Tipsday: Informal writerly learnings, Dec 4-10, 2022

Welcome to the first full tipsday, post-NaNo 🙂 It’s time to stock up on informal writerly learnings. Enjoy!

LA Bourgeois is dealing with ambiguity. Then, Richelle Lyn recommends planning early for New Year’s success. Lori Walker interviews Deeba Zargarpur about blending family trauma with the supernatural. Then Melanie Bell explains how to write a novel with alternating timelines. DIY MFA

The childless woman trope needs a serious update. The Take

Greer Macallister: on endings and non-endings. Tiffany Yates Martin shares more words you’re probably using wrong. Then, Donald Maass considers the eighth element. David Corbett shares some writing lessons from Jess Walter. Then, Kathryn Craft lists seven ways public readings can help your writing. Writer Unboxed

What kind of fencing club is this, Wednesday? Jill Bearup

Penny C. Sansevieri helps you create bonus content to double your reader engagement. Then, Janice Hardy shares three easy tips to help you revise your novel. Piper Bayard exposes honeypots and the honey trap (writing spies series). Writers in the Storm

K.M. Weiland shares 15 tips to create the perfect writing space. Helping Writers Become Authors

Lisa Poisso exposes three action-reaction misfires that flatten your writing. Writers Helping Writers

How music brings mortals closer to gods. Fate & Fabled | PBS Storied

Nathan Bransford: finding the courage to leap.

Becky Robinson explains how to bridge the gap between online and offline activities. Then, Ariel Curry helps you build your writing self-efficacy. Tiffany Yates Martin answers this question: what if you’re new to writing and don’t know how to fix things? Jane Friedman

Tiffany Yates Martin wonders, what is your Wendy? Fox Print Editorial

Three act structure: writing a showstopping ending. Reedsy

Steven Fritz reveals radiation hazards in space and how to mitigate them. Science in Science Fiction | Dan Koboldt

Chris Winkle lists five common character arc blunders. Then, Oren Ashkenazi explains why Save the Cat! can’t write a novel. Mythcreants

Julianna Kim: a new author tweeted about a low book signing turnout and famous authors commiserated. NPR

Oxford selects its word of the year 2022: goblin mode.

Thank you for visiting, and I hope you found something to support your current work(s) in progress.

Until Thursday, keep staying safe and well, my writerly friends!

Tipsday: Informal writerly learnings, Dec 1-3, 2022

A short week of informal writerly learnings to get back on track with curation. Enjoy!

Angela Ackerman explains how to write antagonists readers can’t help but like. Writers Helping Writers

Tiffany Yates Martin learns how Vaughn Roycroft revises by redefining success. Fox Print Editorial

Why “female entertainment” still gets written off. The Take

Grace Bialecki explains the power and necessity of sitting with your critiques. Then, Adele Annesi presents an argument for setting aside arc in story development. Jane Friedman

Liza Nash Taylor makes some notes to self on making room to move ahead. Henriette Lazaridis wants to linger, tinker, savor: taking the time to get it right. Writer Unboxed

We might never speak to aliens. Here’s why. Hello, Future Me

James R. Preston offers five tips to manage the book galley journey. Writers in the Storm

Chris Winkle shows you six places to trim slow prose. Then, Oren Ashkenazi shares what Legends and Lattes teaches us about light stories. Mythcreants

Three act structure: writing a strong first act. Reedsy

Three act structure: writing an engaging middle. Reedsy

A.H. Plotts presents show, don’t tell: your novel as a movie script. DIY MFA

Merriam-Webster’s word of the year 2022 is … gaslighting.

And that was tipsday. Thanks for stopping by. I hope you found something to support your current work(s) in progress, whatever stage they’re at.

Until Thursday, keep staying safe and well!

Tipsday: Informal writerly learnings, June 19-25, 2022

Welcome to the final tipsday of June! Fill up on informal writerly learnings for the last time this month.

Sara Farmer lists more of her favourite Sherlock Holmsian mystery series. Then, Abigail K. Perry analyzes the first chapter of Harry Potter and the Sorcerer’s Stone. Angela Yeh explains why all writers should play with poetry. Then Angela unlocks writer’s block sideways. Later in the week, Lewis Jorstad lists five reasons your novel’s premise is a powerful writing tool. DIY MFA

Nathan Bransford provides a novel revision checklist.

How to write a non-fiction book proposal. Reedsy

Matthew Norman explains how his career in advertising helped shape him as a novelist. Dave King: when worlds collide. Kelsey Allagood wants you to let your words grow wild. Then, Deanna Cabinian wonders, when is obsession a good thing? Victoria Strauss warn about the predatory contracts of serial reading/writing apps. Writer Unboxed

K.M. Weiland helps you understand the new normal world of a story’s resolution. Helping Writers Become Authors

Erica Brosovsky suggests some foreign words we need in English. Otherwords | PBS Storied

Lisa Norman explains why you want people to hate your website. Then, Megan Ganesh promotes diversity and inclusion in writing. Eldred Bird says Chekov’s gun is a double-edged writing sword. Writers in the Storm

Nina Amir reveals how to quickly develop a writing habit. Live, Write, Thrive

Elizabeth Spann Craig points out yet another use for outlines.

Allison K. Williams reveals why agents don’t give feedback—and where to get it instead. Jane Friedman

The curse of creativity. Tale Foundry

Becca Puglisi wants you to go beyond the superficial character talents and skills. Jami Gold

Cheryl Rainfield helps you avoid writing mental health stereotypes. Writers Helping Writers

Tiffany Yates Martin asks, are you writing safe or risking your readers? Fox Print Editorial

Chris Winkle explains how to make your character novel. Then, Oren Ashkenazi says that the three-act structure is a mirage. (!) Very insightful and something that’s been bothering me about most story “structures.” Mythcreants

Workplace dystopias aren’t fiction. They’re here. The Take

Angie Hodapp talks rhetorical story development. Then, Kristin Nelson asks, can a writer set out to write a bestselling novel? Pub Rants

Kristen Lamb explains why we play “follow the reader.”

Terry Nguyen says we need rituals, not routines. Vox

Cassie Josephs: Murderbot is an autistic-coded robot done right. Did I not nail this in my last next chapter update? Oh, yeah. I did. Tor.com

Thank you for spending some time with me. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, Oct 25-31, 2020

Welcome to the first—and last—tipsday of November! Load up on informal writerly learnings and I’ll see you in December. ‘Cause NaNoWriMo.

Black and Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter.

Wear your masks. Maintain physical distance. Get your flu shot. We are firmly in the second wave and the situation is getting steadily worse. We all have to pull together to survive and protect each other until a vaccine is available.

Kim Bullock explains why writers need rooms of their own. Later in the week, Barbara O’Neal distinguishes between using memory vs. backstory. Writer Unboxed

K.M. Weiland: the midpoint as the swivel of your novel’s linked structure. Helping Writers Become Authors

Janice Hardy shares six steps to creating a great character. Fiction University

Susan DeFreitas says, don’t hold out for publishing to make you feel seen. Pursue this goal instead. Jane Friedman

The Karen trope, explained. The Take

And then, the witch trope, explained. The Take

Tasha Seegmiller: how do your characters love? Later in the week, Eldred Bird offers some tips for upping your “what if” game. Then, Laurie Schnebly Campbell explains why we love (and resent) alpha males. Writers in the Storm

Gilbert Bassey offers four ways to fix a boring story. Writers Helping Writers

Helen J. Darling wants you to reconnect with your values if you’re feeling stuck. Then, Pamela Taylor helps you create authentic details in historical medicine. Later in the week, Gabriela Pereira interviews Laura Jamison about writing the ensemble cast. Then Sara Farmer interviews Linda Olson. DIY MFA

Shaelin reviews structuring your novel with Dan Harman’s plot embryo. Reedsy

And then, she looks at the traditional three act structure. Reedsy

Jami Gold gives some thought to world building on an epic scale.

Oren Ashkenazi analyzes the mixed climaxes of Marvel’s phase three, part 1. Mythcreants

Kristen Lamb explains why some stories fall apart and fail to hook readers (spoilers: it’s story structure).

Summer H. Paulus offers some insight into the origins of Halloween and its traditions. Fantasy Faction

Tricia Ennis reveals the strange, difficult history of queer coding. SyFy

Aja Romano explains how voice actors are fighting to change an industry that renders them invisible. Vox

Disney’s new content warnings on classic animation featuring racist characters. BBC

Thank you for visiting, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!