Since I’m at Can-con next weekend, and doing NaNo after that, I’m doing the fall season series discoveries today, even though not all of the fall offerings have debuted, or resumed.
I’ll have to follow up with another post later in the season . . .
The plan for today is just to go, day by day, starting with Sunday, and run through the shows I’ve watched, offering impressions so far.
This is going to be a long one. You have been warned.
Once Upon a Time
I’m sticking with OUaT. The Emma as the Dark One story line is interesting, but I find that, as in past seasons, things are taking a while to get going. Also interested to see how the Merida (of Brave) and the King Arthur threads are heading.
In the pre-season special, the actors all praised the show as one in which anyone can have a happy ending. All the characters have both good and bad within them. Everyone has the potential to become a hero or a villain and, I have to admit, it’s interesting to see how that plays out. The message of OUaT is hope.
Sometimes that can come off as saccharine, but there’s nothing else, right now, that I want to watch in the same time slot.
I mentioned this in my mid-season follies post, not realizing that the final season had already started (September 6). I caught up and am watching things through to their conclusion.
My main complaint is that events seem so scattered. Plot lines are ended because they are inconvenient or not popular. At least that’s the way I read things.
Gods are very powerful fae. Okay. I can live with that. The goddess Iris becoming the Nix (destroyer)? Not so much. It was really a nothing story line because Hades ends up dispatching her. Rather anti-climactically. A classic painting is the key to defeating the gods? Okay. Interesting. But the apparent defeat is not really a defeat at all and Zeus and Hera first reappear, and then choose docile retreat in the face of Hades and his plan of ultimate evil? Weaksauce. Doctor Lauren tests a serum (intended to restore the Morrigan, whom she turned into a human) on herself and becomes a fae mimic? Cool. But then, it proves to be too much for her human physiology and she creates an anti-serum to cure herself before she loses her mind and memory. Again, anti-climactic and weak.
Kenzie’s back. Good. Eric Roberts as Hades, A.K.A. protagonist Bo’s big bad daddy, is also good.
I can see the ultimate outcome, however.
Hades has murdered Bo’s mother and her grandfather, A.K.A. the Blood King, who literally rewrote relations between the fae with his blood, which, when used as ink, has the power to compel any fae. That bit? Also cool.
But, as he dies, Grandpa tells Bo that his blood also flows in her veins.
I’m so confident, I’m willing to write this here and risk embarrassment when things don’t play out as I predict 😛
Currently, Bo appears to have joined Hades and is actively pursuing the end of the world. She’s killing her friends (apparently) and preparing herself for world domination.
My prediction? Bo realizes that her blood has granddaddy’s power to compel and she uses it to defeat Hades, reconcile the dark and light fae, and becomes the new Blood King/Ash.
I’ll let you know if my prediction is accurate. It will be, in part, satisfying if I’m right, but it will also be disappointing. I prefer to be surprised.
The writers of Quantico have taken a page from the How to Get Away with Murder book and are telling the story of the first season from two time frames.
Currently, a new FBI agent, Alex Parrish, wakes up in the rubble of Grand Central Station after a terrorist attack has levelled it and killed hundreds. She is accused of the crime and proceeds to seek the truth and the real perpetrator.
In the past, our protagonist and a number of other new recruits struggle through their training at the titular institution.
The story is interesting with a lot of surprising twists and red herrings. All of the main characters have secrets. The cast is diverse, featuring non-white, non-male, non-straight characters.
I’ll continue to watch.
I’m a little wary of this series because it’s based on a gimmick.
A woman with no memory, but covered in tattoos, is found in a duffel bag in Times Square, and is taken in by the FBI because the name of one of their agents, Kurt Weller, is featured prominently, in ink, on her back.
The FBI decide to call her Jane Doe, but eventually find proof that she’s Taylor Shaw, a childhood friend of Weller’s who disappeared when they were both children. Even that is uncertain as another forensic test indicates that Jane was also born and spent several years in sub-Saharan Africa. Both things cannot be true.
The tattoos all have some kind of significance with terrorist attacks and government corruption. The goal of whoever did this seems to be to trick the FBI into uncovering the corruption in the government. Why not release this information to the press, or to multiple security forces at the same time, or even on the internet? Surely the evil government conspiracy doesn’t have the power to shut down the internet, press, and state and national police forces at the same time?
I’m sure we’ll find out the tortured logic of this very complicated tactic somewhere along the line.
Because none of the tattoos are straightforward. They’re all puzzles that take genius-level intelligence to solve. Conveniently, the FBI have a genius on staff.
The other thing that bugs me is that, while the writers have attempted to maintain some kind of consistency (beyond episode one) in revealing Jane’s backstory, they were very ham-handed in the first episode.
Basically, the reason Jane remembers nothing is that she has been given a mega dose of a drug that causes amnesia. From what they’ve been able to tell, she may never remember who she was or what happened to her.
We generally get unclear snippets as Jane’s fractured memories start to resurface, but at the end of the first episode, there is a final cut scene showing the night that she took the drug. Having voluntarily been tattooed over nearly every inch of her body, she also volunteers to eradicate her memory with this drug.
The man with her resurfaces in episode two, only to be killed in episode three without having yielded any useful information.
I’m willing to see where it goes for a while yet.
The series picks up years after the movie, with no mention of Tom Cruise’s character and some rewriting of the events that led to Pre-Crime’s dissolution.
The three precogs were living on their isolated island, but while Agatha has chosen to stay on the island, Arthur, the older of the twins, has returned to the city and uses his precog talents to make himself a very wealthy man.
Dash, the younger twin, is the one that sees the murders (Agatha experiences them from the perspective of the victim, and Arthur receives names and other factual details). Dash can’t stand to let people do horrible things to each other anymore.
He wants to stop the murders from happening if he can, but, working alone, he can’t seem to figure everything out in time.
So he finds Vega, a police detective, who helps him to solve the crimes he foresees.
Enter Hawkeye, a system that, somewhat like the machine on Person of Interest, but without the AI, gathers information from the wired society and uses it to predict the likelihood of violent action. Dash becomes Vega’s Hawkeye analyst as a kind of cover, and has to continually convince his brother Arthur to help them.
Add to this Agatha’s vision that Vega will somehow be involved in putting all three precogs back in the milk bath in subservience to the police, and we have another futuristic, crime-of-the-week, conspiracy thriller.
Even though Agatha and Arthur seem perfectly accustomed to life in the world, Dash is awkward and naive. I’m not really liking that vibe.
I’m willing to give it a few more episodes.
I’m sticking with Castle mainly for Nathan Fillion.
They’re trying another stunt to keep viewers’ interest after last year’s near-ending. *rolls eyes*
A few seasons ago, Beckett went to work for the Justice Department. In short order, the writers figured out that the distance relationship would never work for the character or with the fans and reworked the story to get Beckett back to the NYPD. Clumsily done, people.
Then, Castle disappeared for three months on the day he was to marry Beckett. There was some resolution, but it wasn’t satisfactory. He knows he was involved in some big, world-threatening conspiracy, and that he saved and old friend, but it seems that he, too, was given a dose of the amnesia drug (mentioned in Blindspot, above) and he’ll never know, and nor will we, how awesome he was.
Castle and Beckett finally got married and seemed to be negotiating married life fairly well. Things were going too well, I guess. Time to introduce a Shamalanian TWIST!
But first, they gave Beckett some resolution with regard to her mother’s murder, allowing her to finally put away the man responsible, Senator Bracken.
Though he was personna non grata at the police station, Castle started his own detective agency and reinserted himself into investigations, and eventually the precinct.
So now Beckett, having eschewed running for governor, is Captain of the precinct, but three of her former colleagues at the Department of Justice have been killed and a fourth comes to her for assistance.
This opens up the Bracken conspiracy again (greater evil, higher up, even MOAR untouchable), and she leaves Castle because she doesn’t want to put him in danger (wha?). She knows he’ll put himself into danger regardless. It’s a ridiculous excuse for drama.
Castle continues to use the detective agency—and now his daughter, Alexis, is working with him—to interfere with Beckett’s cases in some attempt to “win her back.” He knows full-well she loves him and she’s told him point blank that while she’s working on this conspiracy theory, she’d going to stay away from him for his own safety.
It’s a whole bundle of stupid. Contrived stupid at that.
But, like I say: Nathan Fillion.
I have two words for you: Earth Two.
Yup, they’ve gone and done it, introduced Jay Garrick, the Flash from Earth Two. The resolution to last year’s finale seems to be that the fabric between the realities has been torn.
And we’ve already been shown that Harrison Wells is somehow living in Earth Two and ready to cross back over to torment Barry Allen further.
Marvel’s Agents of S.H.I.E.L.D
Daisy (I liked Skye so much better) is trying to save the inhumans cropping up all over the place because the catalyst was released into the ocean.
A new government agency is trying to capture them for study.
The monolith transported Simmons to another world, far across the galaxy, and when the team retrieves her, she says she has to go back, but, of course, won’t say why.
Hunter wants Ward dead crazy-bad.
May is initially MIA, but then joins Hunter.
It’s still early days.
Another new show featuring our favourite police organization, the FBI.
A listless slacker, Brian Finch, is introduced to the drug NZT, which allows him to take full advantage of his intelligence and memories. He comes to the attention of the FBI who decide to take him on as a consultant.
Once he starts using NZT, Senator Eddie Morra (from the movie, reprised by Bradley Cooper), shows up and offers him a deal. See, NZT has this nasty habit of killing the people who use it in a terrible and painful way. Morra has an injection, though, that will allow Finch to use NZT indefinitely, so long as he gets a periodic booster.
Finch agrees to the devil’s deal without reading the fine print. Morra’s people (not Morra himself, of course) threaten Finch’s father, and if Finch tells anyone about his deal with Morra, everyone he loves will be killed.
Finch tries to reconnect with an old flame, but Morra’s people again put an end to that, and Finch is told to steal FBI files, which he tries to fake, then ends up delivering.
He’s in a tough place. I guess the series is about how he at first survives, and then how he gets out of that place.
It’s another gimmick-based series, but I’m entertained enough for now.
At the end of last season, Oliver Queen leaves Starling City with Felicity Smoak. This season picks up with them living in domestic bliss, but it’s not sitting well—with Felicity, not Oliver. Olie’s actually happy, exchanging recipes with neighbours and dreaming of kidlets and contentment.
Felicity, meanwhile, has been stepping out on him with the rest of the Arrow Corps: Diggle, his sister, Thea, and his former girlfriend and current D.A., Laurel.
When this comes to light, Felicity drags Olie, not kicking and screaming, but stoically sighing, back to the renamed Star City, where the people still clearly need some help.
In the first episode, Damian Darhk murders what’s left of Star City’s leadership while the Hive descends on the rest of the hapless population.
Diggle has a hate on for Olie because to get out of his situation with the League of Assassins in last season, Olie kidnapped Diggle’s wife. Thea, resurrected last season in “the pit” is now becoming a blood-thirsty killer. Laurel, having taken up her dead sister’s mantle as The Canary, is still at odds with her father, and lost without her sister.
So, Laurel convinces Thea to return to Nanda Parbat, where her father, Malcom Merlin, is now R’as al Ghul, to see if anything can be done for her. Of course, she brings her sister’s months-old corpse to drop in the pit.
I think we can all see where this is going. I’m curious to see if Constantine makes an appearance and what role he plays in the continuing cray-cray that is Oliver Queen’s life.
This series is an old faithful for me. I still enjoy the human monster-of-the-week stories they come up with.
They can’t seem to keep the team stable, though.
They’ve brought in a new member every season, and then they leave.
I watched the first episode and wasn’t impressed.
I liked the first season of the original Heroes enough to give this one a chance.
After a terrorist attack on a conference in Odessa, Texas, during which hundreds of evos (evolved humans) and humans lose their lives, including Claire from the original series, evos are blamed and subsequently hunted down.
Renautas, the tech company that bought out Primatech, is using evo powers to enact a plan that will save the world. I’m thinking they want to save the world for humans. They’ve been using Molly Walker’s locater powers to create evo detector glasses for law enforcement. They’re using Hiro Nakamura’s powers to send equipment and supplies into the future.
They’re dallying a bit, but if the payoff is good, I’m willing to wait. I like some of the new evos and their powers.
I liked Miko/Katana girl and am a little sad that she might have been a computer program and her purpose served in releasing Hiro Nakamura from his virtual prison. Teleporter Tommy is cool and fortunately, he’s just gotten past his “refusal of the call” stage of his hero’s journey. We should see some good things developing from his storyline.
Malina, the elemental mistress (as I think of her), seems to be the pivotal figure.
It was Hiro’s powers that ended up causing the story problems that sent the original series off kilter, though. I hope the writers have a solid plan for dealing with them this time.
Unfortunately Hiro has already taken Noah into the past to try to stop the terrorist attack at Odessa from happening.
We’ll see what develops. I’m intrigued for now.
This series is another old dependable, and kind of a guilty pleasure.
It’s basically a soap opera set against the backdrop of a hospital.
I was shocked at Dereck’s death, and they usually have some big event or crisis to mark each season, but I wasn’t expecting that.
So this year, they had to bring in the doctor that, as Grey gracelessly said, killed Dereck, to stir things up.
I’m actually watching Heroes Reborn in preference to Grey’s, but catching up by watching the episodes online. I’m doing the same with Minority Report, which is on at the same time as Blindspot, which, for now, grabs my attention more.
How to Get Away with Murder
They’re keeping the same storytelling strategy they used last year, but this year, they’re giving more away much earlier in the season.
This show is full of spoilage. I still want to watch to find out how all the dots are connected, though.
It makes me think and surprises me, even though I know part of the outcome.
Nothing so far for me. So this is my catch up day for Grey’s and Minority Report.
I’m slowly warming up to Capaldi as the new Doctor. He’s loosening up a bit. Though he still has the stylish coat, he’s now wearing it with plaid pants and a hoodie. He plays the electric guitar and has turned in his sonic screwdriver for “wearable” tech in the form of classic Ray-Ban sunglasses.
This season, or series, as they dub it in the UK, seems to be about “old friends.”
Clara’s still hanging on, but I was quite happy to see Missy/The Master’s return. She’s a good character. Psychotic, but goooood.
Davros showed up for an interesting two-parter, and I just finished watching the second of two episodes featuring Maisy Williams. In the first, she was a Viking girl. The Doctor saved her life by giving her nano-technology. She’s technically immortal, though she could be killed. In the second episode, he meets up with her again 800 years later.
Though he left her with another nano-tech cube for her eventual partner, she hasn’t used it yet. She blames the Doctor for making her immortal and then stranding her in the world, alone. He won’t take her with him, though. She blames him for that, too.
At the end of the episode, the Doctor asks her if they’re enemies. She says, no, but as his friend, she’ll be watching out for him. Creepily, she shows up at the school where Clara teaches.
Might be good.
We don’t get CW on our cable, so Phil and I are watching season two as is comes out on Shomi.
At the end of the first season, Liv used the only two doses of a potential zombie cure, one to make Blain’s zombie gourmet ambitions more difficult to achieve, and the second to cure her ex-fiancé, Major, after she infected him to keep him from permanently dying when Blain stabbed him.
Then, Liv had to refuse a blood transfusion to her brother, who was caught in the gas explosion that took out Blain’s operation, the Meat Cute.
Oh, and the new potential zombie love of Liv’s life was murdered by Blain just a couple episodes earlier. Her best friend and room mate learned she was a zombie and disappeared.
So, Liv’s family isn’t speaking to her. Major isn’t speaking to her and though she has a new room mate, the woman is a spy (more on that in a bit). Ravi is trying to make up another batch of the cure, but to do that, they have to track down some of the tainted drug that caused the transformation. Liv has to find Blain and convince him to find the stuff for her.
Meanwhile, Major has been recruited by the CEO of Max Rager, the energy drink that is the other critical ingredient in the zombie infection agent and therefore Ravi’s cure.
Because he’s had Liv under surveillance (new roomie), Vaughn du Clark (the CEO) learns that a side effect of Major’s being cured is that he can now sense zombies. Du Clark wants Major to rid Seattle of the zombie menace. Of course, he uses Liv as leverage.
This series is fun. Word play and homage abound. It’s based on a comic, and they use comics in the opening credits as well as to introduce every scene.
It’s all kinds of awesome.
This just came out yesterday on Netflix. It’s the third and final season.
It’s all kinds of messed up.
And Phil and I have only watched two episodes so far.
So that’s your fall television review. Like I said up front, I’ll have to offer up a (much shorter) part two when I’ve seen the rest of the new and returning series.
Now, it’s time for bed (!)
See you on Tipsday 🙂