Tipsday: Writerly Goodness found on the interwebz, Oct 18-24, 2020

Another week, another batch of informal writerly learnings 🙂

Black and Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter.

Wear your masks. Maintain physical distance if you can’t. Get you flu shot. We have to take care of each other if we’re going to get through this.

Janice Hardy provides an easy way to find your protagonist’s goal. Fiction University

Becca Puglisi wonders, is compassion fatigue is relevant for your characters? Then, Barbara Linn Probst considers dead and undead darlings. Writers in the Storm

Just in time for Halloween, Jenna Moreci shares her favourite monster tropes in fiction.

And then, Emily Zarka looks at the influence of the Romero zombie. Monstrum | PBS Storied

Finally, The Take considers the final girl trope.

Laura Highcove helps you use your writer’s intuition intentionally. Then, Bronwen Fleetwood considers age categories and wonders who’s being served by them. Later in the week, Gabriela Pereira interviews Carol VanDenHende about book marketing for busy writers. Savannah Cordova shares five bits of writing advice that actually work. DIY MFA

It has come to my attention that you don’t all love Birds of Prey. Cold Crash Pictures

Dave King says, don’t mess with Mama Nature. Then, Kathleen McCleary advises us about writing an ensemble: can we be a pod? Writer Unboxed

Lisa Hall-Wilson explains what you can learn from rhetorical questions in your manuscript. Writer Helping Writers

Nathan Bransford: your writing matters.

Elizabeth McGowan spent nearly two decades writing and revising her book. She finally found a publisher. Jane Friedman

Chris Winkle has some advice for writers using incantations in their magic systems. Then, Oren Ashkenazi explains how Red Rising flubs class conflict. Mythcreants

Freytag’s pyramid: the five-act structure, explained. Reedsy

Kathleen Rooney explains how Frank London Brown’s Trumbull Park exposed the brutal legacy of segregation. JSTOR Daily

Dustin Nelson: these are the words that were added to the dictionary the year you were born. Thrillist

Lydia Dishman shares six covid-19 terms that would have made no sense in January. Fast Company

Waubgeshig Rice explains how to engage online (as a writer). Open Book

Thanks for stopping by. I hope you found something to support your current work in progress (or your upcoming NaNoWriMo).

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, Oct 11-17, 2020

Another week, another collection of informal writerly goodness.

Black and Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter.

Wear your masks. Maintain physical distance when you can’t. Wash your hands. Get your flu shot as soon as you can.

K. Tempest Bradford: World Fantasy, the convention that keeps on failing. The lack of diversity on panels and lack of a properly enforced anti-harassment policy have been ongoing for the better part of a decade and organizers are reluctant to admit there are problems, let alone take action on them.

Princess Weekes breaks down true womanhood and black girlhood in media. Melina Pendulum

Jeanette the Writer: yes, there are different types of English. Later in the week, Jeremy Hance explains how he decided to write a memoir about his hilarious mental illness. Then, Ambre Leffler offers five ways to be kind to your eyes. DIY MFA

K.M. Weiland explores the link between the first and second pinch points. Helping Writers Become Authors

Shaelin shares five fantasy tropes to avoid, be careful with, or embrace. Reedsy

Lori Freeland details the five key elements to layering your scene. Later in the week, Jenny Hansen lists the five fears that spook most writers. Writers in the Storm

Janice Hardy explains the difference between a first page that hooks and a novel that hooks. Fiction University

Jim Dempsey wants you to ground your characters with all five senses. Then, Barbara Linn Probst wonders, what is your story about, anyway? Word, phrase, sentence, equation. Later in the week, Anne Greenwood Brown explains how to communicate without words. Writer Unboxed

Alli Sinclair is asking the right questions with character interviews. Writers Helping Writers

Nancy Stohlman extols the benefits of writing flash fiction. Jane Friedman

Chris Winkle shares lessons from the exposition of Crescent City. Then, Oren Ashkenazi lists six signs your story is about the wrong character. Mythcreants

The setting of a story: what is it and how to write it. Reedsy

Thanks for stopping by. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Writerly Goodness found on the interwebz, Oct 4-10, 2020

Now that we’ve entered month seven of the pandemic, we have to balance self-care with medical compliance. Be kind to yourself and nurture your creativity with some informal writerly learnings.

Black and Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter.

Wear your masks. Maintain physical distance. Get your flu shot as soon as you can. Sacrifice now (and really, it’s not that much of a sacrifice) will mean that fewer people have to contract covid-19 and fewer people have to die from it. Compliance is not a violation of your rights. It is respect for your fellow human beings.

Princess Weekes critiques Antebellum and movies about slavery in general. Melina Pendulum

Abigail K. Perry does another Story Grid scene analysis: Harry Potter and the Deathly Hollows. Erin Tyler shares five tips for writing about family dynamics. DIY MFA

Joanna Penn interviews K.M. Weiland about outlining your novel and filling the well. The Creative Penn

Over on Helping Writers Become Authors, K.M. points out the link between your story’s first and third plot points.

Jenna Moreci shares her top ten tips for killing off characters.

Janice Hardy shows you what makes a good beginning (if you’re struggling with yours). Then, she explains what makes a good middle (beware of getting stuck in the mud). Fiction University

Leslie Vedder shares three tips for cutting your word count (without giving your whole story the axe). Jane Friedman

If you’re not sure about NaNoWriMo, Shaelin looks at the pros and cons. Reedsy

Therese Walsh: the edge of now, and its gift for writers. Then, Donald Maass discusses timeless endings. Kathryn Craft lists five ways paragraphing supports story. Writer Unboxed

The girly girl trope, explained. The Take

Chris Winkle lists five signs your story is classist. Then, Oren Ashkenazi analyzes the Star Trek series finales, from worst to best. Mythcreants

Jill Bearup explains why a corset stopping a knife strike (ala Enola Holmes) is plausible.

Words with lost meanings (AKA that word you keep using. I don’t think is means what you think it means). Merriam-Webster

Petra Mayer: amidst global troubles, the MacArthur “Genius” Grant winners provoke and inspire, including N.K. Jemisin, Jacqueline Woodson, and Christina Rivera Garza. NPR

Emma Reynolds reports that the 2020 Nobel Prize for literature awarded to Louise GlĂĽck. CNN

Thank you for stopping by. I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends.

Tipsday: Writerly Goodness found on the interwebz, Sept 13-19, 2020

It’s another tipsday, your opportunity to catch up on some informal writerly goodness.

Black and Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter.

And in the midst of the pandemic and ongoing demonstration, Justice Ruth Bader Ginsberg dies. Such a blow for equality and justice. I hope her last wish can be honoured and her absence on SCOTUS won’t be filled until after the US election.

We’re seeing a bump in infection rates and we’re being told to brace for a second wave. This was something epidemiologists predicted could happen, way back in March. People tend to forget this. Despite what a certain president says, we will not have a vaccine that’s widely available before next year.

Wear your masks. Maintain physical distance when possible. Get your flu shots when they become available. Take care and stay safe.

Onto the curation:

K.M. Weiland: the crucial link between your story’s inciting incident and its climactic moment. Helping Writers Become Authors

C.S. Lakin explains how your premise determines your characters. Live, Write, Thrive

Shaelin has a chat about writing selfishly. Shaelin Writes

Eldred Bird says that a great story is like music to the eyes. Then, Barbara Linn Probst explains why your book matters. Later in the week, Jenny Hansen explains why storytellers are the most powerful people in the world. Writers in the Storm

Lucia Tang promotes the art of the constructive critique. Elizabeth Spann Craig

Meg LaTorre lists 17 things she hates to see in romance. iWriterly

Dave King helps you manage your cast. Then, Barbara Linn Probst shares road, neighbourhood, sky: a three-layer approach to writing a novel. Writer Unboxed

Lucy V. Hay shares awesome writing tips from six famous writers. Writers Helping Writers

Jenna Moreci shares her top ten tips for writing fight scenes.

Lauren J. Sharkey talks dollars and sense. And, my latest Speculations: how the NASA-SpaceX collaboration can inspire your writing. Sara Farmer interviews Adam Smyer. Later in the week, Lynne Golodner shares five tips for narrowing your focus. DIY MFA

Susan DeFreitas shares three common issues with early drafts. Jane Friedman

Chris Winkle lists seven ways jokes can sabotage your story. Then, Oren Ashkenazi sheds light on how Le Guin laid a shaky foundation for Earthsea. Mythcreants

Waubgeshig Rice launches his new column at Open Book: stories of the North.

Thanks for the visit. I hope you found something that will support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends.

Tipsday: Writerly Goodness found on the interwebz, Aug 16-22, 2020

Welcome to another week of informal writerly learnings!

Black lives matter. Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter. This is a fundamental truth.

The EI ERB and CERB have been extended for the third time and three new transitional benefits are being created to support Canadians in this crisis. It’s resulted in chaos at work, but chaos has been the rule since March 15th.

Wear a mask. Wash your hands. Stay within your bubbles and avoid crowded events. Take care and stay safe. You don’t know who you could be putting at risk with careless behaviour.

K.M. Weiland shares five exercises for honing your story instincts. Helping Writers Become Authors

Vaughn Roycroft explains why he prefers novels with prologues. Dave King is discussing fiction in the time of plague. Then, Sarah Penner shares the results of a working-from-home survey: navigating changes to our work environments. Later in the week, Porter Anderson discusses emergent voices. Writer Unboxed

Shaelin Bishop shares some of her favourite writing techniques. Shaelin Writes

Tasha Seegmiller: every novel needs a village. Then, Barbara Linn Probst advises us to read like a writer and write like a reader. Later in the week, John Peragine explains the vital importance of your writing community. Writers in the Storm

The muse trope, explained. The Take

Rochelle Melander suggests some tools for revision. Fiction University

Christina Delay uses the lyrics of “Yesterday” to look back at the first act. Writers Helping Writers

Helen J. Darling helps you build your author newsletter list. Then, Pamela Taylor helps you figure out whether you’re writing historical fiction, or something else. Later in the week, Chere Hughes describes the key features of a no-fear critique. DIY MFA

Susan DeFreitas explains what your first 50 pages reveal. Jane Friedman

Nathan Bransford wants you to be very careful with dreams and hallucinations in novels.

Chris Winkle explains why story structures like the Hero’s Journey don’t work. Then, Oren Ashkenazi analyzes five stories with anticlimactic endings. Mythcreants

What English can’t do. NativLang

Alexandra Alter: “We’ve already survived an apocalypse”: Indigenous authors are changing science fiction. The New York Times

Thanks for visiting and I hope you’re taking away something that will support your current work in progress.

Until Thursday, be well and stay safe.

Tipsday2019

The next chapter: July 2020 update

Another month has passed. July was eventful and not in the all the ways I expected.

And yes, this post is late. A week and a day late. You’ll understand.

Black lives matter. Indigenous lives matter. All lives cannot matter until all Black and Indigenous lives matter. This is a fundamental truth.

The lives of all BIPOC, LGBTQ2A+, disabled, neuro-atypical, and all other racialized or marginalized people matter. We all need to listen, learn, and do better.

That is all.

Pandemic life

So. 24 new confirmed cases of covid-19 have occurred in Sudbury over the last couple of weeks, most of them in people under 30. While there hasn’t been any confirmed written report on the topic, the rumours are that a group of young people went down to a huge party in southern Ontario and brought the virus back with them. Police have also reported breaking up a couple of large parties within the city.

Some people are blaming covid exhaustion. Indeed, it’s taxing for people who haven’t been able to engage in any of their pre-covid social activities, but going from isolation to parties that exceed the safe gathering limits? Travelling to do so? Not smart.

The worrisome part of it all is that we now have community spread in our area and health officials haven’t been able to determine where some of the newly infected might have been exposed.

It’s a drop in the bucket with respect to covid cases nationwide, and we’re faring so much better than other areas of the country. Overall, Canada is doing better than some countries and worse than others. Considering that we had, in total, 68 cases and 2 deaths up until this new rash of infections, though, I think that we may be heading for a second wave. Those 24 new cases represent a 35% bump for our relatively small city. It’s not necessarily going to happen the same way everywhere, but even extrapolating a 15% increase elsewhere means a lot of new infections.

I’m still worried about what’s going to happen when kids return to school. The “plan” we have in Ontario is missing a lot of key details. I think now is not the time to experiment. “Let’s wait and see” is not an acceptable strategy.

Wear your masks, people. Stay safe. Keep your distance when you can. Gather in safe numbers and watch out for your friends and family.

My situation remains status quo with the one key excitement of being invited to write an exam for an internal position I applied for pre-covid. As the position is one that I am very interested in (in many ways, it’s my dream job), I confirmed my participation and awaited next steps.

It turned out the exam was to be written over the course of a week, well, six and a half days, most of which would be while I was working my substantive job. So, evenings and on the weekend, which in this case was the Civic Holiday long weekend.

Then, due to a technical issue, the exam materials, which I was to have received Monday morning, were not issued until that night, but they were sent to my work email (which, admittedly, I had requested because of the technical issue). This means I didn’t even see the email until the next morning when I logged in to my remote desktop. The due date was extended, but only considering the time of issue, not when I would have, in fact, received it. So, I lost any time I could have devoted to the exam on Monday and the due date was now the morning of the Civic Holiday.

It was a lot of work. By Friday, I’d only managed to devote about three or four hours a day to the exam. I determined that I would submit the exam on Sunday night, rather than work through the night to submit the exam in the morning. I know my limits. Going without sleep is not something I can do without consequence. I planned accordingly. I devoted eight hours to the exam on Saturday and 12 on Sunday and I still didn’t have the time to do all I’d wanted to do.

For better or worse, I submitted the exam at 11:57 pm on Sunday.

Because I was catching up on all the work I hadn’t done during the exam week, I didn’t get around to writing this update until today.

The month in writing

Once again, I failed to finish my rewrite of Reality Bomb. I’m closer, but I’m not done yet and the draft is over 108k words. Once I do bring the story to a conclusion, more or less, I’m going to be going over it again and cutting like mad. I have to tighten it up and make sure that the overall story has continuity. I want to reduce the draft to 90k if I can. I’ll settle for 100k, but I want a trim beast to present to my critique group.

I also critiqued a draft for one of my group members.

JulyProgress

I set another modest goal of 5,000 words and wrote 6,628 words, or 133% of my goal.

I blogged 5,448 words of my 3,750-word goal, or 145%.

I planned to write 8,750 words and actually wrote 12,076 words. That’s 138% of my goal.

Filling the well

On July 1st, I attended an online workshop with Roz Morris on backstory, offered through Jane Friedman. Love Roz 🙂

On the 11th, I attended the WXR virtual reunion and the taping of their annual “cruise” portions of the Writing Excuses podcast. The cruise is cancelled this year, and this was a great compensatory virtual get-together.

I also attended the virtual launch of Mary Robinette Kowal’s The Relentless Moon on July 14th. It was fun. The Lady Astronauts Club showed up in period-appropriate/IAC costume, MRK was dressed as her protagonist, Nicole Wargin, and they framed the experience as an orientation session for new lunar colonists at the IAC. There was a lecture on orbital mechanics, a lander simulation (which I managed on the fourth try), and several other entertaining activities. I’ve since received my copy of the novel and an IAC Artemis Base badge.

On July 20th, I attended a virtual lecture by Ibram X. Kendi on how to be an anti-racist broadcast by Prince George’s County Memorial Library System.

Finally, on July 24th, I attended a session on Mythology and Speculative Literature that was sponsored by The Carl Brandon Society. Vida Cruz, Piper J. Drake, Kate Elliot, Rebecca Roanhorse, and Shveta Thakrar discussed the mythological inspiration for their work, problematic or clichéd uses of myth, and other mythic goodness.

A couple of friends from out of town were visiting family and came over for an evening, which we spent on the backyard patio, appropriately distanced. These visits are always too short.

What I’m watching and reading

Phil and I watched all of Penny Dreadful. Though we enjoyed the first two seasons, the third left us scratching our heads. Ethan was taken back to America and Sir Malcolm, recruited by Kaetenay, travelled from Africa to rescue him. Ethan temporarily goes dark side before the resolution to his troubles brings him abruptly back to the light. Then, Kaetenay has a vision that sends them back to London to help Vanessa …

… who has been languishing, abandoned by all her supposed friends and family. At Dr. Lyle’s suggestion, she enters into therapy with Dr. Seward, who looks identical to her witch mentor from the previous season’s flashbacks. She makes progress through hypnosis and ventures out into the world again with Dr. Sweet, who is, in fact, Dracula (dun, dun, dun!).

Frankenstein teams up with an old colleague, Dr. Jeckyll in a subplot that doesn’t really go anywhere.

The creature reunites with his family, only to discover that his wife wants him to take their dying son to Frankenstein for resurrection.

Brona recruits the fallen women of the city and trains them to become her army with Dorian’s help. Her goal: to liberate women everywhere from the power and cruelty of men. Sadly, Dorian bores of the game and delivers Brona into Frankenstein’s hands, where both creator and creation have inexplicable changes of heart. He refuses to use the serum he and Jeckyll developed to tame Brona, and Brona, once freed, knowing that Dorian delivered her into Frankenstein’s captivity, decides not to take her revenge on either of them. She returns to Dorian’s manor and, seeing her disciple dead on the floor at Dorian’s hands, simply leaves. Brona delivers an empowering speech that’s supposed to leave Dorian devastated, but it doesn’t.

Meanwhile, a new friend enters Vanessa’s life, Catriona Hartdegen. Cat knows a lot about vampires and Dracula in particular and together, they figure out that Dr. Sweet is Dracula. Vanessa goes to confront him, intending to defeat him, but—again, inexplicably—decides instead to surrender to him. Darkness and chaos descend upon London.

Ethan, Sir Malcolm, and Kaetenay, newly arrived, team up with Dr. Seward and Cat to save Vanessa. Dracula tells Vanessa that her former friends are coming, and she intimates that she will welcome the opportunity to slay them all. When the battle is joined, however, Vanessa is no where to be seen. Everyone fights valiantly, but it looks like the tide is turning in Dracula’s favour. Ethan breaks away and finds Vanessa isolated in a room where she merely begs him to kill her, which, after some weeping and moaning, he does.

And that was it. I know the series was cancelled while they were in the middle of filming this last season, but in an attempt to compress the story, the writers were unable to set up the appropriate character development that would make the last few episodes feel earned (where have we seen that before, eh, GoT?). Instead, we have uncharacteristic actions/decisions by nearly every character, lose ends, and a lot of lost opportunities. It would have been better if they had changed course and written and ending that made sense, even if it wasn’t the ending they had been writing toward for the whole series.

On TV, I watched the most recent season of The Good Witch. It’s candy and fluff, but sometimes you need a little candy and fluff.

I finally finished Orange is the New Black. They had to do some fancy tap dancing to get everything rolled up and they did leave some loose ends. I’m glad Piper decided to stick with Alex, but I think I would have been just as happy if she’d gone on to have her own life. It was the other stories, Taystee’s, Original Cindy’s, and Gloria’s stories in particular, that grabbed me. Blanca got a happy ending. Pennsatucky’s end was tragic. Maritza and Shani’s deportations were senseless. Aleida and Daya just continued the cycle of violence. Suzanne was left hanging, much as Red and Lorna were. I know it was supposed to be a commentary on the incarceration system, but aside from being largely depressing, I was left with a solid meh.

I watched The Crown’s latest season and it was interesting, but it wasn’t edge-of-your-seat viewing.

13 Reasons, season 3 definitely had me on the edge of my seat, but I kept asking myself why. Why even write a second season? The first season covered Asher’s book and did so well. They just delve deeper and deeper into trauma and its aftereffects to the point that in season four, it’s just painful to watch. That may have more to do with my trauma than anything else, but there you are.

I finished the 2018-19 season of Riverdale, which was already out there (juvenile prison fight rings, a criminal empire based on a D&D analogue, and an organ-harvesting cult) and am trying to catch up on the 2019-20 season.

And I finally finished the 2018-19 season of The Flash. Solid meh. But proceeding with the 2019-20 season, anyway.

Reading-wise, I only have four offerings.

I finished Jenn Lyons’ The Ruin of Kings. I liked it. I wish I could rate a book three and a half stars, but I gave it four. Lyons did play with structure in an admirable way. The book overall is presented as a report to the current empress (a very long report, might I say) and the annotations that appear throughout are not distracting, as you might think, and they do add to the content of the story. Once I learned who the empress was, I had trouble understanding how most of the annotations were necessary and that returned them to the category of authorial intrusion, however.

The first part of the book is told by two narrators, prisoner and jailer (kind of like Black Panther, Red Wolf) but the jailer is a shape-shifter named Talon who has the ability to absorb the memories of the people they imitate. Or come into contact with? Or consume? Really, the process isn’t well-explained. Talon and Khirin (the prisoner/protagonist) use a stone, handed back and forth. It’s a clever conceit that allows Lyons to present other POVs than Talon’s and Khirin’s, by virtue of Talon’s abilities.

Not only that, but Khirin starts telling his story from the point of his enslavement. Talon complains and goes back further, to the point they believe in the true beginning of the story. So, we have a narrative frame within a narrative frame and dual timelines that intersect and the end of part one. That’s another structural oddity. Part two is maybe a fifth of the book.

There was nothing wrong with the story itself and the structural gymnastics were definitely novel, but it made me wonder if Lyons had presented the story chronologically, without the frames and the annotations, if I would have thought differently about the book.

Then, I read The Queen of Katwe. I was hesitant, because the author is a white man (Tim Crothers), but it’s a non-fiction book using a lot of interviews and correspondence and thus presents the book in the words of the people involved. The book was, by turns, depressing and uplifting, but there was no real resolution. It’s an incomplete biography that leaves the reader wondering if Phiona ever achieved her dream of becoming a grandmaster. Wikipedia indicates she holds the title of candidate women’s master, but that’s as far as she got.

Kij Johnson’s The Dream-Quest of Vellitt Boe was interesting. Rather than starting in this world and entering one of dream, Johnson flips the concept. Vellitt has always lived in the dream world and must travel into our world to recover the favourite granddaughter of one of the gods, who, if he wakes to find his favourite missing, will destroy half the dreamlands. The one thing I wasn’t comfortable with was that the real-world dreamers who travel to the dream world are always men, powerful and ageless. When Vellitt finally reaches our world, she is instantly transformed, has an identity and all the knowledge she might ever need or have gained from living a life in this world, though. Maybe Johnson’s statement is more subtle. Maybe women are the only true dreamers, living lives simultaneously in the dream world and in this? It’s thought-provoking, to be sure.

Finally, I read Justina Ireland’s Dread Nation. What kind of country would America have been if the civil war was interrupted by a plague of zombies? Ireland calls them shamblers and, in her novel they basically make time stand still. In some respects. The protagonist, Jane is biracial, though her skin is not light. She’s at a school for “attendants,” Black girls who are trained to fight shamblers and protect wealthy white women. It’s the best she can hope for in a world in which slavery and indenture still exist and people of colour (Black and American Indian) are seen as biologically inferior. Ireland examines the racism of the world she’s created through the lens of her “finishing school,” the viral shamblers (one plotline involves the development of a vaccine), and the white supremacists who attempt to create their own isolated empire in the midst of the chaos.

Each chapter begins with an excerpt from a letter that Jane has written to her mother and later, after she learns that her correspondence has been intercepted and she comes into possession of them, her mother’s letters to Jane. It’s a good book, but I kept wanting a little more and there were some events that seemed to resolve in the favour of plot convenience rather than where they seemed to be heading. I’ve already nabbed the next in the series, though.

And that was a month in this writer’s life.

Until next time, be well and stay safe, be kind, and stay strong. The world needs your stories.

The Next Chapter

Tipsday: Writerly Goodness found on the interwebz, July 12-18, 2020

Black Lives matter. Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter. I believe this more than ever. I’m not going to stop putting this important message out there until it’s true.

Regardless of whether your area of the world has never closed, is reopening, or is still under some degree of lockdown, please, for the love of all you hold dear, wear a mask.

As for schools, I sincerely believe the safest way forward is to keep all classes virtual. I know this isn’t a popular stance, but we know how quickly a common cold, or the flu proliferates in a classroom. And this is covid. We still don’t know the long-term effects of this virus.

I also know that virtual learning presents its own challenges. This will require a sea change for parents, teachers, schoolboards, employers, and governments and I think leaving these important discussions to this late date was naĂŻve on the part of many. Ignoring the issue is not going to make it go away.

Having said that, Sudbury hasn’t had any new cases reported since about June 22 or so. We’ve only had 67 conformed cases and two deaths. It might be more reasonable to consider modified, in-person classes here, but I’d like to wait on the possible impact of phase three of reopening before we go there. Those numbers have yet to be publicized.

Now, onto the informal writerly learnings!

Kris Maze shares seven unstoppable YA plot ideas to make your novel fabulous. Barbara Linn Probst is editing for theme: search and employ. Writers in the Storm

Elizabeth A. Harvey explores a writer’s sense of place: where I ought to be. Jim Dempsey is writing and napping. Sophie Masson shares what she’s learned about presenting online workshops. Then, Juliet Marillier tells a tale about finding resilience: a dog story. Writer Unboxed

Gender and Jurassic Park. Cold Crash Pictures

Janice Hardy explains some story rulez: the two things every novel needs to do. Later in the week, Angela Ackerman stopps by: how emotional wounds can steer a character’s job choice. Fiction University

The female friendship revolution. The Take

Peter von Stackelberg shares an intuitive four-step process for creating vibrant scene structure. Helping Writers Become Authors

Andrew Noakes offers six principles for writing historical fiction. Jane Friedman

Lindsay Ellis looks at Tolkien’s constructed languages. It’s Lit | PBS Storied

Leanne Sowul wants you to commit to self-education about racism and anti-racism. And here’s my latest Speculations: ten Black science fiction and fantasy authors to read now. Then, Gabriela interviews Django Wexler: using fantasy to “literalize” the metaphor. DIY MFA

Chris Winkle explains why storytellers fail at grimdark and how to fix it. Then Bunny and Oren Ashkenazi team up: five reasons your story shouldn’t deny that it’s a story. Mythcreants

Deborah Ahenkora is slaying the dragons of hate with words. CBC Books

Aya de Léon: crime fiction is complicit in police violence, but it’s not too late to change. Electric Literature

Jeana Jorgensen describes what happens when fairyland is not for you: on escapism, fantasy, and survival. The Wrangler

Paula Findlen explores Petrarch’s plague: love, death, and friendship in a time of pandemic. The Public Domain Review

Thanks for visiting, and I hope that you found something to support your current work in progress (whatever stage it’s in).

Until Thursday, be well and stay safe, my writerly friends!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, June 21-27, 2020

Black lives matter. Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter. I’ll keep saying it until it’s true.

Pandemic life continues. A number of states have decided to roll back reopening. The Spanish flu pandemic lasted three years. Mind you, they didn’t have the world-wide medical resources to throw at the virus that we do. Still, I fear covid-19 will turn out to be a virus akin to the common cold and that a true vaccine will not be possible. What I hope is that immunologists will be able to account for mutations in covid-19 like they do with the annual flu vaccination and that we will have an ongoing method of control.

One way or another, this virus will change the way we live. I only hope that we take advantage of this opportunity to make the post-covid world a better one.

Cree Myles issues a challenge: if you want to unlearn racism, read Black science fiction authors. The Mary Sue

Tasha Seegmiller wants to have a candid conversation about publication. Then, Kris Maze wonders, is it YA, or not YA? Later in the week, Ellen Buikema explains how to develop a memorable character. Writers in the Storm

K.M. Weiland is using all four cognitive functions as a writer. Helping Writers Become Authors

Manuela Williams shares the four elements of a compelling book blurb. DIY MFA

Bonnie Randall explains why you can’t concentrate right now. Fiction University

Nathan Bransford: a year of living uncomfortably.

Mathina Calliope: you win this round, comma. Jane Friedman

Shaelin questions whether these writing rules are really unbreakable. Reedsy

Jami Gold helps you fix choppy writing. Then, she wants you to make your chapters count.

Martha Alderson considers the emotional roller coaster all writers experience. Writers Helping Writers

John J. Kelley explains how to write characters with trauma. Then, Yuvi Zalkow is accepting the multi-creative lifestyle. Writer Unboxed

Chris Winkle helps you send a message with your story (without getting preachy). Then, Oren Ashkenazi discusses five characters with weak motivations and how to fix them. Mythcreants

Princess Weekes considers the influence of the Byronic hero. PBS Storied

Thank you for stopping by and I hope you’ve come away with something to support your current work in progress.

Until Thursday, be well and stay safe.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, June 14-20, 2020

Black lives matter. Indigenous lives matter. All lives cannot matter until all Black and Indigenous lives matter. I don’t have a huge platform, but I’ll make use of it as I can to keep this message front and centre for my readers. I’m still listening. I’m still learning. And I’m still trying to do better.

Meanwhile, reopening continues, to more or less success, given the area/province/state. They’re discovering people who’d apparently recovered from covid getting sick again two months on. Worldwide, the number of cases continue to increase. This thing is a beast.

Let’s get to the informal writerly learnings.

Vaughn Roycroft: regarding privilege, empathy, and voice. Writer Unboxed

A Black booktuber shares her experience. Click through to her other videos and to the resources in the notes. Silence is complicity. Listen. Do the work. Don’t stop. Bookish Realm

And if you’re a booktube fan, legitimately commit to diversify your viewing and support some of these lovely people. Google is a thing you can use. Besides, like one video and YouTube will generally cue up three similar vids for you to check out.

Nic Stone: don’t just read about racism—read about Black people living. Cosmopolitan

Black Lives Matter. How can I help? Jenna Moreci

John Peragine helps you harness the power of pronouns (part 1). Then, Lori Freeland says, write your story forward. Writers in the Storm

Joanna Penn interviews Kris Spisak about self-editing your novel. The Creative Penn

K.B. Owen visits Elizabeth Spann Craig’s blog: writing real-life historical characters.

Sangeeta Mehta interviews Stefanie Sanchez von Borstel and Leslie Zampetti about writing, pitching, and promoting in the age of coronavirus. Jane Friedman

Lucy V. Hays explains how to avoid a half-baked idea. Writers Helping Writers

Kristen Lamb explains how you can use the Johari window to understand and harness the character blind spot.

Nathan Bransford: the climax should resolve your character’s desires.

Shaelin explains line editing (with examples). Reedsy

Rochelle Melander helps you revise your book for word choice. Fiction University

The Take considers the tomboy trope.

Chris Winkle gets facetious: if stories treated straight couples like they treated queer couples. Then, Oren Ashkenazi considers five over-burdened stories and how to fix them. Mythcreants

Thanks for the visit. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, May 24-30, 2020

Welcome to June! However you’ve been weathering the pandemic, I hope you’re keeping safe and well. It’s time to reward yourself with some informal writerly learnings.

But first, my brief weekly update.

#Pandemiclife continues, and I’ve heard some confirmation that my employer will keep up to 90% of staff working from home. So, I’m here for the long haul, as expected. I’m also just coming off two weeks of virtual training and entering into two more. In recent years, training of any kind has exhausted me. Virtual training brings its own complications. Still, I seem to be doing a decent job. The feedback has been positive, in any case.

The added distress of violence against people of colour here in Canada and in the US is depressing. It’s reprehensible and I keep hoping—naively—that we’ve grown past such hateful conflicts. My faith in the human race is crumbling.

Here are some good words from some good people (we can take some comfort in that):

Abigail K. Perry demonstrates a Story Grid scene analysis of Giver of Stars. Then, Brenda Joyce Patterson promotes writing small in viral times. Later in the week, Sacha Black shares five ways to improve your description. DIY MFA

Sacha Black drops by Writers Helping Writers, too: three ways to differentiate your characters.

Shaelin explains how to discovery write your novel. Reedsy

Laurie Schnebly Campbell considers the pros and cons of writing a series. Then, Lisa Hall-Wilson offers three exercises to help you dive deeper into character emotions. Writers in the Storm

K.M. Weiland devotes this week’s post and podcast to an editing Q&A. Helping Writers Become Authors

How to stay motivated as a writer. Reedsy

September C. Fawkes stops by Elizabeth Spann Craig’s blog: how to write subtext.

Jessi Rita Hoffman discusses the problem of self-conscious writing: do you torture your metaphors? Jane Friedman

Janice Hardy shares a handy checklist to strengthen the narrative drive in your scenes. Then, Swati Teerdhala explains when to tell rather than show. It’s such a delicate balance! Fiction University

Robin LaFevers wants you to break through writer’s block. Writer Unboxed

Jenna Moreci helps you set the scene.

Jami Gold: what do readers want from a story’s POV? Then, she explains that word choice is about more that picking the right word.

Chris Winkle shares six character archetypes for love interests. Oren Ashkenazi facetiously lists seven reasons it’s definitely okay to ignore storytelling rules. Mythcreants

Thanks for visiting. I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe, my friends.

Tipsday2019