Tipsday: Writerly Goodness found on the interwebz, March 15-21, 2020

I hope you’re all staying safe and well in these troubling times. If you’re self-isolating or quarantining, you’ve probably already had a chance to see all the informal writerly learnings I share. If you haven’t, please see this as a helpful resource to spend you time productively if you’re having trouble concentrating for long stretches of time.

I am still working, but I work in employment that has been considered a critical service and, unfortunately, our virtual network is at capacity. Still, several of my colleagues are off because of the school and day care closures and I maintain social distancing to the degree possible. I bring lunch from home and eat at my desk. I have not travelled. When I don’t work, I only leave the house to walk the dog. My spouse is our designated shopper and is also taking care of shopping for our Moms. We’re all being as safe as we can.

Vaughn Roycroft: it’s the end of the world as we know it (and writing feels fine). Dave King says, do it again, do it again! Some practical advice about writing series. Barbara Linn Probst: 36 debut authors tell it like it is. Writer Unboxed

K.M. Weiland tackles five questions about how to manage multiple points of view in your stories. Helping Writers Become Authors

Then, she suggests five inspirational reads (if you’re self-isolating or quarantining).

And … six happy movies or series. This video came first, actually. Katie starts off by explaining her covid-19 inspired idea for a video series.

Emily E.J. Wenstrom: writing unlikable characters readers will root for. Jane Friedman

Lucy V. Hays explains why all writers need a structural toolbox. Writers Helping Writers

Shaelin discusses how to plan a series. Reedsy

And … the trilogy, specifically. Reedsy

Leanne Sowul helps you write through depression. Pamela Taylor wants you to create authentic details about food. Then, Gabriela Pereira interviews E.J. Wenstrom about bringing a fantasy series to a close. Rosie O’Neill shares five ways to rekindle inspiration for your current writing project. DIY MFA

Then, E.J. Wenstrom visited Fiction University to explain how she tricked her pantser brain into plotting.

Oren Ashkenazi provides six tips for avoiding repetitive conflict. Mythcreants

She never wrote more than a page a day, but now, Eden Robinson has a Canada Reads finalist book. CBC

Stay safe and be well. Take care.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, March 8-14, 2020

As the covid-19 crisis continues to escalate, keep calm and stock up on informal writerly learnings from the comfort of your home.

Sophie Masson advises us about creating and presenting writing workshops. Jim Dempsey: writing when you’re not writing. Juliet Marillier wants you to tell a tale for our times. Kathryn Craft says, let your protagonist’s light shine. Writer Unboxed

K.M. Weiland uses critique to demonstrate six tips for introducing characters. Helping Writers Become Authors

Jenna Moreci shares her favourite paranormal tropes.

Laurence MacNaughton shares a six-point story checklist for powerful scenes. Then, Janice Hardy offers a three-step plan for returning to a partially finished manuscript. Fiction University

Jami Gold helps you find the right pace for your story. Writers Helping Writers

Nathan Bransford: everything writers need to know about book series.

Sara Letourneau offers some writing exercises for exploring the theme of man and the natural world. Later in the week, Dave Chesson shares five tips for levelling up your craft. DIY MFA

Some great tips for creating a consistent writing habit. Reedsy

Becca Puglisi shares eights ways to hook readers at the ends of chapters. Then, Oren Ashkenazi analyzes five plot twists that are too obvious. He tackles some well-known, bestselling, award-nominated, or award-winning novels and, while I can see and might even agree with the assessments, I’ll note that it did not have a negative impact on my enjoyment of the novels (well, with one exception, but I won’t get into that here). I think many readers enjoy these books regardless of, or despite, these faulty plot twists and that writing something similar won’t necessarily hurt your chances of publication. You can always strive to do better, and I think that’s the point of the article. Still, take it in context (and don’t panic). Mythcreants

Robert Lee Brewer explains how to daringly and correctly use semicolons. Writer’s Digest

Thanks for stopping by and I hope you took away something to help with your current work in progress.

Now more than ever, be well, my writerly friends.

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Tipsday: Writerly Goodness found on the interwebz, March 1-7, 2020

Welcome to the second week of March, the week that starts out with daylight savings time and International Women’s Day, proceeds through the full moon, and ends with Friday the 13th!

You’re going to need some informal writerly learnings to see you through.

Greer Macallister says, instead of promotion, try participation. Nancy Johnson: you had me at the title. Donald Maass: it can’t happen here. Bryn Greenwood can’t decide whether it’s a sophomore slump or derailment. Steven James: they just won’t understand. File in writers is weird. Writer Unboxed

K.M. Weiland: creativity vs. the ego, or, the value of unpublishable stories. Helping Writers Become Authors

James Scott Bell: synopsis writing made easy. Writers Helping Writers

Susanne Cokal lists four reasons to spend time with “bad” books. Jane Friedman

Nathan Bransford: you gotta tell the story. No matter what.

Shaelin offers eleven tips for new writers. I think these work for everyone. If nothing else, they’re good reminders. Reedsy

Jenn Walton explains how to deepen characters by assessing their fears. Sara Farmer introduces us to Jo March’s twisted sisters: the thrillers of Louisa May Alcott. Gabriela Pereira interviews Claire Waller about writing an unlikable but sympathetic protagonist. DIY MFA

Eldred Bird is colouring with words. Writers in the Storm

Kassandra Lamb explains the importance of backstory, or, how the brain connects the present with the past. Then, Janice Hardy shares three reasons your perfectly good scene is boring your readers.  Later in the week, Janice offers tips for showing character motivation. Fiction University

Jenna Moreci discusses the breaking point.

Chris Winkle explains how to describe female characters without degrading them. Then, Oren Ashkenazi recommends five questions to diagnose an overpowered hero. Mythcreants

Robert Lee Brewer extols the virtues of the Oxford, or serial, comma. Writer’s Digest

Sad news for the already small Canadian publishing scene. Bryan Eneas reports on the bankruptcy of Coteau books, closing their doors after 45 years. CBC

Thank you for visiting and I hope you came away with some fabulous resources to support your current work in progress.

Until Thursday, be well, my writerly friends 🙂

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Feb 23-29, 2020

March first was lamb-like. I’m hoping for a gentle month. How about you?

Now, it’s time to get your fill of informal writerly learnings.

Tiffany Yates Martin lists ten specific ways to encourage your reader to like your protagonist. Kris Maze shares five steps to becoming a superstar self-editor. Writers in the Storm

Julia Munroe Martin is not above spying … again. Barbara Linn Probst is taking it scene by scene: the “middle level” of writing. Heather Webb tackles the social media meltdown and burnout. Writer Unboxed

K.M. Weiland shares the professional resources she uses for all aspects of writing and publishing processes. Helping Writers Become Authors

Do you need to outline your book? Reedsy

Then, Shaelin recommends how to develop your best writing process. Reedsy

Joanna Penn interviews Barbara Poelle about finding and pitching a literary agent. The Creative Penn

Sarah Chauncey lists five flashback mistakes. Jane Friedman

Nathan Bransford: don’t release the tension.

Manuela Williams shares five tips for writing an author bio that stands out. DIY MFA

Jami Gold explains how to get advice from an editor. Later in the week, she wonders, do our stories have deeper meanings?

Chris Winkle lists the four essentials of an effective character arc. Then, Oren Ashkenazi explains how to use failure in your story. Mythcreants

Thanks for stopping by. I hope you took away something tasty that will support your current work in progress.

Until Thursday, be well!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Feb 16-22, 2020

Here we are in the final week of February. Winter is crawling to its end, the light returns, and so does the hope of spring. Celebrate with some informal writerly learnings 🙂

Tasha Seegmiller: writer, you are separate from your craft. Barbara Linn Probst considers likeable and relatable: why (and how) do they matter? Writers in the Storm

Vaughn Roycroft has a new take on readership. Dave King: the web of writing. Kathleen McCleary has answers to questions about writing. Porter Anderson analyzes the Authors Guild’s 2020 Report. Writer Unboxed

K.M. Weiland has some thoughts on how to be critical of stories in a way that makes a difference. Helping Writers Become Authors

Joanna Penn interviews Aiki Flinthart about writing fight scenes with female characters. The Creative Penn

Christina Delay wants you to fall in love with your second act. Angela Ackerman explains how to build powerful character relationships. Writers Helping Writers

Janice Hardy considers whether to stop and revise or keep writing the first draft. Fiction University

Brenda Joyce Patterson takes a deep dive into libretti. DIY MFA

Nathan Bransford helps you clear out the clutter around your verbs.

How to write character voices. Reedsy

Oren Ashkenazi explains why “but men are objectified, too” doesn’t hold up. Then, Oren lists ten ways to keep the authorities out of your plot. Mythcreants

Jami Gold wonders, what do you do with disappointment?

Robert Lee Brewer explains the difference between metaphor and personification. Writer’s Digest

Kate Knibbs says, the hottest new genre is doomer lit (formerly known as cli-fi). Wired

Charlie Jane Anders believes that to write about the future is to represent the past. Tor.com

Thank you for visiting and I hope you take away something to support your current work in progress.

Until next time, be well!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Feb 2-8, 2020

You’ve survived Monday! Reward yourself with some informal writerly learnings.

Janice Hardy says, author, we have a problem: four plotting tips. Later in the week, Janice is poking dead scenes with a stick. Fiction University

K.M. Weiland shares six steps to create realistic and powerful scene dilemmas. Helping Writers Become Authors

Jami Gold uses an, ahem, moving metaphor to discover what matters in our stories. Then, she wonders, where do you want your story (or career) to go?

Jenna Moreci explains how to tell if you should write a series (and when you shouldn’t).

Abigail K. Perry covers James Scott Bell’s final signpost scene: transformation. As one series ends, another begins. The first of my three-part series on the tarot as a tool for mythic storytelling: an introduction to the tarot. DIY MFA

Donald Maass revisits the uncon again: world building for non-SFF writers. Cathy Yardley: your subconscious speaks a different language. ‘Cause tarot (see above)! Writer Unboxed

Meg LaTorre explains how to find critique partners and beta readers. Writers Helping Writers

Kris Spisak advises you to look at these four problem areas when revising. Jane Friedman

Joanna Penn interviews Jennie Nash: would you make a good book coach? The Creative Penn

Chris Winkle explains how storytellers use reactivity and proactivity for effect. Then, Oren Ashkenazi shares seven tricks to improve your minions. Mythcreants

Etuaptmumk: two-eyed seeing. Rebecca Thomas TEDxNSCCWaterfront

Brit Marling: I don’t want to be the strong female lead. The New York Times

Thanks for stopping by. I hope you’re taking away something to help with your current work in progress.

Until Thursday, be well, my writerly friends 🙂

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Jan 19-25, 2020

Welcome to tipsday, your source for informal writerly learnings.

Angela Ackerman wonders, does your character’s behaviour make sense? Then, Lisa Hall-Wilson supplies one quick fix for telling in deep point of view. Writers in the Storm

Jan O’Hara explains what cows and writing competence have in common. Dave King had a solution to absent friends. Heather Webb is navigating an evolving writing process: writing on a boat, with a goat. Keith Cronin: on getting it and showing up. Writer Unboxed

K.M. Weiland examines the two different types of lie your character believes. Helping Writers Become Authors

Tim Hickson on writing first person. Hello, Future Me

Christina Kaye explains how to write a killer villain. Jane Friedman

Nathan Bransford shares nine ways to spice up your characters. Later in the week, he wonders, what does it mean to be your “real self” online?

Leanne Sowul wants you to use the power of habit to achieve your goals. Then, Bronwen Fleetwood wonders, should you use pop culture references in MG and YA fiction? Gabriela Pereira interviews Constance Sayers: stitching together multiple timelines. DIY MFA

Agents Sara Megibow wants you to make a list of personal influencers. Fiction University

Jami Gold considers how to make your protagonist more proactive.

How to introduce your characters, part 1. Reedsy

And part 2:

Chris Winkle examines six effective animal companions (including droids and baby Yoda). Then, Oren Ashkenazi critiques eight instances of sexism in The Witcher. Mythcreants

Robert Lee Brewer clarifies when to use canceled and when to use cancelled. Writer’s Digest

And that was tipsday. Thanks for stopping by, and I hope you took away something you need for your current work in progress.

Until Thursday, be well, my writerly friends 🙂

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Jan 12-18, 2020

Welcome to tipsday, the place to load up on informal writerly learnings.

Barbara Linn Probst wants a place to write. Kris Maze gives you three reasons to consider readability before you publish. Writers in the Storm

Janice Hardy touts the freedom of writing without chapters. Diana Gabaldon does this too … think Imma try this some time. Then, she shares a simple trick to keep readers turning pages. Fiction University

It was question week on WU! Sophie Masson wonders, what do you save? Then, Jim Dempsey asks, do you really want to be a writer? Natalie Hart: what do people get wrong about you? Jeanne Cavelos extolls the compelling, emotional, complex sentence. Writer Unboxed

K.M. Weiland offers three life-changing rules for finding more writing inspiration this year. Helping Writers Become Authors

Sacha Black shares six steps to setting yourself up financially as a writer in 2020. Writers Helping Writers

Sara Letourneau assigns additional reading on the theme of man and the natural world. Pamela Taylor is celebrating the solstice (a little late, but hey, SOLSTICE). DIY MFA

The Take unpacks the tough woman trope.

Then, Shaelin looks at the manic pixie dream girl trope (which, it turns out, is not a trope at all). Reedsy

Chris Winkle outlines six important differences between filmed and narrated stories. Oren Ashkenazi analyzes five stories where the heroes lack agency. Mythcreants

Robert Lee Brewer considers when to use a while and when to use awhile. Writer’s Digest

Thank you for taking the time to visit and I hope you found it worthwhile 🙂

Until Thursday, be well!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Dec 15-21, 2019

It’s Christmas Eve! Time to unwrap your package of informal writerly learnings.

books-wrapped

Erika Liodice suggests a new approach for the New Year: un-resolutions. Vaughn Roycroft: the hygge writer. Dave King goes in search of the story beyond the story. Writer Unboxed

Barbara Linn Probst suggests some visual-spatial tools for mapping—and enhancing—you story. John Peragine: the most difficult conversation for writers. Laura Drake recommends using comparison for power. Writers in the Storm

Is it possible to write an original story? Reedsy

K.M. Weiland shows you how to explore theme through your secondary characters: six important questions to ask. Helping Writers Become Authors

Lucy V. Hay shows you three steps to writing diverse characters. Angela Ackerman wants you to build a roadmap to the author future you want. Writers Helping Writers

Jenna Moreci goes over the pros and cons of past and present tense.

Jeanette the Writer answers an editorial question: how do I use italics? Manuela Williams shares five ways to build your author brand when you’re super busy. DIY MFA

Jami Gold explains how to write a strong resolution.

Chris Winkle: agency is what that sexy lamp is missing. Then Oren Ashkenazi suggests eight holiday presents for the fictional character in your life. Mythcreants

Robert Lee Brewer: should you use e-mail or email? Writer’s Digest

Neil Gaiman on the Tim Ferris show.

Thanks for visiting. I hope you take away something you need for your current work in progress.

Until next time, be well, my writerly friends … and to all, a good night!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Dec 8-14, 2019

Here are some informal writerly learnings to peruse while you’re preparing for, or celebrating, the holidays.

Lori Freeland says that show, don’t tell, are the three most misunderstood words in a writer’s vocabulary. Then, Colleen M. Story shared seven ways writers can overcome holiday anxiety. Julie Glover is saying no to get to a more important yes. Writers in the Storm

Shaelin shares five of her favourite tropes. Reedsy

Rheea Mukherjee makes notes on writer dreams, gratitude, and the anxiety of authenticity. Jim Dempsey wants you to manipulate your reader’s point of view. Sarah Callender asks, is imitating the greats helpful or harmful? Kathryn Craft is manipulating story time for maximum effect. David Corbett shares a lesson in forgiveness from The Crown. Writer Unboxed

K.M. Weiland critiques: ten ways to write a better first chapter using specific word choices. Helping Writers Become Authors

Roz Morris shares five post-NaNoWriMo ways to use the holidays to keep your new writing habits … without revising too early. Nail Your Novel

Abigail K. Perry digs into James Scott Bell’s signpost scene 13: the final battle. Brenda Joyce Patterson takes a deep dive into the essay. Then, Constance Emmett shares five tips for post-publication survival and success. DIY MFA

Robert Lee Brewer points out the difference between lets and let’s. Writer’s Digest

Nathan Bransford offer the eight essential elements of a story.

Chris Winkle shares five ways to make multiple points of view more engaging. Then, Oren Ashkenazi explains why some dark topics are more sensitive than others. Mythcreants

Tim makes some excellent points about writing power escalation. Hello, Future Me

Heidi Fiedler stops by The Creative Penn: five ways to quiet your inner editor.

Jami Gold asks, what’s your core story?

Thank you for stopping by. I hope you’re leaving with some great resources for your current work in progress.

Until Thursday, be well!

Tipsday2019