The best of Writerly Goodness 2012

Well, since I only started blogging (in this incarnation) in March, it’s not been a year yet online, but I’ll give you an idea about what I think has been the best of 2012.

Best movie:  Definitely Cloud Atlas.  I don’t know why, but this movie really had me thinking and feeling.  I know that not everyone shares my inclinations, but Cloud Atlas blew me away.

Kim and I will be going to see The Hobbit tomorrow, but I honestly don’t anticipate that it will impress me as much.  I’ll enjoy the heck out of it, but Cloud Atlas affected me …

Best writing book: (A.K.A writing book porn): The Right to Write.  I’ve had the book on my shelf for years and it wasn’t until the Wordsmith Studio Goodreads group chose it that I actually cracked the cover.  I love Julia Cameron’s philosophy even if I am still struggling with morning pages.  Yum.  Yum.  Yum.

Runners up include Larry Brooks’s Story Engineering and Syd Field’s The Screenwriter’s Problem Solver.

Best fiction: The Hunger Games.  When my Mom read it before I did, I figured I better get around to the dear little thing.  I was pleasantly surprised.  Mind you, Larry Brooks’s 11 part analysis of the book was fantastic too, and made me think that I’d have some substantial writerly lessons to learn from it.

Riding Suzanne Collins’s heals are Hugh Howey’s Wool Omnibus and Juliet Marillier’s Daughter of the Forest, both of which I’m still reading, so I’m not sure, strictly speaking, that they count (!)

Best non-writing, non-fiction book: The Happiness Project, by Gretchin Rubin.  Again, still reading it, but it does speak to the control freak in me 🙂

Best writerly experience: The New York comes to Niagara pitch conference.  Fraught, yes.  Learning experience, double-yes.

Best local arts event: Hands down has to be the Launch of Kim Fahner’s The Narcoleptic Madonna, though Jon Bulter’s The LaCloche spirit: The equivalent light exhibit and Scott Overton’s launch of his novel Dead Air are close seconds.  Nor can I forget the 100 thousand poets for change event in North Bay.  Poetic road trips are the bestest.

Best posts
These have been selected due to the number of all-time views.

  1. Do you dress for success?
  2. The cadre … or should that be cabal?
  3. Feminist lunacy from Battle Chant
  4. Why did I call this category Alchemy Ink?
  5. Eight metaphors for persistence and why you’ll want to read this anyway – my very first post!  Awww … you guys 🙂
  6. Character sketches, part 2: Eoghan
  7. Character sketches, part 3: Dairragh
  8. Rethinking my online strategy
  9. Why spoilers are good for writers
  10. An Interview with Kim Fahner
hAPPY NEW YEAR

hAPPY NEW YEAR (Photo credit: Helgi Halldórsson/Freddi)

I’ll wait until New Years Day to post on resolutions.  So have a happy New Year all, and thanks a bunch for all of your support!

Virtual hugs!

Writerly Goodness.

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On virtual homework and the reading of books

Dan Blank of We Grow Media

So here we are in week two of We Grow Media’s Build Your Author Platform course.

Week one was about developing focus, and I think I did pretty well.  As I mentioned a few weeks ago in my post about Michael Hyatt’s Life Plan document, I’ve done a lot of thinking about my life and what I want out of it.  It wasn’t difficult for me to put into words my plans for my creative life.

This week, it’s going to be a little more challenging.  I have to figure out my writerly identity and brand.  I know what I’ve said about myself on this blog and elsewhere, but this week’s assignment will have me digging deeper.

I have this morbid image floating about in my head …  See, a garden spade is pretty sharp, and I can imagine that digging into my tender heart and mind being a bit painful.

One benefit is that my name is pretty unique, and since I’ve bought my domain and all my SoMe is in my name, my blog, Twitter, Facebook account, LinkedIn account, etc. appear at the top of the results in most search engines.  And if my blog isn’t up there, then one of my poetry books, NEOVerse is.  So that’s a win.

I’ll have to let you know how the branding exercises go.  I’m not a tooter of my own horn.  It makes me squirm, actually.  Hence the painfully-sharp-spade-phobia.

On introversion

I’m an introvert, though I work in an industry that has me putting myself “out there” as a trainer.  My friend, Brainy (pseudonym) had this to say about introversion on her blog this week:

Other people in my work environment likely see me as fairly extroverted because I am very outspoken and I address individuals and groups quite confidently when sharing the expertise that I have accumulated in recent years.  I do a lot of online coaching and desktop sharing with collaborative technology but it’s usually one-on-one now.  I can only sustain the energy required for the group stuff once in awhile and with considerable advance preparation.

I can relate.

She also recommends Susan Cain’s Quiet: The Power of Introverts in a World that Can’t Stop Talking.  It’s on my reading list.

What else I’ve been reading lately

Last month, I finished Suzanne Collins’s The Hunger Games.  I’d had the trilogy since last year when I saw the movie with a couple of friends who had both read the whole series and loved it.  More recently, I was urged to take the plunge for two more reasons: 1) my mom had just read the series and also loved it, and 2) Larry Brooks’s eleven-part analysis of the first book on his Storyfix blog (more on that in a moment).

I too, loved the book.  Having seen the movie, read Brooks’s analysis, and a few other reviews/articles on the novel, I was well aware of the plot and events of the novel.  But spoilers never spoil a book for me.  When I know the major plot points, I only enjoy the book more.  I read to improve my craft.

Collins’s prose is clean, her POV engaging, and her craft extraordinary.  Damned.  Good.  Book.

Mind you, I think I might be the last person on the face of the earth to read The Hunger Games 🙂

Brooks’s analysis of the book also lead me to read his: Story Engineering.  I did get a lot out of his book, but it was despite the author’s ethos.  Brooks comes on a little strong for my liking, and I truly resent having anyone shake a virtual finger at me.

For more of my thoughts on this writing craft book, please check out my review on Goodreads.

Ethos, for those who may not know, is the author’s personality as it comes through in print.

My undergrad was in rhetoric, so I’m pretty adept at reading past ethos.  It’s a good thing too, because Brooks does have some great information to share and I have already implemented some of his lessons.  I do get it.  I’m just not fond of how Brooks got his message out.

Currently, I’m reading Diana Gabaldon’s The Scottish Prisoner, which I’m enjoying quite a bit (though not as much as the main novels in the Outlander series), and A Medieval Miscellany.

Will let you know how all of that goes.

Right now, Writerly Goodness needs a wee bit of rest.  A new work-day awaits!  Egad …