The next chapter: May 2026 update

News! And I finally swing into action … gently.

A sky with windswept clouds.

Life in general

In May, I reduced my intake of political content for my personal wellbeing. I couldn’t do a thing about any of it, anyway. My level of dysregulation was getting worse, and my capacity decreased with each ensuing day.

At work on the 4th, I received an enquiry from my director about how long my repayment period for my leave with income averaging would be, which to me meant that they were taking it into consideration for my departure date. I answered as best I could.

Then I was asked about what kind of recognition I wanted for the King Charles III Coronation Medal I received … in January 2025. I said I would prefer a group celebration including long service awards, etc. I don’t like being the centre of attention at the best of times. Why make a fuss more than a year after the fact?

On the 5th, my manager indicated she was waiting for some information about the voluntary departure program (VDP) and would like to meet with me the next day. I was in a pension information session on Wednesday and let her know my availability.

My director then scheduled three meetings for May 7, May 28, and June 18. I figured the first meeting would be about the VDP analysis and results, and the onset of the selection of employees for retention or layoff (SERLO) process, the next stage in workforce adjustment (WFA). Spoiler: I was wrong.

Turns out the VDP-related news my manager wanted to talk about on the 6th was to select my departure date. Which I did, again, to the best of my ability. And she indicated that she would now make the business case for exceptional circumstances. I thought that this would already have been done …

And the waiting resumed.

Also on the 6th, a boil water advisory was issued for Sudbury, New Sudbury, and Falconbridge. We found out after supper … and I had been drinking water all day. The spring flooding has likely overwhelmed a couple of water treatment plants. Public Health said the boil water advisory was only a precaution and that people probably wouldn’t get sick from drinking it.

The boil water advisory continued on the 7th and, while at work, I was asked whether I wanted to apply for the pension reduction waiver. Of course I did (!!!!!!) I wanted every financial advantage available to me.

At the all-staff meeting on the 7th, we were advised that letters including departure dates would start going out the next week, which I thought was odd given that my manager had just started making her business case for my desired departure date the day before …

On the 8th, after two negative tests, the boil water advisory was rescinded, and everyone was advised to run their taps for five minutes on cold and then five minutes on hot to clear any residual bacteria in the system.

Back at work, an email from senior management was issued on the 12th. Now that the early retirement incentive (ERI) had been approved, it complicated the WFA process. ERI was open to all employees, not just those who were affected by WFA, so they may have staff reductions in positions not affected. Also, it was open through to July 24th. There had been 600 ERI applications at the time. The second kicker was that ERI could be denied by management.

There had also been 470 employees (including me) who had opted into the voluntary departure program (VDP) on March 26th of a total desired reduction of 961. We had no idea how many of the 600 ERI applications would be approved and whether they would have any impact on the total number of positions that needed to be reduced overall.

In that same email, we were advised that letters confirming departure dates would not be issued until the week of May 25th. This made more sense to me but protracted my wait by two more weeks.

We had two meetings on the 13th regarding the email. Very little confirmation or additional information was provided.

I’ll divert now to how March’s snowmageddon has delayed spring in northeastern Ontario. Normally, by Victoria Day long weekend, the leaves are out, and the pin cherry blossoms in the back yard are a riot of white. On my walks, I generally see varying shades of pink and red and white crab apple flowers. Apple trees blossom. Lilacs and honeysuckle are setting bloom, and everything smells heavenly.

By this time of spring, the windows have been open for weeks and I’ve been able to hear the frogs singing their mating songs in the nearby marsh in the evenings.

But this year, it was May 15th, the Friday before Victoria Day long weekend, and it was the first nice day we’d had. While the grass was busy greening, there was nary a leaf to be found. No flowers except for bulbs. It hadn’t been warm enough for long enough for the frogs to wake up.

Torvi and I had been seeing rabbits over the past couple of weeks, though. At first, they were in their piebald transitional fur, but now they were fully brown. Our irrepressible rhubarb was still irrepressible.

Rhubarb.

I hoped that the world would wake up and catch up. The weather was predicted to be seasonal (finally!) in the last weeks of May. But I worried about the bears. With such an overlong wintering, they’d be ravenous.

On Saturday, though, I was pleased to see the leaves emerging, and I heard the frogs singing! The astringent scent of poplar sap filled the air. By the final weekend of May, the spring tree blossoms were at the stage they normally would have been on the Victoria Day long weekend. We were only two weeks behind and the trees promised to make up the remaining difference in short order.

Work continued, I got new, short-term assignments to fill the time while I waited for my A project to be reviewed and approved by a client. I slipped into hyperfocus mode more often than not and had few, if any spoons left over at the end of the day.

On the 24th, I realized that I’d been doing the nervous system equivalent of holding my breath since I received the letter informing me that I was affected by WFA back in January. I’ve been waiting to exhale for four months. No wonder I was exhausted!

The 27th came and went without sign of a letter. The next division all-staff would be the next day. Were all the letters being issued on the morning of the 28th?

Not exactly. I logged in on the 28th to find that the scheduled division all-staff was rescheduled to June 1st. And I had a new meeting with my director about my VDP application.

Short version: My VDP was approved and I had my desired departure date of November 4th. My director said the letter should be issued by email following the meeting, she hoped by noon. All the details and instructions would be in it.

I felt very little during the meeting itself. Afterward, anxiety set in, the full-body buzzing-bee kind.

Noon came and went and an administrivial emergency cropped up. This was addressed by 3 pm.

The end of the day arrived and still no letter.

My intention had been to read through the letter, begin to frame my strategy, and then take the rest of the day and Friday off to process and recover.

Now I had to log in the next day.

The letter had arrived! I read the email, reviewed the three attachments, a bunch of related links, and started to work through the checklist. I started with an enquiry to the pension unit.

Then I checked through my particulars, updated some information, and submitted my departure request. I was supposed to attach two documents, but the system would only accept one.

So, I finally put in sick leave for the remainder of the day and logged out.

There was no relief. Not yet.

The month in writing

In the early days of the month, I focused on getting caught up on my reviews.

That was until the publisher of The Seaboard Review of Books announced that the publication was going on hiatus effective the 20th. They’d still publish the reviews they’d already received, and that were due to be received, but they were not looking for more reviewers and were suspending their new fiction edition.

But by then, my energy had petered out, and I was running on fumes. It was a good day if I managed a sentence or maybe a paragraph (and most of those were on this document, which is basic reporting). Now I was on hiatus. Functional burnout is a bitch.

My review of Joe Mahoney’s A Time and a Place was published by The Seaboard Review of Books in their Throwback Thursday feature on the 14th.

The cover of A Time and a Place by Joe Mahoney.

On the 18th, Mat Del Papa and I recorded an episode of Holly Gutwillinger’s podcast, Ramblings from the Little Shed. We had fun chatting about our pets and SuperCanucks. I’ll let you know when the episode comes out.

My Throwback Thursday review of Scott Overton’s Dead Air was published on the 21st.

The cover of Dead Air by Scott Overton.

My review of J.A. McLachlan’s The Sorrow Stone was TSRB Throwback Thursday review on the 28th.

The cover of The Sorrow Stone by J.A. McLachlan.

In writerly business, the TWUC Pre-AGM was on the 21st followed a week later by the AGM. The perennial topic of older, more financially secure members uncomfortable with change wanting an in-person AGM and conference, or at least a hybrid option, raised its gory head again. The issue was resolved during the pre-AGM meeting and the motion withdrawn. The AGM went smoothly.

I had scheduled an SF Canada Board meeting for the 31st but with the receipt of my voluntary departure approval and departure date (and the associated difficulties starting the process with pensions and pay and all that) I was so dysregulated that I forgot about the meeting altogether. Rejection sensitive dysphoria set in and I flagellated myself for the rest of the evening.

Filling the well

The full flower moon in Scorpio was on the 1st, also Bealtaine! It was a cold, rain-snowy day, but I lit up my altar. Bonus, the last of March’s snowmageddon snow was finally melting!

The new willow moon in Taurus was on the 16th. We were still in a spate of cloudy, cooler-than-seasonal days.

And the full blue moon in Sagittarius was on the 31st. It was a howl-worthy moon!

In terms of writerly events, I registered for Turning Premise into Plot with Courtney Maum through Jane Friedman on the 2nd but watched the replay. Excellent!

The Canadian Artists Network (CAN) Summit was on the 13th and 14th. Because of work and other obligations, I waited and watched the replays.

Also on the 13th was an evening with Charlie Angus, a Wordstock fundraiser. It was a great night, a great talk, and I got to see a bunch of local writerly friends. I bought a copy of the book, natch, and got it signed by the author. Charlie was looking a bit tired though, so I didn’t go all fangirl on him and tell him that I subscribed to his Substack or that I was currently reading his wife’s book, The Haunting of Modesto O’Brien. Lost opportunities.

Had to recover after.

SF Book Recommendations with Elizabeth Bear was also on the 13th, but the recording would be posted. I watched it later that night. Again, a great selection of books, old and new, some of which I’d read, and some not.

On the 14th, the Banff Centre hosted an information session on their programming. As I’m hoping to apply for one of their programs in February 2027, I wanted to see if I could get an insider perspective. Unfortunately, it wasn’t terribly informative and didn’t include the program I wanted to apply for.

Because I had to miss the Sudbury launch of Seldom Seen Road by John Degan on the 8th (because work), I caught him at his Indigo signing on the 16th. I introduced myself and proceeded to talk his ear off for the next 20 minutes. He looked bemused, but the mask was off and he got full force Mellie.

John Degen at Indigo Sudbury.

Another recovery.

I signed up for “Abandon Your Outline and Elevate Your Story” presented by Steven James through Jane Friedman on the 20th. I watched the replay. Revelations (!) I’m learning that I am a pantser, or discovery writer, first and foremost. My every attempt to outline (even retroactively) has met with failure.

Related:

When I watched Shaelin’s video on how to write book without outlining it: structure, crafting a strong draft, and mindset, it only reinforced what I’d learned in the webinar. It’s all part of my quest to design a creative process that works with my neurodivergence rather than against it.

It’s one of my missions this year.

I attended the launch of Blaine Thornton’s Here’s to Letting Go on the 22nd. It was a fabulous evening, and Blaine teamed up with a musician and a typewriter to stage their performance.

Recovery, again.

Then, on the 25th, I registered for an Off-Topic Publishing webinar (follow them on Eventbright and you’ll be notified when a new offering is made) on “End-stops and enjambment: playing with line breaks in poetry” with Marian Lougheed. It was short and sweet and hit the spot.

On the 27th, I registered for a Canadian Authors Association/SF Canada webinar, “How to transition from writing to podcasting” presented by Costi Gurgu. Again, managing spoons, I wanted to watch the replay, but the replay of the last CAA/SFC webinar I’d registered for still hadn’t been posted to either the CAA site or on their Circle platform, even though there is a section devoted to video and promising to host the webinars …

Also on the 27th, I signed up for “Showing and Telling” with Tiffany Yates Martin through Jane Friedman. I can depend on Jane to provide the replay in a timely manner. This was one of the better webinars on the topic with lots of practical examples from popular novels on how and when to show and how and when to show.

Finally, I registered for “Accommodate Yourself: How to Build a Writing Process that Works for You” presented by Weeknight Writers. It was part of a conference, but after all the events (online and in person) I’d attended this month, I had to conserve my spoons and just chose the session I was truly interested in. It was great, and my registration got me access to the whole event! I’ll be catching up on all the sessions when I have the spoons.

Finnish classes continued on Monday evenings throughout the month, though I missed the one on Victoria Day Monday because I was recording a podcast (see: The month in writing).

I took my mom for a hair appointment on the 9th. It was her first since snowmageddon, and her hair was super long, but she managed the stairs like a champ.

Recovery.

My next therapy appointment was on the 14th. We started framing our work together (recovering from burnout, mitigating future burnout, managing my current major transitions – workforce adjustment and caregiving – creating a life that works with my neurodivergence rather than against it).

Recovery.

On the 21st, my support group met. This month’s topic was relationships.

And on the 23rd, I took my mom to visit a friend of hers.

Recovery.

Friends visited from out of town on the 30th. Great visit. Much needed.

Still had to recover.

I’m finding that in my current state, if I do anything other than work in a day, or anything other than my rituals and planned activities on a weekend, it dysregulates, and I have to take extra time to myself.

What I’m watching and reading

The first full week of May was finale week for several shows.

My first watch of May was the second (and last) season of Watson (CBS/Global). This reimagining of Sherlock Holmes features Watson as a Black geneticist and takes place after Holmes and Moriarty apparently die after they plunge over Reichenbach Falls. Watson survives his attempt to save Holmes but has suffered a traumatic brain injury (TBI). Holmes bequeaths Watson enough money to start a clinic, which he does in Pittsburgh. At the Holmes Clinic for Diagnostic Medicine, Watson and four brilliant interns solve medical mysteries, while figures from Watson’s past return to complicate matters.

In season one, Moriarty plots to undermine Watson. In season two, Holmes himself returns, but asks that Watson keep his existence a secret. When it’s revealed later in the season that Watson has a glioblastoma and is hallucinating Holmes, it brings into question Holmes survival. The remainder of the season, though packed with twisty drama, was hastily brought to a close in the final episode. Yes, the series was cancelled.

Then, I watched the season 8 finale of The Rookie (ABC/CTV). Nolan and the LAPD started the season in Prague with a joint FBI and Interpol op. Nolan and Bailey had the unenviable task of minding Monica. The President visits LA, and Tim takes over as watch commander as Grey is working with the LAPD/FBI Taskforce with Garza. Wesley decides to run for DA. Bailey takes a position in DC, and she and Nolan navigate a long-distance relationship. Lucy takes dire action while trapped with a bunch of deranged and violent people. Liam Glasser, a serial killer, plagues the LAPD throughout the season. Monica’s story comes to a tragic end. Tim proposes to Lucy and then the season-ending cliffhanger leaves them both in peril. This series continues to be entertaining, even if the events are increasingly improbable.

The next finale was season 4 of Will Trent (ABC/CTV). Serial killer James Ulster may be dead, but he still haunts Will (as an aspect of Will’s psyche). Will’s uncle Antonio is abducted and then Will shares the same fate, drawn in by Adelaide, Ulster’s daughter. As other crimes are solved, Will recovers and continues to search for Adelaide, finally finding her and rescuing Antonio, but he is unable to prevent Amanda Wagner’s death. The finale itself was devastating, though ultimately hopeful, as Will, Faith, Angie, Ormewood, and Franklin unite despite their losses and prepare to take down a human trafficking ring. Looking forward to season 5!

Then, Grey’s Anatomy (ABC/CTV) finished its 22nd (!) season. The season began with a literal bang as an explosion rocked the hospital and injured Linc. Various couples came together and fell apart, as they always do, and the season ended with a bridge collapsing. It was the usual soap-y goodness that keeps me coming back.

I finished watching the second season of The Last Thing He Told Me (Apple TV). I haven’t read the book the series was based on and … I confess I didn’t think the show needed a second season. It did complete the story and Hannah and Bailey do get more agency. Things do sort themselves out and the family is able to reunite and live their lives in relative peace. It was okay.

Next, I watch The Punisher: One Last Kill (Disney +). I haven’t watched the series, but I know the story. In this … final … chapter, while crime still infects the city around him, including a group of young bullies who take an unhoused man’s dog and throw it in front of a truck (I already want Frank to kill these fucks), Frank is still haunted by the ghosts of his friends and family. He contemplates unaliving himself but can’t go through with it. Then, Ma Gnucci, whose entire family Frank killed, shows up and tells Frank that she’s issued a bounty for him and told all comers to head to his address. The rest of the hour is bloody chaos as Frank fights his way out of the hotel and into the street where, rather than pursuing the assassins, he moves to save the innocent bystanders. In the end, Frank dons his skull shirt and continues his quest, starting with the bullies still harassing the bereaved unhoused man.

Phil and I watched the finale of Good Omens (Prime). It was sad that the “he-who-must-not-be-named” issues caused what should have been a full third season to be squished into a movie. The acting is still brilliant, and they did a really good job for such a compressed timeframe. Our star-crossed lovers get their happy ending, though. I won’t spoil anything because I think it’s worth watching if you love Good Omens and Pratchett’s legacy.

Phil and I also watched the final season of The Boys (Prime). It was a fitting, but somewhat open-ended climax and denouement. Hughie, Mother’s Milk, and Frenchie are all in a concentration camp at the beginning of the season. Annie is on the run and working with A-Train and Marie, Jordan, and Emma (from Gen V) to undermine Vaught and Homelander with guerilla tactics. Kimiko was actually so irritating at the camp that she was sent away but she escapes to join the gang when Butcher, Annie, and A-Train stage an escape. Frenchie works with Dr. Shah to perfect a virus that will kill any supe. Meanwhile, Homelander has delusions of godhood and is determined to get his hands on the last of the V1, the version of the drug given to Soldier Boy, so he can become immortal. Things get out of hand, as they always do, main characters die, and everyone gets their just desserts in the end, but Vaught is still around and trying to put together another corporate super team … Bloody diabolical!

Then, I watched Remarkably Bright Creatures (Netflix). My heart! Haven’t read the book yet, but this movie was everything. Two people deeply wounded by loss enter each other’s orbits seemingly by chance, and a wise, old octopus holds the key to healing their hearts. You will cry. In a good way. A balm of a movie. Watch it!

Finally, I finished watching season 2 of the prequel series The Bad Guys (Netflix). They suffer a weird case of amnesia, compete over who can refrain from doing crime the longest, are taken in by a scam by Snake’s mother Sepentina, visited by Wolf’s mentor D.B. Cougar, are challenged by a copycat crew, have AI troubles, almost lose their streak when Shark goes rogue to vanquish an old nemesis, are taken into custody by Tanya Ripper, who, after catching every criminal, sets her sights on every minor misdemeanor, and finally escape and turn the tables on Ripper, freeing the city. This continues to be an entertaining series.


My first listen of May was The Salvage Crew by Yudhanjaya Wijeratne. AI overseer Amber Rose was once human, loves reciting and composing poetry in its spare time, is kind of Buddhist, and will try to use the strategy game go as a learning opportunity for its human crew. It’s been assigned a crew of three people riddled with PTSD, mental health issues, and attitude problems and sent to Urmahon Beta, a planet in the ass end of nowhere, to salvage the remains of a downed colony ship. The planet is supposed to be uninhabited, but there’s a weird city and herds of megafauna and Mercers — cyborgs — who are infected with some machine virus that transmits to Amber Rose’s human crew. And all that’s before the weird city starts to speak. Nabbed it on a recommendation. Awesome! And the fact that it’s narrated by Nathon Fillion didn’t hurt!

I paused audiobooking to catch up on It’s Storytime with Wil Wheaton.

Then, I finished reading To Leave a Warrior Behind: The Life and Stories of Charles R. Saunders, the Man Who Rewrote Fantasy by Jon Tattrie. Saunders was considered the father of the “Sword and Soul” fantasy genre, drawing on African history and legend to centre Black heroes among the stories of Conan and Tarzan. Moving to Canada to avoid being drafted, Saunders found a home and community in Nova Scotia. Though dealt blow after blow by the publishing industry, he persisted and found champions for his work, producing five Imaro novels, two Dossouye novels, Damaballa, and Abegoni, dozens of short stories and essays, four non-fiction books, and three screenplays, not to mention his years as a journalist at the Halifax Daily News, where Tattrie met him. Saunders’ was literally a storied life, but he was also a recluse and died alone during the first wave of the COVID 19 pandemic in May of 2020. Saunders deserves more praise and his work more recognition. A fantastic biography.

Next, I read Richard Harrison’s My Mother Joins the Resistance. This poetry collection is a meditation on love and life and death and grief as Harrison processes his mother’s life and the death by MAID that she chose as an alternative to terminal lung cancer in 2017. In the title poem, his mother, Doreen, waiting for the doctor who will deliver her death, declares of hurricane Cindy, “When it pours down on the White House, that’s me pissing on Trump!” What a glorious woman! The whole collection delivers surprising hope and humour out of the darkest events. Adored every page.

Then, on an increasing number of recommendations, I listened to Dungeon Crawler Carl. Carl is a coast guard mechanic currently minding his ex’s Persian show cat, Princess Donut. In his loneliness, he’s considering running away with the cat, but Donut beats him to the punch by leaping out of an open window into a nearby tree. Heedless of the temperature, Carl races out in his leather jacket, boxers, and his ex’s too-small-for-him Crocs to rescue Donut, only to watch all the nearby buildings get crushed by some unseen force. He and Donut are then transported to an alien-sponsored game, where Donut is transformed into a talking cat, and they are forced to fight for their lives. As surreal and hilarious as you might expect, replete with snarky, in-game announcements, intergalactic social media, NPCs, MOBs, and sponsors. So. Much. FUN!

Next, I listened to The Long Way to a Small, Angry Planet by Becky Chambers, the first in the Wayfarers Series. Ah! Loved it! Rosemary Harper assumes a new identity to escape Mars and the family she is fundamentally at odds with. She takes a job as a file clerk on the Wayfarer, an aging amalgamation of a ship that creates stable wormholes that connect remote parts of the galaxy. Shortly after she joins the crew — humans Ashby, the captain, Kizzie and Jenks, the engineers, Corbin, the algaeist, Aandrisk pilot Sissix, Grum doctor and cook, Dr Chef, Sianat Pair navigator Ohan, and AI Lovey — Ashby receives a lucrative job offer to punch a wormhole for a potential new member race of the Galactic Commons. But to do that, the Wayfarer will have to travel the long way as there are no wormholes in that part of the galaxy.

Just as Chambers does in her Monk and Robot series, she shows us a world where the default is to be respectful and kind. That doesn’t mean that everyone gets along or that nothing happens. Chambers puts the crew through it, but they do emerge mostly unscathed in the end. I know I’m late to the party on this one, but trust me, the book is amazing.

Finally, I listened to The Eyre Affair, the first in Jasper Fforde’s Thursday Next series. I met the author in 2017 on the Writing Excuses Retreat – Baltic cruise edition and was just reminded of him and Thursday Next when the announcement came out that he would be publishing the final book in the series (!) I figured I should get on that.

Thursday Next is a Special Operations Literary tech in an alternate world England, where the Crimean war still rages and books are taken very seriously. Factions argue over who wrote the plays attributed to Shakespeare and hundreds of men take the name John Milton in homage. They even have a whole division of the secret service, SO27 dedicated to solving literary crimes. Thursday is a veteran of the unending Crimean war where her brother died. Her father is a rogue time traveller, and her uncle is a brilliant inventor who has created a way to enter books. Not that Thursday needs her uncle’s invention. She entered the pages of her beloved Jane Eyre as a child and facilitated Jane and Edward’s first meeting, though she’s always been disappointed in the ending. Jane becomes a missionary with St. John Rivers in India? Still, it’s her favourite book.

Acheron Hades, the third most wanted criminal in the world, steals the original manuscript of Martin Chuzzlewit and then kidnaps Thursday’s uncle, Mycroft, using his invention to murder a minor character, who then disappears from every edition (!) He’ll kill the protagonist next if he doesn’t get what he wants. And then, there’s the Goliath Corporation, who want Mycroft’s invention for their own purposes. Can Thursday foil both the master criminal and the corporation, rescue her uncle and save literature? And how does Jane Eyre figure into the plot? Read and find out!

Full of dry wit and endless puns, The Eyre Affair is a fun read with a fast and twisty plot you won’t anticipate.

And that was the month in this writer’s life.

Until next month, be well and stay safe; be kind and stay strong. The world needs your stories!


The next chapter: A month in the writerly life. https://melaniemarttila.ca

I acknowledge with respect that I am in Robinson-Huron Treaty territory, that the land from which I write is the traditional territory of the Anishinaabe and home of Atikameksheng Anishnawbek and Wahnapitae First Nation.

Tipsday: Informal writerly learnings, April 2-8, 2023

Welcome to the last tipsday for the foreseeable. As I mentioned in my most recent next chapter weekly, I’m cutting back on social media to devote more time to writing and revision.

It’s been a while since Torvi made an appearance 🙂

Julianna Baggott: yes, I know how hard it is. Donald Maass explains where connection comes from. Then, Elizabeth Huergo muses on frigates and ChatGPT. Writer Unboxed

Margie Lawson is writing fresh: laughs, giggles, and snorts that carry power. Then, Hannah Jacobson explains what you can do with book awards and reviews. Stefan Emunds says characterization is one of the most vital writing skills. Writers in the Storm

What makes a movie “feminist”? Princess Weekes

Elizabeth Spann Craig is writing longhand.

Becca Puglisi says, if you need organizational help, try Trello. Then, Colleen M. Story shares six ways to make your author blog more successful. Writers Helping Writers

Is cyberpunk actually punk? Tale Foundry

Amy L. Bernstein provides a framework for moving beyond your first draft. Then, Matt Holmes lists the four pillars of book marketing, or how to sell more books in less time. Amy Goldmacher explains how to differentiate between desire and desperation in pursuit of publication. Next, John Matthew Fox helps you find comp titles using ChatGPT. Jane Friedman

My revision process—first draft to ready for publication. Shaelin Writes

Ashley Christiano shares chakras for storytellers, part 2: putting concept into practice. Then, Manuela Williams considers four poetry book cover design trends. Stacy Frazer explains how to recover from creative burnout and enhance your energy. Next, Lori Walker interviews Danielle Mitchell about reading and writing poetry. Brenda Rech shares five things she learned by entering writing contests. DIY MFA

Seven exercises to improve dialogue. Reedsy

Janice Hardy lists three steps to crafting a story arc that sucks (your readers in). Fiction University

Tiffany Yates Martin discovers how Camille Pagán revises—by betting on herself. Fox Print Editorial

Chris Winkle offers six tips for writing your first novel—and series. Then, Oren Ashkenazi analyzes five stories that undermine their own stakes. Mythcreants

Thank you for visiting, and I hope you found something to support your current work(s) in progress. You can always peruse the archives.

Until Thursday, keep staying safe and well, my writerly friends.

Tipsday: Informal writerly learnings, March 26-April 1, 2023

Welcome to April, and to tipsday, your opportunity to peruse a select curation of informal writerly learnings. Enjoy!

Kamm Prongay offers one writer’s introduction to reading and writing essay. Then, Lori Walker interviews Patricia Leavy about the magic and science of writing. Anna M. Holmes wonders, are book cover design and blurbs agony or ecstasy? Next, Francesca Miracola shares five things to consider when writing a memoir that covers difficult subjects. DIY MFA

The unbelievably tragic story of Cú Chulainn. Fate & Fabled | PBS Storied

Matthew Norman bemoans so many decisions. Then, Kim Bullock offers some self-care for writers in a pseudo-dystopian world. Tessa Barbosa offers some advice on handling editorial feedback without getting overwhelmed. Next, Mary McDonough is navigating and seeing beyond writers’ roadblocks. Julie Carrick Daltoon is playing with point of view: we are all heroes. Writer Unboxed

How to structure a heist. Mary Robinette Kowal

Janice Hardy explains how to make backstory work for you. Then, Rayne Hall is plotting a short love story. Fiction University

K.M. Weiland shares how archetypes changed her life and her writing. Helping Writers Become Authors

Kris Maze shows you how to gift your author estate — writing to retire, part 2. Then, J. Alexander Greenwood offers some tips from podcast hosts for a good show. Lynette M. Burrows is crafting a story with the forces of antagonism. Writers in the Storm

How Sherlock Holmes killed his author. Tale Foundry

Carly Watters defines upmarket fiction. Then, April Dávila helps you banish writer’s block in five minutes flat. Allison K. Williams explains why you should be writing on social media. Jane Friedman

Angela Ackerman explains how to uncover your character’s deepest fear. Then, she says, if your story needs a hit of organic conflict, look to your setting. Writers Helping Writers

How many words in a novel? Reedsy

Nathan Bransford: plinko scenes.

Tiffany Yates Martin considers lucky breaks and tough shakes. Fox Print Editorial

Chris Winkle points out six signs of over-summarized prose. Then, Oren Ashkenazi says these eight RPGs also deserve mediocre movies. Mythcreants

Thanks for taking the time to visit. I hope you found something to support your current work(s) in progress.

Until Thursday, keep staying safe and well.

Tipsday: Informal writerly learnings, March 19-25, 2023

It’s the last tipsday of March! Prepare to “go out like a lion” with some informal writerly learnings 🙂

Amy Christine Parker shares four powerful tools for creating dread in your fiction. Then, Constance Emmett discusses finding her writing tribe. Carol Van Den Hende offers three ideas to inspire Instagram-worthy book posts. Next, Lori Walker interviews Jinwoo Chong about exploring themes of grief and loneliness in a neo-noir speculative novel. Sara Gentry lists five ways numerical data can improve your novel. DIY MFA

How to write strong openings: action-driven vs. voice-driven. Mary Robinette Kowal

Susan DeFreitas: your story is amazing, but does it make sense? Dave King warns of critter danger. Then, Sophie Masson has the last word on epilogues. John J. Kelley discusses using social occasions to elevate your story. Writer Unboxed

Story Structure 101. Reedsy

K.M. Weiland presents two ways to write organic themes. Helping Writers Become Authors

Lisa Norman tells you all you need to know about how to write with AIs. Then, Ellen Buikema explains how to kill a character without enraging readers. Writers in the Storm

Where alcoholic drinks got their names. Otherwords | PBS Storied

Sarah Elizabeth Sawyer answers seven questions on writing about Native Americans. Then, Susanne Dunlap explains what memoirists can learn from historical novelists. Katie Bannon shares five reasons to write your taboo stories. Jane Friedman

Lucy V. Hay explains the importance of a great opening to a novel. Then, Becca Puglisi has some creative ways to brainstorm story ideas. Angela Ackerman wonders how much time do you waste as a writer? Writers Helping Writers

The best outlining tools for writers. Reedsy

Nathan Bransford explains how to edit someone’s novel.

Tiffany Yates Martin says don’t build your network. Fox Print Editorial

Chris Winkle shares lessons learned from the clichéd writing of Pendergast. Then, she explains the why and how of foreshadowing. Mythcreants

Gene Maddaus reports that the Writers Guild of America would allow AI in scriptwriting as long as writers maintain credit. Variety

Thank you so much for spending some time with me. I hope you found something to support your current work(s) in progress.

Until Thursday, keep staying safe and well, my writerly friends.

Tipsday: Informal writerly learnings, March 12-18, 2023

I celebrated the spring equinox yesterday while light snow fell (not at all sarcastically). It’s spring in northeastern Ontario. What else should I expect?

However you greeted spring, celebrate with some informal writerly learnings!

Kelsey Allagood says, for better creativity, spring clean your brain. Then, Marcie Geffner explains why we don’t need “heroines.” Desmond Hall is tunnelling into POV and perspective in this month’s Desmond’s Drops. Next, Julie Gerstenblatt considers the fabric of language, or what to wear on book tour. Writer Unboxed

How to condense your novel. Shaelin Writes

Jeanette the Writer explains how to find a book editor. Then, Tammy Lough helps you get noticed on social media. Whitney Cubbison is becoming a writer after spending a career writing. DIY MFA

The most powerful art you’ll ever make. Tale Foundry

Lori Freeland discusses piecing together the perfect scene. Then, Joseph R. Lallo is getting unstuck/finding a new rut. Eldred Bird shows you how to distinguish between history vs. legend when writing about the past. Writers in the Storm

The pitfalls of friendship – The Banshees of Innisherin. The Take

Oliver Fox shows you how to write horror. Helping Writers Become Authors

Nicki Howell explains why fear is a terrible friend…and how to crush it. Live, Write, Thrive

Roz Morris: once more with feeling – some notes about description. Nail Your Novel

2022-2023 Munro Beattie Lecture with Waubgeshig Rice: Anishnaabe history and writing the future. Carleton University Department of English

Joanna Penn offers some writing tips on setting and sense of place. The Creative Penn

Daphne Gray-Grant shows you how to survive editing. Then, Adriana Barton explains how to write a hybrid memoir. Tiffany Yates Martin discusses picking a point of view for your story. Jane Friedman

Jami Gold is making a long story about character arcs short. Writers Helping Writers

Over on her own site, Jami wonders, can short stories still have character arcs?

Nathan Bransford explains how to self-edit your novel.

This story will crush your hopes and dreams. Tale Foundry

September C. Fawkes shares five keys to a satisfying denouement. My Story Doctor

Rayne Hall explains how to write a short story spinoff from your novel. Fiction University

Writing lessons I wish I’d learned earlier (AKA how to stop worrying). Shaelin Writes

Tiffany Yates Martin says, do less than your best. Fox Print Editorial

Chris Winkle says Wolf Pack is about werewolves with nothing to do. Then, Oren Ashkenazi analyzes six stories with poorly designed factions. Mythcreants

Jonathan Migneault: reflections on the INCO superstack. Why is this in tipsday? Because the Sudbury Writers’ Guild is asking for submissions to their new stack anthology 🙂 CBC

Jan Grue considers the disabled villain and why sensitivity readers can’t kill off this ugly trope. The Guardian

Thank you for spending some time with me. I hope you found something to support your current work(s) in progress.

Until Thursday, keep staying safe and well!

Tipsday: Informal writerly learnings, March 5-11, 2023

Did you survive Monday after daylight saving? I almost didn’t. Recuperate with some informal writerly learnings 🙂

My favourite DST meme:

Greer Macallister shares five ways to rediscover your writing joy. Then, Tiffany Yates Martin is assuaging the pain of punctuation. Juliet Marillier considers writing home. Next, Kathryn Craft discusses navigating the road from journalist to novelist. Writer Unboxed

Heroes don’t have to be boring. Hello, Future Me

Piper Bayard offers help with writing about recruitment for the intelligence community. Then, Colleen M. Story shares some quick tips to help you avoid five types of writing-related pain. Penny C. Sansevieri reveals five reasons your Amazon ads aren’t drawing in readers. Writers in the Storm

K.M. Weiland explains how to write literary fiction. Helping Writers Become Authors

What is creative writing? Reedsy

Elizabeth Spann Craig discusses newsletters, even if they’re just sent for releases.

The mentor archetype: definition, ten examples, and hot to write. The ally archetype. The hero archetype. Story Grid

A.H. Plotts shares what her DIY writing retreat taught her about her writing practice. Then, Dominique Richardson offers advice on finding alternatives to ableist language. Alison Schaffir wants you to evoke your inner teen. Next, Julie Slaughter suggests five ways to reduce writer anxiety. DIY MFA

How Bloody Mary turns fear into fun. Monstrum | PBS Storied

Kim Catanzarite declaims, to give it away, or not to give it away. Then, Gemma Whelan explains how bad publishers hurt authors. Jane Friedman

Lisa Poisso explains the difference between an editor and a book coach. Thin, Liz Alterman shows you how to ask for book reviews (and why you should). Writers Helping Writers

Create a daily writing practice. Reedsy

Nathan Bransford says, don’t worry about spoilers in a query letter.

Tiffany Yates Martin composes a letter: dear author …. It’s the writerly hug you didn’t know you needed! Fox Print Editorial

Chris Winkle suggests seven easy conflicts for light stories. Then, Oren Ashkenazi analyzes Star Trek’s best antagonistic species. Mythcreants

Thank you for spending some time with me, and I hope you found something to support your current work(s) in progress.

Until Thursday, keep staying safe and well, my writerly friends!

Tipsday: Informal writerly learnings, Feb 19-25, 2023

We’re almost at the end of February. Prepare to welcome March with some informal writerly learnings!

Rachel Teferet offers a social media survival guide for writers. Then, JJ Graham helps you find a writing community as an introvert. Grace Bialecki: location, location, location. Next, Neil Chase lists his top five types of villains in literature. DIY MFA

Why apocalypse stories feel different now. Like Stories of Old

Porter Anderson’s hearing a lot of cyber rattling: when the bot chats. Then, Dave King writes the epilogue on prologues. Thomas Richards explains how to bring your characters to life by writing in three dimensions. Next, Heather Webb suggests some body and mind fitness for writers. Victoria Strauss points out some clauses to watch for: when your publishing contract raises a red flag. Writer Unboxed

Is R a vowel? Otherwords | PBS Storied

K.M. Weiland offers more genre writing tips: how to write historical fiction. Helping Writers Become Authors

Lisa Norman says creating a powerful author website will get the results you want. Then, Kris Maze poses this puzzle: retiring to write, or writing to retire (part 1). Ellen Buikema offers some more tips on writing science fiction (part 2). Writers in the Storm

The politics of loving the bad guy. Princess Weekes

Hank Quense explains book marketing in plain English. Elizabeth Spann Craig

Michelle Barker is getting back into the writing flow. Then, Marissa Graff lists four reasons your action-based scene is failing (and how to avoid it). Writers Helping Writers

Jane explains how authors can build relationships with independent bookstores. Jane Friedman

How to edit a novel. Reedsy

Jami Gold helps you figure out what point of view is best for you.

Tiffany Yates Martin wonders, are you “just”-ifying your writing? Fox Print Editorial

Dan Koboldt considers luck vs. talent vs. perseverance in publishing.

Chris Winkle helps you choose scenes to cover the right information. Then, Oren Ashkenazi analyzes Star Trek’s seven worst antagonistic species. Mythcreants

Lavelle Porter presents an ode to Samuel Delaney. JSTOR Daily

Thanks for stopping by, and I hope you found something to support your current work(s) in progress.

Until Thursday, keep staying safe and well, my writerly friends.

Tipsday: Informal writerly learnings, Feb 12-18, 2023

Welcome to tipsday, where you can get the best of the week’s informal writerly learnings. Enjoy!

Ann Marie Nieves: so you’re interested in hiring a publicist. Jim Dempsey says, write for that someone special. Then, Barbara Linn Probst wonders what actually makes you a better writer? Writer unboxed

K.M. Weiland offers some tips on writing romance. Helping Writers Become Authors

C.S. Lakin explains what story hooks are all about. Live, Write, Thrive

Stories about stories about stories. Tale Foundry

Elizabeth Spann Craig reviews Amazon’s author page updates.

Roz Morris wonders, will AI writing threaten authors’ livelihoods? Nail Your Novel

Jane says negotiation is the one business skill she could grant all writers. Jane Friedman

Suzy Vadori helps you slay your bloated word count. Writers Helping Writers

Nathan Bransford says don’t dribble out morsels of information within a scene.

How to write dialogue. Reedsy

AK Nevermore defines science fiction and fantasy. Then, Lori Walker interviews Courtney Maum about genre-hopping, process, and time management as a working writer. Karmen Špiljak shares the secret ingredient. Next, Sebastián Calderón offers five techniques to connect with your novel. DIY MFA

Janice Hardy shares three ways “show, don’t’ tell” can strengthen your writing. Then, Lynette M. Burrows helps you create characters your readers love and hate. Eldred Bird lists five ways helping other writers helps you. Writers in the Storm

Jenna Harte explains how to find your readers. Fiction University

Tiffany Yates Martin: when will you be a success? Fox Print Editorial

Chris Winkle helps you judge what information your story needs. Then, Oren Ashkenazi analyzes five stories with disappointing prophecies. Mythcreants

Chuck Wendig considers AI and the fetishization of ideas. Terribleminds

Connor Garel explains why M. NorbeSe Philip declared war on her own book. The Walrus

Amna Khalid: the futility of trigger warnings. Persuasion

Thank you for visiting, and I hope you found something to support your current work(s) in progress.

Until Thursday, keep staying safe and well!

Tipsday: Informal writerly learnings, Feb 5-11, 2023

Hope everyone had a fabulous Valentine’s Day. It’s time to nourish your creative self with some informal writerly learnings. Enjoy!

Janice Hardy shows you how to fix pacing problems: move along. Fiction University

Greer Macallister says your book is always new. Then, David Corbett interviews Damyanti Biswas about transitioning from literary to genre fiction. Kathleen McCleary notes the things that define us. Next, Kathryn Craft shares four ways to organize your third person POVs. Tracy Hahn-Burkett explains how to come back to your writing practice after you’ve been called away. Later in the week, Erma Clare says, friend or foe, ChatGPT has pushed language AI into the spotlight. Writer Unboxed

Six signs your book is ready to query. Reedsy

Diana Stout talks critiques—how to get them and how to receive them. Then, Sandy Vaile wonders, are you writing a shiny idea or a robust story? Stefan Emunds talks about the importance of desires, goals, motivation, and needs in storytelling. Writers in the Storm

K.M. Weiland offers some genre tips on how to write fantasy. Helping Writers Become Authors

Is Yuki-Ona the most terrifying snow monster? Monstrum | PBS Storied

C.S. Lakin helps you understand the intersection of premise and protagonist. Live, Write, Thrive

L. Diane Wolfe is rapid releasing a series. Elizabeth Spann Craig

Nathan Bransford says, if you think writing is easy, you’re probably not very good at it.

How to create subtext. Shaelin Writes

Casey Cooper answers the question, why do speculative things matter? Then, Adam Burgess considers the triumph of Two Boys Kissing. Lori Walker interviews Jenna Miller about her debut author’s journey. Next, JD wonders, why write a palate cleanser? DIY MFA

Tiffany Yates Martin answers the question, should I include a prologue in a query? And other prologue FAQs. Fox Print Editorial

The craft of writing effectively. Though in the academic context and eight years old, it’s applicable to all kinds of writing. University of Chicago Social Sciences

Becca Puglisi considers the moral villain. Writers Helping Writers

Chris Winkle says that managing exposition starts with simplifying the story. Then, Oren Ashkenazi explains why Sauron works and Arawn doesn’t. Mythcreants

Kristen Lamb: ‘twas the night before Valentine’s.

Thank you for spending some time with me. I hope you found something to support your current work(s) in progress.

Until Thursday, keep staying safe and well, my writerly friends.

Tipsday: Informal writerly learnings, Jan 29-Feb 4, 2023

You’ve made it through Monday! Celebrate with some informal writerly learnings 🙂

Colice Sanders considers cultural content fender benders: the messy middle. Then, Disha Wallia suggests four plot twists for your second act. Gabriela Pereira interviews Monte Schulz about writing by the seat of your pants—without an outline. Next, Jennifer Dupree shares what she learned about publishing with a small press. Later in the week, Sara Gentry lists five ways numbers can improve your writing life. DIY MFA

A perfect anti-war movie? Like Stories of Old

Vaughn Roycroft shares some writing lessons from housebuilding and marriage. Then, Donald Maass presents other ways to write a hero. Elizabeth Huergo recommends Cecile Pineda’s writing “at the edge of being.” Next, Kathryn Magendie shares how an anxiety episode changed her (dis)belief in writer’s block … Writer Unboxed

What are the Endless? Neil Gaiman’s The Sandman. Tale Foundry

Janice Hardy shares five ways to raise the stakes in your scene. Fiction University

C.S. Lakin helps you develop a scene outline for your novel. Live, Write, Thrive

Shaelin shares her successful query letter. Shaelin Writes

K.M. Weiland shares five tips for how to return to writing after a long break. Helping Writers Become Authors

Becca Puglisi explains how inner conflict informs character arc. Then, Angela Ackerman offers a little body language help: fighting attraction in romance. Writers Helping Writers

Why Prometheus risked everything for humans. Fate & Fabled | PBS Storied

Ariel Curry and Liz Morrow help you create a book map for your nonfiction book. Then, Karen A. Chase explains how author platform connects to author brand. Jane Friedman

Miffie Seideman wants you to add a dose of relatable dimension to your character. Then, Jenn Windrow explains what happens when your obsession becomes your profession. Writers in the Storm

How to create compelling character backstory. Reedsy

Tiffany Yates Martin interviews Amulya Malladi about how she prioritizes writing. Fox Print Editorial

Chris Winkle says Wednesday failed The Addams Family, and it didn’t have to. Then, Oren Ashkenazi explains why the fights in The Witch from Mars are so boring. Mythcreants

Kristen Lamb helps you take your hero from “meh” to mythic.

Chuck Wendig unpacks the state of social media (as it pertains to writers in particular). Terribleminds

Marcus Schwabe interviews Vera Constantineau about Haiku Writing Month. Morning North | CBC

Thanks for stopping by, and I hope you found something to support your current work(s) in progress.

Until Thursday, keep staying safe and well.