Tipsday: Informal writerly learnings, Sept 12-18, 2021

It’s tipsday! That means you’ve made it through Monday 🙂 Celebrate with some informal writerly learnings.

Sophie Masson is cooking up great book buzz. Then, Jim Dempsey explains how to tap into your characters’ emotions. Barbara Linn Probst wants you to go beyond description with story-relevant aspects of setting. Then, Matthew Norman shares the best writing advice he’s ever gotten. Kelsey Allagood says, active protagonists are tools of the patriarchy. Writer Unboxed

K.M. Weiland looks at the archetypal antagonists for the hero arc: the dragon and the sick king. Helping Writers Become Authors

Shang Chi: I can see clearly now … Jill Bearup

Jennie Nash asks, why write this book? Then, Anna David explains why and how she got her rights back from HarperCollins. Jane Friedman

Eldred Bird: everything has a story. Then, Piper Bayard explains how to bug a room (writing spies). Jenny Hansen: what if my [insert person] reads this? Writers in the Storm

John Kerr lists five story structures to use in your writing. Elizabeth Spann Craig

Kellie Doherty introduces us to some autumn deities. Fantasy Faction

How do we criticize our own? (Also, stop calling Lizzo a mammy.) Melina Pendulum

Jami Gold: if your story’s not behaving, try going deeper into structure. Then, Christina Kaye lists the three things you should consider before choosing your fiction genre. Writers Helping Writers

Olivia Fisher recounts her long road to becoming a freelance editor, part 1. And here’s my latest Speculations: one author’s journey on the autism spectrum. Sonia Hartl explains the importance of friendships in YA. Then, Kanh Ha shares five tips on writing fiction. DIY MFA

The Oedipus Complex: Film and TV’s Freudian obsession. The Take

Kristen Lamb considers types of plot twists and why they’re amazing for stories.

Christine Pride explains how a book goes from acquisitions to books store shelves. Nathan Bransford

Chris Winkle explains why you shouldn’t write a masterpiece. Then, Oren Ashkenazi scores WandaVision, Falcon and the Winter Soldier, and Loki on engagement. Mythcreants

Susanna Clarke: I’d really ceased to think of myself as a writer. The Guardian

5X15 presents Neil Gaiman and Susanna Clarke.

Beth Cato: shared pain. Nature

James Whitbrook: Marvel’s Eternals star, Lauren Ridloff, wants movie theatres to be more accessible for everyone. Gizmodo

Thanks for taking the time to stop by. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, July 4-10, 2021

Another week, another batch of informal writerly learnings. Enjoy!

Lauren J. Sharkey shares some advice about investments and returns. Then, Adam Burgess wonders if there’s a genre best suited to LGBTQ+ stories (and why it’s historical fiction). Gabriela Pereira interviews Emily R. King about fantasy inspired by Greek mythology. Later in the week, Aaron Poochigian shares a day in the life of a full-time poet. Then, Indiana Lee suggests five alternative tips to boost creativity for writers. DIY MFA

Jill Bearup tested corsets vs. knives (for science!)

Sophie Masson considers physical journeys in fiction. Then, Sarah Penner shares a pre-launch playbook for debut authors. Donald Maass wants you to think about pacing: faster than the speed of thought. Kathryn Craft presents the three Ws of scene orientation. Later in the week, David Corbett provides some advice on writing our country. Writer Unboxed

Kadija Mbowe analyzes Cuties.

K.M. Weiland explains how to use archetypal character arcs in your stories in part 22 of her archetypal character arcs series. Helping Writers Become Authors

Shaelin explains how to write historical fiction. Reedsy

And she follows it up with historical fiction tropes. Reedsy

Karen DeBonis wants you to find your writing rhythm. Then, Janice Hardy lists five steps to creating a unique character voice. Later in the week, Jenny Hansen (inspired by DeBonis) offers confessions of a devoted scene writer. Writers in the Storm

Why film and TV erased asexuality. The Take

Laurence MacNaughton explains how to stay motivated and keep writing. Fiction University

Becca Puglisi helps you change your reader’s perspective. Writers Helping Writers

Rachel Michelberg says, post-book launch depression is a thing. Jane Friedman

How film and Tv misrepresent neurodiversity. The Take

Kristen Lamb: the difference between magnificent and maddening is the burning desire.

Kristine Kathryn Rusch offers part eight of her fear-based decision-making series: fear and the future.

Nathan Bransford: don’t step on your surprises.

Chris Winkle shares five simple ways to make your prose easier to read. Then, Oren Ashkenazi lists six signs of a weak throughline. Mythcreants

Monique Gray Smith curated this list of 45 books that share stories and truths by Indigenous authors who identify as women and/or two spirit. CBC Books

Jane an Koeverden: Cherie Dimaline publishing sequel to The Marrow Thieves in fall 2021. CBC Books

Estefania Velez compiles this list of 15 books to celebrate disability pride. The New York Public Library

Guy Kawasaki interviews Haben Girma, lawyer, activist, and advocate for equal opportunities for people with disabilities. The Remarkable People podcast

Ellen Gutoskey lists the fascinating etymologies of 70 common words. Mental Floss

Thank you for taking the time to stop by. I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, April 25-May 1, 2021

Welcome to the first tipsday of May 🙂 Get your informal writerly learnings while they last (just kidding, the archives are always accessible)!

Kim Bullock: what your protagonist’s Spotify playlist might reveal. Elizabeth Huergo recommends Kathleen Acalá and the extraordinary. Then, Sophie Masson shares her experience writing an exclusive audio novel. With apologies for the earworm, Lisa Janice Cohen says she’s “losing my ambition.” Milo Todd wants you to read outside your lane. Writer Unboxed

Tim Hickson: on writing great character descriptions (and he shares one of Shaelin’s). Hello, Future Me

K.M. Weiland delves into the king’s shadow archetypes in part 12 of her archetypal character arcs series. Helping Writers Become Authors

Shaelin Bishop shares three great writing tips that no one ever talks about. Reedsy

Janice Hardy explains why you should know who your narrator is speaking to. Fiction University

David Kadavy promotes mind management, not time management. The Creative Penn

On her own channel, Shaelin shares her short fiction writing process. Shaelin Writes

Tasha Seegmiller shows you how to build your own MFA experience. Then, Eldred Bird lists five writing tips we love to hate. Later in the week, John Peragine discusses serialized storytelling (part 1). Writers in the Storm

Yara-ma-yha-who: Australia’s Regurgitating, Blood-Sucking Monster. Monstrum | PBS Storied

Susan DeFreitas shares three key tactics for crafting powerful scenes. Then, Catherine Baab-Maguira wonders, what if it takes 12 years to get an agent? Jane Friedman

The paradox of cottagecore. The Take

Richelle Lyn helps you create your own virtual writers sabbatical. Then, Amanda Polick explains how to ignite tension in your story with food and natural disaster. Gabriela Pereira interviews Rena Rossner about weaving together history, folklore, and fairy tale. Later in the week, Finola Austin lists traps to avoid when writing in first person. Then, Angyne Smith shares five tips to make your writers’ circle sing. DIY MFA

Jenna Moreci shares ten self-care tips for when you’re busy AF.

Angela Ackerman explains how to write emotion well: know your character. Writers Helping Writers

Bunny and Svend Phillips collaborate on this list of five tired tropes about teenagers. Then, Oren Ashkenazi explains how Revenger fails at technology. Mythcreants

Kristin Nelson is not a fan of publishing house mergers: a non-love story. Pub Rants

Ashawnta Jackson introduces us to the haiku of Richard Wright. JSTOR Daily

Thanks for stopping by. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends 🙂

Tipsday: Writerly Goodness found on the interwebz, Jan 31-Feb 6, 2021

You’ve made it through Monday. Wednesday/humpday is just around the corner. Fortify yourselves with some informal writerly learnings.

Lauren J. Sharkey shares her experience with the negative balance of writing. And here’s my latest Speculations: The Heroine’s Journey by Gail Carriger.  DIY MFA

The fabulous and flirty fight of The Mask of Zorro. Jill Bearup

Greer Macallister bemoans all the things she doesn’t know (about publishing). Sophie Masson explains how to celebrate new releases. Donald Maass wants you to consider hopes and fears in fiction. Later in the week, Rheea Mukherjee is writing real. Writer Unboxed

Race-baiting, queer-baiting, colorism, featurism, and performative diversity in Bridgerton. | Khadija Mbowe

K.M. Weiland offers an introduction to archetypal stories. Helping Writers Become Authors

J.D. Lasica: do stories have a universal shape? Jane Friedman

Emily Zarka introduces us to the werehyena, the terrifying shapeshifters of African Lore. Monstrum | PBS Storied

September C. Fawkes lists the eight points of progress. Then, Becca Puglisi provides an author’s guide to redeeming villains. Writers Helping Writers

The Take explains why we root for Gone Girl’s Amy Dunne.

Janice Hardy shares three steps to grounding your reader in your story world. Later in the week, Janice explains how the opening scene works in a novel. Fiction University

The hipster trope, explained. The Take

Kris Maze helps you sort fact from fiction: “flow” improves the writing life. Writers in the Storm

The magic of childhood in My Neighbour Totoro. Tale Foundry

Chris Winkle explains how to get readers to feel those emotional twists. Then, Kellie Doherty lists six ways to make fantasy travel more interesting. Mythcreants

Thank you for stopping by. I hope you found something to help with your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, July 12-18, 2020

Black Lives matter. Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter. I believe this more than ever. I’m not going to stop putting this important message out there until it’s true.

Regardless of whether your area of the world has never closed, is reopening, or is still under some degree of lockdown, please, for the love of all you hold dear, wear a mask.

As for schools, I sincerely believe the safest way forward is to keep all classes virtual. I know this isn’t a popular stance, but we know how quickly a common cold, or the flu proliferates in a classroom. And this is covid. We still don’t know the long-term effects of this virus.

I also know that virtual learning presents its own challenges. This will require a sea change for parents, teachers, schoolboards, employers, and governments and I think leaving these important discussions to this late date was naïve on the part of many. Ignoring the issue is not going to make it go away.

Having said that, Sudbury hasn’t had any new cases reported since about June 22 or so. We’ve only had 67 conformed cases and two deaths. It might be more reasonable to consider modified, in-person classes here, but I’d like to wait on the possible impact of phase three of reopening before we go there. Those numbers have yet to be publicized.

Now, onto the informal writerly learnings!

Kris Maze shares seven unstoppable YA plot ideas to make your novel fabulous. Barbara Linn Probst is editing for theme: search and employ. Writers in the Storm

Elizabeth A. Harvey explores a writer’s sense of place: where I ought to be. Jim Dempsey is writing and napping. Sophie Masson shares what she’s learned about presenting online workshops. Then, Juliet Marillier tells a tale about finding resilience: a dog story. Writer Unboxed

Gender and Jurassic Park. Cold Crash Pictures

Janice Hardy explains some story rulez: the two things every novel needs to do. Later in the week, Angela Ackerman stopps by: how emotional wounds can steer a character’s job choice. Fiction University

The female friendship revolution. The Take

Peter von Stackelberg shares an intuitive four-step process for creating vibrant scene structure. Helping Writers Become Authors

Andrew Noakes offers six principles for writing historical fiction. Jane Friedman

Lindsay Ellis looks at Tolkien’s constructed languages. It’s Lit | PBS Storied

Leanne Sowul wants you to commit to self-education about racism and anti-racism. And here’s my latest Speculations: ten Black science fiction and fantasy authors to read now. Then, Gabriela interviews Django Wexler: using fantasy to “literalize” the metaphor. DIY MFA

Chris Winkle explains why storytellers fail at grimdark and how to fix it. Then Bunny and Oren Ashkenazi team up: five reasons your story shouldn’t deny that it’s a story. Mythcreants

Deborah Ahenkora is slaying the dragons of hate with words. CBC Books

Aya de Léon: crime fiction is complicit in police violence, but it’s not too late to change. Electric Literature

Jeana Jorgensen describes what happens when fairyland is not for you: on escapism, fantasy, and survival. The Wrangler

Paula Findlen explores Petrarch’s plague: love, death, and friendship in a time of pandemic. The Public Domain Review

Thanks for visiting, and I hope that you found something to support your current work in progress (whatever stage it’s in).

Until Thursday, be well and stay safe, my writerly friends!

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Tipsday: Writerly Goodness found on the interwebz, March 8-14, 2020

As the covid-19 crisis continues to escalate, keep calm and stock up on informal writerly learnings from the comfort of your home.

Sophie Masson advises us about creating and presenting writing workshops. Jim Dempsey: writing when you’re not writing. Juliet Marillier wants you to tell a tale for our times. Kathryn Craft says, let your protagonist’s light shine. Writer Unboxed

K.M. Weiland uses critique to demonstrate six tips for introducing characters. Helping Writers Become Authors

Jenna Moreci shares her favourite paranormal tropes.

Laurence MacNaughton shares a six-point story checklist for powerful scenes. Then, Janice Hardy offers a three-step plan for returning to a partially finished manuscript. Fiction University

Jami Gold helps you find the right pace for your story. Writers Helping Writers

Nathan Bransford: everything writers need to know about book series.

Sara Letourneau offers some writing exercises for exploring the theme of man and the natural world. Later in the week, Dave Chesson shares five tips for levelling up your craft. DIY MFA

Some great tips for creating a consistent writing habit. Reedsy

Becca Puglisi shares eights ways to hook readers at the ends of chapters. Then, Oren Ashkenazi analyzes five plot twists that are too obvious. He tackles some well-known, bestselling, award-nominated, or award-winning novels and, while I can see and might even agree with the assessments, I’ll note that it did not have a negative impact on my enjoyment of the novels (well, with one exception, but I won’t get into that here). I think many readers enjoy these books regardless of, or despite, these faulty plot twists and that writing something similar won’t necessarily hurt your chances of publication. You can always strive to do better, and I think that’s the point of the article. Still, take it in context (and don’t panic). Mythcreants

Robert Lee Brewer explains how to daringly and correctly use semicolons. Writer’s Digest

Thanks for stopping by and I hope you took away something to help with your current work in progress.

Now more than ever, be well, my writerly friends.

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Tipsday: Writerly Goodness found on the interwebz, Jan 12-18, 2020

Welcome to tipsday, the place to load up on informal writerly learnings.

Barbara Linn Probst wants a place to write. Kris Maze gives you three reasons to consider readability before you publish. Writers in the Storm

Janice Hardy touts the freedom of writing without chapters. Diana Gabaldon does this too … think Imma try this some time. Then, she shares a simple trick to keep readers turning pages. Fiction University

It was question week on WU! Sophie Masson wonders, what do you save? Then, Jim Dempsey asks, do you really want to be a writer? Natalie Hart: what do people get wrong about you? Jeanne Cavelos extolls the compelling, emotional, complex sentence. Writer Unboxed

K.M. Weiland offers three life-changing rules for finding more writing inspiration this year. Helping Writers Become Authors

Sacha Black shares six steps to setting yourself up financially as a writer in 2020. Writers Helping Writers

Sara Letourneau assigns additional reading on the theme of man and the natural world. Pamela Taylor is celebrating the solstice (a little late, but hey, SOLSTICE). DIY MFA

The Take unpacks the tough woman trope.

Then, Shaelin looks at the manic pixie dream girl trope (which, it turns out, is not a trope at all). Reedsy

Chris Winkle outlines six important differences between filmed and narrated stories. Oren Ashkenazi analyzes five stories where the heroes lack agency. Mythcreants

Robert Lee Brewer considers when to use a while and when to use awhile. Writer’s Digest

Thank you for taking the time to visit and I hope you found it worthwhile 🙂

Until Thursday, be well!

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Tipsday: Writerly Goodness found on the interwebz, June 30-July 6, 2019

Another week, another batch of informal writerly learnings 🙂

Jeanette the Writer: forewords, introductions, and prologues … oh, my! Then, Tammy Lough wants to help you create your series bible. DIY MFA

K.M. Weiland wants you to take your writing to the next level: whole-life art. Helping Writers Become Authors

Yi Shun Lai: better your writing by being a beginner—every day. Later in the week, Justin Attis warns against some common pitfalls of trying to make your story “unique.” Jane Friedman

Sophie Masson relates the pleasures and pitfalls of writing a multi-POV narrative. Donald Maass is back to the one-word titles: legendary. Bryn Greenwood explains what a ghost heart has to do with writing fiction. “The difference between the memoir I’ll never write and the novels I can’t stop writing is all about processing personal experience into fiction.” Jo Eberhardt: one story, many paths. Writer Unboxed

Tamar Sloan is digging deep into the psychology of a layered story. Writers Helping Writers

Fae Rowan writes about lost love and using your young adult voice. Later in the week, Janice Hardy stops by to explain how to write an opening scene that hooks readers. Writers in the Storm

David Safford explains how to apply helpful writing feedback (and how to know what you can ignore). The Write Practice

Chris Winkle shows you how to avoid melodrama in your writing. Then, Oren Ashkenazi writes about water travel before engines. Mythcreants

Cory Doctorow: I shouldn’t have to publish this in the New York Times. The New York Times

Open Culture reveals how Jane Austen edited her manuscripts with straight pins.

And that was tipsday. I hope you found something you need to help with your current work in progress.

Until Thursday, be well!

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Tipsday: Writerly Goodness found on the interwebz, May 12-18, 2019

And here is your latest curation of informal writerly learnings.

Sophie Masson talks big publishers, small publishers, and contract negotiations. Jim Dempsey wants you to tune out your self-doubt. Julie Carrick Dalton praises the power of writerly kindness. Porter Anderson considers the place of place in our writing. Writer Unboxed

K.M. Weiland shares five ways writers (try to) fake their way to good storytelling. Helping Writers Become Authors

James Navé and Alegra Huston stop by Jane Friedman’s blog: how to plan a book reading that delights your audience.

September C. Fawkes offers story structure in a flash. Then, Sacha Black wants you to nip and tuck your saggy middle with conflict. Writers Helping Writers

Jeanette the Writer covers the stages of editing grief. Later in the week, Gabriela Pereira interviews Sam Sykes about the emotional weight of storytelling. DIY MFA

Jami Gold wonders, are you a pantser, a plotter, or something in between? Click through to the original tweet by Cheyenne A. Lepka—it’s AWESOME! Warmed this old gamer’s heart 🙂

Jenny Hansen shares Brené Brown’s top ten tips for success. Laura Drake follows up on Jenny’s column with this: dare to be vulnerable in your writing life. Writers in the Storm

Chris Winkle wants you to understand exploitative plots. Mythcreants

Guy Gavriel Kay offers some writing advice: don’t take writing advice. Literary Hub

Thanks for stopping by. I hope you found something to help you with your latest creative project.

Until Thursday, be well, my writerly friends!

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Tipsday: Writerly Goodness found on the interwebz, Mar 3-9, 2019

I have a lot of informal writerly learnings for you this week.

By the way, a couple weeks ago, I decided to group posts by blog/source. Are you liking this slight rearrangement, or do you find it more difficult to read? Let me know, if you wish, in the comments. I can always change things back. More whitespace on the page can be helpful for readers.

Oren Ashkenazi examines six common mistakes in fight scenes and explains how to avoid them. Bunny explains how to use the uncanny in your writing. Mythcreants

Greer Macallister explains what it means to be a working writer. Sophie Masson outlines the options for planning your book launch (‘cause not every publisher has budget for that anymore). Donald Maass eschews his usual concise and pithy titles in this installment: nasty, menacing, and murderous protagonists and why we love them. Alma Katsu offers tips for complex historical research. David Corbett writes about what it means to sink into the bog. Kathryn Magendie wants to thank those who encourage us to write and dig deeper. Writer Unboxed

Joanna Penn interviews Sacha Black on how to create heroes and villains for the Creative Penn podcast. Then Bharat Krishnan stops by to discuss how to write diversity authentically. The Creative Penn

James Scott Bell visits Writers Helping Writers: does every protagonist need an arc? Spoilers: yes, but it doesn’t have to be a positive or negative change arc. Sometimes … it’s flat (no change). Janice Hardy stops by later in the week to point out three ways writers tell, don’t show and how to fix them.

Abigail K. Perry examines another of James Scott Bell’s signpost scenes. This time, #8: pet the dog. Brenda Joyce Patterson takes a deep dive into flash non-fiction. Gabriela Pereira interviews Anita Sarkeesian and Ebony Adams for DIY MFA radio. Rachel Thompson list five ways to celebrate women and non-binary authors on International Women’s Day. DIY MFA

Fae Rowan wants to write the perfect book. Spoiler: it’s not possible. What to do instead 😉 Then, Julie Glover wonders, have you forgotten to have fun writing? Writers in the Storm

Susan DeFreitas: when your query reveals a story-level problem. Jane Friedman

Self-rejection: what it is, why you do it, and how to chuck its ass out an airlock. Chuck Wendig, Terribleminds.

Ammi-Joan Paquette is taming the synopsis with these four steps. Writer’s Digest

Jami Gold says, what makes a story uplifting is more than a happy ending.

Rosa Saba: authors irritated by “smug” defense of the Vancouver website they say is stealing their work. Readers, shun ebook.bike. SHUN! The Toronto Star

And that is tipsday for this week. Come back on Thursday for some inspiration and research resources.

Until then, be well, my friends!

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