book reviews

Tipsday: Informal writerly learnings, Dec 19-25, 2021

/ Melanie Marttila

Ack! It’s the last tipsday of 2021! Where did the year go?

E.J. Wenstrom suggests three author platform resolutions for 2022. Then, Sara Farmer shares her favorite children’s mysteries (so far). J.L. Torres offers a masterclass in short fiction, voice, and opening lines. Then, Carol Van Den Hende considers five 2021 book cover trends. DIY MFA

Tim Hickson shares the seven stories that changed his life. Hello, Future Me

Lisa Norman lists nine keys to being media ready. Then, Ellen Buikema explains how to use sound to make your writing memorable. Writers in the Storm

Tom Scott walked into a bar … and then I threw him out a window. Jill Bearup

Vaughn Roycroft: joy to the (writerly) world! Then, Kelsey Allagood says, keep making art, even if the world is ending. Kasey LeBlanc explains how not to miss the forest for the trees: appreciating the long and winding writing road (and its many detours, pitfalls, and stumbles). Then, Erika Liodice shares the 3-2-1 rule for protecting your work in progress. Natalie Hart recommends you give the gift of a good book gush. Writer Unboxed

Dynamic vs. static characters, and why you need both. Reedsy

Susan DeFreitas wonders, what makes a story feel like a story? Jane Friedman

Chris Winkle shares lessons from the vague writing of The Remnant Chronicles. Then, Oren Ashkenazi analyzes five movies that audiences loved but critics hated. Mythcreants

Chuck Wendig offers his thoughts on The Matrix: Resurrections, or the conversations art has with itself. Terribleminds

Santa’s cruel fairy tale cousin, the demon of frost. Tale Foundry

Nina Munteanu explains why you should keep a journal.

Hua Hsu considers the revolutionary writing of bell hooks. The New Yorker

Emma Cline unpacks Joan Didion’s specific vision. The New Yorker

Toniann Fernandez: Jeremy O. Harris and Samuel Delaney in conversation. The Paris Review

Beginnings at the End of Love: Rebecca West’s Extraordinary Love Letter to H.G. Wells in the Wake of Heartbreak. The Marginalian

Julia Métraux wonders if Trinity’s the real hero of The Matrix. JSTOR Daily

Thank you for stopping by, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, July 11-17, 2021

/ Melanie Marttila

Welcome to tipsday, your opportunity to reward yourself for making it through Monday and stock up on informal writerly learnings.

Greer Macallister wonders if authors should review books. Then, Jim Dempsey discusses the inherent nature of story structure. Juliet Marillier charts the ups and downs of a writer’s journey. Later in the week, Julie Duffy wants you to choose your own adventure. Then, Kelsey Allagood shows you how to be creative when you’re feeling “blah.” Writer Unboxed

Jill Bearup analyzes the Loki ep. 6 fight scene.

Richelle Lyn explains how Creativity, Inc. inspired her. Later in the week, Rachel Smith reveals how to use sensory details in historical fiction. Then, F.E. Choe shares five tips for navigating writing events as an extreme introvert. DIY MFA

Lindsay Ellis reveals the unappreciated women writers who invented the novel. It’s Lit | PBS Storied

Janice Hardy offers some advice. Do, or do not. There is no try. Clarifying what your characters do. Then, Kristin Durfee explains how to plot your way back from an unruly idea. Later in the week, Rayne Hall considers 12 story ending twists that don’t work. Fiction University

Why we can’t save the ones we love. Like Stories of Old

K.M. Weiland provides a summary of all the archetypal character arcs. Helping Writers Become Authors

Lisa Hall-Wilson helps you write complex emotions in deep POV: shame.

Alli Sinclair wonders, what is your character’s love language (and why does it matter)? Writers Helping Writers

Why there are so many lesbian period pieces. The Take

Kristen Lamb explains why editing matters (and simple ways to make your work shine). Then, she’s spotting terminological inexactitude syndrome.

Nathan Bransford advises you to avoid naming universal emotions in your novel.

Kathryn Goldman answers the question: are fictional characters protected under copyright law? Then, Jessica Conoley points out the most significant choice of your writing career. Jane Friedman

Why Disney kids take over everything—corporate girlhood. The Take

Eldred Bird presents five more writing tips we love to hate. Writers in the Storm

Chris Winkle explains how Romanticism harms novelists. Then, Oren Ashkenazi examines how Michael J. Sullivan employs the Neolithic in Age of Myth. Mythcreants

Award-winning speculative fiction author (and Damon Knight Grand Master) Nalo Hopkinson joins UBC creative writing faculty. I may just have to invest in another degree! UBC

Thank you for stopping by. I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Writerly Goodness found on the interwebz, Feb 16-22, 2020

/ Melanie Marttila

Here we are in the final week of February. Winter is crawling to its end, the light returns, and so does the hope of spring. Celebrate with some informal writerly learnings 🙂

Tasha Seegmiller: writer, you are separate from your craft. Barbara Linn Probst considers likeable and relatable: why (and how) do they matter? Writers in the Storm

Vaughn Roycroft has a new take on readership. Dave King: the web of writing. Kathleen McCleary has answers to questions about writing. Porter Anderson analyzes the Authors Guild’s 2020 Report. Writer Unboxed

K.M. Weiland has some thoughts on how to be critical of stories in a way that makes a difference. Helping Writers Become Authors

Joanna Penn interviews Aiki Flinthart about writing fight scenes with female characters. The Creative Penn

Christina Delay wants you to fall in love with your second act. Angela Ackerman explains how to build powerful character relationships. Writers Helping Writers

Janice Hardy considers whether to stop and revise or keep writing the first draft. Fiction University

Brenda Joyce Patterson takes a deep dive into libretti. DIY MFA

Nathan Bransford helps you clear out the clutter around your verbs.

How to write character voices. Reedsy

Oren Ashkenazi explains why “but men are objectified, too” doesn’t hold up. Then, Oren lists ten ways to keep the authorities out of your plot. Mythcreants

Jami Gold wonders, what do you do with disappointment?

Robert Lee Brewer explains the difference between metaphor and personification. Writer’s Digest

Kate Knibbs says, the hottest new genre is doomer lit (formerly known as cli-fi). Wired

Charlie Jane Anders believes that to write about the future is to represent the past. Tor.com

Thank you for visiting and I hope you take away something to support your current work in progress.

Until next time, be well!

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