Mark Leslie workshop with the Sudbury Writers’ Guild

This past Thursday, November 28, Mark Lefebvre of Kobo, who writes under the pen name Mark Leslie, conducted a workshop on self-publishing for the Sudbury Writers’ guild.

Mark spoke a bit about his experience with self-publishing first.

Mark Leslie

Mark Leslie with members of the SWG and Barnaby

His horror short story collection, One Hand Screaming, was published using Lightning Source (now Spark) from Ingram.

For his anthology Campus Chills, Mark and his friend Steve formed Stark Publishing (Steve + Mark). They used the Espresso Book Machine, which got its name because in the time it takes to make an espresso, the machine could produce a book.

At the time, Mark was working for a university book store and convinced the store to invest in the machine. He made the venture a paying one, producing all kinds of books for various groups in the university and surrounding community.

Mark is also an editor, editing North of Sixty, and Tesseracts Sixteen.

More recently, he compiled stories with background research for Haunted Hamilton and Spooky Sudbury, which he co-authored with Sudbury journalist Jenny Jelen. Both books were published with Dundurn Press in Hamilton.

One of the things to keep in mind is that traditional publishing can get you into places that you could never get into alone, for example, Costco.

Now Mark works for Kobo (which is just an anagram of book, by the way).

Why authors choose to self-publish

  • For the new author, it’s a way to break in to traditional publishing, make a mark, get noticed.
  • For mid-list writers, it’s most often used to resurrect their backlist. As copyright returns to authors, they format for self-publication and keep their work in circulation longer than their traditional publisher were willing to.
  • For the NYTBS author, self-publishing offers control.

In general, self publishing offers higher royalties and faster payouts than traditional publishing.

Epub format is the industry standard.

Mobi is the Amazon standard.

Self-publishing is good for long-form journalism. (Mel’s note: we had a fair discussion of this. For those who don’t know what long-form journalism is, it is the full version of the article with bonus research materials. The print article may be a thousand or so words. The long-form version may be five or ten thousand. Think academic essay, but more accessible.)

It’s also good for publishing collections of short stories. If the stories have already been published elsewhere, then it can be seen as a kind of validation or pre-screening, and the collection may have a ready audience.

Services:

  • Kobo
  • Kindle
  • Nook
  • iBooks
  • Smashwords

Kobo started out with Reading Life for their ereaders, and then developed Writing Life for their authors. The Kobo dashboard allows the author to see stats, earnings, and sales figures globally at a glance. (Mel’s note: Hugh Howey used, liked, and promoted Kobo Writing Life.)

You can format your work in Word or OfficeLibre (formerly Open Office). Use Sigil, or Calibre to tweak formatting, and Kobo even has a native WYSIWYG editor which will be familiar to WordPress users.

Follow the formatting instructions of your chosen platform carefully.

A word on DRM: it only hurts paying customers.

Branding

It’s not just about your name.

Mark takes his skeleton, Barnaby, on the road with him wherever he goes. He puts a t-shirt on Barnaby and sets him up outside the bookstore. People wandering by sit down and have their pictures taken, post them on social media. It’s free publicity.

Vistaprint is a great source for promotional materials. Pens, mugs, and t-shirts are just some of the swag you can buy to give away and promote your work.

KDP and KDP select

KDP select is Kindle’s exclusivity line. You can only publish with KDP select, no one else. You can only price books for free on KDP select, but only for five days out of every ninety.

You can work around it. Just publish using KDP and also on other services. Price the book for free on Smashwords or elsewhere, and Amazon will price match if one of your fans reports the competitor pricing.

Diversifying is better. Get your work out there and into the hands, or ereaders, of your fans. Let them choose the service.

Price is a verb

$2.99 seems to be the sweet spot (right now). The lower you set your price point, the more your royalties will be reduced.

You have to know who your audience is.

$1.99 seems to be the price point of doom. Currently, no one knows why.

$.99 is good, as are $3.99 and $4.99.

Authors can experiment. One author change the price of her ebooks from $4.99 to $5.99 and saw sales across all platforms except Kindle increase slightly. Kindle sale went down initially, but within two weeks, they levelled out again and all was well.

The two biggest complaints from marketing about ebooks are:

The cover sucks; and

It’s priced too low.

Free can work as a gateway to a backlist.

There’s something you should know about me

Photographic illustration of a near-death-expe...

Photographic illustration of a near-death-experience. (Photo credit: Wikipedia)

I’ve almost died … twice

Both times, I was under the knife for what should have been straightforward surgical procedures: a tonsillectomy and an appendectomy.  Both experiences changed me profoundly.  How?  I’ll share that with you in future posts.

I’m reopening the confessional category of my site, My history as a so-called writer, with a series that might strike you as a little morbid.  It’s about death and how it’s shaped my life.  Originally, this was to be a two-part guest post on Monique Liddle’s Bends in the Road, but since them it’s metamorphosed into something a little bigger, and I hope, better.

Yes, I’ve had a couple of near-death experiences, and my father and grandparents have all passed, leaving their marks on my heart and soul, but I’m not just talking about actual death here.  Mental illness and addiction, which I think of as two kinds of personality assassination, have also had their affects on me and my family.

If the ‘you-who-wants-to-live-in-this-world’ dies, even metaphorically, how can that be any better than actually dying?  It’s a question, I believe, that leads many to the depths of depression and suicide, which may seem like the logical conclusion of such ruminations.

I’m starting this series with Bell’s Let’s Talk initiative in mind as well as my impending bell-talkpersonal season of sorrow: my father’s birthday, the anniversary of his admission into the hospital for what proved to be his ultimate decline, the anniversary of his death and funeral, followed by Father’s Day.

I also thought this was a timely topic after listening to Michael Enright’s interview with Bob Ramsay last Sunday on CBC’s The Sunday Edition.  Bob died on the operating table, but didn’t have the typical near-death experience that most people report.  In fact he didn’t remember much of anything at all.  You can visit the link above, see some listener response, and listen to the podcast yourself.

Finally, I’m reading Gretchen Rubin’s The Happiness Project.  I picked it up on the recommendation of a friend and have been reading through it.  It’s a little slow going for me, since I’ve gone through some of what she writes about in my own way previously, and because I just can’t relate to some of the other experiences that she writes about.  I hope to share some of my  insights on happiness throughout this series as well.

On that note, this past week, I read Justine Musk’s blog post on the pursuit of happiness.  I think she has some valid points.

My encounters with death (physical and spiritual) have informed my development as a creative person and shaped the way that I respond to various negative events in my life.

What I’m hoping to accomplish

This isn’t supposed to be purely confessional or self-serving in any way.  I am a what-you-see-is-what-you-get (WYSIWYG) kind of gal, but to be honest, I expose myself as a means of defence.  If I share too much information (TMI), people tend to react in one of two ways:

  1. They never ask me a personal question again and generally leave me alone, or
  2. They understand I choose to share the deeply personal or embarrassing details of my life in an attempt to deepen my connection with the people who are important to me.

It’s a way of knowing who your friends are and of deepening your relationships with the people who mean most to you.

Doing this on my blog has been a bit of a mixed blessing.  I blogged most of my embarrassing, personal stuff early on in Writerly Goodness’s existence, thus ensuring that few people would actually look at it.  I wasn’t really risking much, but I also had no idea if this was the kind of subject material that would resonate with my readership.

I’ve mentioned a few times in various posts about how shy I am.  It would be very difficult for me to speak about these issues in a face-to-face kind of way without getting freaky and spastic.  This has happened, though.  It wasn’t pretty.

So now I’m pulling out the big guns again in an attempt to connect more with my friends on the interwebz and in the hope of sharing something of the themes and interests that inform my writing.  I’d like to start a conversation about these issues without getting self-indulgent because I think they are important to many creative people out there.

It’s an experiment of sorts and I’d love to hear from you.  What do you think about it?  Would it be of value to you?  Would you be willing to put yourself out there, along with me, on this crazy journey?

Let me know.  Please keep in mind that I moderate all comments and I have the dreaded day job.  If your comment doesn’t show up right away, it’s because I haven’t had a chance to review and respond yet.  Rest assured, I make every attempt to respond in a timely manner.  Your comments are important to me 🙂

Writerly Goodness, signing off.