Tipsday: Writerly Goodness found on the interwebz, Sept 8-14, 2019

I present this week’s batch of informal writerly learnings 🙂

Daryl Rothman visits Helping Writers Become Authors: how to write stories that matter with writing’s secret formula.

Jim Dempsey wants you to give useful criticism. Kathryn Craft studies showing through exposition. Juliet Marillier considers publicity and the introvert. David Corbett is turning a terrible truth into compelling fiction. Kathryn Magendie is living the dreamy dreamland. Writer Unboxed

Shaelin explains how to write a scene. Reedsy

Jami Gold considers what’s stopping our characters: avoiding change. Writers Helping Writers

Kris Kennedy returns to Jami Gold’s blog for part three of her avoid infodumping by making backstory essential series.

Nathan Bransford lists seven reasons your characters feel flat. Then, Nathan lays out your options in hybrid publishing.

Manuela Williams explains how to use Pinterest to create an author brand board. DIY MFA

Fae Rowan shares ten more f-words for writers and their characters. Writers in the Storm

Sophia Jeppson explains how to make time travel logical. Oren Ashkenazi considers five ridiculous organizations from popular series. Mythcreants

Robert Lee Brewer explains the difference between prophesy and prophecy. Then, he tackles the difference between allude and elude. Writer’s Digest

Thank you for stopping by and I hope you found the information you need to move forward with your current work in progress.

Until Thursday, be well, my friends!

Tipsday2019

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Tipsday: Writerly Goodness found on the interwebz, Sept 1-7, 2019

This week’s batch of informal writerly learnings is a bit more select than usual, but it’s all good stuff 🙂

Greer Macallister is defending (or not) historical fiction. Annie Neugebauer has some advice for writers who are in it. Donald Maass: the anti-arc. Therese Walsh wants you to move beyond two-dimensional character building and capture the real. Writer Unboxed

K.M. Weiland dives deep into creating your character’s inner conflict: want vs. need. Helping Writers Become Authors

James Scott Bell asks, how realistic do your action scenes need to be? Then, Angelica Hartgers recommends using backward design to plan your story. Writers Helping Writers

Helen Darling gives you the lowdown on ISBNs. Rebecca Fish Ewen expounds on the impact of lost words (and decries their loss). DIY MFA

Jenna Moreci explains how to end your story.

Chris Winkle shares six ways to add novelty to your story. Mythcreants

Kris Kennedy’s back on Jami Gold’s blog with part two of her avoid infodumping by making backstory essential series.

Jillian Boehme offers some survival tips for writers who would rather hide. Fiction University

Thanks for stopping by and I hope you found something you need to fuel your current work in progress.

Until Thursday, be well!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Aug 25-31, 2019

Ah. Here we are in September. Back to … all the things. Ease back into your routine with some informal writerly learnings.

Lainey Cameron advises you use a three-tier backup plan. Then Tiffany Yates Martin helps you to reclaim the creative spark in troubled times. Writers in the Storm

K.M. Weiland explains how to use a truth chart to figure out your character’s arc. Helping Writers Become Authors

Julia Munroe Martin wonders, what makes you love your main character? Molly Best Tinsley explains how hearing voice(s) led to order in a previously chaotic manuscript. Barbara O’Neal explains what happens when the book takes over everything. Writer Unboxed

Pathologist Jane Bennett Munro wants to help you explain forensics to readers. Elizabeth Spann Craig

Jeanette the Writer reveals the secret importance of readability. Tess Enterline explains why it’s okay (and sometimes necessary) to step away from our writing.  Constance Emmett shares five tips for writing complex, flesh and blood, LGBTQ+ characters. DIY MFA

Janice Hardy doesn’t want you to create cardboard conflicts. Fiction University

Jami Gold explains how sequels make scenes stronger. Then, Kris Kennedy stops by to explain how to avoid info dumping by making backstory essential.

Chris Winkle: how to turn your fanfic into your original fiction. Then, Oren Ashkenazi answers the question, how do cannon affect your naval combat? Mythcreants

Robert Lee Brewer considers OK vs. Okay vs. O.K. Writer’s Digest

N.K. Jemisin, Jasmine Guillory, and Lauren Wilkinson: publishing’s still owned by white men. The Washington Post

Nick Venable talks to the creators of The Dark Crystal: Age of Resistance about the challenges of making a puppet series on Netflix. Saw the first episode—love! CinemaBlend

And that was tipsday. I hope you found something to help you progress with your work in progress.

Come back on Thursday for some thoughty goodness 🙂

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Aug 18-24, 2019

Ack! We’re in the last week of August! The weather’s still holding though. I, for one, am going to extend summer for as long as I can.

Whether you’re heading back to school or work, take some time to enjoy these informal writerly learnings 🙂

Vaughn Roycroft talks story endings: happy or sad or something else? Kathleen McCleary considers the values of good fiction. Writer Unboxed

Christina Delay extolls the power of the writing tribe. Then, Jenny Hansen covers the writer hierarchy of needs. Margie Lawson wants you to strive for excellence by using what you learn. Writers in the Storm

K.M. Weiland: how to tell if your story has too much plot, not enough character. Helping Writers Become Authors

Joanna Penn interviews Cat Rose about being a creative introvert. The Creative Penn

Roz Morris offers seven swift storytelling hacks for backstory, description, dialogue, exposition, point of view, and plot. Nail Your Novel

Victoria Mixon takes a different approach to character motivation. Then, September C. Fawkes shares four keys to a powerful denouement. Writers Helping Writers

Jenna Moreci compares static and dynamic characters.

Abigail K. Perry delves into James Scott Bell’s eleventh signpost scene: lights out. Brenda Joyce Patterson takes a deep dive into playwriting. Then Bethany Henry offers five tips for creating engaging characters. DIY MFA

Janice Hardy explains how to write a scene (and what qualifies as a scene). Fiction University

Jami Gold hopes you take a leap of faith in fiction and in life.

Oren Ashkenazi analyses seven stories with contrived character conflict. Mythcreants

William R. Leibowitz details his research for his latest novel: using facts as the base of science fiction. Writer’s Digest

Laurie Penny says, we can be heroes: how nerds are reinventing pop culture. A story about stories, fanfic, structure, the hero’s journey, and awesome. Wired

Thanks for visiting. I’ll be back on Thursday with some thoughty links for you.

Until then, be well.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Aug 11-17, 2019

It’s time to dig into another week’s worth of informal writerly learnings 🙂

Elizabeth A. Harvey is remembering Toni Morrison. Then, Nancy Johnson shows us how Toni Morrison’s The Bluest Eye offers a masterclass in craft. Porter Anderson: murders she didn’t write, a provocation on writers in the context of real world gun violence. Rheea Mukherjee: negotiating social privilege as a writer. Jim Dempsey wants you to explore the wonders of your character’s world view. Sarah Callender forgets to remember that writing is an act of faith. Writer Unboxed

Jenna Moreci helps you get back into the writing habit after a break.

C.S. Lakin visits Helping Writers Become Authors: how to evoke reader emotions with “surprisingness.” Then, she heads over to Larry Brook’s Storyfix to explain how to effectively “tell” emotions in fiction.

Emily Wenstrom offers three tips for creating your author newsletter before you’re published. And here’s my latest column: find storytelling inspiration with the women of the Kalevala. Constance Emmett shares five tips for surviving rejection. DIY MFA

Lisa Hall-Wilson shares four ways to go deeper with point of view. Then, Laura Drake starts with character first. Writers in the Storm

Michelle Barker wants you to remember that the wand chooses the wizard. Writers Helping Writers

Janice Hardy explains why you want nitpicky critiquers. Fiction University

Robert Lee Brewer explains the difference between slight of hand and sleight of hand. Writer’s Digest

Some reassuring advice from Chris Winkle: why you shouldn’t worry about someone stealing your manuscript. Then, Oren Ashkenazi offers advice on choosing naval tactics for your pre-gunpowder world. Mythcreants

Sam Bleicher offers some unusual writing tips on dealing with facts in science fiction. The Creative Penn

Ferris Jabr: the story of storytelling. Harper’s

Thanks for visiting. Come back on Thursday for some thoughty.

Until then, be well!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Aug 4-10, 2019

You’ve worked hard this week (so far). Reward yourself with some informal writerly learnings.

Jael McHenry: it’s always in the last place you look. Donald Maass considers persuasion.  Then, Kathryn Craft wants you to give your reader an experience. David Corbett has a conversation with Zoe Quinton about developmental editing. And Kathryn Magendie writes about becoming a rogue planet (when you lose your publisher). Writer Unboxed

K.M. Weiland shares part two of her five character arcs at a glance series: the three negative arcs. Helping Writers Become Authors

Abigail K. Perry looks at characters in terms of grit, wit, and it. Slush Pile Survivor

C.S. Lakin explains when telling, not showing, emotion is the right choice. Writers Helping Writers

Leanne Sowul: what writing can do for you. DIY MFA

Jenna Moreci lists her top ten worst dystopian tropes.

Sangeeta Mehta interviews Sarah LaPolla and Kim Lionetti for Jane Friedman’s blog.

Chuck Wendig: on writing from a place of fear vs from a place of love. Terribleminds

Reedsy offers a guide to fantasy subgenres.

Chris Winkle: filling in your story’s middle. Then, Oren Ashkenazi relates six common forms of bad writing advice. Mythceants

Jami Gold: when writing advice goes wrong.

Robert Lee Brewer looks at the difference between it’s and its. I know, seems basic. Doesn’t mean I don’t make the mistake from time to time. Reinforcement is always good. Writer’s Digest

Richard Lea and Sian Cain pay tribute to Toni Morrison, who died August 6, at the age of 88. The Guardian

Dwight Garner honours Morrison as a writer of many gifts who bent language to her will. The New York Times

There were so many more tributes, this humble curation would have been huge. I just chose a couple.

Thanks for stopping by. I hope you found something of value.

Until Thursday, be well, my writerly friends!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, July 28-Aug 3, 2019

And here we are in August! It’s time to change direction and indulge in some informal writerly learnings.

Kathryn Craft: where a writer’s story begins. Laurie Schnebly Campbell asks, where, when, why? Writers in the Storm

K.M. Weiland helps you learn five types of character arc at a glance: the two heroic arcs, part 1 of 2. Helping Writers Become Authors

William R. Leibowitz delves into the challenges of believability in writing science fiction. C. S. Lakin

Allison Winn Scotch is writing in the chaos. Meanwhile, Cathy Yardly is addressing anxiety. Writer Unboxed

How to use and eliminate passive voice. Reedsy

Nathan Bransford explains what it costs to self-publish a book.

Sara Letourneau is identifying themes in poetry. Jeanette the Writer extolls the power of punctuation.  DIY MFA

Jami Gold: do we know what we’re capable of?

Peter Gelfan explains how to craft engaging dialogue exchanges. Writers Helping Writers

How to write a fight scene. Reedsy

Angela Ackerman is depicting characters held back by fear. Then, Oren Ashkenazi teaches authorial endorsement 101. Mythcreants

Robert Lee Brewer explains the difference between a lot and allot (and that alot is NOT a word!). Writer’s Digest

Cecelia Watson recounts the birth of the semi-colon. The Paris Review

Thanks for stopping by. I hope you found something helpful.

Until Thursday, be well, my writerly friends!

Tipsday2019

The next chapter: July 2019 update

So … here we are in the dog days of August. The spring may have been a late one but, as it did last year, the temperature rose quickly. We had to use out portable air conditioner a couple of nights in June and a couple more in July. I find myself wondering if the weather will continue hot. It’s interesting (to me) to observe the effects of climate change locally.

The month in writing

July was a quiet month. I continue my review of the Ascension series at a snail’s pace. I’m only up to reviewing the first part of book two at the moment. I blame work, but really, I think I just need a break. I’ve just had five days off and I haven’t looked at it … I may try to turn that around.

JulyProgress

I continue to revise January’s short story. It’s closer, but not quite “there” yet. There’s more work to be done. February’s story waits in the wings. I set myself the goal of writing 2,500 words of short fiction in July and wrote 2,599 words or 104% of my goal.

I blogged 4,695 words of my 2,800-word goal, or 169%. This was largely because I finally got around to writing a book review. I have a backlog of them pending so expect more in the coming weeks. I may have to reconsider my blogging goals accordingly.

Finally, I wrote my latest Speculations column in 1,283 words, or 128% of my 1,000-word goal.

It was a decent month, writing wise, but quiet, as I said.

Filling the well

July 15th marked my 25th wedding anniversary with Phil. I mentioned on social media that it doesn’t seem like that much time has passed and yet I find it difficult to remember life without Phil. That’s not true, I have a lot of pre-Phil memories, but they’ve taken on a surreal quality, like they’re artefacts from someone else’s life.

On the 6th, my sister-in-law threw us a nice, quiet party. Just the Moms and some family friends. It was a lovely day.

The other writerly event I attended was Ad Astra, which was from July 12-14. I went down July 13 and came back July 14, so it was a bit of a whirlwind, but I still attended some great panels and met up with some writerly friends.

What I’m watching and reading

Phil and I watched the last season of Jessica Jones. It was disappointing, but I think that came of trying to turn a non-powered person, Sallinger, into an effective villain who managed to stymie the police, Jessica, Trish, Malcolm and J’s new boyfriend, AKA, headache boy 🙂 Jeri’s sub-plot was all over the place which, in turn, messed up Malcolm’s. Jessica’s reconciliation with Trish was never genuine and it was unsurprising when—SPOILERS!—the newly-minted Hellcat was arrested.

At the end, Jessica’s about to leave New York, dispirited by Trish’s downfall, her adopted mother’s death (following on the heels of her birth mother’s death at Trish’s hands), and her failure to bring Sallinger to justice. She’s broken up with her boyfriend, referred him to Costa as a CI, and handed the key to Alias Investigations to Malcolm.

As she’s purchasing her train ticket to a randomly chosen destination, Killian’s voice tells her how right she is to give up. Jessica’s surrounded by the violet light that is her first nemesis’s signature and she turns away from the ticket counter, smiling, while the camera pans wide and fades to black. Odd choice for a series ending.

We also watched the final season of i, Zombie, which was more satisfying, but a little contrived. I thought that—AGAIN SPOILERS!—Liv and Major’s decision to remain zombie, raising their zombie family and providing a home for all the zombies who couldn’t, or didn’t want to, be cured … odd. Not because they wouldn’t have done it. They would so have sacrificed their human lives to help others, but the reasons for their choosing this life arise so late in the game that it belies their previous and oft-expressed desires to the contrary.

No movies this month.

Reading-wise, I loved Lauren B. Davis’s The Grimoire of Kensington Market. It was a retelling of The Snow Queen but had a feminist flavour and living/mystical stores, which is a trope I’m fond of. I won’t say much more because this is another novel you should really pick up for yourself.

I also read Eden Robinson’s Son of a Trickster and, again, loved it. I find I’m really enjoying indigenous stories these days. I recommend it highly.

I read La Brigantessa, written by writerly friend Rosanna Micelotta Battigelli. This novel was historical fiction set in post-Unification Italy. It focuses on the journey of Gabriella and the event that force her to flee her village to eventually seek sanctuary with the brigands of the Aspromonte mountains.

Then, I read Jim Butchers The Aeronaut’s Windlass, which I enjoyed. I’m looking forward to the next instalment of the Cinder Spires series. While I loved Rowl, I thought it strange that he was the powerful figure in the cat world. Like the great cats, feral populations are generally matriarchies.

I liked the ensemble cast with their unique characteristics and abilities. Bridget’s ability to talk to cats, Benedict’s warrior-born, feline qualities, and the Etherealists’ insanity. This last was fascinating. Every Etherealist is twisted by the etheric forces they work with, but each, in order to control their madness, channels it into one aspect or obsession. Master Ferus needs collections of very specific things, his apprentice Folly can’t speak directly to anyone but her etheric crystals, and Sycorax is obsessed with etiquette and politeness. I’m curious to see more.

Next, I dove into Emma Newman’s Any Other Name, the second in her Split Worlds Series. The first novel left off on an uncomfortable note, with Cathy in an arranged, and forced, marriage. Her mother actually drugs her into acquiescence. The theme continues with Cathy’s new husband alternately trying to convince her to “make a go” of it, and using charms to coerce her into bed so they can a) consummate their marriage before either of their fae lords takes exception and b) conceive the child that is Cathy’s primary obligation in the arrangement.

The fae lords are manipulative in their own ways as are the family patroons. Charmed rings that enforce fidelity, charms that guarantee a boy at conception, and demands that Cathy become duchess of London and to keep up the appearances due her new station.

Meanwhile, Max continues to look into the mystery of the bath chapter’s destruction and Sam grows increasingly concerned about his wife’s promotion and new flat.

I read Story Arcana, by Caroline Donahue, ostensibly about using the major arcana of the tarot as a structure guide for both the novel and the writer’s life. I became aware of Donahue and her book through an interview with Joanna Penn on the Creative Penn podcast. While I found the book useful, it was poorly edited and largely a promotional tool for Donahue’s online course of the same name, site, and podcast. The podcast looks good and I’ll probably tune in. I was just a little disappointed in the presentation.

Finally, I read Joe Mahoney’s A Time and a Place. I enjoyed the story, loved the T’Klee, the novel’s cat-like aliens, and appreciated the parallels to T.H. White’s The Sword in the Stone. The execution wasn’t quite up to the premise, though.

Look forward to reviews of most of these books over the coming months.

And that was this month in this writer’s life.

Until tipsday, be well, be kind, and stay strong. The world needs your stories!

The Next Chapter

Tipsday: Writerly Goodness found on the interwebz, July 21-27, 2019

July is winding down and we’re heading into the dog days of summer: August. We’ve already had more than our share of hot, humid days—fact, I’m not complaining—and I’m trying to make the most of each one. I hope you’ve been making meaningful progress in your creative projects.

It’s time to reward yourself with some informal writerly learnings 🙂

Janice Hardy offers a Sunday writing tip: reveal something new in every scene. Then she wonders, are you asking—and answering—the right story questions? Fiction University

Alexa Donne talks about nailing your beginnings (first sentence through first act).

Tracy Hahn-Burkett says, if you want to make a difference, tell a story. Heather Webb offers some notes from a book tour. Keith Cronin shares some serious lessons from a fool on a hill. Writer Unboxed

K.M. Weiland explains how to make your plot a powerful thematic metaphor. Helping Writers Become Authors

Jenn Walton says, let your imagination run wild. Gabriela Pereira crawls inside the mind of a worldbuilding junkie with Fonda Lee. DIY MFA

Angela Ackerman visits Writers in the Storm to discuss character building for pantsers.

Jenna Moreci discusses some of the differences between flat and round characters.

Justin Attas wants you to create a credible magic system. Writers Helping Writers

Lisa Bell wonders, is your writing plan ready for a crisis? Jami Gold

Chris Winkle explains what storytellers should know about normalization. Choose compassion. Write stories that normalize the positive. Then, Oren Ashkenazi examines five stories with premises that don’t suit their settings. Mythcreants

Structuring a chapter. Reedsy

CBC books recommends ten Canadian science fiction and fantasy books you should be reading.

Ada Hoffman is moving towards a neurodiverse future by writing an autistic heroine. Tor.com

Thanks for visiting. I hope you’ve found something for your writerly toolkit.

If you’re looking for some inspiration or research material, be sure to come back on Thursday for some thoughty links.

Until then, be well, my friends 🙂

Tipsday2019