Since I was away last weekend, I have a leetle catching up to do. So you get twice the DIYMFA QotW this week.
Let’s start with the week 11 prompt:
QOTW 11: What’s Your Favorite Supporting Character Archetype, and Why?
As you already know, at DIY MFA, we’re big on archetypes. We’ve talked about protagonist archetypes and supporting character archetypes on the site and podcast. We even created our Storytelling Superpower quiz by understanding what different protagonist archetypes want (and how that want drives the story). This week, I want you to turn your attention to the supporting cast. What’s your favorite supporting character archetype and why?
We’ve established previously that my storytelling superpower is the Protector. All of my protagonists are trying to protect, or save something. Interestingly, I think they all start out as survivors and make the transition to protector. Check out Gabriela’s Storytelling Superpower video series (it’s free!) to find out more 🙂
I’ll approach this by going through each of my WIPs and look at who I’ve written by way of supporting characters. I’ll also limit it to the main supporting characters. For example, my epic fantasy has a lot of characters. It’s the nature of the beast; so I’ll do y’all the favour of not covering all of the supporting cast members.
By the way, I’ve based my assessment on the 12 character archetype system. I know there are a lot more potential archetypes out there, but I, like Gabriela, wanted to keep it simple 😉
Interestingly, these are mostly groupings of three (protagonist + 2 supporting characters). Nice how I managed to get the whole power of three thing without even thinking about it (!) If you want to find out more about the power of three, check out the DIYMFA book, coming soon!
Initiate of Stone/Apprentice of Wind
Protagonist: Ferathainn Devlin. She’s an uninitiated mage from whom war takes everything. She starts out wanting to take revenge on the man she believes to be responsible, but when she realizes there’s more at stake, like, the fate of her world, she has to choose between revenge and sacrifice.
Eoghan: Eoghan doesn’t fit neatly into one archetype. This is because he is physically transformed over the course of the first novel.
He starts out as an innocent, a postulant monk living in a dormitory with a bunch of other orphans, waiting to be called to serve. His much older brother, a priest, is accused of, and executed for, heresy. Eoghan is exiled, and then the goddess Auraya calls him to become her Kas’Hadden, her hammer of light. That’s where the transformation comes in.
On his way, though, fleeing the destruction of war and trying to help the wounded and dying left in the wake of it, he finds Ferathainn, apparently dead. He decides to make her his last stand. He will save her no matter what. And he does, though it involves months of care to nurse her back to health. So he becomes caregiver.
And once Auraya insists, he finally goes to her where she waits, at the Well of Souls, and she transforms him into her holy warrior, her hammer of light. And he becomes a hero/warrior. He has been made to spare his goddess the indignity of murder.
Dairragh: Dairragh transforms, too, though not in the same way as Eoghan. He starts out as the son of an aging lord, eager to prove himself and inherit Gryphonskeep and its lands. He’s been taking care of things in all but name for years now, and is impatient for his father to recognise that he is worthy. He is the ruler without anything to rightly rule.
After Gryphonskeep is destroyed, his father killed, and the gryphons slaughtered, he is taken in by the anogeni, the hidden people, and through their influence, he learns shamanism.
When he meets Ferathainn, Dairragh is becoming the magician.
Figments
Protagonist: Charlene Kalveras (Chas). Chas has been pretty messed up since her father was murdered. Depression and nightmares have yielded to insomnia. When she starts to see things the other kids can’t, she’s worried she’s had some kind of psychotic break. When her figments turn out to be real, though, she discovers a whole other world, and truths about herself and her father that she could never have suspected.
Chas is a protector-mage, an hereditary group of magic-using humans devoted to maintaining balance between Earth and Regnarium (think Plato’s world of ideals mashed up with Jung’s universal unconscious—crazyworld of myth, fairy tale, and, of course, gods).
Ben: Ben is one of Chas’s two best friends. They’ve known each other all their lives. He’s an athlete and a beautiful brown boy who’s smart enough to get by without studying and has developed an unrequited crush on Chas. She’s just been so damaged since her dad was killed, he can’t help himself. He wants to fix things for her.
Though there are shades of the caregiver and lover in there, Ben’s pure everyman. He’s the realist. He keeps Chas grounded.
Finn: The other of Chas’s life-long friends, Finn, might seem to be another everyman. Every person? Whatever, that’s not her. She’s perfectly average, in most respects, but she has a secret fondness for dreams and dream interpretation. Finn also has no internal censor. She says everything she thinks and has to really struggle to be polite sometimes.
When Chas finally reveals what’s happened to her, Finn is on board. She is the creator, the visionary. It’s no surprise to any of them that she has some of the mage-blood in her family, too.
To make the dynamic of the threesome just a little more problematic, Finn’s crushing on Ben, and Chas is aware of the awkeird love triangle but she doesn’t feel anything romantic for Ben and wants nothing more than for Ben to shift his moony gaze to Finn.
Marushka
Protagonist: Marushka. She’s a weirdo, but anyone would be, in her place. Stolen at birth by Baba Yaga (who then ate her mother—shudder), she’s lived in Baba’s sentient hut, Khizhina (literally, hut), all her life. She has no idea how old she is and aside from a few adventures into the normal world to attempt to go to school, or get some books to read, she’s never left Khizhina. Until, that is, Khizhina tells her she has to take Baba Yaga’s place.
Khizhina has mercifully segregated Marushka from her horrid kidnapper/captor, who regularly dines on young, homeless people. Marushka can’t bear the thought of becoming a cannibalistic hag and runs away.
Out in the world, though, she learns she can’t escape her destiny. First, her latent powers begin to express themselves. Second, a patriarchal shadow organisation, bent on destroying goddess-power and subjugating all women for all time, targets Marushka and tries to take her out of the game before she becomes the next Yaga.
She’s socially awkward and doesn’t make friends.
Declan Russell: Declan’s parents decide to foster Marushka. He’s never met anyone like her before and is pretty much instantly smitten. He’s a computer geek/gamer-boy, loves death metal, and is a brown belt in Aikido. His younger sister, Cindy, is the pain in his ass.
In a home invasion and arson (an attack by the shadow org) Declan’s family is killed and only he and Marushka are rescued. Kind of. They’re not allowed to go out, even to the police. Marushka’s birth father, Alex Solomon, who led their rescue, calls it protective custody.
Who the heck is this girl?
He’s the lover.
Yuki Oshiro: Yuki is the Matriarch of the Oshiro family, one of a number of Old Families who have been tasked with the preservation of goddess-power and women’s agency in the world. Her mother actually represents the Oshiros on the Matriarch Council, because boring, and because Yuki would much rather have boots on the ground. She has to be doing something concrete and meaningful. She leaves the political manoeuvring to the Council.
When Marushka suggests a clandestine invasion of the shadow organisation’s stronghold, Yuki can’t resist. Now if they could only dump the kid . . .
Yuki’s another hero/warrior.
This one’s not such a neat grouping. Marushka’s constantly moving, constantly changing circumstances, from Khizhina, to a Children’s Aid Society group home, to foster care, to her (surprise-surprise) birth father’s other family home, and then finally to the Oshiro’s. She doesn’t have a lot of time to make friends, not that she’s any good at it. Declan attaches himself to her, and, after the Russells are killed, Marushka feels responsible for him.
Another attack happens while Marushka and Declan are with the Solomons and after Marushka manages to save them, Yuki, who’s been on patrol, takes them to her family’s home. Yuki’s a bit of an odd duck herself, and so she kind of likes Marushka. That whole goddess thing—bonus. Until Declan proves himself, which he does, she’d as soon turn him over to the CAS.
Reality Bomb
Protagonist: Brenda O’Connell. Brenda is a PhD candidate in physics and astronomy who becomes aware that a fellow candidate, Simon, is attempting to prove that time travel into the past is possible. She tries—and fails—to stop him resulting in the destruction of their reality and the relocation of her consciousness into her alternate self in another reality, nearly a year in the past.
Her alternate self is nothing like her and Brenda has no idea how she’s going to make her situation known to her other self, let alone how she’s going to try to figure out if Simon’s alternate self is heading toward the same disastrous experiment in this world.
B2: This is another weird one. Brenda’s alternate self is in the fashion design program at an art school co-located with Brenda’s university. She’s a cool girl, fashion whore, hard partier, and pretty much everything Brenda’s not, including straight (!)
When Brenda finally is able to make contact, B2’s first reaction is to think she’s insane. Understandably. They fight each other over everything, initially, but eventually come to an uneasy understanding. Brenda can’t do anything without her alternate self.
Over time, they start to influence each other—until disaster happens.
B2 is the explorer/hedonist. Truthfully, Brenda’s a little repressed. She needs B2’s influence.
Morgan Estys: Morgan was the woman Brenda was in love with in her reality. In the alternate world, she’s in the journalism program, and the key to uncovering Simon’s secret lab where he is trying to prove that time travel into the past is possible.
Morgan is the sage.
Gerod and the Lions
Protagonist: Gerod Tucker. Gerod is the youngest boy and the second youngest child of the very large Tucker family. His father, Old John, values strong hands and strong backs, neither of which Gerod possesses. He’s small for his age, not that anyone knows what that is, and makes it his business to try to take care of his family, who all work on Lord Somber’s land and estate. Still, the Tuckers are destitute.
It’s a lean year, and the Child Merchants always come in lean years to buy the ‘surplus’ children of the poor and sell them to the noble families and merchants in the big cities, far away.
Gerod’s been working on a plan, and a hiding place for himself and his little sister, Annabelle, but the Child Merchants come to his village before Gerod is ready, and when Old John sells Annabelle in Gerod’s absence, Gerod chases after the Child Merchants, determined to rescue his sister.
Unfortunately, by himself he can’t fight the large and well-armed Child Merchants. In desperation, he attempts a night rescue, but the cries of the frightened children alert the Child Merchants, sending Gerod running, pell-mell through the woods, into an enormous tent, and right into the paws of a lion.
Maisy: Maisy is the lioness whose enclosure Gerod stumbles into. Prior to her capture in her distant home, Maisy was the queen of her pride, and proud mother of many cubs. A rival fought her and beat her, killing her cubs and driving her out of the pride. She doesn’t mind being in a cage so much. It saves her from having to think about her home and her poor babies . . .
She quite likes this furless cub that fell into her cage. He understands her. He can speak to her. She thinks she’ll keep him.
Maisy is another caregiver, a mother-figure who will actually defend him.
Brawn: Brawn is the lion-tamer of Melchior’s Arcadia of World Oddities. Maisy is his best girl and the one he performs with most for the villagers who come to see them. He also has Tefta and Neruk, but those lionesses belonged to royalty and have never taken well to training. When he sees a boy in the cage with his Maisy, he knows the child must be something special and he’s not disappointed. He brokers a deal between Gerod and Master Melchior. The Arcadia will help Gerod find his sister and get her away from the Child Merchants if Gerod will perform with the lions.
Brawn is a mentor, another kind of caregiver.
So I think the caregivers have it, followed by the hero/warrior.
I wouldn’t say I have a favourite character archetype. As a plantser (combination plotter and pantser), everything starts with the characters for me. I start with my protagonist and the other supporting characters just seem to appear around her or him as the story world forms around them. And then I make bad things happen to them, muwahahahahaha!
I’ll be back in a few with QotW #12!
Tomorrow: Ad Astra 2016 reportage continues with ‘How to get an agent,’ and I’ll have a long overdue post of the home and garden variety 🙂
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