Tipsday: Writerly Goodness found on the interwebz, Sept 20-26, 2020

Here we are at the end of September. Where has the month gone?! Console yourselves with some informal writerly learnings.

First: Black and Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter.

There’s some debate about whether we’re into the second wave here in Canada. We’re seeing infection numbers in several provinces that haven’t been seen since the beginning of May, most of them in younger people. We’ve had 9 new cases in Sudbury in September. It may not seem like a lot, but the fact that the recent cases are community spread from unknown contacts is concerning. I’ve downloaded the government’s covid tracking app even though I hardly leave the house these days.

Anti-mask protests are on the rise. As the government faces a non-confidence vote (we do NOT need an election in the middle of a pandemic), CERB and EI ERB have ended and new transitional benefits through Employment Insurance are being established. The uncertainty is distressing. I won’t mention the distress I feel over the situation in the US. I try not to watch a lot of news. Overwhelm is a thing.

Wear your masks. Wash your hands. Maintain physical distance. Please.

Let’s get to the links:

Vaughn Roycroft: sustaining hope is an artist’s specialty. Then, Julie Duffy wants you to craft titles that hook readers and optimize success. Heather Webb is managing expectations, one book at a time. John J. Kelley: am I still a writer (if words evade me)? Writer Unboxed

Princess Weeks covers the fiery history of book banning. It’s Lit | PBS Storied

K.M. Weiland advises you to use slang in dialogue sparingly. Helping Writers Become Authors

Tim Hickson tackles Dark Lords! Hello, Future Me

Lisa Hall-Wilson helps you use deep point of view in limited third person. Later in the week, Ellen Buikema outlines the journey of writing historical fiction. Writers in the Storm

Jenna Moreci shares her best tips for writing women.

Janice Hardy offers a recipe for writing a great scene. Fiction University

Nathan Bransford explains how to use hopes and dreams to make characters come alive.

The “fridged woman” trope, explained. The Take

Sara Farmer interviews Sheena Kamal. DIY MFA

Andrea Dorfman and Tanya Davis created this poetic short film (riffing off their earlier collaboration, How to Be Alone): How to Be at Home. National Film Board of Canada

And, just because it was so lovely, here is How to Be Alone:

Chris Winkle: it’s time to throw out The Hero with a Thousand Faces. While controversial (or maybe just provocative), I always appreciate the opinions and analysis of the team at Mythcreants. HwaTF was never intended to be a writing guide. It has to be said. Then, Oren Ashkenazi analyzes the good and bad climaxes of Marvel’s phase 2.

Thank you for visiting and I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, Aug 16-22, 2020

Welcome to another week of informal writerly learnings!

Black lives matter. Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter. This is a fundamental truth.

The EI ERB and CERB have been extended for the third time and three new transitional benefits are being created to support Canadians in this crisis. It’s resulted in chaos at work, but chaos has been the rule since March 15th.

Wear a mask. Wash your hands. Stay within your bubbles and avoid crowded events. Take care and stay safe. You don’t know who you could be putting at risk with careless behaviour.

K.M. Weiland shares five exercises for honing your story instincts. Helping Writers Become Authors

Vaughn Roycroft explains why he prefers novels with prologues. Dave King is discussing fiction in the time of plague. Then, Sarah Penner shares the results of a working-from-home survey: navigating changes to our work environments. Later in the week, Porter Anderson discusses emergent voices. Writer Unboxed

Shaelin Bishop shares some of her favourite writing techniques. Shaelin Writes

Tasha Seegmiller: every novel needs a village. Then, Barbara Linn Probst advises us to read like a writer and write like a reader. Later in the week, John Peragine explains the vital importance of your writing community. Writers in the Storm

The muse trope, explained. The Take

Rochelle Melander suggests some tools for revision. Fiction University

Christina Delay uses the lyrics of “Yesterday” to look back at the first act. Writers Helping Writers

Helen J. Darling helps you build your author newsletter list. Then, Pamela Taylor helps you figure out whether you’re writing historical fiction, or something else. Later in the week, Chere Hughes describes the key features of a no-fear critique. DIY MFA

Susan DeFreitas explains what your first 50 pages reveal. Jane Friedman

Nathan Bransford wants you to be very careful with dreams and hallucinations in novels.

Chris Winkle explains why story structures like the Hero’s Journey don’t work. Then, Oren Ashkenazi analyzes five stories with anticlimactic endings. Mythcreants

What English can’t do. NativLang

Alexandra Alter: “We’ve already survived an apocalypse”: Indigenous authors are changing science fiction. The New York Times

Thanks for visiting and I hope you’re taking away something that will support your current work in progress.

Until Thursday, be well and stay safe.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, June 14-20, 2020

Black lives matter. Indigenous lives matter. All lives cannot matter until all Black and Indigenous lives matter. I don’t have a huge platform, but I’ll make use of it as I can to keep this message front and centre for my readers. I’m still listening. I’m still learning. And I’m still trying to do better.

Meanwhile, reopening continues, to more or less success, given the area/province/state. They’re discovering people who’d apparently recovered from covid getting sick again two months on. Worldwide, the number of cases continue to increase. This thing is a beast.

Let’s get to the informal writerly learnings.

Vaughn Roycroft: regarding privilege, empathy, and voice. Writer Unboxed

A Black booktuber shares her experience. Click through to her other videos and to the resources in the notes. Silence is complicity. Listen. Do the work. Don’t stop. Bookish Realm

And if you’re a booktube fan, legitimately commit to diversify your viewing and support some of these lovely people. Google is a thing you can use. Besides, like one video and YouTube will generally cue up three similar vids for you to check out.

Nic Stone: don’t just read about racism—read about Black people living. Cosmopolitan

Black Lives Matter. How can I help? Jenna Moreci

John Peragine helps you harness the power of pronouns (part 1). Then, Lori Freeland says, write your story forward. Writers in the Storm

Joanna Penn interviews Kris Spisak about self-editing your novel. The Creative Penn

K.B. Owen visits Elizabeth Spann Craig’s blog: writing real-life historical characters.

Sangeeta Mehta interviews Stefanie Sanchez von Borstel and Leslie Zampetti about writing, pitching, and promoting in the age of coronavirus. Jane Friedman

Lucy V. Hays explains how to avoid a half-baked idea. Writers Helping Writers

Kristen Lamb explains how you can use the Johari window to understand and harness the character blind spot.

Nathan Bransford: the climax should resolve your character’s desires.

Shaelin explains line editing (with examples). Reedsy

Rochelle Melander helps you revise your book for word choice. Fiction University

The Take considers the tomboy trope.

Chris Winkle gets facetious: if stories treated straight couples like they treated queer couples. Then, Oren Ashkenazi considers five over-burdened stories and how to fix them. Mythcreants

Thanks for the visit. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, March 15-21, 2020

I hope you’re all staying safe and well in these troubling times. If you’re self-isolating or quarantining, you’ve probably already had a chance to see all the informal writerly learnings I share. If you haven’t, please see this as a helpful resource to spend you time productively if you’re having trouble concentrating for long stretches of time.

I am still working, but I work in employment that has been considered a critical service and, unfortunately, our virtual network is at capacity. Still, several of my colleagues are off because of the school and day care closures and I maintain social distancing to the degree possible. I bring lunch from home and eat at my desk. I have not travelled. When I don’t work, I only leave the house to walk the dog. My spouse is our designated shopper and is also taking care of shopping for our Moms. We’re all being as safe as we can.

Vaughn Roycroft: it’s the end of the world as we know it (and writing feels fine). Dave King says, do it again, do it again! Some practical advice about writing series. Barbara Linn Probst: 36 debut authors tell it like it is. Writer Unboxed

K.M. Weiland tackles five questions about how to manage multiple points of view in your stories. Helping Writers Become Authors

Then, she suggests five inspirational reads (if you’re self-isolating or quarantining).

And … six happy movies or series. This video came first, actually. Katie starts off by explaining her covid-19 inspired idea for a video series.

Emily E.J. Wenstrom: writing unlikable characters readers will root for. Jane Friedman

Lucy V. Hays explains why all writers need a structural toolbox. Writers Helping Writers

Shaelin discusses how to plan a series. Reedsy

And … the trilogy, specifically. Reedsy

Leanne Sowul helps you write through depression. Pamela Taylor wants you to create authentic details about food. Then, Gabriela Pereira interviews E.J. Wenstrom about bringing a fantasy series to a close. Rosie O’Neill shares five ways to rekindle inspiration for your current writing project. DIY MFA

Then, E.J. Wenstrom visited Fiction University to explain how she tricked her pantser brain into plotting.

Oren Ashkenazi provides six tips for avoiding repetitive conflict. Mythcreants

She never wrote more than a page a day, but now, Eden Robinson has a Canada Reads finalist book. CBC

Stay safe and be well. Take care.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Feb 16-22, 2020

Here we are in the final week of February. Winter is crawling to its end, the light returns, and so does the hope of spring. Celebrate with some informal writerly learnings 🙂

Tasha Seegmiller: writer, you are separate from your craft. Barbara Linn Probst considers likeable and relatable: why (and how) do they matter? Writers in the Storm

Vaughn Roycroft has a new take on readership. Dave King: the web of writing. Kathleen McCleary has answers to questions about writing. Porter Anderson analyzes the Authors Guild’s 2020 Report. Writer Unboxed

K.M. Weiland has some thoughts on how to be critical of stories in a way that makes a difference. Helping Writers Become Authors

Joanna Penn interviews Aiki Flinthart about writing fight scenes with female characters. The Creative Penn

Christina Delay wants you to fall in love with your second act. Angela Ackerman explains how to build powerful character relationships. Writers Helping Writers

Janice Hardy considers whether to stop and revise or keep writing the first draft. Fiction University

Brenda Joyce Patterson takes a deep dive into libretti. DIY MFA

Nathan Bransford helps you clear out the clutter around your verbs.

How to write character voices. Reedsy

Oren Ashkenazi explains why “but men are objectified, too” doesn’t hold up. Then, Oren lists ten ways to keep the authorities out of your plot. Mythcreants

Jami Gold wonders, what do you do with disappointment?

Robert Lee Brewer explains the difference between metaphor and personification. Writer’s Digest

Kate Knibbs says, the hottest new genre is doomer lit (formerly known as cli-fi). Wired

Charlie Jane Anders believes that to write about the future is to represent the past. Tor.com

Thank you for visiting and I hope you take away something to support your current work in progress.

Until next time, be well!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Dec 15-21, 2019

It’s Christmas Eve! Time to unwrap your package of informal writerly learnings.

books-wrapped

Erika Liodice suggests a new approach for the New Year: un-resolutions. Vaughn Roycroft: the hygge writer. Dave King goes in search of the story beyond the story. Writer Unboxed

Barbara Linn Probst suggests some visual-spatial tools for mapping—and enhancing—you story. John Peragine: the most difficult conversation for writers. Laura Drake recommends using comparison for power. Writers in the Storm

Is it possible to write an original story? Reedsy

K.M. Weiland shows you how to explore theme through your secondary characters: six important questions to ask. Helping Writers Become Authors

Lucy V. Hay shows you three steps to writing diverse characters. Angela Ackerman wants you to build a roadmap to the author future you want. Writers Helping Writers

Jenna Moreci goes over the pros and cons of past and present tense.

Jeanette the Writer answers an editorial question: how do I use italics? Manuela Williams shares five ways to build your author brand when you’re super busy. DIY MFA

Jami Gold explains how to write a strong resolution.

Chris Winkle: agency is what that sexy lamp is missing. Then Oren Ashkenazi suggests eight holiday presents for the fictional character in your life. Mythcreants

Robert Lee Brewer: should you use e-mail or email? Writer’s Digest

Neil Gaiman on the Tim Ferris show.

Thanks for visiting. I hope you take away something you need for your current work in progress.

Until next time, be well, my writerly friends … and to all, a good night!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Sept 15-21, 2019

Here we are, officially in the fall. Take the time to enjoy the turning leaves and the delicious smells of the season. And, of course, spoil yourself with some informal writerly learnings.

Vaughn Roycroft is using theme to leverage revision. Julie Carrick Dalton hopes no one will notice. Writer Unboxed

K.M. Weiland critiques another brave writer to demonstrate ten ways to write excellent dialogue. Helping Writers Become Authors

Susan de Freitas points out three things you won’t learn from an MFA program. Jane Friedman

Joanna Penn interviews James Scott Bell about writing unforgettable endings. Then, Harrison Demchick offers you four ideas to help authors revise a first draft. The Creative Penn

Chris Winkle returns with the fourth aspect of goal-oriented storytelling: satisfaction. Writers Helping Writers

Jenna Moreci offers her top ten tips on character arcs.

Nathan Bransford offers six ways to build intimacy between characters. Later in the week, he asks, are you creating a mystery, or are you just being vague?

Jenn Walton shares three ways to find inspiration at a writing conference (or any work event). DIY MFA

Jenny Hansen wants you to find and share your story’s theme. Writers in the Storm

Chuck Wendig explains how to be a professional author and not die screaming and starving in a lightless abyss. Terribleminds

Jami Gold helps you figure out how to build your story with chapters, scenes, or both. Then, Kris Kennedy returns with part four of her avoid infodumping by making backstory essential series.

Bunny discusses choosing a follow-up strategy for a popular story. Then, Oren Ashkenazi shares five ways to handle parents without killing them. Mythcreants

Robert Lee Brewer advises writers regarding spacing between sentences. Writer’s Digest

Daniel Ross Goodman shows us the haunting magic of Maurice Sendak. National Review

Thank you for visiting. I hope you found something you need to move your work in progress forward.

Until Thursday, be well!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Aug 18-24, 2019

Ack! We’re in the last week of August! The weather’s still holding though. I, for one, am going to extend summer for as long as I can.

Whether you’re heading back to school or work, take some time to enjoy these informal writerly learnings 🙂

Vaughn Roycroft talks story endings: happy or sad or something else? Kathleen McCleary considers the values of good fiction. Writer Unboxed

Christina Delay extolls the power of the writing tribe. Then, Jenny Hansen covers the writer hierarchy of needs. Margie Lawson wants you to strive for excellence by using what you learn. Writers in the Storm

K.M. Weiland: how to tell if your story has too much plot, not enough character. Helping Writers Become Authors

Joanna Penn interviews Cat Rose about being a creative introvert. The Creative Penn

Roz Morris offers seven swift storytelling hacks for backstory, description, dialogue, exposition, point of view, and plot. Nail Your Novel

Victoria Mixon takes a different approach to character motivation. Then, September C. Fawkes shares four keys to a powerful denouement. Writers Helping Writers

Jenna Moreci compares static and dynamic characters.

Abigail K. Perry delves into James Scott Bell’s eleventh signpost scene: lights out. Brenda Joyce Patterson takes a deep dive into playwriting. Then Bethany Henry offers five tips for creating engaging characters. DIY MFA

Janice Hardy explains how to write a scene (and what qualifies as a scene). Fiction University

Jami Gold hopes you take a leap of faith in fiction and in life.

Oren Ashkenazi analyses seven stories with contrived character conflict. Mythcreants

William R. Leibowitz details his research for his latest novel: using facts as the base of science fiction. Writer’s Digest

Laurie Penny says, we can be heroes: how nerds are reinventing pop culture. A story about stories, fanfic, structure, the hero’s journey, and awesome. Wired

Thanks for visiting. I’ll be back on Thursday with some thoughty links for you.

Until then, be well.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, June 16-22, 2019

A nice, plump bunch of juicy informal writerly learnings. Yes. I have fresh strawberries on the brain. I drool watching them ripen in the garden!

Anthea Lawson Sharp (who writes romance as Anthea Lawson and Fantasy as Anthea Sharp) talks about the craft of short fiction. Later in the week, Margie Lawson writes about the power of silence on the page. Writers in the Storm

Vaughn Roycroft shares a father’s legacy. Sonja Yoerg: writing characters with personality using Myers-Briggs. Erika Liodice asks, are you a student? Resounding YES here 🙂 Writer Unboxed

K.M. Weiland makes the final instalment in her Dos and Don’ts of Storytelling According to Marvel series: five ways to earn your audience’s loyalty. Helping Writers Become Authors

Julia Roberts says, writer’s block is a gift (and explains why). Then, H.R. D’Costa shares five ways to ensure readers don’t abandon your book. Jane Friedman

Lisa Lowe Stauffer stops by Fiction University. Jamie Fraser eats an apple: using objects to inject character and world building into dialogue. Later in the week, Janice Hardy explains what setup in a novel actually means and then follows that up with four steps to establish the beginning of your novel.

Chris Winkle makes the next instalment in her goal-oriented storytelling series: tension. Writers Helping Writers

Jenna Moreci offers her definitions of active and passive characters and her tips for writing active characters.

Interestingly, Alexa Donne also expounds on character agency and growth. A theme?

Nathan Bransford explains how to work with a literary agent on edits.

Emily Wenstrom advises what to do when your social media growth stagnates. Here’s my latest speculations column: what psychology and neuroscience contribute to your stories. DIY MFA

Chris Winkle extracts some lessons from the writing of The Name of the Wind. Then, Oren Ashkenazi considers building democracy in your fantasy world. Mythcreants

Tale Foundry introduces us to eight of Sir Terry Pratchett’s clever(est) characters.

Roz Morris shares the “under-arrest” test for ensuring a satisfying ending. Nail Your Novel

CD Covington thinks the Sapir-Whorf hypothesis is good fiction but bad science. Because language. Tor.com

Lynn Neary and Patrick Jarenwattananon celebrate Joy Harjo’s appointment as the first Native American US poet laureate. NPR

That should be enough to see you through until Thursday when I have a tidy batch of thoughty for you 🙂

Until then, be well, my writerly friends!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, May 19-25, 2019

Another week, another batch of informal writerly learnings.

Vaughn Roycroft explains what makes a story epic … to him. Barbara O’Neal wonders, are you making writing harder than it needs to be? Heather Webb: protecting your creative mindspace. Writer Unboxed

Fae Rowan is soldiering on. Writers in the Storm

K.M. Weiland shares 20 of the most instructive quotes about writing. Helping Writers Become Authors

Victoria Mixon is contrasting and condensing characters: two sides of the same coin. Writers Helping Writers

The Tale Foundry looks at Sir Terry Pratchett’ unifying voice.

 

Allegra Huston stops by Jane Friedman’s blog to share the two basic rules of editing (and one rookie mistake).

Pamela Taylor is creating authentic character details: names. Research is fun! Then, Gabriela Pereira interviews Jodi Thomas: turning characters into people. DIY MFA

Chris Winkle helps you understand appropriative worldbuilding. Then, Oren Ashkenazi warns against seven ways writers sabotage beta reading. Mythcreants

Jami Gold explains how pacing helps readers care about our characters.

Thanks for stopping by. I hope you found something useful.

Be well until thoughty Thursday!

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