second act

Tipsday: Informal writerly learnings, June 5-11, 2022

/ Melanie Marttila

Monday’s in the rear-view and we’re one day closer to the weekend! Celebrate with some informal writerly learnings.

K.M. Weiland helps us understand the adventure world of a story’s second act. Helping Writers Become Authors

Richelle Lyn explains how to build an online portfolio. Kris Hill: doom, hope, and ten candles. Manuela Williams wonders, what is confessional poetry? Then Ashley Christiano returns with part 2 of her tarot for storytellers series: from tarot spread to novel outline. DIY MFA

Start writing your book. Reedsy

Louise Harnby explains how to use parentheses (round brackets) to convey simultaneity in fiction.

Beth Harvey considers the lure of literary symbolism. Then, Tiffany Yates Martin explains how tension and microtension keep your readers hooked. Kathleen McCleary walks the Camino as a creative reset. Then, Kathryn Craft wonders whether to challenge or concede to copy edits. David Corbett is weaving a life: the three levels of dramatic action. Writer Unboxed

Shaelin explains how she got her literary agent. Shaelin Writes

Penny C. Sansevieri shares four ways non-fiction authors can succeed in the “age of free.” Then, Colleen M. Story shares her top seven places to find people to write great blurbs. Piper Bayard helps you write believable driveway crime: carjacking and kidnapping. Writers in the Storm

Meghan Harvey wonders, is hybrid publishing ethical? Then, Kris Spisak says that if you’re looking for beta readers, turn the question around. Jane Friedman

How ancient mythologies defy the gender binary. Fate & Fabled | PBS Storied

Elizabeth Spann Craig defines who we’re writing for.

The war genre: honor and dishonor in pro-war, anti-war, and kinship stories. The society genre: stories of power and impotence. The status genre: stories of success and failure. Story Grid

Lisa Poisso offers three ways to infuse character voice. Then, Drew Hubbard helps you avoid writing LGBTQ+ stereotypes. Writers Helping Writers

This story is about rabbits, but it will still change your life. Tale Foundry

Nathan Bransford wants you to avoid aimless stage direction.

Tiffany Yates Martin reveals the best character tool you may not be using. Fox Print Editorial

The brainy brunette trope. The Take

Kristen Lamb explains why mastery should matter to authors.

Chris Winkle explains how to make your character sympathetic. Then, Oren Ashkenazi analyzes six important story elements introduced too late. Mythcreants

Danielle Daniel draws on her ancestors’ past in debut novel Daughter of the Deer. CBC’s “the Next Chapter” with Shelagh Rogers

Thank you for taking the time to stop by, and I hope you took away something to support your current work in progress (whatever stage it’s at).

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, Feb 16-22, 2020

/ Melanie Marttila

Here we are in the final week of February. Winter is crawling to its end, the light returns, and so does the hope of spring. Celebrate with some informal writerly learnings 🙂

Tasha Seegmiller: writer, you are separate from your craft. Barbara Linn Probst considers likeable and relatable: why (and how) do they matter? Writers in the Storm

Vaughn Roycroft has a new take on readership. Dave King: the web of writing. Kathleen McCleary has answers to questions about writing. Porter Anderson analyzes the Authors Guild’s 2020 Report. Writer Unboxed

K.M. Weiland has some thoughts on how to be critical of stories in a way that makes a difference. Helping Writers Become Authors

Joanna Penn interviews Aiki Flinthart about writing fight scenes with female characters. The Creative Penn

Christina Delay wants you to fall in love with your second act. Angela Ackerman explains how to build powerful character relationships. Writers Helping Writers

Janice Hardy considers whether to stop and revise or keep writing the first draft. Fiction University

Brenda Joyce Patterson takes a deep dive into libretti. DIY MFA

Nathan Bransford helps you clear out the clutter around your verbs.

How to write character voices. Reedsy

Oren Ashkenazi explains why “but men are objectified, too” doesn’t hold up. Then, Oren lists ten ways to keep the authorities out of your plot. Mythcreants

Jami Gold wonders, what do you do with disappointment?

Robert Lee Brewer explains the difference between metaphor and personification. Writer’s Digest

Kate Knibbs says, the hottest new genre is doomer lit (formerly known as cli-fi). Wired

Charlie Jane Anders believes that to write about the future is to represent the past. Tor.com

Thank you for visiting and I hope you take away something to support your current work in progress.

Until next time, be well!

Tipsday2019