methodology as quickly as I should. But that’s on me. She reassured me that I’m doing fine.
I have over 150 pages of revised novel now, though (from the work I did with her Oct 2022 to Jan 2023 and now). I don’t know if I’m actually going to cut any words/pages in the end. Most of Suzy’s suggestions have me adding words, not cutting them, or cutting and then adding in more 🙂 I’ve currently overcome the cutting I did earlier in the year, and I’ve added more than 3,000 words (!) It was the middle and the ending that were bloated, though, so I could end up cutting a bunch later on. We’ll see how it goes.
On July 31st, I received an email that I’ve been accepted into the League of Canadian Poets as a full member! So now I’ve dipped my toes in (almost) all the professional associations. Updated my website and CV. I am now qualified as all get out 🙂
Filling the well
I enrolled in a longer Writing the Other course, Crafting Diverse Relationships, which ran July 1st to the 23rd. It was awesome, and I’m beginning to think I may be asexual, or maybe grey ace. I’ll have to delve into it more. It was also helpful for interracial relationships, polyamory, and character arcs in general.
I met with my publisher on the 2nd, and we discussed the publishing process for The Art of Floating from here out. I have some time to work on some of the promotional materials she requested, but I had already taken a run at it and I’m not sure how much of what I submitted is usable and how much I’ll have to rework and resubmit.
I signed up for a webinar on the 11th about writing characters intentionally and respectfully by Jenny Kleiman through Chill Subs. It was good, but WTO is the premiere purveyor of this kind of content.
I also registered for a Tiffany Yates Martin webinar through Jane Friedman. How to Write Powerfully in Deep Third POV was on July 12th. Because it was during the workday, I watched the recording. Excellent, as always.
Augur Magazine presented Writing YA in SFF with Sarah Raughley on July 15th. Very good.
Over on Free Expressions, Tiffany Yates Martin presented Five Steps to an Airtight Plot on the 20th. The work/spoons situation I realized that I’ve actually taken this course before, through Jane Friedman. Ya know what? Repetition is reinforcement. I clearly still feel the need to absorb more information from this one.
I signed up for another Mary Robinette Kowal webinar on Middles and Try/Fail Cycles. That was on July 23rd. This is kind of what I need right now as I wade into the middle of RB.
On the 26th, it was Author Platform Building with Catherine Baab-Maguira. I’m still trying to figure out platform, especially now that I’m moving toward the launch of The Art of Floating.
Also on the 26th, but in the evening, Graeme Cameron, publisher of Polar Borealis and Polar Starlight, who’s published one of my short stories and quite a few of my poems, offered a CAA/SF Canada webinar on getting published.
The next in the Free Expressions series of Don Maass webinars was DIY Archetypes on the 27th. It was all about how characters become iconic.
Then, thanks to my virtual attendance of the Nebula conference weekend, I was able to attend a Connecting Flights Panel on Sticking the Short Story Landing on the 29th.
Good Company interviewed me for the new facilitator position, but ultimately went with another candidate. To be honest, this is a good thing. As I mentioned last month, I may have been taking on more than I should.
Due to stresses at work, I’ve stalled a bit in my smoking cessation journey. I’d made it as far as 6 or 7 cigarettes a day, but then couldn’t hack it. I’m back up to 12 a day, which is about half of what I was smoking. I might hold here until the big project is done.
Füm released three new citrus flavours for their cores. I quite like the orange vanilla, but don’t care for the sparkling grapefruit or the raspberry lemon flavours. Think it’s going to be orange vanilla, crisp mint, and maple pepper from here on out.
I had a massage on July 20th. Desperately needed relaxation, that.
On July 27th, I saw my doctor about a mole on the side of my nose. It’s right under the nose pad of my glasses, and there are issues. He chose to freeze it, and now it’s swollen worse than before. The swelling subsided by the end of the month, but now the problem is that the nose pad of my glasses rubs on the scab and keeps on tearing it open.
On the 29th, I took Torvi for a Furminator bath and brush. The house is basically wall-to-wall fur right now. In her absence, I de-furred the house (AKA vacuumed).
What I’m watching and reading
Before I start in on the month in viewing, I would like to express my solidarity with the Writers’ Guild of America and the Screen Actors Guild strike. They deserve better pay, protections, conditions, and job security. Like many other employers, the Hollywood machine seeks to maximize profit and disenfranchise their most vulnerable workers.
Having said that, most of what I’ve watched this month was written and produced long before the strike began, and none of it is paid promotion. Just my own opinion 🙂
I watched Nimona (Netflix). A movie based on a comic property I’ve never read. It was awesome. A futuristic world, but still based in magic. A young knight is set up for the murder of the queen and only an immortal shapeshifter can help him prove his innocence.
I finished the first season of Shrinking (Apple +). Entertaining. Harrison Ford is surprising as an embittered therapist with Parkinson’s trying to help his colleagues sort their sh*t out as a means of avoiding his own. And there’s a lot of sh*t to be sorted. The cliffhanger promises an entertaining second season, too.
Then, Phil and I watched Dungeons & Dragons: Honor Among Thieves (Netflix). I didn’t think it was as bad as the reviews imply. It’s the best of the D&D-related films I’ve seen. The whole Hasbro/Wizards fiasco (which is still ongoing) may have contributed to the poor reception, but we enjoyed it.
I started off the month by reading Mira Grant’s (Seanan McGuire’s) Rolling in the Deep. It’s pretty much straight up horror, which I’m not a super fan of, but it was well-written and short 🙂 A research ship is sponsored by a “reality” TV channel when it travels to the Mariana Trench to find evidence of mermaids. Unsurprisingly, the “mermaids” find the ship and its crew, first.
Next, I listened to the Audible Original, The Original, by Brandon Sanderson and Mary Robinette Kowal. Holly wakes up and is informed that she is a Provisional Replica, or PR, and that she is tasked with finding and killing her Original for the murder of her husband, Jonathan. She has four days to do this, or the nanites in her system will kill her for her failure. Very cool SF thriller.
Another short Audible Original was John Scalzi’s Murder by Other Means, the second of his Dispatcher novellas. It’s set in a world where people who get murdered tend to wake up, naked, in their beds (or wherever they feel safe). Natural deaths, accidents, and suicides seem to be the exception to the rule, but there is a small chance that you actually stay dead when someone kills you. Enter the Dispatchers, a service to fit the times. Dying of cancer? Call the dispatcher and have a second chance at life. Accident leave you in a coma? Your spouse will call the dispatcher to set things right.
But after 12 years, it’s getting harder and harder for dispatchers to find legitimate work. And Tony, the protagonist, has taken to accepting questionable jobs to pay the bills. When several people he’s recently worked with start committing suicide, one by one, Tony’s implicated, and he has to find out what’s really happening and who’s responsible before he’s murdered by other means.
Then, I read Passing by Nella Larsen. Irene encounters an old friend, Clare one afternoon and, before long, Clare has insinuated herself into Irene’s life. Both light-skinned Black women, Irene embraces her Black identity, while Clare has chosen to pass and has married a racist white man. As the relationship progresses, Irene has to face some tough truths about Clare … and herself.
Passing was one of the novels to come out of the Harlem Renaissance.
As part of my WTO course, I read ACE: What Asexuality Reveals about Desire, Society, and the Meaning of Sex by Angela Chen. Excellent. Well thought out, compassionately argued, and hella interesting.
I read another of Adrian Tchaikovsky book: Walking to Aldebaran. A ship and crew are sent out to investigate an anomaly in the Oort cloud beyond Pluto. Told in alternating timelines, the sole survivor of the ill-fated landing crew wanders “the crypts” meeting aliens, stumbling upon gateways to other worlds, and eating just about anything he stumbles upon … or kills, and recounts the events that brought him to this juncture. A fun/weird/horrific read.
Then, I read H.G. Wells’ The Time Machine. It is a classic, but I found it just a bit boring.
Next, I listened to the third novella in the Dispatcher series, Travel by Bullet, in which Tony gets himself into a lot of trouble trying to help his friend Mason. The title is a conceit used in both Scalzi novellas I listened to this month. If you’re far from home and want to get back there, fast, or if you need to escape a difficult situation while far from home, you just have to get someone to shoot you in Dispatcher world. If you’re not one of the small percentage of people for whom death is permanent, you wake up, naked, at home.
Another book I read for my WTO course was Stant Litore’s Write Characters Your Readers Won’t Forget. Solid craft advice about characters and character arcs. I’d purchased this book the first time I took Stant’s Character Arcs Course through WTO, but hadn’t actually read it until now (!)
Then, I read Sarah Gailey’s Upright Women Wanted. In a future American Southwest, Esther stows away in a librarian’s wagon, escaping the horror of her father hanging her beloved, Beatrice. Gailey’s librarians draw on the history of the packhorse librarians, who were hired by Roosevelt Franklin to distribute reading materials in Appalachia during the depression (remember The Bookwoman of Troublesome Creek?), but she subverts them by also making them queer activists who distribute non-approved reading materials and escort persecuted queer people to safety.
Finally, I listened to Erin Macdonald’s The Science of Sci-Fi, a Great Courses course offered through Audible Originals. Absolutely fabulous! Lots of help/ideas for my current work-in-progress.
And that was the month in this writer’s life.
Until next month, be well and stay safe; be kind and stay strong. The world needs your stories!