Tipsday: Writerly Goodness found on the interwebz, Aug 22-28, 2021

And here it is, the last day of August (!) How did that happen? Get your informal writerly learnings now, before summer disappears!

Susan DeFreitas lists the three strengths and three challenges of starting your novel with theme. Then, Carol J. Michel explains how to market your book without social media. Jane Friedman

Tiffany Yates Martin shares the one tool that transforms your writing. Then, Tasha Seegmiller composes a letter to a writer: keep learning. Laurie Schnebly Campbell is tremendous, terrible, triumphant. Writers in the Storm

Elizabeth S. Craig is regaining confidence.

C.S. Lakin lists seven sensory elements that writers ignore. Live, Write, Thrive

To kill … To Kill a Mockingbird? It’s Lit | PBS Storied

C.S. Lakin explains how to nail the purpose of your novel’s scenes. Then, Lisa Hall-Wilson shows you how to use trauma strategically to create an emotional arc. Writers Helping Writers

David Corbett: the people we think we know (and the characters they inspire). Then, Diana Giovinazzo helps you utilize video games in your writing. Heather Webb says, if you want to be a career author, you have to avoid pitfalls (and a few trips, too). Then, Natalie Hart touts the gift of hunger. Writer Unboxed

K.M. Weiland shares the main reason your story’s premise is important. Helping Writers Become Authors

Studio Ghibli’s Ponyo: a love letter to the natural world. The Take

Savannah Cordova provides an honest appraisal of Amazon exclusivity for first-time authors. Then, Marina Barakatt considers the merits of The Wicked + the Divine. Leora Krygier considers multigenerational trauma in memoir. DIY MFA

Ann Harth offers a layered method for creating consistent characters. Fiction University

Kristen Lamb considers writer’s block: is it laziness, or a critical part of being a long-time author?

Oren Ashkenazi analyzes five stories that neglect tension. Mythcreants

Why super heroine movies don’t empower us all. The Take

K.W. Colyard explains why authors can’t get enough of this little-known fairy tale. Bustle

Vida Cruz declares, we are the mountain: a look at the inactive protagonist. Fantasy Magazine

Clive Thompson explains how data science pinpointed the creepiest word in Macbeth. OneZero

Steve Edwards is misunderstanding Thoreau: reading neurodiversity in literature and in life. Literary Hub

Sebastian Leck reports that a unique literary festival focuses solely on Haudenosaunee storytelling and publishing. CBC

Peter Knegt: the first piece of queer Mauritian literature ever published is by Montreal’s Kama La Mackerel. CBC

Thanks for taking the time to visit. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, June 27-July 3, 2021

Welcome to another week of informal writerly learnings 🙂 Enjoy!

Erika Liodice explains how to create an authentic setting from a place you’ve never been. Matthew Norman advises, when in doubt, look about. Then, Deanna Cabinian offers some tips from a pregnant lady on deflecting unsolicited writing advice. Nancy Johnson shares three tips for mastering conflict in your novel. Later in the week, Julie Carrick Dalton is crafting climate futures we can survive. Writer Unboxed

Princess Weekes looks at WandaVision and the feminine madness. Melina Pendulum

K.M. Weiland completes her review of the flat archetypal arc with the mentor in part 21 of her archetypal character arcs series. Helping Writers Become Authors

Colleen M. Story lists three reasons writing is a healthy form of escape. Elizabeth Spann Craig

Writing compelling character relationships. Shaelin Writes

James Scott Bell says, act like a professional. Colleen M. Story explains how to tell the difference between procrastination and a true writing crisis. Writers Helping Writers

Princess Weekes loves Octavia E. Butler, the grand dame of science fiction. It’s Lit | PBS Storied

Tasha Seegmiller is exploring a character’s past wound. Then, Julie Glover shares five more quick dialog tips. Writers in the Storm

Emily Zarka looks at the macabre origins of the grim reaper. Monstrum | PBS Storied

My latest speculations: ten AAPI science fiction and fantasy authors to read right now. Later in the week, Lauren Eckhardt shared five ways to catch your golden butterfly. DIY MFA

Why slow adulting is a good thing. The Take

Kristine Kathryn Rusch presents part seven of her fear-based decision-making series: fear and all writers.

Rachelle Shaw lists ten alternative types of short fiction. Fiction University

Jane Friedman breaks down where her money comes from.

The dangerous woman. How we package female sexuality. The Take

Chris Winkle points out what you need to know when planning character arcs. Then, Oren Ashkenazi analyzes six twists that hurt the story. Mythcreants

Nate Berg: stunning new museum brings Hans Christian Andersen’s stories to life. Fast Company

Hank you for taking the time to stop by, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, April 25-May 1, 2021

Welcome to the first tipsday of May 🙂 Get your informal writerly learnings while they last (just kidding, the archives are always accessible)!

Kim Bullock: what your protagonist’s Spotify playlist might reveal. Elizabeth Huergo recommends Kathleen Acalá and the extraordinary. Then, Sophie Masson shares her experience writing an exclusive audio novel. With apologies for the earworm, Lisa Janice Cohen says she’s “losing my ambition.” Milo Todd wants you to read outside your lane. Writer Unboxed

Tim Hickson: on writing great character descriptions (and he shares one of Shaelin’s). Hello, Future Me

K.M. Weiland delves into the king’s shadow archetypes in part 12 of her archetypal character arcs series. Helping Writers Become Authors

Shaelin Bishop shares three great writing tips that no one ever talks about. Reedsy

Janice Hardy explains why you should know who your narrator is speaking to. Fiction University

David Kadavy promotes mind management, not time management. The Creative Penn

On her own channel, Shaelin shares her short fiction writing process. Shaelin Writes

Tasha Seegmiller shows you how to build your own MFA experience. Then, Eldred Bird lists five writing tips we love to hate. Later in the week, John Peragine discusses serialized storytelling (part 1). Writers in the Storm

Yara-ma-yha-who: Australia’s Regurgitating, Blood-Sucking Monster. Monstrum | PBS Storied

Susan DeFreitas shares three key tactics for crafting powerful scenes. Then, Catherine Baab-Maguira wonders, what if it takes 12 years to get an agent? Jane Friedman

The paradox of cottagecore. The Take

Richelle Lyn helps you create your own virtual writers sabbatical. Then, Amanda Polick explains how to ignite tension in your story with food and natural disaster. Gabriela Pereira interviews Rena Rossner about weaving together history, folklore, and fairy tale. Later in the week, Finola Austin lists traps to avoid when writing in first person. Then, Angyne Smith shares five tips to make your writers’ circle sing. DIY MFA

Jenna Moreci shares ten self-care tips for when you’re busy AF.

Angela Ackerman explains how to write emotion well: know your character. Writers Helping Writers

Bunny and Svend Phillips collaborate on this list of five tired tropes about teenagers. Then, Oren Ashkenazi explains how Revenger fails at technology. Mythcreants

Kristin Nelson is not a fan of publishing house mergers: a non-love story. Pub Rants

Ashawnta Jackson introduces us to the haiku of Richard Wright. JSTOR Daily

Thanks for stopping by. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends 🙂

Tipsday: Writerly Goodness found on the interwebz, Feb 21-27, 2021

Welcome to March! You’ve made it through Monday. Reward yourself with some informal writerly learnings 🙂

K.M. Weiland presents part three of her archetypal character arcs series: the hero arc. Helping Writers Become Authors

Writing Fat Characters – a conversation with Marianne Kirby | Writing the Other

Tiffany Yates Martin explains the difference between criticism and critique. Then, Tasha Seegmiller asks, are you a whole-hearted writer? Later in the week, Laurie Schnebly Campbell explains why character motivation matters. Writers in the Storm

Tim Hickson talks elemental magic systems. Hello, Future Me

Susan DeFreitas shares four key tactics for addressing backstory and exposition. Jane Friedman

Abigail K. Perry points out some must-knows about picking comparable titles. Then, Sara Farmer recounts crime authors caught up in real crimes, cozy to cold-blooded. Later in the week, Constance Sayers shares four historical fiction writing hacks. Then, Briana Cole offers five tips to get your story written fast. DIY MFA

Shaelin breaks down the Save the Cat plot structure. Reedsy

Janice Hardy offers some tips to understand and control your novel’s pacing. Then, Orly Konig shares some revision tips for pantsers: three steps to a full rewrite. Fiction University

Kasey LeBlanc is learning to say no thanks: standing up for your creative vision. Heather Webb declares that hope springs eternal: hang on, writers. We’re almost there. Then, Julianna Baggott shares the results of a survey on process: that thing you do. Later in the week, Julie Duffy wants you to focus on short fiction. Writer Unboxed

Literary Icons You NEED to Know from the Harlem Renaissance (feat. Princess Weekes). It’s Lit | PBS Storied

Kristen Lamb: tough choices are the professional writer’s daily grind.

Chris Winkle set out to praise “The Eye of Argon” and all she got were these lousy writing lessons (and a t-shirt?). Then, Oren Ashkenazi looks at ten justifications for oppressed mages and why they fail. Mythcreants

Bridgerton is a fan fiction about today. The Take

The Jewish American Princess – beyond the stereotype. The Take

Trey Mangum reports that Ta-Nehisi Coates will write the next Superman film for DC and Warner Bros. Shadow and Cut

Thanks for visiting. I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, Dec 27, 2020-Jan 2, 2021

Here comes the first tipsday of the new year. Time to indulge in some informal writerly learnings.

Laura Highcove: how your writer’s intuition knows what advice works best for you. Later in the week, Gabriela Pereira interviews Alexandra Monir about the dystopian superhero story. Then, Kim Lozano shares five musts for writing a compelling story beginning. DIY MFA

Princess Weekes: Wonder Woman 1984 was a bitter disappointment. Melina Pendulum

Janice Hardy offers a five-minute fix to jumpstart your scene. Fiction University

Shaelin Bishop offers her advice on how to finish your novel in 2021. Reedsy

Tasha Seegmiller delves into a writer’s authentic self. Then, Fae Rowan offers three words to help you thrive in 2021. Writers in the Storm

The Himbo trope, explained. The Take

The likeable sociopath trope, explained. The Take

Kelsey Allagood: what Gandhi taught me about telling stories that mean something. Later in the week, Jeanne Kisacky shares strategies for restarting a cold project. Writer Unboxed

Shaelin Bishop shares what she learned about writing in 2020. Shaelin Writes

Bunny lists five Arab and Muslim stereotypes to avoid. Mythcreants

All Stories Matter: The Need for Afro-Futurism | Ramatoulie Bobb | TEDxRoyalCentralSchool

Nina Munteanu is embracing the paradox of creative destruction.

Foz Meadows writes a response to Meghan Cox Grudon and the Wall Street Journal. About the classics and teaching them in a modern context. shattersnipe: malcontent & rainbows

The Backlisted podcast considers the influence of Susan Cooper’s The Dark is Rising with Robert Macfarlane and Jackie Morris, co-authors of The Lost Words and The Lost Spells.

Livia Gershon reveals sci-fi pen pals James Tiptree Jr. and Joanna Russ. JSTOR Daily

The Merril Collection, AKA the Spaced-Out Library, is 50! Toronto Public Libraries

Thanks for stopping by. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, Oct 25-31, 2020

Welcome to the first—and last—tipsday of November! Load up on informal writerly learnings and I’ll see you in December. ‘Cause NaNoWriMo.

Black and Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter.

Wear your masks. Maintain physical distance. Get your flu shot. We are firmly in the second wave and the situation is getting steadily worse. We all have to pull together to survive and protect each other until a vaccine is available.

Kim Bullock explains why writers need rooms of their own. Later in the week, Barbara O’Neal distinguishes between using memory vs. backstory. Writer Unboxed

K.M. Weiland: the midpoint as the swivel of your novel’s linked structure. Helping Writers Become Authors

Janice Hardy shares six steps to creating a great character. Fiction University

Susan DeFreitas says, don’t hold out for publishing to make you feel seen. Pursue this goal instead. Jane Friedman

The Karen trope, explained. The Take

And then, the witch trope, explained. The Take

Tasha Seegmiller: how do your characters love? Later in the week, Eldred Bird offers some tips for upping your “what if” game. Then, Laurie Schnebly Campbell explains why we love (and resent) alpha males. Writers in the Storm

Gilbert Bassey offers four ways to fix a boring story. Writers Helping Writers

Helen J. Darling wants you to reconnect with your values if you’re feeling stuck. Then, Pamela Taylor helps you create authentic details in historical medicine. Later in the week, Gabriela Pereira interviews Laura Jamison about writing the ensemble cast. Then Sara Farmer interviews Linda Olson. DIY MFA

Shaelin reviews structuring your novel with Dan Harman’s plot embryo. Reedsy

And then, she looks at the traditional three act structure. Reedsy

Jami Gold gives some thought to world building on an epic scale.

Oren Ashkenazi analyzes the mixed climaxes of Marvel’s phase three, part 1. Mythcreants

Kristen Lamb explains why some stories fall apart and fail to hook readers (spoilers: it’s story structure).

Summer H. Paulus offers some insight into the origins of Halloween and its traditions. Fantasy Faction

Tricia Ennis reveals the strange, difficult history of queer coding. SyFy

Aja Romano explains how voice actors are fighting to change an industry that renders them invisible. Vox

Disney’s new content warnings on classic animation featuring racist characters. BBC

Thank you for visiting, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, Aug 16-22, 2020

Welcome to another week of informal writerly learnings!

Black lives matter. Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter. This is a fundamental truth.

The EI ERB and CERB have been extended for the third time and three new transitional benefits are being created to support Canadians in this crisis. It’s resulted in chaos at work, but chaos has been the rule since March 15th.

Wear a mask. Wash your hands. Stay within your bubbles and avoid crowded events. Take care and stay safe. You don’t know who you could be putting at risk with careless behaviour.

K.M. Weiland shares five exercises for honing your story instincts. Helping Writers Become Authors

Vaughn Roycroft explains why he prefers novels with prologues. Dave King is discussing fiction in the time of plague. Then, Sarah Penner shares the results of a working-from-home survey: navigating changes to our work environments. Later in the week, Porter Anderson discusses emergent voices. Writer Unboxed

Shaelin Bishop shares some of her favourite writing techniques. Shaelin Writes

Tasha Seegmiller: every novel needs a village. Then, Barbara Linn Probst advises us to read like a writer and write like a reader. Later in the week, John Peragine explains the vital importance of your writing community. Writers in the Storm

The muse trope, explained. The Take

Rochelle Melander suggests some tools for revision. Fiction University

Christina Delay uses the lyrics of “Yesterday” to look back at the first act. Writers Helping Writers

Helen J. Darling helps you build your author newsletter list. Then, Pamela Taylor helps you figure out whether you’re writing historical fiction, or something else. Later in the week, Chere Hughes describes the key features of a no-fear critique. DIY MFA

Susan DeFreitas explains what your first 50 pages reveal. Jane Friedman

Nathan Bransford wants you to be very careful with dreams and hallucinations in novels.

Chris Winkle explains why story structures like the Hero’s Journey don’t work. Then, Oren Ashkenazi analyzes five stories with anticlimactic endings. Mythcreants

What English can’t do. NativLang

Alexandra Alter: “We’ve already survived an apocalypse”: Indigenous authors are changing science fiction. The New York Times

Thanks for visiting and I hope you’re taking away something that will support your current work in progress.

Until Thursday, be well and stay safe.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, June 21-27, 2020

Black lives matter. Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter. I’ll keep saying it until it’s true.

Pandemic life continues. A number of states have decided to roll back reopening. The Spanish flu pandemic lasted three years. Mind you, they didn’t have the world-wide medical resources to throw at the virus that we do. Still, I fear covid-19 will turn out to be a virus akin to the common cold and that a true vaccine will not be possible. What I hope is that immunologists will be able to account for mutations in covid-19 like they do with the annual flu vaccination and that we will have an ongoing method of control.

One way or another, this virus will change the way we live. I only hope that we take advantage of this opportunity to make the post-covid world a better one.

Cree Myles issues a challenge: if you want to unlearn racism, read Black science fiction authors. The Mary Sue

Tasha Seegmiller wants to have a candid conversation about publication. Then, Kris Maze wonders, is it YA, or not YA? Later in the week, Ellen Buikema explains how to develop a memorable character. Writers in the Storm

K.M. Weiland is using all four cognitive functions as a writer. Helping Writers Become Authors

Manuela Williams shares the four elements of a compelling book blurb. DIY MFA

Bonnie Randall explains why you can’t concentrate right now. Fiction University

Nathan Bransford: a year of living uncomfortably.

Mathina Calliope: you win this round, comma. Jane Friedman

Shaelin questions whether these writing rules are really unbreakable. Reedsy

Jami Gold helps you fix choppy writing. Then, she wants you to make your chapters count.

Martha Alderson considers the emotional roller coaster all writers experience. Writers Helping Writers

John J. Kelley explains how to write characters with trauma. Then, Yuvi Zalkow is accepting the multi-creative lifestyle. Writer Unboxed

Chris Winkle helps you send a message with your story (without getting preachy). Then, Oren Ashkenazi discusses five characters with weak motivations and how to fix them. Mythcreants

Princess Weekes considers the influence of the Byronic hero. PBS Storied

Thank you for stopping by and I hope you’ve come away with something to support your current work in progress.

Until Thursday, be well and stay safe.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, April 26-May 2, 2020

We’re staying the course here. I will likely be working from home for the foreseeable. I could also see our local and regional management making the case that we can and should continue to work from home on a permanent basis.

My current position has been largely virtual since I moved into it eleven years ago. There’s still an element of the surreal to the situation (where does the job end, how do I transition into home/creative life?) but now that we’re closing in on two months of pandemic life and  six weeks (for me) of working from home, I’m finding my way to a workable routine.

Here’s hoping that whatever your circumstances are, that you’re finding your feet, so to speak. Everyone’s dealing with “stuff.” Take a break and peruse some of these informal writerly learnings.

Tasha Seegmiller offers five tips for having hard conversations. Ellen Buikema teaches you how to love your hateful antagonist. Writers in the Storm

K.M. Weiland lists 15 productive tasks you can do when you don’t feel like writing. Helping Writers Become Authors

How to master fight scenes (a follow up from the other fight scene video I shared—as Tim will tell you, please watch that one first). Hello, Future Me

Justin Attas explains the puzzle piece plotting method: using what you know to build what you don’t. Susan DeFreitas is helping you develop your writing practice, part five: neurohacks. Later in the week, C.S. Lakin touts the three Ms of character setup. Jane Friedman

Developing a book, part 2: the characters. Reedsy

Nathan Bransford tells you everything you need to know about inciting incidents.

Related: Jami Gold explains the difference between the inciting incident and the first plot point.

Jenn Walton shares three ways to preserve your creativity. DIY MFA

Chris Winkle lists five reasons tension is missing from your story. Then, Oren Ashkenazi considers six ridiculous cultures in speculative fiction. Mythcreants

Nina Munteanu uses a walk in the forest to discover hidden character archetypes.

Alison Flood: study shows most authors hear their characters speak. Do you? The Guardian

Keziah Weir says poetry is having its moment. Vanity Fair

Thank you for visiting. I hope you found something to assist you with your current work in progress, even if you’re not actively writing.

Until Thursday, be well and stay safe!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Feb 16-22, 2020

Here we are in the final week of February. Winter is crawling to its end, the light returns, and so does the hope of spring. Celebrate with some informal writerly learnings 🙂

Tasha Seegmiller: writer, you are separate from your craft. Barbara Linn Probst considers likeable and relatable: why (and how) do they matter? Writers in the Storm

Vaughn Roycroft has a new take on readership. Dave King: the web of writing. Kathleen McCleary has answers to questions about writing. Porter Anderson analyzes the Authors Guild’s 2020 Report. Writer Unboxed

K.M. Weiland has some thoughts on how to be critical of stories in a way that makes a difference. Helping Writers Become Authors

Joanna Penn interviews Aiki Flinthart about writing fight scenes with female characters. The Creative Penn

Christina Delay wants you to fall in love with your second act. Angela Ackerman explains how to build powerful character relationships. Writers Helping Writers

Janice Hardy considers whether to stop and revise or keep writing the first draft. Fiction University

Brenda Joyce Patterson takes a deep dive into libretti. DIY MFA

Nathan Bransford helps you clear out the clutter around your verbs.

How to write character voices. Reedsy

Oren Ashkenazi explains why “but men are objectified, too” doesn’t hold up. Then, Oren lists ten ways to keep the authorities out of your plot. Mythcreants

Jami Gold wonders, what do you do with disappointment?

Robert Lee Brewer explains the difference between metaphor and personification. Writer’s Digest

Kate Knibbs says, the hottest new genre is doomer lit (formerly known as cli-fi). Wired

Charlie Jane Anders believes that to write about the future is to represent the past. Tor.com

Thank you for visiting and I hope you take away something to support your current work in progress.

Until next time, be well!

Tipsday2019