Your informal writerly learnings are short and sweet this week. Trade wars and Harvey Weinstein on trial and the Rosanne debacle really took it out of me.
Liz Michalski advises you to blow it up (where it is a practice that no longer serves you). Writer Unboxed
Julie Carrick Dalton shares her thoughts on finding second life in cast-off words. I might have to try her fire brick idea some day. I’m not craft-inclined enough to try the other stuff 🙂 Writer Unboxed
Porter Anderson watches the Canadian problem with Access Copyright with interest and alarm. Authors I know whose work was copied for academic packages used to get paid. Universities rebelled and now they get nothing. Advocacy and authors. Writer Unboxed.
Keith Cronin writes a thought-provoking post for Writer Unboxed: when a bad person makes good art. I’ve struggled with this issue myself and there are no easy answers, at least none that satisfy both my need for social justice and my need for quality art to consume.
Julie Carrick Dalton says, it’s time cli-fi (climate fiction) became its own genre. I agree in part … The examples she cites are from a number of different genres, though. I don’t know if publishing in general or marketing in particular will be willing to get on board. Stranger things have happened. Writer Unboxed
More fun with words: the Merriam-Webster time traveler. Check out what words entered the dictionary the year you were born … or any other year since 1828 🙂
Porter Anderson offers this provocation in publishing: attention spans are shorter and word counts are trending down. My favourite quote is from Tom Goodwin: “Book publishing is not in the ‘text industry.’ It’s not in the ‘reading industry.’ It’s in the ‘what do people want to spend their time doing? industry.’” Writer Unboxed