A born storyteller …

Storyteller is just another name for liar.

In grade one, I think all my classmates (and teachers) thought of me as a silly giggler, a liar, and cat-lady-in-training.

I didn’t even know how to write properly yet, so I exercised my creativity by telling my classmates in “show and tell” about the latest stray cat that I picked up on the way home.  They’d always run away after a few days and so I could show the class a different picture from the cat book I’d checked out of the library and tell them that my latest find looked just like that.

Daydreaming was also a preoccupation.  Because my dad had epilepsy, it was thought that I might too and that my habit of totally “zoning out” was actually petit mal seizures.  Later in life, I was formally tested for epilepsy and there was absolutely no sign of it.  I’d just delve so deeply into my fantasy world that there was nothing could tear me away.

If I was born 20 years later, I’d probably have been diagnosed as ADHD and drugged into submission.  As it was, I was “spoken to” and ignored.  I was deemed enthusiastic but disruptive by different teachers for different reasons.

Can you see the mischievious? Just call me “wee devil” 🙂

Really, I was painfully shy, and the giggling was a way of deflecting uncomfortable situations, which meant pretty much everything.  To this day, I still laugh when I offer a thought or suggestion to my colleagues or manager at work.  If it’s too radical, my suggestion can always be dismissed as a joke, right?

The daydreaming-at-inappropriate-times thing stayed with me until my mid-twenties, and then I started to get clever about it.  I’d restrict my mental ramblings to my “alone time” so no one would be put off by my apparent disinterest in whatever it was they were saying.  Now I cultivate solitariness.  As I writer, I have reason to, but as a creative soul, I simply can’t do without.

As for the telling of stories, I’ve always wondered what might have happened if someone had recognized what it was I was trying to express and encouraged me to turn those imaginary powers to something else.  If I’d started writing my dreams and stories down earlier, where might I be today?

Ultimately what-ifs and might-have-beens are only intellectual exercises.  None of us have do-overs.

A few months ago, one of the writers I consider to be a mentor, Barbara Kyle, presented this TED talk (via Volconvo) to her creative network: http://www.volconvo.com/forums/content/226-do-schools-kill-creativity.html

It is 20 minutes well-spent, trust me.  Sir Ken is incredibly funny, but his message is dead serious.  Currently, it is not the business of schools to nurture creativity, but to create useful/functional members of society.  I rather agree with Sir Ken, that only by nurturing the creativity of our children will schools produce truly valuable members of the human community.

I’ve also been disturbed by the resurfacing of the ADHD debate.  Are children being over diagnosed/incorrectly diagnosed?  This debate has been around for decades and it still hasn’t been resolved.

Some food for thought:

Were you a creative child smothered by a school system that didn’t recognize what your “acting out” meant?  How did you come to understand your creativity and who helped you through that sometimes agonized and agonizing process?  Did you ever feel less valued or less intelligent because you were more creative than academic?

Three Blind Mice

When I was a wee thing, my parents enrolled me in ballet classes.  I think it was because I was such a spirited and energetic girl 🙂

All went well until the first recital.  We were performing “Three Blind Mice.”

I kind of looked like this:

Young Ballerinas, Casa de Cultura, Havana

Young Ballerinas, Casa de Cultura, Havana (Photo credit: travfotos)

I tried to find my old photo in the big box of them I have.  I searched Mom’s collection too, but no luck.  It’ll do …

I was so excited I think I went ballistic, though I honestly don’t remember the specifics.  The instructor had to discipline me, and unfortunately had to do so in front of everyone.  I went from whirling like a dervish to hugging my knees in the corner crying in about two seconds flat.

We were about to go on stage and this wouldn’t do.  Her pep talk wasn’t inspiring, but it straightened me out enough to perform.  After the big night, I told my parents that I didn’t want to dance anymore.

I did do a little bit more later on.  One of the local gymnastics clubs was offering after school classes and I did one or two dance classes that way and about four or five gymnastics classes.  I always liked gymnastics better anyway.

The thing was, I learned a couple of negative things from that first creative challenge:

  1. Teachers are the enemy.
  2. Quitting is easy.

Avoidance of conflict and embarrassment crop up quite a bit in my creative life.  Heck though, I was three at the time.  How in the world was I supposed to know how to handle it?

So why court embarrassment again now, all these years later?  Because when you’re creative (and I think everyone is), you’re usually creative in a whole whack of different ways.  This was just the first way that I manifested my creativity.  I also liked to draw, build things, sing, and I was a fantastic pretender …

So a tip for people who might think they’re “blocked” in whatever creative endeavor they’re currently engaged in: exercise your creativity differently for a while.  It doesn’t have to be anything spectacular; singing in the shower will do.  Or maybe you could dance like a maniac when no one’s around, go see a play or a concert, start a journal, if you’ve never tried, check out an open mic night at a local cafe, or karaoke if you dare, buy a sketch pad from your local grocery or pharmacy and get with the cartoons.

You may find that refocusing your creative mind (or your creative body) will make you wonder why you thought you were blocked in the first place.

What alternate modes of creativity do you engage in?  What do you want to try that you’ve never tried before?  Was there a time in your life when you felt shut down?  What lessons did you learn from that and how did that experience shape you?