Tipsday: Informal writerly learnings, March 26-April 1, 2023

Welcome to April, and to tipsday, your opportunity to peruse a select curation of informal writerly learnings. Enjoy!

Kamm Prongay offers one writer’s introduction to reading and writing essay. Then, Lori Walker interviews Patricia Leavy about the magic and science of writing. Anna M. Holmes wonders, are book cover design and blurbs agony or ecstasy? Next, Francesca Miracola shares five things to consider when writing a memoir that covers difficult subjects. DIY MFA

The unbelievably tragic story of Cú Chulainn. Fate & Fabled | PBS Storied

Matthew Norman bemoans so many decisions. Then, Kim Bullock offers some self-care for writers in a pseudo-dystopian world. Tessa Barbosa offers some advice on handling editorial feedback without getting overwhelmed. Next, Mary McDonough is navigating and seeing beyond writers’ roadblocks. Julie Carrick Daltoon is playing with point of view: we are all heroes. Writer Unboxed

How to structure a heist. Mary Robinette Kowal

Janice Hardy explains how to make backstory work for you. Then, Rayne Hall is plotting a short love story. Fiction University

K.M. Weiland shares how archetypes changed her life and her writing. Helping Writers Become Authors

Kris Maze shows you how to gift your author estate — writing to retire, part 2. Then, J. Alexander Greenwood offers some tips from podcast hosts for a good show. Lynette M. Burrows is crafting a story with the forces of antagonism. Writers in the Storm

How Sherlock Holmes killed his author. Tale Foundry

Carly Watters defines upmarket fiction. Then, April Dávila helps you banish writer’s block in five minutes flat. Allison K. Williams explains why you should be writing on social media. Jane Friedman

Angela Ackerman explains how to uncover your character’s deepest fear. Then, she says, if your story needs a hit of organic conflict, look to your setting. Writers Helping Writers

How many words in a novel? Reedsy

Nathan Bransford: plinko scenes.

Tiffany Yates Martin considers lucky breaks and tough shakes. Fox Print Editorial

Chris Winkle points out six signs of over-summarized prose. Then, Oren Ashkenazi says these eight RPGs also deserve mediocre movies. Mythcreants

Thanks for taking the time to visit. I hope you found something to support your current work(s) in progress.

Until Thursday, keep staying safe and well.

Tipsday: Informal writerly learnings, June 26-July 2, 2022

Another week, another batch of informal writerly learnings. And so it goes …

Vaughn Roycroft is living an artist’s life with lessons from Kate Bush. Then, Erika Liodice is finding inspiration in unexpected places. Tessa Barbosa shares some easy tricks for crafting memorable characters. Then, Sarah Callender is writing (and living) in the midst of fear. Barbara O’Neal considers the practice. Writer Unboxed

Tim fixes Legend of Korra season 2. Hello, Future Me

K.M. Weiland offers eight ways to avoid cardboard characters and plot contrivances. Helping Writers Become Authors

Susan DeFreitas explains how (and how not) to write queer characters: a primer. Then, Tiffany Yates Martin reveals how to improve your storytelling by studying other people’s. Jane Friedman

That … could have gone better? (Analysis of Luke vs. Vader in Empire Strikes Back.) Jill Bearup

Kris Maze says re-gear your writing career—take risks to revitalize. Then, Jenny Hansen shares Kurt Vonnegut’s ten tips for successful writing. L.A. Mitchell is opening the top-secret client vault on ghostwriting (and how you can find your first). Writers in the Storm

Teresa Conner shares three design secrets for captivating book adds. Hyacinthe M. Miller helps you avoid writing stereotypes of people of color. Writers Helping Writers

Death by misadventure—Passing and the nature of identity. Princess Weekes

LA Bourgeois is battling the guilt monster. Then, F.E. Choe offers a few, humble thoughts on voice. Michael Bourne lists five ways to turn your setting into a fully realized character. DIY MFA

Tiffany Yates Martin points out the main writing skill you may be neglecting. Fox Print Editorial

Moiya McTier—Trickster gods and the mortals who love them. Fate & Fabled | PBS Storied

Chuck Wendig says sometimes writing is finding a place to put all your rage, sorrow, and even joy. Terribleminds

Chris Winkle explains how to write a first-person retelling. Then, Oren Ashkenazi reveals the myth of conflict-free story structures. Mythcreants

Kristen Lamb: writing to formula vs. formulaic writing.

Thank you for visiting with me 🙂 I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Informal writerly learnings, Jan 30-Feb 5, 2022

Was it a monumental Monday for you? Well, now it’s time to reward yourself with some informal writerly learnings.

Anita Ramirez concludes her writerly journey with a couple of revelations. Then, Angela Yeh is finding nourishment and joy in daily life through the spirit of haiku. Eliza Jane Brazier explains how to write better by not writing. Then, Heather Campbell shares five sneaky ways perfectionism sabotages your writing. DIY MFA

The existential dystopias of Arcane and Squid Game. Hello, Future Me

Tessa Barbosa presents an introvert’s guide to a public online presence. Donald Maass: back story versus the past. Keith Cronin gets an unexpected gift from covid. Then, Rheea Mukherjee is writing with depression. Writer Unboxed

Rape revenge and Promising Young Woman: realism vs. catharsis. Melina Pendulum

K.M. Weiland explains what conflict in fiction really is and why it’s important to plot. Helping Writers Become Authors

What is white room syndrome? Reedsy

Shannon A. Thompson: yes, writers need to hear the hard truths, but warnings can go too far. Then, Eric Newton discusses making difficult decisions about the work left behind when a writer dies. Joe Ponepinto explains how to use telling details to connect description to character. Jane Friedman

Why are cats mythology’s most popular creatures? Fate & Fabled | PBS Storied

Diana Clark wonders how much research is enough. Then, Eldred Bird is building a better villain. Ellen Buikema continues her explorations of sensual writing: using the power of taste in your writing. Writers in the Storm

Why the disabled villain trope is so offensive. The Take

September C. Fawkes shares six cheats to “tell” well (when it’s warranted). Writers Helping Writers

Chris Winkle lists nine personality clashes for character conflicts. Then, Oren Ashkenazi explains why tossing in calamity won’t make your story exciting. Mythcreants

How writers revise: the relentless resilience of Ruta Sepetys. Fox Print Editorial

Point of view: definition and examples for the narrative path. Story Grid

How Disney commodifies culture – Southeast Asians roast Raya and the Last Dragon, part 1. Long, but well worth your while. Xiran Jay Zhao

And part 2:

Part three … yet to come.

Nina Munteanu touts the benefits of expressive writing: the journal writer.

Susan DeFreitas shares the lessons learned during her year of reading every Ursula K. Le Guin novel. Literary Hub

Weike Wang: notes on work. “There’s a masochistic pride to overworking. How heavy a workload can I truly handle? How many plates can I keep in the air?” The New Yorker

Ena Alvarado: animal teachers and Marie de France. JSTOR Daily

Thanks for hanging out with me. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe.