Trinity

Tipsday: Informal writerly learnings, Jan 2-8, 2022

/ Melanie Marttila

Another week, another batch of informal writerly learnings. Enjoy!

LA Bourgeois explains why you should stop using the word “should.” Then, Jeanette the Writer wonders how much you should pay an editor? DIY MFA

Ellen Brock provides her writing guide for intuitive plotters. This one feels spot on for me 🙂

Greer Macallister expounds on your novel’s two beginnings. Only begin. Therese Walsh: recovery from (something that tastes an awful lot like) shame. Donald Maass: gods, monsters, and murderbots. Julie Duffy lists the five Fs you should give while writing. Beth Havey: the power of place. Writer Unboxed

Bad writing habits to drop in 2022. Reedsy

Karen DeBonis says that in medias res is a very good place to start your novel. Then, Joseph Lallo offers some advice about worldbuilding for sci-fi authors: terraforming. Lori Brown is embracing the mystery of deep POV. Writers in the Storm

Elizabeth Spann Craig talks about making mini-plans and mini-goals for the year.

Princess Weekes discusses the women of Jane Austen. It’s Lit | PBS Storied

Jane Friedman says that BookTok is a safe haven for young, female readers. Jane Friedman

Colleen M. Story shares four strategies to help writers focus in a world of distractions. Writers Helping Writers

Sympathy for the #pickmegirl The Take

Chris Winkle explains how writing instructors forgo the most vital fiction lesson. Oren Ashkenazi: Way of Kings shows us the damage meta-mysteries can do. Mythcreants

Guy Kawasaki interviews Julia Cameron, queen of change, creative inspiration, and prolific writer. The Remarkable People Podcast

Is Trinity the “real” one? The Take

Jami Attenberg: rejection gave me a fresh start, a new year. “Writing is holy, as my friend Patricia Lockwood says. It is true that it is hard to make it as a writer, or any kind of artist, for that matter. But if you love to write, you should write forever.” The Guardian

Thank you for stopping by, and I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Informal writerly learnings, Dec 19-25, 2021

/ Melanie Marttila

Ack! It’s the last tipsday of 2021! Where did the year go?

E.J. Wenstrom suggests three author platform resolutions for 2022. Then, Sara Farmer shares her favorite children’s mysteries (so far). J.L. Torres offers a masterclass in short fiction, voice, and opening lines. Then, Carol Van Den Hende considers five 2021 book cover trends. DIY MFA

Tim Hickson shares the seven stories that changed his life. Hello, Future Me

Lisa Norman lists nine keys to being media ready. Then, Ellen Buikema explains how to use sound to make your writing memorable. Writers in the Storm

Tom Scott walked into a bar … and then I threw him out a window. Jill Bearup

Vaughn Roycroft: joy to the (writerly) world! Then, Kelsey Allagood says, keep making art, even if the world is ending. Kasey LeBlanc explains how not to miss the forest for the trees: appreciating the long and winding writing road (and its many detours, pitfalls, and stumbles). Then, Erika Liodice shares the 3-2-1 rule for protecting your work in progress. Natalie Hart recommends you give the gift of a good book gush. Writer Unboxed

Dynamic vs. static characters, and why you need both. Reedsy

Susan DeFreitas wonders, what makes a story feel like a story? Jane Friedman

Chris Winkle shares lessons from the vague writing of The Remnant Chronicles. Then, Oren Ashkenazi analyzes five movies that audiences loved but critics hated. Mythcreants

Chuck Wendig offers his thoughts on The Matrix: Resurrections, or the conversations art has with itself. Terribleminds

Santa’s cruel fairy tale cousin, the demon of frost. Tale Foundry

Nina Munteanu explains why you should keep a journal.

Hua Hsu considers the revolutionary writing of bell hooks. The New Yorker

Emma Cline unpacks Joan Didion’s specific vision. The New Yorker

Toniann Fernandez: Jeremy O. Harris and Samuel Delaney in conversation. The Paris Review

Beginnings at the End of Love: Rebecca West’s Extraordinary Love Letter to H.G. Wells in the Wake of Heartbreak. The Marginalian

Julia Métraux wonders if Trinity’s the real hero of The Matrix. JSTOR Daily

Thank you for stopping by, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!