Tipsday: Writerly Goodness found on the interwebz, Dec 27, 2020-Jan 2, 2021

Here comes the first tipsday of the new year. Time to indulge in some informal writerly learnings.

Laura Highcove: how your writer’s intuition knows what advice works best for you. Later in the week, Gabriela Pereira interviews Alexandra Monir about the dystopian superhero story. Then, Kim Lozano shares five musts for writing a compelling story beginning. DIY MFA

Princess Weekes: Wonder Woman 1984 was a bitter disappointment. Melina Pendulum

Janice Hardy offers a five-minute fix to jumpstart your scene. Fiction University

Shaelin Bishop offers her advice on how to finish your novel in 2021. Reedsy

Tasha Seegmiller delves into a writer’s authentic self. Then, Fae Rowan offers three words to help you thrive in 2021. Writers in the Storm

The Himbo trope, explained. The Take

The likeable sociopath trope, explained. The Take

Kelsey Allagood: what Gandhi taught me about telling stories that mean something. Later in the week, Jeanne Kisacky shares strategies for restarting a cold project. Writer Unboxed

Shaelin Bishop shares what she learned about writing in 2020. Shaelin Writes

Bunny lists five Arab and Muslim stereotypes to avoid. Mythcreants

All Stories Matter: The Need for Afro-Futurism | Ramatoulie Bobb | TEDxRoyalCentralSchool

Nina Munteanu is embracing the paradox of creative destruction.

Foz Meadows writes a response to Meghan Cox Grudon and the Wall Street Journal. About the classics and teaching them in a modern context. shattersnipe: malcontent & rainbows

The Backlisted podcast considers the influence of Susan Cooper’s The Dark is Rising with Robert Macfarlane and Jackie Morris, co-authors of The Lost Words and The Lost Spells.

Livia Gershon reveals sci-fi pen pals James Tiptree Jr. and Joanna Russ. JSTOR Daily

The Merril Collection, AKA the Spaced-Out Library, is 50! Toronto Public Libraries

Thanks for stopping by. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, March 5-11, 2017

The writerly goodness just keeps on coming 🙂

K.M. Weiland offers the next in her most common writing mistakes series: dead end relationships. Helping Writers Become Authors

John J. Kelley: the care and feeding of relationships. Writer Unboxed

Bryn Greenwood explains hot bunking for writers. Writer Unboxed

Kathryn Craft explores the power of unexpected elements. Writer Unboxed

Emily Cavanaugh helps you take yourself seriously as a writer—before anyone else does. Writers in the Storm

Orly Konig-Lopez explores living with writerly self-doubt. Writers in the Storm

James Scott Bell is in the Writers Helping Writers coaching corner: conflict and suspense belong in every kind of novel.

Dan Blank guest posts on Writers Helping Writers: the daily practice of growing your audience.

Jamie Raintree examines authenticity and the discomfort of vulnerability.

Robin Lovett extols the merits of happily ever after. DIYMFA

Gabriela Pereira interviews Clare Mackintosh for DIYMFA radio.

Jami Gold: right brain vs. left brain vs. creativity.

What’s the purpose of story structure for readers? Jami Gold

E.R. Ramzipoor guest posts on Janice Hardy’s Fiction Univerity: token or broken? Writing LGBT.

How to outline your novel, part 2. Jenna Moreci

 

Susan Spann lists ten questions you should ask before you accept a publishing deal. Writers in the Storm

Nevertheless, she persisted: a Tor.com flash fiction project. Awesome stories by awesome writers.

Margaret Atwood: what The Handmaid’s Tale means in the age of Trump. The New York Times

Molly McArdle takes a look at the rise of Roxane Gay. Brooklyn Magazine

Mary Walsh is coming out with her first novel! CBC Books

Kathleen O’Grady reports on the discovery of a true language universal. Ars Technica

David Schultz: some fairy tales may be 6,000 years old. Science Magazine

Robert MacFarlane considers Susan Cooper’s The Dark is Rising the eeriest novel he knows. 1843 Magazine

Twenty questions with Ursula K. Le Guin: The Times Literary Supplement

Simon Tolkien writes about his grandfather and how WWI inspired The Lord of the Rings. BBC

Here’s a literary cold case for you: Jane Austen may have died of arsenic poisoning. Christopher D. Shea and Jennifer Schuessler share the evidence, and the theory, so far. The New York Times

And that was your informal writerly learnings of the week.

See you Thursday!

Be well until then.

tipsday2016

My literary mothers and what they taught me

This post was inspired by a challenge that another friend participated in. That challenge was to write, in a short post, the influence of a single literary mother.

While I found the concept compelling, I also found it restrictive. I have many literary mothers. The gears have been working on this one for a few weeks now and this is the result.


Siobhhan Riddell

I was in grade three and I had just started to write. My first piece was a little essay about my new puppy.

Siobhan was in grade five. She was an artist and she illustrated a dragon slayer fairy tale.

The grade five class’s projects were presented to the grade three class. Siobhan’s drawings found their place in my imagination.Always Sail West

I submitted my first short story to CBC’s “Pencil Box” that year.

The next year, I wrote the Christmas play for my grade four class.

What was I reading at the time?

I was reading comics: Star Wars (for Princess Leia), Dazzler (Marvel), Huntress (DC). I was trying to find compelling female heroes. The writers and artists were men, however.

I also started reading C.S. Lewis, Lloyd Alexander, and I, again, was seeking women authors with whose stories I could connect. I tried Zilpha Keatley Snyder (The Headless Cupid, The Witches of Worm), Phyllis Reynolds Naylor (The Witch Saga), Joan Lowry Nixon (The Kidnapping of Christina Lattimore), and Lois Duncan (Summer of Fear, Stranger with My Face, and, of course, I Know What You Did Last Summer). While Naylor came close to becoming a literary mother, her work didn’t stay with me.

At the time, across the street from my house, were a convenience store (comics) and a branch of the public library. They were an almost daily stop in my routine.

Critical criteria of a literary mother: Her influence has to stay with me. I have to have continued to read or re-read her books, or remember the impact she had on my life in a concrete way.

Madeleine L’Engle and Susan Cooper

It was Madeleine L’Engle’s (then) Time Trilogy that I first connected with. Something inside me said, “This is what I want to write.” She’s technically science fantasy, but it was the first science anything that I’d read to that point.

Susan Cooper came into my life a little later, but again, through the public library. I read her The Dark is Rising series and loved her take on Arthurian legend. This spoke to the fantasy side of my writing persona.

I bought both series when I had enough money to do so. I still have both.

What else was I reading? Elfquest by Wendy and Richard Pini. A friend was, and still is, very much a fan. The same friend introduced me to Robin McKinley (The Hero and the Crown, The Blue Sword). Both of these were strong influences, though not quite in the literary matriarchy.

There were a lot of other novels I was reading, most thanks to the above-mentioned friend, whose dad had a fabulous classic SFF collection and often encouraged her to offer her patronage to The World’s Biggest Bookstore in Toronto when she visited him 😀

Her dad even set us up with our first D&D books, after which, we spent entirely too much money on the game, but spent years in geeky bliss roleplaying.

R.A. MacAvoy, Susanna Kearsley, Ursula K. Le Guin, and O.R. Melling

When I went to university (Guelph, the first time), I met, through my roommate, her sister, Sue Reynolds, who wrote Strandia. This book was influential on me because it was one of the first ones that didn’t involve a romance in the happily ever after of its protagonist. There were romantic aspects to the plot, but the protagonist chose wholeness for herself rather than her beloved’s proposal in the end.

Also through my roommate, I was introduced to Welwyn Wilton Katz. I read just about everything Katz wrote for a few years and she was well on the way to becoming a literary mother, but I didn’t stick with her, or rather, her books didn’t stick with me as much.

I was drafting the story that would evolve into Initiate of Stone during those years. I started keeping a journal, and aside from my course reading, I was heavily influenced by Guy Gavriel Kay. Mary Brown was also a discovery during this period. I loved her ugly duckling retellings.

I left Guelph after two unremarkable years and got a job at the Coles store in Yorkdale mall. Part of me was in heaven and buying up books like mad with my staff discount. The other part of me was unhappy because, in all other respects, the job was an epic fail on my part.

One of my discoveries during this time was R.A. MacAvoy. I started with her Damiano series, progressed with her Black Dragon series, and fell in love with her quirky Lens of the World series. I read several of her standalone novels as well. She was the first author who reflected my ancestry in her characters (Sara the Fenwoman), and the first who wasn’t afraid to introduce cultural diversity in her characters.

I keep going back to Lens of the World periodically, because that series was also written in first person, present, point of view (POV). It was a challenging POV to use, and it’s still a learning tool for me. I haven’t felt brave enough to tackle anything so ambitious myself.

I also discovered O.R. Melling about this time, but I’ll come back to her in a little bit.

After a couple of years of living in and around Toronto, two other potential careers, a couple of failed relationships, and the realization that I needed to finish my degree if I was going to be able to progress as a writer, I returned to Sudbury to finish my BA at Laurentian University.

Susanna KearsleyIt was during this time that my SFF/D&D buddy, after helping me to connect with Mr. Science and both of us marrying our partners, moved away with her husband. She emailed me and said that Susanna Kearsley, author of Marianna, and recent winner of the Catherine Cookson Award, was giving a workshop for the local writer’s group.

Of course, I hopped down for a visit with my friend and took in the workshop. I read Marianna, Splendour Falls, and The Shadowy Horses.

A couple of years ago, I reconnected with her at the Surrey International Writers’ Conference (SiWC). Her influence on me has been to introduce me to a different genre. When I first met her, it was grouped under gothic, but Susanna’s stories are more paranormal in nature and while romance does feature, it’s not the main focus of her novels.

I took a creative writing course with Dr. John Riddell (Shiobhan’s father) and started to get my stories published.

I also took a course in science fiction and was introduced to Ursula K. Le Guin. The Dispossessed blew me away not only because it was SF written by a woman, but also because of its story structure. I’ve since read the Earthsea series, The Left Hand of Darkness, collections of her short fiction, other shorter novels (Rocannon’s World), some of her YA novels (The Beginning Place), and one of her books on writing craft (The Wave in the Mind).

I keep on picking up her work and reading it. The diversity of her work and the longevity of her career have been what inspire me most about Le Guin.

Finally, toward the end on my degree, I was working on my undergraduate thesis on the YA and MG novels of Welwyn Wilton Katz, Michael Bedard, and O.R. Melling.

I had discovered Melling when I was working at Coles, and kept picking up her books. Mostly, they dealt with magical time travel and Celtic legend. In the series that she had just started (at that time), Celtic legend blended with Native Canadian.

It was the first time I’d seen someone so effortlessly intertwining mythologies in this way. It made me think thoughts. It still does.

Sheri S. Tepper and Diana Gabaldon

I started reading Sheri S. Tepper during my Laurentian years as well. I now have most of her books, even some of the mysteries written under her pen names.

What fascinates me about Tepper’s work is the complexity of her plots and the strength of her protagonists. I never cease to be surprised or amazed at some point in her novels.

Her SF would be characterized as “soft” because of the sociological focus, but I still look to her body of work as an exemplar of what can be done within the genre.

She also writes from feminist and social justice perspectives. Tepper just rocks.Diana Gabaldon

Diana Gabaldon came a little later yet. I started reading her Outlander series after Voyager was published. I’m a little over the moon that her books have finally made it to the small screen.

I’ve now read all of her Outlander books and several of the off-series, but related, Lord John Grey books.

One thing I picked up from her was playing with POV. In a novel with several POV characters, I’ve used the same technique that she does, and I use first person, past, for my protagonist and close third person for everyone else.

It was Gabaldon’s genre mashing goodness that hooked me and the quality of her storytelling that has kept me. I was able to attend some of her sessions at SiWC and she is a lovely person as well as a great writer.


I’ve read and met many other women authors, several of them Canadian, and while I’ve enjoyed reading and learned from each of them, no one else has quite made it into the literary matriarchy yet.

I read a lot of male authors as well, but that’s not what I’m writing about here, now, is it 😉

The women I’ve listed in the section headings are the ones I consider to be my literary mothers. These are the women through whom I trace my development as a reader and as an author.

Who are your literary mothers?

Muse-inks

The Writing Process Blog Hop

Yes, it’s actually happening!

I had a bit of a false start back in April when Gemma Hawdon originally tagged me, and now that Claudette Young, A.K.A. Claudsy has tagged me for a second time, I actually found a couple of fellow bloggers who hadn’t already done it 🙂

First, I must thank my nominators:

Gemma Hawdon and familyGemma Hawdon lives in Melbourne, Australia with her husband and two children. She writes articles, short stories and web content for clients. She’s just completed the first book in a two-part children’s fantasy series and writes a blog http://topoftheslushpile.com/ about – funnily enough – trying to get to the top of the slush pile. She loves hot coffee, long walks and sneaking off to the movies when everyone else is at work.

Public Contact Details:
Twitter: @gemmaleehawdon
Facebook: facebook.com/topoftheslushpile
Email: gemmaleehawdon@gmail.com


 

Claudette J. Young began writing seriously in 2008 and continues to write in multiple Claudette J. Younggenres. She strives to learn something new each day—a new poetry form, new writing technique, new foreign word, or whatever strikes her fancy. Her primary genres are poetry, science fiction/fantasy, flash fiction, children’s literature, women’s fiction, along with creative non-fiction, essay, and memoir. She tries to cover all of her bases by writing for audiences that range from young children to senior citizens.

Claudette has been published in numerous online publications for poetry, fiction, and non-fiction, as well as print magazines and two international poetry anthologies. She continues to hone her craft by working on multiple projects, including book-length ones. Her regular work can be viewed on her collaborative website and blogs at: http://2voices1song.com/ as well as www.claudettejyoung.com/


 

Now for the hard part

I have to answer four questions all about—you guessed it—my WIPs and process. I’ll apologize to my followers, for whom some of this will be a repeat of my Next Chapter posts, but I hope there will be some new, tasty stuff in the mix for you too.

What am I working on?

Several projects. This year, I decided, inspired in part by Rochelle (one of my nominees – see below) to attempt working on multiple projects at once.

First is my epic fantasy, Initiate of Stone.

An aspirant mage is betrayed by those she trusts most, but when war razes her village, she loses family, friends, and the possibility of initiation. The secrets kept from her may be the keys to stopping the mad god intent on enslaving her world and her quest for power leads to a confrontation with the man who tore her life apart.

Yeah, still needs work.

It’s currently out with betas. I have a couple who are very thorough/detail oriented, and that’s just fine with me, because I’ve been able to use the time to make some major decisions about the novel, remap it, make editing notes, a beat sheet, and reverse engineer the plot. When I hear back from my peeps, I’ll be ready for one more massive rewrite, and then it’s onto querying.

Second is a young adult urban fantasy titled, Figments.

Her father’s murder sends a girl spiralling into depression, and, she fears, delusion. As her figments turn out to be real, she learns that everything else she thought she knew is a lie, opening the door to the terrifying possibility that her father was a modern-day Frankenstein, and she is his apocalyptic monster.

Figments was last year’s NaNoWriMo project and I am currently mapping it out, then I’ll get to the beat sheet, edit notes, and reverse engineering. This one has a few revisions ahead.

My third project is Gerod and the Lions, a middle grade, traditional fantasy.

A boy’s father sells his little sister to the Child Merchants and he sets off, alone, to rescue her. Clever, but small, he fails his first attempt and finds shelter in a circus where he discovers a talent for talking to lions and allies who help him track the Child Merchants to the capital, where a royal encounter and a daring rescue bring the boy face to face with his sister and her new owners.

I’m still drafting this one, but I expect to be finished by the end of this year.

Finally, there’s Apprentice of Wind, the second book in my epic fantasy series.

She’s come into her power through an act of murder and now a rogue sourceress (it’s not a typo), in the company of the half-brother she never knew and the avatar of the goddess, must defend the king’s city and then race to battle the mad god. If she can’t become powerful enough to defeat him, her life and her world will be destroyed.

The draft has been assembled and mapped, but will require substantial rewriting because of the revisions to IoS.

How does my work differ from others in its genre?

What’s that saying? There’s nothing new under the sun.

The only thing that distinguishes my work from other fantasy novels being written and published is me. It’s my writing and my voice that will set them apart.

The epic series is pretty standard fare, but I have what I hope is a truly strong heroine who drives the plot and some compelling secondary characters all of whom I torture mercilessly. None of the characters is purely good or evil—except the mad god, he’s just psychotic—so it’s complex and dark and unrelenting. And there’s a lot of vomiting, or so I’ve been told by at least one reader 😉

The YA novel features a gargoyle, but I think in the search for “original” beasties, this ground has already been trod, as has the Frankenstein angle, but not, perhaps, in the way I have approached it.

The MG might be fairly original, a young lion tamer who takes down a child slavery ring? I might have something there.

Why do I write what I do?

The main reason is that fantasy and science fiction were what I started reading: C.S. Lewis, Lloyd Alexander, Susan Cooper, Madeline L’engle, Ursula K. Le Guin. It was also what I started watching: Doctor Who, Star Wars, Star Trek, etc.

As I read or watched, I imagined myself as a character in the story. Sometimes I’d even dream about it. These derivative, or fan-based, works were some of my earlier stories. When I grew older, I understood that I wanted to help other people feel what I felt as the consumer of these creative works.

How does my writing process work?

Sweet Jebus.

The thing about my process is that it is . . . a process. It’s what happens between my head and the page. The two words I might choose to characterize my writing process are organic and evolving.

I generally shoot from the hip. I write first and ask questions later, but I’m also addicted to learning. With every writing craft book or blog post I read, or workshop I take, I learn something, and I incorporate bits and pieces of everything into my process. How do I choose which bits and pieces? It feels good or right. It fits.

I’m an unapologetic pantser, but I generally outline after the first draft, and even though I may not have a formal outline to write by, I always know where my story is going. I know the end and major events before I begin. I may even have sketched out scenes and characters before I get to the actual drafting. I do a lot of preliminary work in my head (read, incubating).

According to some coaches, that’s a form of outlining. *bats eyelashes endearingly*

I’ve tried alpha readers (who read an early draft), beta readers (who read later drafts), professional editors, reviews of the first X pages, first act (some of this done with Jenny – see nominees, below) . . . I generally give everything a try once and decide by the results I get whether I’ll do it the same way next time or not.

In this moment, here’s how my process works:

Ideas:

Ideas emerge from dreams. I, like many writers, dream in story. It may be a bit surreal, but they’re full-colour movies, sometimes even in three acts. This used to happen a lot when I was a kid, but now, I might get one or two story dreams a year. Still, that’s a fair backlog of ideas.

Ideas emerge from journaling. I started keeping a journal in university when knowledge from different disciplines kept colliding in my skull. Now, I find that my curation is taking the place of journaling. I share the articles and posts that make me think or feel and that becomes a kind of record. I also use Evernote.

Ideas emerge from reading. I’m a “clip-rat.” If I read something physical that makes me think, I clip it, or make a copy and save it in my idea file.

Ideas emerge from exercises or prompts. This is not as frequent as I’m not keen on exercises and prompts, but on a few occasions, it’s worked. Gerod and the Lions resulted from a Natalie Goldberg prompt.

Drafting:

I used to draft long hand because that was the tool I had most easily available to me. The idea that became Initiate of Stone filled two large spiral-bound notebooks.

Then, I started to type.

That gave way to word processing when I got my first computer. Those were the DOS days of black screens and orange text.

Now, I rely mostly on Word, and though I have purchased Scrivener, I’ve found that the process of importing and formatting is a bit cumbersome. I’d rather be writing. But I have enrolled in a course, so that may change.

Revisions:

After drafting, I let things sit for a while and move onto other projects, or work on short stories, or do something completely unrelated like home renovation or gardening.

I print out my draft as economically as possible and read it through.

I “map” my novels out. It’s an outline of sorts and I can easily rearrange, cut, and rewrite based on my map. Mapping is done long hand and then transcribed into a computer document.

Beat sheets and edit notes are generally long hand as well. I usually relocate to the living room or some other place than my office to make these notes.

Once I have all my structural work and edit notes completed, I’ll launch into editing the draft, copying each chapter into a new document and rewriting/editing it fully before moving on to the next.

This process repeats until I’m satisfied.

Alpha or beta readers, or editors might come in around the third or fourth version.

And that’s pretty much how it’s gone to this point.

My process is continually subject to change.

And finally, my nominoms (da-doo-da-do-doo – yes, I’m a Muppet at heart).

Jenny Madore (writing as JL Madore)

JL MadoreJL Madore didn’t find writing so much as it found her. Waking each morning with a vivid cast of characters tangled in chaos in her head, it seemed essential to capture them on the page. With Blaze Ignites and Ursa Unearthed published and receiving rave reviews, she’s turning her attention to Watcher Untethered, an unpublished paranormal/erotic romance manuscript which just won 4th place in the Toronto Romance Writers – The Catherine. Aside from spinning tales of elves, weres, demons and fallen angels, she’s also Vice President of the Writers’ Community of Durham Region, a 300 member writing organization just outside of Toronto. www.jlmadore.ca


 

Rochelle Sharpe (writing as R.L. Sharpe)

I’m many things: A reader; a writer; a mother of 2; a wife of 1; Christian; Australian.Rochelle Sharpe

I’ve been telling stories since I could talk and started writing them down when I was 8. It will take an awful lot to stop me – like death. Some say I’m a dreamer, and I have my head in the clouds, but I say that’s better than having two feet planted firmly on the ground.

I define myself as a storyteller. Writing is my life. Through writing I get to record all the worlds I have been blessed with discovering, worlds I would love to share with you fully one day, as soon as I can convince a publisher my worlds are worth sharing 🙂

I spend most of my time in fantastical worlds with fantastical people, both I have created and those created by others, and there is no other way I’d rather spend my time.

I work hard on making my dreams come true. And I believe in myself, because if I don’t, who else will?

http://rlsharpe.wordpress.com/

Writing Process Blog Hop