Tipsday: Informal writerly learnings, March 19-25, 2023

It’s the last tipsday of March! Prepare to “go out like a lion” with some informal writerly learnings 🙂

Amy Christine Parker shares four powerful tools for creating dread in your fiction. Then, Constance Emmett discusses finding her writing tribe. Carol Van Den Hende offers three ideas to inspire Instagram-worthy book posts. Next, Lori Walker interviews Jinwoo Chong about exploring themes of grief and loneliness in a neo-noir speculative novel. Sara Gentry lists five ways numerical data can improve your novel. DIY MFA

How to write strong openings: action-driven vs. voice-driven. Mary Robinette Kowal

Susan DeFreitas: your story is amazing, but does it make sense? Dave King warns of critter danger. Then, Sophie Masson has the last word on epilogues. John J. Kelley discusses using social occasions to elevate your story. Writer Unboxed

Story Structure 101. Reedsy

K.M. Weiland presents two ways to write organic themes. Helping Writers Become Authors

Lisa Norman tells you all you need to know about how to write with AIs. Then, Ellen Buikema explains how to kill a character without enraging readers. Writers in the Storm

Where alcoholic drinks got their names. Otherwords | PBS Storied

Sarah Elizabeth Sawyer answers seven questions on writing about Native Americans. Then, Susanne Dunlap explains what memoirists can learn from historical novelists. Katie Bannon shares five reasons to write your taboo stories. Jane Friedman

Lucy V. Hay explains the importance of a great opening to a novel. Then, Becca Puglisi has some creative ways to brainstorm story ideas. Angela Ackerman wonders how much time do you waste as a writer? Writers Helping Writers

The best outlining tools for writers. Reedsy

Nathan Bransford explains how to edit someone’s novel.

Tiffany Yates Martin says don’t build your network. Fox Print Editorial

Chris Winkle shares lessons learned from the clichéd writing of Pendergast. Then, she explains the why and how of foreshadowing. Mythcreants

Gene Maddaus reports that the Writers Guild of America would allow AI in scriptwriting as long as writers maintain credit. Variety

Thank you so much for spending some time with me. I hope you found something to support your current work(s) in progress.

Until Thursday, keep staying safe and well, my writerly friends.

Tipsday: Informal writerly learnings, Aug 14-20, 2022

Week four of August is here along with your weekly batch of informal writerly learnings! Enjoy!

K.M. Weiland explains how to write emotional scenes (without making them cringey). Helping Writers Become Authors

Lisa Norman reveals how to painlessly generate dozens of blog ideas. Then, Sandy Vaile digs into research: how far will fiction authors go for facts? Laurie Schnebly Campbell wonders how much does genre matter? Writers in the Storm

Joanna Penn interviews Becca Puglisi about writing conflict. The Creative Penn

How to write a plot summary and a synopsis. Reedsy

Roz Morris considers using real people in historical fiction—how much can you invent? Nail Your Novel

Barbara Linn Probst wonders what does “award-winning author” mean—and does it matter? Then, Marcie Geffner discusses aphantasia and writing fiction with no “mind’s eye.” Writer Unboxed

AJ Harper helps you get in front of your readers’ doubts and objections. Jane Friedman

Good characters are overrated. Tale Foundry

Christina Delay: small focus. Big creativity. Becca Puglisi wants you to use your character’s career to support your story’s theme. Writers Helping Writers

Nathan Bransford says don’t outsource your agent search.

Kris Hill considers fairy tales and once upon a time. Manuela Williams: what is the poetry of witness? Then, Daria White proposes an alternative to traditional time management for writers.  Abigail Cutter suggests five ways to get inside your historical characters’ heads. DIY MFA

This fight changed everything … Jill Bearup

Angela Ackerman: does conflict really belong on every page? Jami Gold

Tiffany Yates Martin explains how to write a query letter (without losing your mind). Fox Print Editorial

Kristen Lamb examines the priority parallax: what’s truly important?

Chris Winkle lists ten reasons your characters might stop communicating. Then, Oren Ashkenazi analyzes five stories with well-written families. Mythcreants

How to write your first novel. Reedsy

Chris Martin discusses poetry, autism, and the joy of working with neurodiverse writers. Literary Hub

Peter Kafka: the newsletter boom is over. What’s next? Vox

S.L. Huang investigates the ghost of workshops past: how communism, conservatism, and the Cold War still mold our paths to SFF writing. Outstanding essay! Tor.com

Thank you for spending some time with me. I hope you found something to support your current work in progress.

Until Thursday, keep staying safe and well!

Tipsday: Writerly Goodness found on the interwebz, Sept 2-8, 2018

It’s been a tasty week for informal writerly learnings 🙂

Donna Galanti explains how to build suspense: meet your readers in the middle and they will come. Writers in the Storm

It’s been a while, but Fae Rowan is back with part three of her series on five conflict-making choices your characters can make. Writers in the Storm

Anna Elliott: heartbeats. Writer Unboxed

Kathryn Magendie is letting go of the negative dark cycle. Writer Unboxed

Greer Macallister offers 25 truths about the work of writing. Writer Unboxed

Therese Walsh: that time Jane Friedman’s advice saved my novel. Writer Unboxed

Donald Maass has some suggestions in case you’re feeling stuck. Stories don’t get stuck; only writers do. Writer Unboxed

Related: Kristen Lamb wonders if your story is stuck and offers five reasons your novel is breaking down.

And another perspective: sometimes it’s okay to quit the thing you’re writing. Sometimes you have to quit writing a thing. As long as you don’t quit writing all the things. Chuck Wendig @Terribleminds.

Rachael Stephen: Solve any writing problem (with brainstorming!)

 

Then, she argues that you have to define your theme before you write (and dares you to fight her):

 

If you have sloppy writing habits, K.M. Weiland shares four strategies to deal with it. Helping Writers Become Authors

Merilyn Simonds drops by Jane Friedman’s blog: how long should it take to write a book?

James Scott Bell takes his turn in the Writers Helping Writers coaching corner: where’s your edge?

Leanne Sowul shares seven lessons learned from tracking her time. DIY MFA

Sera Fiana recommends five self-care tips to improve your writing process. DIY MFA

Jami Gold: what does it mean to write layered characters? Later in the week, she reflects on how goals, needs, and false beliefs create character conflict.

Ellen Brock shows you how to plot your novel fast.

 

Fay Onyx examines five common harmful representations of disability. Mythcreants

And that was Tipsday.

Come back for your weekly dose of Thoughty on Thursday!

Until then, be well, my writerly friends.

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Thoughty Thursday: Things that made me go hmmmm on the interwebz, Dec 25-31, 2016

It’s a right mix of edutainment this week, but I hope it still pops your mental corn!

A Sudbury teen, missing since December 20, is found on Christmas Eve. Sudbury Star

Petula Dvorak: the Hannuka/Christmas convergence couldn’t be more symbolic of the light we need to embrace. The Washington Post

Oliver Burkeman reports on why time management is ruining our lives. I might argue that this would only apply to those for whom the skill does not come naturally. The Guardian

Feeling less than grateful? Some people are just wired that way. Katherine Hobson for NPR.

Emily Hartridge talks about her top four anxiety challenges.

 

Depression is all in your head—and now, doctors know where. Second Nexus

Alan Yu explains how a diet high in fat and sugar affects your memory. NPR

Becca Martin hates to break it to you, but you are the reason your life sucks. Thought Catalog

Madeleine Davies: becoming ugly. Jezebel

Bec Crew reports on a new Alzheimer’s therapy that fully restores memory function. Science Alert

Antonio Regalado: everything you need to know about gene therapy’s most promising year. MIT technology review

Phil Plait shares a fabulous photo of a lunar fogbow. Slate

In England, you can camp in abandoned medieval churches. David Wilson for Atlas Obscura.

I’m all about Immie (Imogen Heap) this week. Lifeline:

 

Canvas:

 

You know where to find me:

 

Neglected space:

 

Coming up on the weekend: I’ll be looking at December’s writing progress and wrapping up 2016.

Be well until then, my lovely people 🙂

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What I learned observing the Business Expertise Advisor Curriculum

In between my wintery road trips and getting stuck in an elevator last week, I was actually in Toronto for work.

Last summer, while I was still an acting consultant, the opportunity to observe and/or facilitate this course arose. The initial plan was that two sessions would be held, one in January and one in February.

I would observe the course in January with an eye to facilitating it in February. Unfortunately, the second session never materialized. It may not be until next year that I’m able to try my facilitation chops out on this course.

It’s a long time to wait in the wacky world of facilitation.

Here’s what I learned:

1. The course is a very demanding one for facilitators.

Class1One of the facilitators, who had actually delivered the course once in the past, said she didn’t want to facilitate the course again. It’s a fairly cerebral course, and a lot of material is packed in to four and a half days.

The course is intended to be an introduction to the basic duties of an advisor and as such, it covers working on a virtual team, change management, interpersonal relationships, providing advice and guidance, teaching adult learners, and workload/time management. Things are pretty tight and there’s not a lot of room to wiggle. It’s difficult to keep on track.

Because the course starts Monday morning, the facilitators and participants must travel in overtime (something management frowns on), and the facilitators can’t get into the room until the first morning of training. I prefer to prepare as much as possible in advance and to keep activities queued up and flowing well. Having an hour or an hour and a half for set up would be demanding. It also means that I’d have to come in earlier and stay later each day to stay on top of activities and exercises.

2. The course is something that every new BEA should attendClass2

And, the sooner the better.

Many of the attendees of this course had been BEAs for years and had had the course on their performance and learning agreements for years as well.

As a result, we had a lot of great discussion about our quality control processes, technology, communications, and training. I don’t know that a class of entirely new BEAs would have been half so dynamic.

We also had a varied group of participants from different business lines. One of the big questions I had when I started out as a BEA was what other BEAs elsewhere in our organization did and how those duties compared to my own.

Even though I knew there was a BEA course, it was being redesigned when I started as a BEA and was only piloted to select groups of participants in the next couple of years.

In the positions I’d held previously, there was training, weeks of it. Plus post-training monitoring. I learned the role of advisor by doing it, which is fine because it works with my learning gestalt, but I’m sure for others it was a bit of a culture shock.

After the BEA level, most of the training is piecemeal and you have to actively pursue those courses if you want to take them. Task or competency-based training is not mandatory once you’re out of production.

3. The BEAs in attendance thought the course had value for them

Class3This was a concern, because, after one of my colleagues attended a pilot of the course years ago, she did not have many positive things to say about it.

The BEA Curriculum is a course where you derive benefit proportional to the time and effort you invest.

It’s also one in which the participant should have clearly defined goals and expectations of the training. When the modules of the course that hold the most value for them come up, participants are more likely to play a more active role in their learning.

I presented a short exercise about performance management. I prefaced it with Cathy Moore’s flowchart: Is training really the answer?

Once the advisor has determined that neither training nor monitoring is the answer, what do they do? They perform a needs analysis to identify learning gaps and see if they can devise a plan, working with management, to bring the employee’s behaviour into line with the employer’s expectations.

I asked them to come up with some scenarios from their own experience, and once we had a few, divided them up by business line to review a tool in the training package and see if it would help them in those performance management situations.

Several of the participants told me they thought both the flowchart and the checklist were great resources.

So while the BEA Curriculum was not an unmitigated success (I forgot one of the groups in a breakout room and they didn’t return until after everyone else had left—bad Mellie!) I think it was a good course and one that I’ll enjoy facilitating in the future. If I can remember all the tips and trick I learned this time around!

Do you have any facilitation stories to share? New courses learned or delivered? Lessons learned in the delivery?

Do share.