Helen J. Darling

Tipsday: Writerly Goodness found on the interwebz, Oct 25-31, 2020

/ Melanie Marttila

Welcome to the first—and last—tipsday of November! Load up on informal writerly learnings and I’ll see you in December. ‘Cause NaNoWriMo.

Black and Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter.

Wear your masks. Maintain physical distance. Get your flu shot. We are firmly in the second wave and the situation is getting steadily worse. We all have to pull together to survive and protect each other until a vaccine is available.

Kim Bullock explains why writers need rooms of their own. Later in the week, Barbara O’Neal distinguishes between using memory vs. backstory. Writer Unboxed

K.M. Weiland: the midpoint as the swivel of your novel’s linked structure. Helping Writers Become Authors

Janice Hardy shares six steps to creating a great character. Fiction University

Susan DeFreitas says, don’t hold out for publishing to make you feel seen. Pursue this goal instead. Jane Friedman

The Karen trope, explained. The Take

And then, the witch trope, explained. The Take

Tasha Seegmiller: how do your characters love? Later in the week, Eldred Bird offers some tips for upping your “what if” game. Then, Laurie Schnebly Campbell explains why we love (and resent) alpha males. Writers in the Storm

Gilbert Bassey offers four ways to fix a boring story. Writers Helping Writers

Helen J. Darling wants you to reconnect with your values if you’re feeling stuck. Then, Pamela Taylor helps you create authentic details in historical medicine. Later in the week, Gabriela Pereira interviews Laura Jamison about writing the ensemble cast. Then Sara Farmer interviews Linda Olson. DIY MFA

Shaelin reviews structuring your novel with Dan Harman’s plot embryo. Reedsy

And then, she looks at the traditional three act structure. Reedsy

Jami Gold gives some thought to world building on an epic scale.

Oren Ashkenazi analyzes the mixed climaxes of Marvel’s phase three, part 1. Mythcreants

Kristen Lamb explains why some stories fall apart and fail to hook readers (spoilers: it’s story structure).

Summer H. Paulus offers some insight into the origins of Halloween and its traditions. Fantasy Faction

Tricia Ennis reveals the strange, difficult history of queer coding. SyFy

Aja Romano explains how voice actors are fighting to change an industry that renders them invisible. Vox

Disney’s new content warnings on classic animation featuring racist characters. BBC

Thank you for visiting, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, Aug 16-22, 2020

/ Melanie Marttila

Welcome to another week of informal writerly learnings!

Black lives matter. Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter. This is a fundamental truth.

The EI ERB and CERB have been extended for the third time and three new transitional benefits are being created to support Canadians in this crisis. It’s resulted in chaos at work, but chaos has been the rule since March 15th.

Wear a mask. Wash your hands. Stay within your bubbles and avoid crowded events. Take care and stay safe. You don’t know who you could be putting at risk with careless behaviour.

K.M. Weiland shares five exercises for honing your story instincts. Helping Writers Become Authors

Vaughn Roycroft explains why he prefers novels with prologues. Dave King is discussing fiction in the time of plague. Then, Sarah Penner shares the results of a working-from-home survey: navigating changes to our work environments. Later in the week, Porter Anderson discusses emergent voices. Writer Unboxed

Shaelin Bishop shares some of her favourite writing techniques. Shaelin Writes

Tasha Seegmiller: every novel needs a village. Then, Barbara Linn Probst advises us to read like a writer and write like a reader. Later in the week, John Peragine explains the vital importance of your writing community. Writers in the Storm

The muse trope, explained. The Take

Rochelle Melander suggests some tools for revision. Fiction University

Christina Delay uses the lyrics of “Yesterday” to look back at the first act. Writers Helping Writers

Helen J. Darling helps you build your author newsletter list. Then, Pamela Taylor helps you figure out whether you’re writing historical fiction, or something else. Later in the week, Chere Hughes describes the key features of a no-fear critique. DIY MFA

Susan DeFreitas explains what your first 50 pages reveal. Jane Friedman

Nathan Bransford wants you to be very careful with dreams and hallucinations in novels.

Chris Winkle explains why story structures like the Hero’s Journey don’t work. Then, Oren Ashkenazi analyzes five stories with anticlimactic endings. Mythcreants

What English can’t do. NativLang

Alexandra Alter: “We’ve already survived an apocalypse”: Indigenous authors are changing science fiction. The New York Times

Thanks for visiting and I hope you’re taking away something that will support your current work in progress.

Until Thursday, be well and stay safe.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, May 3-9, 2020

/ Melanie Marttila

Even as various provincial governments consider “opening up,” we are becoming aware of reports from China and South Korea that their attempts to do the same are resulting in another spike in infections and deaths. While I think that, with testing and tracking and sufficient PPE, a certain degree of business resumption can occur, I’m worried that the testing, tracking, and PPE are not in place as yet.

Time will tell.

In the meantime, this week was another rich one for informal writerly learnings. Enjoy!

Sara Letourneau explains how your protagonist’s motivations influence your story’s themes. Later in the week, Gabriela Pereira interviews Helen J. Darling for an inside look at self-publishing. Pamela Gay shares five ways to write about something difficult. DIY MFA

Sonja Yoerg encourages you to give your story the time of day. Donald Maass: the meaning of meaning. Julie Carrick Dalton considers the earned plot twist. Jennie Nash: the secret to more efficient revision is pattern recognition. Writer Unboxed

How to develop a novel, part 3: plot & world. Reedsy

Nathan Bransford shows you how to weave exposition naturally into your story. Later in the week, he suggests giving your protagonist a mini-quest before the plot takes off.

Aziraphale and Crowley share a message with the world.

Tiffany Yates Martin wants you to give your characters agency. Then, Susan DeFreitas serves up the next part of her developing a writing practice series: captivating. Jane Friedman

Jami Gold explains how to improve your story with action beats. Later in the week, she wonders, do your characters take on lives of their own?

The Take explains the woman-child trope.

Joanna Penn shares her self-editing process. The Creative Penn

Meg LaTorre explains how to juggle writing and parenting. Writers Helping Writers

Fae Rowan show you how small decisions can make big story impact. Julie Glover: in defense of editing as you go. Writers in the Storm

Juliette Dunn profiles five characters coded as autistic. Mythcreants

What English does that no other languages do. NativLang

Eileen Hunt Botting introduces us to Mary Shelley’s journals of sorrow. The Times Literary Supplement

I’ve been trying to avoid a lot of overt covid-19 material, but Kim Stanley Robinson’s article is too amazing not to share. Coronavirus is rewriting our imaginations. The New Yorker

And this: Sabrina Orah Mark. Fuck the Bread. The Bread is over. On making your own fairy tale, embarking on your own epic tasks, and finding meaning. Beautiful and wrenching and ultimately hopeful. The Paris Review

Thanks for stopping by, and I hope you’ve taken away something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, April 12-18, 2020

/ Melanie Marttila

I hope everyone is staying safe and keeping well. Here’s your weekly dose of informal writerly learnings to help fill some of your time (I know you’re all doing what you can to keep yourselves occupied).

Helen J. Darling says that if you’re finding it hard to write, try keeping a pandemic journal. Sara Farmer considers fiction from Daphne du Maurier to Megan Abbott: the gothic horror of womanhood. Later in the week, Gabriela Pereira interviews Jeff Garvin about dismantling the stigma of mental illness. DIY MFA

Lori Freeland helps you understand point of view: P-O-What? Writers in the Storm

K.M. Weiland explains how to get some writing done: discipline vs. enthusiasm. Helping Writers Become Authors

Jim Dempsey offers a simple guide to symbolism in stories. Kathleen McCleary wants you to fuel your writing with feeling. Barbara Linn Probst shares five ways to light the spark of a novel. Writer Unboxed

Sacha Black wants you to breathe life into your prose with the sense of touch. Writers Helping Writers

Specificity and concrete language. Shaelin Writes

Susan DeFreitas shares part three of her developing a writing practice series: important.  Then, Mathina Calliope reveals the easy-to-fix tense problem that might be tripping up your readers. Jane Friedman

Jami Gold explains the difference between passive and active voice: was and not was. Later in the week, she wonders if pandemic anxiety is forcing everyone to count their spoons.

Chris Winkle breaks down act 3 of Dr. Horrible’s Sing-Along Blog. Then, Oren Ashkenazi looks at six magic systems that need stricter limits. Mythcreants

Writing fight scenes. Hello, Future Me

Chuck Wendig writes about being broken in half but wanting to be whole. Terribleminds

Steve Toase confronts the default: portraying homelessness in fantasy and science fiction. Tor.com

Thanks for stopping by, and I hope you take away something that will support your current work in progress.

Until Thursday, stay safe and well, my writerly friends.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Mar 17-23, 2019

/ Melanie Marttila

Here is your weekly batch of informal writerly learnings. Enjoy 🙂

K.M. Weiland wants you to find your thematic principle. Helping Writers Become Authors

Vaughn Roycroft, inspired by Jo Eberhardt’s last post, writes about layers of antagonism and why you should embrace them. Dave King: the lessons of genre. “In fact, here’s a dirty little secret: literary fiction often behaves like just another genre.” Julie Carrick Dalton looks at novel writing intensives as an alternative to the MA. Stephanie Cowell explores her novelist’s journey: the ghost worlds within me. Writer Unboxed

Chris Winkle: narrating a close point of view. Mythcreants

Chris Winkle produces the next instalment in the goal-oriented storytelling series: novelty. Then, Sara Letourneau has a helpful strategy if you’re struggling with flashbacks: try using the PAST method. Writers Helping Writers

Lisa Cooper Ellison offers a primer on schmoozing for introverts: how to network like a pro. Then, Barbara Linn Probst stops by to talk about beta readers: who, when, why, and so what? Jane Friedman

Mary Robinette Kowal shares some great advice for debut authors: so, you’ve been nominated for an award …  She follows up with another pithy piece on status and hierarchy shifts. Check out the series navigation links. This stuff is GOLD.

Helen J. Darling is helping you build your publishing team: your cover designer. DIY MFA

Alexa Donne muddles through the middle.

 

Janice Hardy digs into her archives for this fun test to check your scene’s narrative drive. Fiction University

Piper Bayard and Jay Holmes (better known as Bayard & Holmes) help you figure out which firearms can’t be silenced. Then, Margie Lawson drops by to discuss creating compelling cadence. Writers in the Storm

Angela Ackerman visits Jami Gold’s blog: creating characters who clash.

Jenna Moreci helps you identify your category (not genre).

 

Bryan E. Robinson, PhD shares eight ways to stay mentally fit and mindful during the writing process. Writer’s Digest

Nina Munteanu: surfing Schumann’s wave and catching the ion spray. Everything in life is vibration.

And that was Tipsday.

Hope you found something that will take your craft to a new level. Come back on Thursday for some thoughty.

Until then, be well!

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