Emotions

Tipsday: Informal writerly learnings, Sept 12-18, 2021

/ Melanie Marttila / 2 Comments

It’s tipsday! That means you’ve made it through Monday 🙂 Celebrate with some informal writerly learnings.

Sophie Masson is cooking up great book buzz. Then, Jim Dempsey explains how to tap into your characters’ emotions. Barbara Linn Probst wants you to go beyond description with story-relevant aspects of setting. Then, Matthew Norman shares the best writing advice he’s ever gotten. Kelsey Allagood says, active protagonists are tools of the patriarchy. Writer Unboxed

K.M. Weiland looks at the archetypal antagonists for the hero arc: the dragon and the sick king. Helping Writers Become Authors

Shang Chi: I can see clearly now … Jill Bearup

Jennie Nash asks, why write this book? Then, Anna David explains why and how she got her rights back from HarperCollins. Jane Friedman

Eldred Bird: everything has a story. Then, Piper Bayard explains how to bug a room (writing spies). Jenny Hansen: what if my [insert person] reads this? Writers in the Storm

John Kerr lists five story structures to use in your writing. Elizabeth Spann Craig

Kellie Doherty introduces us to some autumn deities. Fantasy Faction

How do we criticize our own? (Also, stop calling Lizzo a mammy.) Melina Pendulum

Jami Gold: if your story’s not behaving, try going deeper into structure. Then, Christina Kaye lists the three things you should consider before choosing your fiction genre. Writers Helping Writers

Olivia Fisher recounts her long road to becoming a freelance editor, part 1. And here’s my latest Speculations: one author’s journey on the autism spectrum. Sonia Hartl explains the importance of friendships in YA. Then, Kanh Ha shares five tips on writing fiction. DIY MFA

The Oedipus Complex: Film and TV’s Freudian obsession. The Take

Kristen Lamb considers types of plot twists and why they’re amazing for stories.

Christine Pride explains how a book goes from acquisitions to books store shelves. Nathan Bransford

Chris Winkle explains why you shouldn’t write a masterpiece. Then, Oren Ashkenazi scores WandaVision, Falcon and the Winter Soldier, and Loki on engagement. Mythcreants

Susanna Clarke: I’d really ceased to think of myself as a writer. The Guardian

5X15 presents Neil Gaiman and Susanna Clarke.

Beth Cato: shared pain. Nature

James Whitbrook: Marvel’s Eternals star, Lauren Ridloff, wants movie theatres to be more accessible for everyone. Gizmodo

Thanks for taking the time to stop by. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, Aug 8-14, 2021

/ Melanie Marttila

Another week, another batch of informal writerly learnings.

Ann Marie Nieves answers your book PR and marketing questions (part 4). Then, Jim Dempsey wants you to enhance your fantasies with a dose of reality. Kathryn Craft hopes you aim for the “extra” in ordinary. Then, Kathleen McCleary says, sometimes you’re the windshield; sometimes you’re the bug. Gwen Hernandez helps you create a series bible in Scrivener. Later in the week, Dee Willson connects the dots between research, sex, and related remedies. Writer Unboxed

Tim Hickson is killing characters. Hello, Future Me

Lori Freeland is talking location, location, location! Bring your book to life, part 2. Then, Jenny Hansen says, it’s okay to fall down. Eldred Bird contemplates coming out of hibernation. Writers in the Storm

The messy meaning of zombie stories. Like Stories of Old

Janice Hardy says, if you want a tighter point of view, ditch the filter words in your novel. Then, E.J. Wenstrom is creating creatures for speculative worlds. Ann Harth offers a nine-step plotting path to a stronger novel. Fiction University

K.M. Weiland shares three things to know about the ending of a story. Helping Writers Become Authors

Lindsay Ellis shares nine things she wished she knew before publishing her first novel.

Jane Friedman wonders, should MFA programs teach the business of writing? Then, E.J. Wenstrom explains what to know while you write dual point of view. Jane returns to show you how to harness community to build book sales and platform. Jane Friedman

Stefan Emunds examines eight elements that get readers invested in your story. Live, Write, Thrive

Shaelin Bishop explains why she’s a discovery writer. Shaelin Writes

Manuela Williams offers something for your poet’s toolbox: generate ideas and inspiration. Then, Kris Hill promotes worldbuilding using tabletop games. Tori Bovalino: genre-bending and The Devil Makes Three. Later in the week, Sarah R. Clayville shares five bad habits to quit like a champ. DIY MFA

Fire cat or fire cart? The history of Japan’s Kasha. Monstrum | PBS Storied

Marissa Graff says, don’t let excess baggage bring down your character’s plane. Then Angela Ackerman poses problems and solutions for describing a character’s emotions. Writers Helping Writers

Nathan Bransford explains how to come up with good comp titles for your book. Then, Christine Pride walks you through how an editor at a publisher acquires a book. Nathan Bransford

The “asexual” Asian man. The Take

Kellie Doherty introduces us to some of the mythological creatures of Alaska. Fantasy Faction

Chris Winkle: Project Hail Mary shows when flashbacks work, and when they don’t. Mythcreants

Joanna Penn offers a primer on the metaverse for authors and publishing: web 3.0, AR, VR, and the spatial web. The Creative Penn

Souvankham Thammavongsa shares her feelings about winning the Scotiabank Giller Prize. CBC’s The Next Chapter

What to call that weird thing your pet does. Merriam Webster

Megan McCluskey reveals how extortion scams and review bombing trolls turned Goodreads into many authors’ worst nightmare. Time

Thank you for taking the time to visit, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Caturday Quickies: Susan McMaster Workshop

/ Melanie Marttila

Susan McMaster

Susan McMaster (Photo credit: pesbo)

When I originally indicated that I was going to change my blogging schedule to weekends only, one of my online writing friends commented on how wonderful the idea was of a ‘flurry of posts’ on the weekend.

I’ve been posting fairly consistently on the weekends since, but I realized that I have a few things to catch up on.  So this weekend, though the weather is sunny and cold here in the Sudz, I’m creating my own mini storm of blog posts.

Who is Susan McMaster?

Susan McMaster is a past-president of the League of Canadian Poets, poet, and spoken word artist.  She’s given a workshop in the north before, and this time, I decided to partake.

The Sudbury Writers’ Guild had enough funds in its coffers to pay Susan’s fee for the afternoon workshop and to secure space at the newly rebuilt south end branch of the Sudbury Public Library.

The theme of the workshop was Writing through the Emotions.

Susan gave a brief introduction and offered up a couple of samples of her work and the work of other poets to illustrate.  Breath and space seemed to be the key elements to evoking emotion in poetry, and so, when Susan gave us our writing assignment, I was expecting something a little different.

For the first part, we weren’t to write a single word.  Instead, we were to map out what we were going to write in terms of beats.  Long, flowing sentences would be represented by lines and short, curt sentences and breaths by carets.

Though I think several of us (fiction writers, in particular) struggled with the concept, we all dove in with enthusiasm and gave it our best.

Afterward, we had the opportunity to read from either our work of the afternoon, or something that we had brought with us.

Though only two and a half hours, the workshop was interesting and gave me a different way to look at my writing that I hadn’t considered before.

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