The next chapter: April 2017 update

Greetings, writerly friends 🙂

Yes, it’s that time of the month again—no, not that time—it’s time for my next chapter update. Yay (flailing Kermit arms)!

Ok, maybe that’s a little too enthusiastic.

That’s what spring does to me, though.

Even though we haven’t had a particularly warm spring up here, the fact that there are more hours of sunlight each day really helps me find my energy.

And what do I do with that energy? I overcommit. That’s what I do.

What does that look like in 2017? Let’s see …

  • work full time;
  • write as much as I can, evenings and weekends;
  • produce the monthly Sudbury Writers’ Guild newsletter;
  • serve on the Canadian Authors Association Program Committee (and various sub-committees); and
  • sign up for Writing the Other with Nisi Shawl and K. Tempest Bradford (yay—it’s awesome, but I can’t keep up with the assignments and so feel crap about it).

Truly, though Writing the Other is one of the bit of writerly awesome to happen this past month. It continues through to the middle of May, so I’ll save the deets for a future weekend wrap-up post. Suffice it to say for now, though, that I would recommend the course to anyone.

A second is my continued semi-regular SF&F column with DIY MFA, Speculations. As I mentioned last week, I’ll be posting to share those columns on the blog. The next one should be coming up Tuesday, and it’s a dreamy one, so stay tuned 🙂

A third bit of awesome was that I participated in was the Sudbury Poetry Project. April was National Poetry Month, after all. When Kim Fahner, Sudbury’s Poet Laureate put out the call, I wrote a new poem and submitted it.

thiswintersky

“this winter sky” was inspired by what has been a particularly gloomy winter here in Northern Ontario. I believe that almost everyone who lives in the northern hemisphere experiences some degree of seasonal affective disorder (SAD) and those of us predisposed to depression tend to feel the effects of SAD more than others.

More than, that, though, the poem is about the hope that blossoms when one recovers, or learns to live with, mental illness. This is why I was honoured to have the poem posted outside the Northern Initiative for Social Action (NISA) which is a safe place where survivors of mental illness and consumers of mental health services can gather, learn, and heal.

And now, onto the writing progress report 🙂

April was a decent month. I finished my latest revision of Initiate of Stone. Unfortunately, it only reduced the overall word count of the novel by a few thousand words 😦 I was, however, after a short respite, move on to Apprentice of Wind.

I also revised two short stories for submission to a contest and an open anthology call. We’ll let you know how that goes in the future.

All the new writing in April was once again on this blog.

AprilProgress

Here’s how the numbers break down:

  • 79,078 words revised on the Ascension series, or 113% of my 70k goal.
  • 4,105 words of short fiction revised, or 164% of my 2,500 goal (makes up for not revising any short fiction in the last two months).
  • 6,098 words written on the blog, or 92% of my 6,600 goal.

That’s a total of 83,183 words revised and 6,098 words written. That’s not counting my column for DIY MFA, which I really don’t have a place for on the tracking sheet.

What’s up next: I’m going to continue work on revising AoW, which I don’t anticipate will be finished until next month. Revision will yield (I hope) to writing with respect to short fiction. We’ll see how everyone likes the new plan for the blog.

Next week, I’m heading down to Story Masters in Toronto, with Donald Maass, James Scott Bell, and Christopher Vogler, but that, of course, means that there will be no post next weekend. I’ll have another wrap-up post to share on this lovely event later in the month.

And then we’ll see. This writer’s life is never boring, that’s for sure.

Until next I blog, be well, be kind, and stay stong, because this winter sky will always yield to the light.

The Next Chapter

The next chapter: October and NaNoWriMo 2016 update

I’m baaaa-aack!

Didja miss me?

Let’s just get right to the good stuff.

October

As was the case with September and August before it, October was a month in which I was focused on non-word-count-y stuff.

I finished off my read through and note-taking on Apprentice of Wind and the rest of the time I was making notes in preparation for tackling Wavedancer (book three of the epic fantasy series) as this year’s NaNoWriMo project.

I knew that I’d likely be writing the novel into the New Year. 50k is only half the length of any epic worthy of the name 😉

I had some trepidation, however, as I knew I’d be out of town, training for the day job for the first week of November, and I had Wordstock Sudbury upon my return, the launch of the Sudbury Writers’ Guild anthology, Sudbury Ink, the weekend following, and my own, belated birthday celebration the weekend after that.

And I was only able to use two days of vacation leave in November. Otherwise, I was working.

I fully expected a repeat of 2014, during which I was also working. That year, I didn’t even crack 30k, but I went on to finish the draft over the next months.

So, zero words revised in October, but, amazingly, that still puts me at 96% of my revision goal for the year. Yup. I’m just that awesome 😉

And I have my work cut out for me with regard to some additional amendments to Initiate of Stone (one more run through, methinks), as well as a whole slew of revision notes for AoW. As the series arc progresses, I get further insights into what I’ve already written. It’s all good.

I think, more than anything, it was good to immerse myself in the world and characters of the story. It put me in a good place, mentally, to tackle Wavedancer.

As for the writing done in October, all 7,939 words of it were written on this blog.

octoberprogress

NaNoWriMo 2016

I’m a traditionalist. I work on a new novel each NaNo challenge and, this time, I was tackling a work I knew I wouldn’t complete in November, even if I could achieve the word count necessary for a NaNo win.

As I mentioned, above, I had my doubts I’d even manage that.

As a result, I made some decisions, one of which was, with the exception of the curation posts I had prepared for the first week of November (960 words between the two of them), I wasn’t going to blog.

Working around professional and personal commitments, I fought for my writing time.

Here’s how things shaped up:

While I was out of town, I didn’t even manage a thousand words a day, and I didn’t write one word on the day of Wordstock Sudbury. I was out, manning the book table, participating in a panel on commercial genre fiction (specifically SF&F), attending a book launch, and reading my poetry. It was a full day.

I started to gain ground on the weekend, though, and though there were still a number of days on which I didn’t achieve the average 1,667 words, there were more days on which I wrote 2,000 or more.nanowrimo_2016_webbadge_winner

And . . . drum roll please . . . I reached November 30 with 52,298 words written.

Flailing Kermit arms! Yaaaaaaaa!

novemberprogress

I also don’t hate what I’ve written, not even during those hard slogging early days. That is, in itself, a triumph 😀

I continue to draft at a more reasonable pace. I’m aiming for 500 words a day, and so far (a whole three days in) I’m exceeding that goal.

Other stuff

I received a very kind rejection for one of the short stories I’d submitted to an anthology call earlier in the year.

Phil finished the renovations on the living room. We’re now, very slowly, cleaning up the house and purchasing our new furniture.

My love isn’t getting any younger, and had decided that next year (after a winter of building bookshelves and stocking them) he’s going to renovate the kitchen, bathroom, and side entry.

I’m happy to report that Phil and I are in good health.

The regular blogging schedule will resume, starting with this post. Tipsday and thoughty Thursday will also be returning. Next week, I’ll be moving on with the next session I took notes on at WorldCon.

I tried a new system for my curation posts in October, leading up to NaNo, that I’m going to return to.

In the past, I spent several hours every Sunday, reviewing my social media shares for the week and linking them with a brief framing sentence in my curation drafts in Word. Then, on the day, I’d copy the text into WordPress, format the links, add the picture, post, and then share to my social media accounts.

I’ll still have to do that this week, but now, I’ll be working smarter, not harder.

Every day, I’m going to spend a little time reviewing my posts of the day and copying them into the curation draft in Word. Then, on Sunday, I copy the text into WP, format, add the pictures, and schedule the posts, so that all I have to do on the day of is share it to my various social media accounts.

Much easier.

If I weren’t so paranoid about hackage and losing work, I might choose to draft right in WordPress, but once bitten, and all that 😉

I just thought I’d share in the event that this might make sense for you.

Next month: It will be another double update. I’ll be reviewing December’s progress and 2016 as a whole (goals and other gorgeous stuff). W00t!

Have yourselves a wonderful week.

Until Tipsday!

The Next Chapter

The next chapter: September 2016 update

Another month has passed and I don’t know where it went. Yes, September was a short month, but I spent most of it focusing on Initiate of Stone and Apprentice of Wind, working long hand, in my journal and on scrap paper, so none of it was spreadsheet-worthy.

So all I have to show for it is my month of blogging, 9,151 words, 158% of my goal.

septemberprogress

Surprisingly, even with two months of no revision, I’m still at 96% of my revision goal for the year. Yeah, I was kind of a beast January through July 🙂

This is to say that I’m making great progress, fine tuning my epic fantasy series. This month, if I finish a second round of revisions on AoW (which means I will be able to show some actual revision progress on my Writing and Revision Tracker*), I have some solid planning in place for the third novel in the series, which has a new working title—Wavedancer.

I should be well-placed to rock NaNoWriMo 2016. I must temper expectations by letting you know that I’ll once more be out of town, training, for the first few days of November (1st through 4th), and, I’ll be participating in Wordstock Sudbury 2016 ** the weekend following, November 5th.

I can’t guarantee a “win” this year, but, as I’ve said in the past, any words I write in the month of November are words that didn’t exist before. It’ll be a win, for me, regardless. I already expected to be drafting into December, in any case, because, epic 🙂

Querying has been temporarily suspended while I rework the first chapter, query letter, and synopsis for IoS.

Something that’s been very helpful is K.M. Weiland’s Character Arcs Course on the Digital Freedom Academy. I’m working through at my own pace. LURVE!

I’m also reading Kate’s Structuring Your Novel, and an ARC of her forthcoming Structuring Your Character Arcs. All of it is serving to, with my memories of the original blog/vlog/pocast posts that became the basis of these books and her course, ingrain Kate’s techniques in my long-term memory.

So helpful.

I can’t even.

Finally, I’m trying to find an editor/mentor with whom I can work, long-term, to develop my drafts into finished products. I will, of course, let you know how that goes.

kimnorthbay

In September, I also attended a couple of writerly events. The first was 100,000 Poets for Change in North Bay, Sept 22. I went on a poetic road trip with my friend and Sudbury Poet Laureate, Kim Fahner 🙂

Then, last night, I took a friend to the launch of Danielle Daniel’s memoir, The Dependent. Latitude 46, the publisher, put on a lovely event in the catering space at Verdiccio’s. There was music, food, and a reading by Danielle. And, of course, I bought her book 🙂thedependentlaunch2

It’s so nice to be able to support local arts and artists.

Today, despite it being Culture Days weekend here in Sudbury, and chock full of events, I had to retreat.

September also marked the first meeting of the 2016-17 Sudbury Writers’ Guild season, and it was anthology-palooza. We’re hoping to have Sudbury Ink, which features two of my speculative stories, printed in time for Wordstock.

The anthology is a promotional tool for the Guild and just shows the variety of the talent within the SWG. Having said that, it does have an ISBN and will be a formal, self-published, writing credit.

We hope to have a launch event, aside from Wordstock, later in the year. I’ll keep you posted 🙂

Although I attempted to gather my C.V. together for a Canada Council Works in Progress Grant, I realized the significant gaps in it. I haven’t kept track of the workshops I’ve attended, organized, or delivered. I haven’t kept track of the readings I’ve done. I have some forensic investigation of my writerly exploits to complete before December, when the Ontario Arts Council Northern Writers grant application is due.

I just couldn’t get my shit together for the CC app. It’s due today. Next year, the CC will be moving to a new funding model, so I might have a better chance then, in any case.

I’m also looking forward to how my writing life will take shape in coming years.

In past years, I was focused on writing in preference to everything else. I have six novels to show for it, but only one was even close to complete. This year, I focused on revision, but was only able to do a basic run-through of each novel, get the lay of the land, so to speak, and make notes for more in-depth revisions in the future.

I want to plan out a reasonable pattern which will balance writing and revising and hopefully allow me to get something to market.

The basic idea, for now, is to focus on in-depth revision on one project from January through to March, draft a new novel, April and May, revise another novel June through August, focus on NaNo prep and other projects (short fiction?) in September and October, participate in NaNo in November, and finally finish whatever might be outstanding from the NaNo project in December and prep for my next in-depth revision.

It may be ambitious, but my plans are always subject to change, given life 😉

And that was the month of September in this writer’s life.

Next week, I’ll get on with session reportage from WorldCon.

*Jamie Raintree, the creator of the Writing and Revision Tracker I use (and have used for years), is busy preparing the 2017 version. Watch this space for news on when the 2017 tracker is ready for order! Seriously, it’s worth it.

**Wordstock Sudbury 2016 will take place from November 3-5, 2017. Though I’ll be out of town training for the Thursday and Friday events, I will be manning the Indie Bookstore for a while on Saturday, and then participating in the commercial genre fiction panel in the afternoon! There will also be an opportunity to read at the open mic Saturday night. I’ll let you know more as the schedule is firmed up.

The Next Chapter

The next chapter: August 2016 update

Let me tell you a story 🙂

Dark season

Over the last couple of years, August has been a bad month for me, emotionally speaking.

I’ve been down. Living with depression, if you do it consciously, means that you can see the signs and take action, or not, whatever is most appropriate for your mental health at the time. Trying to barge through rarely works. For me, anyway.

Last year, I was away from home, delivering training, for two and a half weeks in August. I thought London was a lovely city, and I did enjoy myself to the extent I could—I even went shopping (!) and if you know me, you know I hate shopping of any kind with a passion—but it was too far away for me to go home on the weekends, and I had discovered earlier in the year how much more difficult it was for me to write or blog while travelling. So except for curation, I gave over.

Writing on the road isn’t undoable, and I have put on my big girl panties and done it since (I started NaNoWriMo while travelling last year), but, at the time, I was at a low ebb, and sometimes you have to be kind to yourself.

This year, I went to Kansas City for WorldCon and stayed an extra day or so to visit with a friend who’d moved down there several years ago. More on WorldCon in a bit. The bottom line is that health issues and my introvert nature (exacerbated by my emotional low) conspired to rob the trip of some of its joy.

Remembering what had happened last year, I had even planned for the dog-day doldrums. I figured I’d have the first run-through of all my drafted novels done by August (and I did) and that I would need a little break (and I did).

My plan to turn to other projects, though, didn’t work out as well as I’d thought. I worked on some short fiction, made a few submissions (a rejection from one of which was returned within a week), but I never touched the poetry collection or the non-speculative short fiction collection. I just didn’t have the heart.

I journalled, trying to work out what my plan for the rest of the year would look like and trying to find my way back to what is, for me, normal. I also participated in a Nelson Literary Agency workshop on first pages with Angie Hodapp.

Though the initial review of my first five pages wasn’t horrible, I wanted to try something completely different for the revision, see if the advice of the readers would work. It was a spectacular failure, but I learned a lot from the experience.

You really do have to fail to learn, even if it’s painful 🙂

I’m now delving back into Initiate of Stone, working long hand in a notebook. Sometimes you just have to write it out. I find that writing long hand helps give me the time to examine the words and sentences, and get a fresh perspective.

I can now also disclose that I did not succeed with my application to #PitchWars. Reality Bomb was the project I chose for that experience. I didn’t expect to get in this first year of applying, but one pair of mentors, Michael Mammay and Dan Koboldt, was very supportive. They asked for additional materials, a synopsis and first 50 pages.

Our email exchanges in that first week or so were productive and illuminating for me. I now have some great ideas to return to that manuscript with. So, ultimately, #PitchWars was a win.

This brings me to another realization of why this year has been a difficult one for me.

Last year was the year of almost. I got on several long and short lists in contests, had my work set aside for second readings for anthologies, and while it didn’t result in any publications, the nature of the responses was reassuring. I also had a couple of stories accepted into the Sudbury Writers’ Guild anthology, which should be coming out this fall.

This year, with the exception of #PitchWars, has been the year of no. Form rejections all around, whether from querying or from short fiction submissions. Though I have, to some extent, found a way to turn rejection into a positive, when so many pile up, it becomes disheartening.

You begin to question your worth and skill as a writer, to doubt the kind things that have been said about your work (because there are so few of them, relatively speaking, that they must be the flukes, you reason). You begin to look for those opportunities to confirm your negative bias, blow small faux pas into huge incidents. Reasonable lapses in communication become the occasion for self-blame and recrimination.

Fortunately, since my return from Kansas City, I’ve been coming across the most wonderful articles and posts that have given me the encouragement I’ve needed, some of which you’ll see in this week’s curation. Between that, and the long hand work I’ve been doing on IoS, I’m making my way back to the page.

WorldCon

I’d left with the best of intentions and wanted to practice Gabriela Pereira’s method of networking with a number of authors I’d only ever seen online. In the moment, though, I was so nervous, I basically blathered.

I did get to meet and have a couple of nice, brief chats with Mary Robinette Kowal, met Cat Cambo and Foz Meadows at their Literary Beer sessions (informal chats), but otherwise, I just did my usual and took notes in panel discussions.

I was within three feet of George R.R. Martin, but as he was just coming out of the second of two autographing sessions in which fans lined up for the better part of an hour to see him, I just couldn’t bring myself to be that fan. Instead, I smiled, nodded, and moved on without harassing the poor man.

I had gone to the Tor Party with the intention of meeting John Scalzi, but several people seemed to be running interference and by the time I was able to politely make my excuses, Mr. Scalzi was monopolized by other Tor authors and friends. After that, he turned his attention to his beautiful wife and, again, I could not bring myself to interrupt just to say “hi, and thank you for writing wonderful books.”

Maybe it’s because I’m Canadian, or an introvert, or both, but I just couldn’t.

I’m also a total newb and have no clue with regard to what’s appropriate and what’s not in which context.

The Hugo Awards Ceremonies were wonderful, though, and the sad puppies were soundly trounced.

N.K. Jemesin won best novel for The Fifth Season, Nnedi Okorafor won best novella for Binti, Hao Jingfang and Ken Liu (translator) won best novelette for Folding Beijing, and Neil Gaiman (who wasn’t there in person) had a special message for the sad puppies when he won best graphic story for The Sandman: Overture.

Really, you can just go to the Hugo Awards site and check out all the winners. Diversity was the word of the evening.

It was a great event, but at the end, I felt like I needed a vacation to get over my vacation 🙂

I returned home with a whopping case of imposter’s syndrome, though. I’d met and seen and learned from all of these authors, many of whom I read and respect. Who am I, with my two publications in what the Science Fiction Writers Association (SFWA) considers “token” markets, to think that I can get a traditional deal in a market that’s more competitive than ever?

When I confided my doubts to Phil, his response was that print publishing was on its way to extinction and why would I want that, anyway? So not what I needed to hear, but I forgave him instantly. Though he is very supportive of me and my creative calling, he, like most non-writers, will never understand what it’s like to be in my neurotic wee skull.

But, as I said, I’m surfacing now. I have no further conventions I’ve committed to (having used up my budget for such things) and the only challenge I’ve set for myself is to get through another revision of IoS and Apprentice of Wind before I tackle the third novel in the series for NaNoWriMo.

I still want to get back to the poetry collection and the non-speculative short fiction collection, but neither is a big priority for me at the moment.

I’m taking my time with the short fiction. Some of my stories are actually the seeds of novels. I have to set those aside in their own project folders for the future, and then get on with revising and submitting what I have. Who knows? I may even surprise myself and write some more new stories. It has been known to happen.

In the meantime, I’ve applied for my winter leave at work and am crossing my fingers.

Persistent payroll issues may affect my application for another leave with income averaging. Until things are sorted out, the powers that be may recommend against such special considerations. I may have to defer again until next year.

It won’t be the worst thing that’s ever happened, but Phil and I are ready to look for another furry dependent. I need the five weeks for acclimatization and training. We’d rather it be sooner than later, but we’ll be patient if we must.

Having a new puppy in the spring would probably be more convenient (she says, mentally willing leave approval).

And then there are the renovations to consider, but that’s another post. Probably several 😉

The month in writing

August was sparse as far as writing goes. Aside from the blog, from which I took a vacation for WorldCon, the only writing I did was to finish off the one short story I was working on.

AugustProgress

6,451 words on the blog and 901 words on the short story. 7,362 altogether. That’s literally all she wrote.

I didn’t revise a thing. Fortunately, because I met or exceeded my revision goals in every other month so far this year, I’m not that far behind.

I didn’t count the minor revisions I did to the stories I submitted, or any of the journalling or long hand writing I did.

Besides, I wasn’t anticipating (until part way through the year) that I’d return to IoS, so I don’t have a column for that on my spreadsheet. I could make one. I have the skill, but I don’t want to take the time to do it now. Yes. I know. Lazy Mellie.

I’m getting my mojo back. The writing’s the thing.

Science fiction is the literature of ideas. It is the great “what if?” that leads us into the future. Fantasy is the literature of (im)possibility. It longingly wonders “If only . . .” and whispers in our dreams. I write both and I think I’m pretty damned lucky.

And that’s it until next month.

I hope you’re all experiencing great creative breakthroughs and are satisfied with what you’ve done. In the end, that’s all that matters.

Be well!

The Next Chapter

The next chapter: July 2016 update

So, here we are again at a monthly update. August. Where has the year gone?

One of the great things about tracking your production (and this applies to all things, not just writing) is that you can look back and see the evidence of your work. It’s very comforting.

In addition to wrapping up my work in July this time, I’m going to review the year to date.

July

JulyProgress

This month, I finished my first review of Gerod and the Lions. As with the last couple of novels, I wasn’t twitching as I reread, reacquainted myself with the story, and worked on some of the flow issues I saw. One reason for the flow issues was that GatL was written in chunks, separated by work done on other projects.

Sometimes the gaps were months long, and it shows. I had to get my head back into Gerod’s world and each time I returned to it, it took a few days to recapture the feeling.

The draft comes in at 44,996 words, which is decent for a middle grade book and 124% of my revision goal for the month.

I also continued work on the short story, which I’ll be submitting for consideration soon. 2,615 words written on that.

And, of course, there was the blog, and since I continued to participate in the weekly challenges presented by Gabriela Pereira to her DIYMFA Street Team, I far outblogged my goal.

Between the short story and the blog, I wrote 173% of my goal for July.

I also had the pleasure of guest blogging a couple of times in July, once on Mel’s Madness, and later, on DIYMFA (holy cow!). I have another guest blog due out this month on Kristene Perron’s Warp World blog.

I continued querying.

Year-to-date

Please keep in mind that revision is a very different animal than writing. I’m not writing all these words from scratch. I’m rearranging words, rewriting sentences or paragraphs for flow, inserting or removing punctuation, and making notes for future revisions.

Writing equates to original words.

Month Revision Writing Projects
January 69,774 words 186% of goal 9,274 words 141% of goal Apprentice of Wind, blog
February 40,708 words 108% of goal 5,027 words 90% of goal Apprentice of Wind, blog
March 66,637 words 177% of goal 8,436 words 141% of goal AoW, Figments, Marushka, blog
April 37,478 words 100% of goal 10,498 words 187% of goal Marushka, blog
May 50,882 words 136% of goal 10,474 words 181% of goal Marushka, Reality Bomb, blog
June 48,009 words 128% of goal 12,013 words 207% of goal Reality Bomb, blog
July 46,656 words 124% of goal 11,387 words 173% of goal RB, Gerod and the Lions, short fiction, blog

 Now and the rest of the year

With GatL, I’ve finished reviewing all of my drafted novels. Many of them are still grossly underwritten, but at least I have a better idea now of where I’m going with each.

For August, I just finished up my short story, which I will now revise, and otherwise, the only writing I’m doing is on the blog.

I’ve taken some time off to consider the remainder of the year and what I want to do.

Under consideration are:

  • Assembling a poetry collection (going to submit to a local small press) – August
  • Organizing a collection of my non-SFF short fiction (again, targeted at the small publisher) – August
  • Outlining the third book in my epic fantasy series. I’ve already taken a shot at it, but I know I have to rework it. I’ll do this anyway, because it’s this year’s NaNoWriMo project, but it’s on the list. – concurrent with other projects through to the end of October
  • Returning to Initiate of Stone and AoW, to recapture the voice of the series and bring everything into line in light of the outlining and NaNo for the third book. I want to get to November steeped in the world and its characters. – September and October

Because the third in series is of the epic nature, I expect to be continuing the drafting well into December.

I’m also taking a bit of time to think out how I want to structure my writing year from here on out. Previous to 2016, my focus was on getting the words down. Great, but then I had six novels drafted, only one of which was ready for querying.

This year, I’m focusing on the revision of all those drafts. They won’t be completely ready to go, but I’ll be in a place where I can alternate writing and revision in the coming years.

I want to draft new work twice a year, and then work on revision in between. I don’t know exactly what form that’s going to take (except for NaNo), but I think it’s something I can do.

Other stuff

I’m heading out to WorldCon/MidAmeriCon II on the 17th. It will be my first big con, so I’m super excited. This will be my last convention or conference for the year, though. I’ve blown my budget.

As a result, though, I’m going on a blogging vacay. I’ll schedule my Thoughty Thursday curation for the 18th before I leave, but you won’t hear from me again until I’m back and recovered and ready to resume bloggage on the 27th. Sacrifices have to be made.

I’ve done the crazy and applied for Brenda Drake’s #PitchWars. I’ll find out how that goes on the 25th. Not saying more about it for now.

I’m investigating partnerships with an editor. I want something long term, a professional editor who can help me get my drafts into publishable states.

I signed up for a first five pages workshop with NLA. Again, I’ll leave the deets for later.

And that’s this writer’s life.

Next weekend, I’ll be continuing with my CWS 2016 reportage with my notes from the Writing Hard Truths panel.

The Next Chapter

Catching up with the DIYMFA Launch Team

Since I was away last weekend, I have a leetle catching up to do. So you get twice the DIYMFA QotW this week.

Let’s start with the week 11 prompt:

QOTW 11: What’s Your Favorite Supporting Character Archetype, and Why?

As you already know, at DIY MFA, we’re big on archetypes. We’ve talked about protagonist archetypes and supporting character archetypes on the site and podcast. We even created our Storytelling Superpower quiz by understanding what different protagonist archetypes want (and how that want drives the story). This week, I want you to turn your attention to the supporting cast. What’s your favorite supporting character archetype and why?

Muse-inks

We’ve established previously that my storytelling superpower is the Protector. All of my protagonists are trying to protect, or save something. Interestingly, I think they all start out as survivors and make the transition to protector. Check out Gabriela’s Storytelling Superpower video series (it’s free!) to find out more 🙂

I’ll approach this by going through each of my WIPs and look at who I’ve written by way of supporting characters. I’ll also limit it to the main supporting characters. For example, my epic fantasy has a lot of characters. It’s the nature of the beast; so I’ll do y’all the favour of not covering all of the supporting cast members.

By the way, I’ve based my assessment on the 12 character archetype system. I know there are a lot more potential archetypes out there, but I, like Gabriela, wanted to keep it simple 😉

Interestingly, these are mostly groupings of three (protagonist + 2 supporting characters). Nice how I managed to get the whole power of three thing without even thinking about it (!) If you want to find out more about the power of three, check out the DIYMFA book, coming soon!

Initiate of Stone/Apprentice of Wind

Protagonist: Ferathainn Devlin. She’s an uninitiated mage from whom war takes everything. She starts out wanting to take revenge on the man she believes to be responsible, but when she realizes there’s more at stake, like, the fate of her world, she has to choose between revenge and sacrifice.

Eoghan: Eoghan doesn’t fit neatly into one archetype. This is because he is physically transformed over the course of the first novel.

He starts out as an innocent, a postulant monk living in a dormitory with a bunch of other orphans, waiting to be called to serve. His much older brother, a priest, is accused of, and executed for, heresy. Eoghan is exiled, and then the goddess Auraya calls him to become her Kas’Hadden, her hammer of light. That’s where the transformation comes in.

On his way, though, fleeing the destruction of war and trying to help the wounded and dying left in the wake of it, he finds Ferathainn, apparently dead. He decides to make her his last stand. He will save her no matter what. And he does, though it involves months of care to nurse her back to health. So he becomes caregiver.

And once Auraya insists, he finally goes to her where she waits, at the Well of Souls, and she transforms him into her holy warrior, her hammer of light. And he becomes a hero/warrior. He has been made to spare his goddess the indignity of murder.

Dairragh: Dairragh transforms, too, though not in the same way as Eoghan. He starts out as the son of an aging lord, eager to prove himself and inherit Gryphonskeep and its lands. He’s been taking care of things in all but name for years now, and is impatient for his father to recognise that he is worthy. He is the ruler without anything to rightly rule.

After Gryphonskeep is destroyed, his father killed, and the gryphons slaughtered, he is taken in by the anogeni, the hidden people, and through their influence, he learns shamanism.

When he meets Ferathainn, Dairragh is becoming the magician.

Figments

Protagonist: Charlene Kalveras (Chas). Chas has been pretty messed up since her father was murdered. Depression and nightmares have yielded to insomnia. When she starts to see things the other kids can’t, she’s worried she’s had some kind of psychotic break. When her figments turn out to be real, though, she discovers a whole other world, and truths about herself and her father that she could never have suspected.

Chas is a protector-mage, an hereditary group of magic-using humans devoted to maintaining balance between Earth and Regnarium (think Plato’s world of ideals mashed up with Jung’s universal unconscious—crazyworld of myth, fairy tale, and, of course, gods).

Ben: Ben is one of Chas’s two best friends. They’ve known each other all their lives. He’s an athlete and a beautiful brown boy who’s smart enough to get by without studying and has developed an unrequited crush on Chas. She’s just been so damaged since her dad was killed, he can’t help himself. He wants to fix things for her.

Though there are shades of the caregiver and lover in there, Ben’s pure everyman. He’s the realist. He keeps Chas grounded.

Finn: The other of Chas’s life-long friends, Finn, might seem to be another everyman. Every person? Whatever, that’s not her. She’s perfectly average, in most respects, but she has a secret fondness for dreams and dream interpretation. Finn also has no internal censor. She says everything she thinks and has to really struggle to be polite sometimes.

When Chas finally reveals what’s happened to her, Finn is on board. She is the creator, the visionary. It’s no surprise to any of them that she has some of the mage-blood in her family, too.

To make the dynamic of the threesome just a little more problematic, Finn’s crushing on Ben, and Chas is aware of the awkeird love triangle but she doesn’t feel anything romantic for Ben and wants nothing more than for Ben to shift his moony gaze to Finn.

Marushka

Protagonist: Marushka. She’s a weirdo, but anyone would be, in her place. Stolen at birth by Baba Yaga (who then ate her mother—shudder), she’s lived in Baba’s sentient hut, Khizhina (literally, hut), all her life. She has no idea how old she is and aside from a few adventures into the normal world to attempt to go to school, or get some books to read, she’s never left Khizhina. Until, that is, Khizhina tells her she has to take Baba Yaga’s place.

Khizhina has mercifully segregated Marushka from her horrid kidnapper/captor, who regularly dines on young, homeless people. Marushka can’t bear the thought of becoming a cannibalistic hag and runs away.

Out in the world, though, she learns she can’t escape her destiny. First, her latent powers begin to express themselves. Second, a patriarchal shadow organisation, bent on destroying goddess-power and subjugating all women for all time, targets Marushka and tries to take her out of the game before she becomes the next Yaga.

She’s socially awkward and doesn’t make friends.

Declan Russell: Declan’s parents decide to foster Marushka. He’s never met anyone like her before and is pretty much instantly smitten. He’s a computer geek/gamer-boy, loves death metal, and is a brown belt in Aikido. His younger sister, Cindy, is the pain in his ass.

In a home invasion and arson (an attack by the shadow org) Declan’s family is killed and only he and Marushka are rescued. Kind of. They’re not allowed to go out, even to the police. Marushka’s birth father, Alex Solomon, who led their rescue, calls it protective custody.

Who the heck is this girl?

He’s the lover.

Yuki Oshiro: Yuki is the Matriarch of the Oshiro family, one of a number of Old Families who have been tasked with the preservation of goddess-power and women’s agency in the world. Her mother actually represents the Oshiros on the Matriarch Council, because boring, and because Yuki would much rather have boots on the ground. She has to be doing something concrete and meaningful. She leaves the political manoeuvring to the Council.

When Marushka suggests a clandestine invasion of the shadow organisation’s stronghold, Yuki can’t resist. Now if they could only dump the kid . . .

Yuki’s another hero/warrior.

This one’s not such a neat grouping. Marushka’s constantly moving, constantly changing circumstances, from Khizhina, to a Children’s Aid Society group home, to foster care, to her (surprise-surprise) birth father’s other family home, and then finally to the Oshiro’s. She doesn’t have a lot of time to make friends, not that she’s any good at it. Declan attaches himself to her, and, after the Russells are killed, Marushka feels responsible for him.

Another attack happens while Marushka and Declan are with the Solomons and after Marushka manages to save them, Yuki, who’s been on patrol, takes them to her family’s home. Yuki’s a bit of an odd duck herself, and so she kind of likes Marushka. That whole goddess thing—bonus. Until Declan proves himself, which he does, she’d as soon turn him over to the CAS.

Reality Bomb

Protagonist: Brenda O’Connell. Brenda is a PhD candidate in physics and astronomy who becomes aware that a fellow candidate, Simon, is attempting to prove that time travel into the past is possible. She tries—and fails—to stop him resulting in the destruction of their reality and the relocation of her consciousness into her alternate self in another reality, nearly a year in the past.

Her alternate self is nothing like her and Brenda has no idea how she’s going to make her situation known to her other self, let alone how she’s going to try to figure out if Simon’s alternate self is heading toward the same disastrous experiment in this world.

B2: This is another weird one. Brenda’s alternate self is in the fashion design program at an art school co-located with Brenda’s university. She’s a cool girl, fashion whore, hard partier, and pretty much everything Brenda’s not, including straight (!)

When Brenda finally is able to make contact, B2’s first reaction is to think she’s insane. Understandably. They fight each other over everything, initially, but eventually come to an uneasy understanding. Brenda can’t do anything without her alternate self.

Over time, they start to influence each other—until disaster happens.

B2 is the explorer/hedonist. Truthfully, Brenda’s a little repressed. She needs B2’s influence.

Morgan Estys: Morgan was the woman Brenda was in love with in her reality. In the alternate world, she’s in the journalism program, and the key to uncovering Simon’s secret lab where he is trying to prove that time travel into the past is possible.

Morgan is the sage.

Gerod and the Lions

Protagonist: Gerod Tucker. Gerod is the youngest boy and the second youngest child of the very large Tucker family. His father, Old John, values strong hands and strong backs, neither of which Gerod possesses. He’s small for his age, not that anyone knows what that is, and makes it his business to try to take care of his family, who all work on Lord Somber’s land and estate. Still, the Tuckers are destitute.

It’s a lean year, and the Child Merchants always come in lean years to buy the ‘surplus’ children of the poor and sell them to the noble families and merchants in the big cities, far away.

Gerod’s been working on a plan, and a hiding place for himself and his little sister, Annabelle, but the Child Merchants come to his village before Gerod is ready, and when Old John sells Annabelle in Gerod’s absence, Gerod chases after the Child Merchants, determined to rescue his sister.

Unfortunately, by himself he can’t fight the large and well-armed Child Merchants. In desperation, he attempts a night rescue, but the cries of the frightened children alert the Child Merchants, sending Gerod running, pell-mell through the woods, into an enormous tent, and right into the paws of a lion.

Maisy: Maisy is the lioness whose enclosure Gerod stumbles into. Prior to her capture in her distant home, Maisy was the queen of her pride, and proud mother of many cubs. A rival fought her and beat her, killing her cubs and driving her out of the pride. She doesn’t mind being in a cage so much. It saves her from having to think about her home and her poor babies . . .

She quite likes this furless cub that fell into her cage. He understands her. He can speak to her. She thinks she’ll keep him.

Maisy is another caregiver, a mother-figure who will actually defend him.

Brawn: Brawn is the lion-tamer of Melchior’s Arcadia of World Oddities. Maisy is his best girl and the one he performs with most for the villagers who come to see them. He also has Tefta and Neruk, but those lionesses belonged to royalty and have never taken well to training. When he sees a boy in the cage with his Maisy, he knows the child must be something special and he’s not disappointed. He brokers a deal between Gerod and Master Melchior. The Arcadia will help Gerod find his sister and get her away from the Child Merchants if Gerod will perform with the lions.

Brawn is a mentor, another kind of caregiver.

So I think the caregivers have it, followed by the hero/warrior.

I wouldn’t say I have a favourite character archetype. As a plantser (combination plotter and pantser), everything starts with the characters for me. I start with my protagonist and the other supporting characters just seem to appear around her or him as the story world forms around them. And then I make bad things happen to them, muwahahahahaha!

I’ll be back in a few with QotW #12!

Tomorrow: Ad Astra 2016 reportage continues with ‘How to get an agent,’ and I’ll have a long overdue post of the home and garden variety 🙂

The next chapter: May 2016 update

The year of revision is progressing steadily.

MayProgress

I finished my first run through of Marushka, which ended up at 75,473 words total, 33,258 of which were revised in May, and moved on to Reality Bomb. I revised 17,624 words on that manuscript.

I achieved 136% of my revision goal for May with 50,882 words revised.

All my writing was on Writerly Goodness, and, because I joined Gabriela Pereira’s DIYMFA launch team and have been posting twice each weekend, I’ve achieved 181% of my writing goal for May with 10,474 words on the web.

In other news, I’ve let my querying slip. I’ve received enough form rejections that I have this feeling I need to return to Initiate of Stone and give the manuscript another run. I’ve come up with some ideas to improve my first pages (and other stuff) as a result of working on Apprentice of Wind and I’m not sure I should burn any more agent bridges . . .

At the same time, I want to continue on the chance that I haven’t presented IoS to the agent that will love it. I’ve had success pitching the novel in person to both agents and small publishers, so the idea has merit. It must be the execution that needs work.

Accordingly, I’m probably going to take a break from revising RB for a few days to focus on reworking the first chapter and query of IoS and then get back at it.

I’ve booked my flight to Kansas City in August. I’m one step closer to WorldCon and a visit with a friend who lives in KC. So looking forward.

In the meantime, the Canadian Writers’ Summit is taking place in less than two weeks. I’m looking forward to that, as well, but the scheduling is a bit strange. Because the

CWS is a joint conference between a number of professional writing organizations in Canada, some of the sessions are overlapping. It will make things challenging, but I’m also going to get to attend a great session by Robert J. Sawyer, as well as key note addresses by Jean Little, Kenneth Oppel, and Nalo Hopkinson.

If I had more leave, I might have gone down Wednesday evening to see Lawrence Hill, but I had to make a choice between the CWS and WorldCon/friend visitation. Seeing a new city and an old friend won out 🙂

A new short story idea is brewing for an anthology call later in the year, but I haven’t been paying a lot of attention to short fiction this year, as was the plan. We’ll see if I can keep the idea from blowing up into a novel-sized concept and premise.

I’ve signed up for another online course, this time from one of my favourite authors/writing craft experts, Kate Weiland. It’s another thing I’m looking forward to. We’ll let you know how things go in future updates.

And that’s it for now.

I’m doing too much, as usual, but enjoying every minute of it. I’m really not happy unless I’m learning something/pushing my boundaries.

Hope everyone has a productive, happy-making month!

The Next Chapter

The next chapter: March 2016 update

In my 2015 year-end update, I said that 2016 would be the year of revision. To this point, I’d only ever revised the one novel, Initiate of Stone. I revised IoS eight times and I recently got a few ideas on how to improve it further as a result of my first run through of Apprentice of Wind.

In the first few days of March, I finished that first review of AoW. I’m going to return to it again, but this time, as I mentioned last month, I’m going to apply what I hope to be improvements to IoS and then move on to AoW.

My idea is to reinforce my voice over the two novels, which is quite different to the other novels I’ve drafted so far. Most of those are in a modern setting. Urban fantasy of various stripes. Though I’ve worked with IoS for so long, when it came to reviewing AoW, because I’d drafted the five other novels in between, I found I’d lost touch with the voice of the series and its characters.

We’ll see how that turns out, later in the year (I hope).

YTDProgress

Year Goals and Totals page

The current draft of AoW stands at 119,590 words. So 120K, which is reasonable for an epic fantasy.

I then moved onto Figments, my YA urban fantasy. It’s considerably shorter, nineteen chapters, and 53,536 words. I know I’ll have to punch that up a bit, but I have a number of ideas to make that happen.

Both of these novels were drafted, let to sit, printed out, read through, mapped, let to sit again, read through again, and then reviewed. I just changed some of the major things, POV, character deletion, consistency over the novels (in the case of AoW), and notes for future revision.

I don’t think I’ll need as many drafts of either AoW or Figments as I needed with IoS to finish them to my satisfaction.

I’m trying something different with Marushka, which I moved on to in the last few days of March.

My revision plan so far has been to review a chapter a day, which was challenging for AoW and Figments, because a number of the chapters of both were several thousand words long. I often found myself up until midnight on a weekday trying to get my work finished before I went to bed.

Marushka was the first novel I drafted using Scrivener and it really changed the way I drafted. The chapters are comparatively tiny (1000 to 1500 words so far) but there are a lot more of them (54).

I didn’t print Marushka out. I didn’t read it through or map it. As I review each chapter, I’m reading it through for the first time and mapping it as I go.

We’ll see if this is more or less productive than printing the draft out, and reading and mapping it out prior to my first run through.

I’m approaching this year of revision as an opportunity to experiment. My process is in continual evolution and, as I learn, from both success and failure, I’m seeing improvement in my process and in my writing overall.

I’m not looking for short cuts as much as efficiencies. I’m not doing any less work, I’m just doing it differently.

Again, we’ll see how it goes.

So here’s how the month breaks down.

MarchProgress

MarchProgress1

Want your own Writing and Revision Tracker? Visit http://jamieraintree.com/writing-revision-tracker

  • AoW – 7,334 words revised
  • Figments – 53,536 words revised
  • Marushka – 4,737 words revised
  • Blog – 8,436 words written.

I achieved 141% of my writing goal and 177% of my revision goal.

At this rate, I’ll finish the first run through on Marushka part way through May and move onto Reality Bomb and finally, Gerod and the Lions. Once I’ve got everything reviewed once, I’m going to take a break (which I tend to need in the summer months) and work on my outline for Mistress of Waves, the third book in my Ascension series and NaNo 2016 project 🙂

Then I’ll get back to deeper revisions until November arrives. I may not be able to conquer more than IoS/AoW. Maybe I make it as far as Figments.

Querying continues. I’ve not devoted much time to short fiction recently, though.

As far as conferences and conventions, I’m hitting Ad Astra (April 29-May 1), The Canadian Writers’ Summit (June 15-19, though I’ll only be attending June 17-19), and WorldCon, AKA MidAmericon II (August 17-21). I have paid my fees and reserved accommodation, but it’s all pending leave approval.

I’m holding my breath until I know it’s approved. Once it is, I’ll be able to book my flight to Kansas City.

My employer asks us to apply for leave every six months. We apply in March for the first half of the fiscal year, April to September, and in September for October through March. Approval is subject to seniority and operational demands (peak seasons).

I should know whether this first round of leave requests has been approved by the end of April.

My plans for fall and winter will have to wait on the approval of the second round of leave in October.

I’ll save those potential plans for a later update.

For the remainder of this month, I’ll be offering some Series discoveries posts (fall season, part two, mid-season follies, and anime) and at least one book review (Jane Ann McLachlan’s second Kia novel, The Salarian Desert Game).

As of Ad Astra, the convention reportage will resume.

So there’s lots of Writerly Goodness to look forward to, and of course, Tipsday and Thoughty Thursday curations will continue through the week.

In the meantime, break a bunch of pencils, you wonderful, creative people.

The Next Chapter

The next chapter: February 2016 update

February is always a struggle for me, even in this year, when we didn’t have snow until after Christmas. By the time February rolls around, the dimness of winter has resulted in some degree of seasonal affective disorder (SAD). I’m tired of being cold. I’m tired of slogging through the snow. I’m just tired.

Just a note here: We’ve had more snow in January and February that we had by this time last year, and last year, the snow started in the last week of October. That’s global warming for you.

Add to that Phil’s health issues (which are steadily showing improvement, so we’re good on that score), my illness, and my subsequent discovery that I’m anaemic, and we have a perfect storm of personal stress.

I suspect that I’ve been anaemic for some time. Persistent exhaustion and difficulty sleeping (among numerous other symptoms) have supported this hypothesis. Heck, in the days when I used to donate blood, I remember being turned away on several occasions because of low iron.

Then there’s work. The problems there are mostly political in nature and not anything I have either control or influence over. It’s frustrating and disappointing more than anything else, but that’s contributed to my desire to leap-month over February and get on with things.

Creatively, I’ve still managed to exceed my revision goal, but was unable to meet my writing goal in February. I’m not going to go into the reasons for that because it doesn’t have an impact on you, gentle readers, nor would there be any nugget of wisdom to be pulled from those events.

My challenge in February was in trying to continue my coursework in Story Genius while proceeding with my writing and revision goals, which were set prior to the course, and (for me) take precedence. I also committed to another, shorter course from Jamie Raintree, and though I enjoyed it, I think I simply took on far too much. Far. Too. Much.

I had a rough week during which I felt stupid because I couldn’t effectively implement the Story Genius lesson. It blocked me. I couldn’t even revise for a number of days because I could see my failures too clearly in front of me. I could see all the ways in which my existing work sucked ass (sorry, but that was the exact thought in my head at the time).

There are several reasons for this:

  1. I’m a keener and I have been learning my entire life. I’m a perfectionist. I’m used to doing well. I’m so much harder on myself than anyone else can be. My confidence is easily shaken. Usually, I can write through the malaise, but this time, I balked.
  2. I chose to work on a finished draft rather than a new story idea. Worse, I chose the second book in a series. I set myself up for failure because the focus of the course is to develop an idea from, “oh, this is cool,” to a realized story map given the specifics of the Story Genius methodology. It would have been much easier if I had chosen to do this. I was stubborn and thought I could both revise Apprentice of Wind and use it as the basis for my work in the course. Silly rabbit.
  3. This was an opportunity I couldn’t pass up, but I had neither budgeted for the expense of the course, nor, because of my day job, could I budget sufficient time to do a good job.
  4. Illness played a role, both mine and Phil’s. My personal circumstances have made me less able to cope with what would otherwise be a minor disappointment.

Ultimately, I’ve stepped back. I have the lessons, transcripts, examples, etc., and I’m going to take the time to do the learning, and incorporate it into my creative process. In my own time. Benefits will be reaped, just not tomorrow.

There’s one week left and I’m not going to ignore it or dog it. I’m going to do the best I’m currently capable of and be content that, with practice, the true learning will occur.

My difficulties have been completely of my own making and I could have prevented them from happening by waiting for the next time the course was offered, or the time after that. If I’m able to prepare properly, I can meet (and sometimes exceed) my own, admittedly high, expectations.

Learning nugget for y’all: If we fail to plan, we plan to fail. Thank you, Benjamin Franklin.

Mel’s version: If you’re keen on something that’s popped up unexpectedly, sit back and really assess the situation. What will happen if you don’t do it this very minute? Are there future opportunities you could take advantage of? Do you really have the resources (time, money, focus) you need to invest? If not, is there a way you can shift things around to make those resources appear? Look at the long game. What part in your career does this opportunity have? Will things look any different in five years (or ten, or twenty) if you don’t “do all the things” now?

Above all, be kind to yourself.

Having said that, Story Genius is a mind blowing course and I value the opportunity to learn from Lisa Cron and Jennie Nash, both incredible experts in writing and editing. My assigned editor is also a fabulous guy and he’s been very supportive. It’s well worth the investment in time and money.

I’ll reiterate what I wrote above: my problems are of my own making and should not in any way reflect on Jennie and Lisa’s amazeballs course.

So. What did I get done in February?

I have finished the first run-through of Apprentice of Wind. There is at least one more structural edit I have to do, in which I will make use of the Story Genius method, but I’m going to let the work relax for a bit before I dive back in. In fact, I’ve seen some further areas for improvement in Initiate of Stone, as well. I might start at the beginning and work straight through both novels on the next round. It will keep me in the Ascension series headspace and voice, too, something I feel is lacking in AoW.

In the meantime, I’ve moved on to Figments. Reading through it, it’s a lot better than I remember, which has been comforting. I’m going to apply Story Genius to that, too. Before I get to the actual revision, so I’m not mucking up one process (planning) with the other (revision).

I think that repeated practice will be the key to successful implementation. Eventually, it will become second nature. Then, I will actually be able to say that I’m a story genius 😉

I resumed querying, and I submitted more short stories.

I also received more rejections. Some of them were positive (this story isn’t suitable, but please send something else), but it still results in no further publications.

This hits home in tax season, during which one becomes acutely aware of how little income one has made from one’s creative efforts.

It doesn’t help, either, that nominations for various awards have opened. Even though I really don’t have a chance in hell of getting on a ballot, it would be nice to be able to put my name beside the title of a story I wrote (and was paid for), and then stand back and say, like a proud five year old, “I made this.” 😀

FebruaryProgress

Here’s how the numbers break down.

I achieved 108% of my revision goal with 40,708 words revised.

I achieved 90% of my writing goal with 5027 words, all written on this blog.

I sent out five queries and one package for a publisher’s open call.

I submitted short stories to one anthology call, and one magazine.

And that was my month in review.

This month, as I mentioned, I’m moving on to revising Figments, and will be submitting more queries and short stories.

And I’m going to give myself a break. I’m making progress. It’s enough. So am I. I just have to remind myself what would happen if publishing was taken out of the equation.

That’s right. I’d still be writing.

If you don’t love what you’re doing, why the hell are you doing it?

Have a good week, everyone.

Hugs all around.

You’re awesomesauce, each and every one of you.

The Next Chapter

The next chapter: January 2016 update

First, a note about the non-writing parts of my life

Well, the new year has gotten off to a bit of a shaky start, not with respect to my writing and revision goals, but with respect to other stuff.

In the last week of December, Phil got sick enough he had to go see a doctor. He hadn’t been in a very long time and in the process of diagnosing the illness he went to see the doctor for in the first place, the doctor diagnosed him with two other, fairly serious, illnesses. Three for the price of one. Yay?

I won’t go into the details, because it’s not my story to tell, but he’s on several medications, we’ve had to change our diet (not significantly, but still), and we’ll have to commit to several more lifestyle changes in the coming months. It’s going to be a good thing, ultimately, but I’m a creature of habit. Change is stressful.

Phil’s been told not to tackle everything at once, and so we’re dealing with things one issue, and one day, at a time.

I’ve gotten a cold for the first time in about three years. Since I don’t get them often, I tend to get doozies. I’m also in the process of seeing whether I’m anaemic or not, and my gall bladder is acting up.

I guess this is my reaction to the stress of everything else.

Which includes learning that I’ve been screened out of the consultant process at work. We’ve had a general information session, because many of the over three hundred people who applied were screened out, but I’m still getting an informal discussion of the specific reasons I was screened out. That happens Tuesday.

I’ve really been trying not to get upset. Work is work and I’ve tried to prioritize my creative work over the day job, but having been successful in the last three processes and had four acting assignments in as many years, I can’t help but feel that I’ve been kicked in the teeth. They still have testing and interviews to go, and if the eventual pool ends up being as small at I suspect it will be, there will be another process in the future. I have to question the point of putting myself through the wringer again, though.

My current acting assignment ends next Friday and at that point, so far as I know, I’m heading back to the training and advice & guidance team, but everyone keeps saying that I’m not going back and even managers aren’t including me in the training plan and no one is telling me anything. I’m kind of suffering from mushroom syndrome.

I’m trying to be Zen, but I’m not very good at that, in all honesty. I am a lot more laid back than some people, but I internalize a lot. Hence, the illen.

Now, onto the Writerly Goodness 🙂

I took some time over the holidays to plan out my writing year. Using Jamie Raintree’s amazing new Writing and Revision Tracker, I set writing and revision goals for the year, and for each month.

As I mentioned in my last Next chapter update, 2016 will be the year of revision. As I return to the querying process with Initiate of Stone, I realize I want to have some of my other five finished novels revised and edited and ready to go so that I can keep working toward my dream of a traditional deal.

What I did was to add up the current word totals of all my drafts and divided them up according to what I figure will be my productive months. I also estimated what my blogging totals would be per month and add in my NaNo 2016 writing goals.

What that worked out to was 37,550 words of revision each month (except November and December), between five and seven thousand words of blogging each month (except November), and 50k words drafted in November and December (NaNo this year will be book three of the Ascension series I figure it will take me two months to complete the draft).

So this is what January looked like.

JanuaryProgress

And I even took a few days off (!)

The month started with a couple of days devoted to reading through my draft of Apprentice of Wind, and then I set to. I’ll probably have the first run through done within the next couple of weeks, and then I’m probably going to go through it at least one more time.

So at 9,274 words, I wrote 141% of my writing goal and at 69,774 words, I almost doubled my revision goal (186%).

I also revised and sent out two short stories, and heard that another short story is still under consideration from a submission last year. So that’s awesome.

I also sent out IoS packages to open submission periods for a couple of publishers. As of the end of last year, the three Canadian small publishers I’d pitched last fall had either declined or failed to respond.

We’ll see where all of that gets me.

Other excitement

I’ve attended a few events this past month. The first was Last Stop at the Sudbury Theatre Centre, in which a couple of writer friends had their plays in progress workshopped in front of a live audience (us). It was awesome.

Then, I attended a Skype workshop with Barbara Kyle through the Sudbury Writers’ Guild on adding magic and verve to your first thirty pages. Barbara is an excellent presenter and so knowledgeable about her craft. It’s a pleasure to learn from her.

Finally, I attended a lecture by singer/songwriter Steven Page at Laurentian University on ending the stigma around mental illness. He sang a couple of songs from his new album and discussed his struggles with mental illness.

I’m also currently enrolled in two online courses.

First, I couldn’t resist signing up for Story Genius with Lisa Cron and Jennie Nash. It’s based on Lisa’s new book (of the same name) and is eight weeks long. I’m working on my week four submission this weekend. It’s hard (like, it hurts my poor, tender head hard), especially negotiating the day job and health issues Phil and I are facing right now, but I can see how it’s going to improve my ability to write a novel that will hook readers and keep them reading.

Second, I signed up for Jamie Raintree’s Design a writing career you love workshop. I’m trying to keep one foot in the business side of things. Jamie’s an excellent instructor and I always enjoy her courses.

I’ve booked my hotel for both Ad Astra in April and WorldCon in August and am still waiting for the registration information for The Canadian Writers’ Summit to emerge.

So, I guess it’s no wonder I’m under the weather at the moment.

By and large, though, I love my life. The creative part of it anyway 😉

Next week, the CanCon 2015 reportage continues.

Hope your creative endeavours are moving full steam ahead and that you’re all well on your ways to meeting your goals. Feel free to share your trials and triumphs in the comments below.

The Next Chapter