Tipsday: Informal writerly learnings, Feb 19-25, 2023

We’re almost at the end of February. Prepare to welcome March with some informal writerly learnings!

Rachel Teferet offers a social media survival guide for writers. Then, JJ Graham helps you find a writing community as an introvert. Grace Bialecki: location, location, location. Next, Neil Chase lists his top five types of villains in literature. DIY MFA

Why apocalypse stories feel different now. Like Stories of Old

Porter Anderson’s hearing a lot of cyber rattling: when the bot chats. Then, Dave King writes the epilogue on prologues. Thomas Richards explains how to bring your characters to life by writing in three dimensions. Next, Heather Webb suggests some body and mind fitness for writers. Victoria Strauss points out some clauses to watch for: when your publishing contract raises a red flag. Writer Unboxed

Is R a vowel? Otherwords | PBS Storied

K.M. Weiland offers more genre writing tips: how to write historical fiction. Helping Writers Become Authors

Lisa Norman says creating a powerful author website will get the results you want. Then, Kris Maze poses this puzzle: retiring to write, or writing to retire (part 1). Ellen Buikema offers some more tips on writing science fiction (part 2). Writers in the Storm

The politics of loving the bad guy. Princess Weekes

Hank Quense explains book marketing in plain English. Elizabeth Spann Craig

Michelle Barker is getting back into the writing flow. Then, Marissa Graff lists four reasons your action-based scene is failing (and how to avoid it). Writers Helping Writers

Jane explains how authors can build relationships with independent bookstores. Jane Friedman

How to edit a novel. Reedsy

Jami Gold helps you figure out what point of view is best for you.

Tiffany Yates Martin wonders, are you “just”-ifying your writing? Fox Print Editorial

Dan Koboldt considers luck vs. talent vs. perseverance in publishing.

Chris Winkle helps you choose scenes to cover the right information. Then, Oren Ashkenazi analyzes Star Trek’s seven worst antagonistic species. Mythcreants

Lavelle Porter presents an ode to Samuel Delaney. JSTOR Daily

Thanks for stopping by, and I hope you found something to support your current work(s) in progress.

Until Thursday, keep staying safe and well, my writerly friends.

Tipsday: Informal writerly learnings, Feb 12-18, 2023

Welcome to tipsday, where you can get the best of the week’s informal writerly learnings. Enjoy!

Ann Marie Nieves: so you’re interested in hiring a publicist. Jim Dempsey says, write for that someone special. Then, Barbara Linn Probst wonders what actually makes you a better writer? Writer unboxed

K.M. Weiland offers some tips on writing romance. Helping Writers Become Authors

C.S. Lakin explains what story hooks are all about. Live, Write, Thrive

Stories about stories about stories. Tale Foundry

Elizabeth Spann Craig reviews Amazon’s author page updates.

Roz Morris wonders, will AI writing threaten authors’ livelihoods? Nail Your Novel

Jane says negotiation is the one business skill she could grant all writers. Jane Friedman

Suzy Vadori helps you slay your bloated word count. Writers Helping Writers

Nathan Bransford says don’t dribble out morsels of information within a scene.

How to write dialogue. Reedsy

AK Nevermore defines science fiction and fantasy. Then, Lori Walker interviews Courtney Maum about genre-hopping, process, and time management as a working writer. Karmen Špiljak shares the secret ingredient. Next, Sebastián Calderón offers five techniques to connect with your novel. DIY MFA

Janice Hardy shares three ways “show, don’t’ tell” can strengthen your writing. Then, Lynette M. Burrows helps you create characters your readers love and hate. Eldred Bird lists five ways helping other writers helps you. Writers in the Storm

Jenna Harte explains how to find your readers. Fiction University

Tiffany Yates Martin: when will you be a success? Fox Print Editorial

Chris Winkle helps you judge what information your story needs. Then, Oren Ashkenazi analyzes five stories with disappointing prophecies. Mythcreants

Chuck Wendig considers AI and the fetishization of ideas. Terribleminds

Connor Garel explains why M. NorbeSe Philip declared war on her own book. The Walrus

Amna Khalid: the futility of trigger warnings. Persuasion

Thank you for visiting, and I hope you found something to support your current work(s) in progress.

Until Thursday, keep staying safe and well!

Tipsday: Informal writerly learnings, Jan 22-28, 2023

It’s the last tipsday (and last day) of January. Get your fill of informal writerly learnings for the week 🙂

Mary McDonough: when doody calls (AKA a telltale sign of writerly procrastination, and what it may reveal). Then, Jamie Beck considers the controversy around trigger warnings in literature: to warn, or not to warn. Emilie-Noelle Provost explains how to handle malicious online comments about your work: taming the haters. Next, Heather Webb says that self-soothing is really all about micro-tension. Liz Michalski tells a tale as old as time. Writer Unboxed

How brands ruin slang. Otherwords | PBS Storied

K.M. Weiland suggests six problems to troubleshoot when your story isn’t working. Helping Writers Become Authors

Deborah Zenha-Adams introduces us to the ancient science that can help you get your story written. Live, Write, Thrive

Elizabeth Spann Craig shares some advice about handling edits and critiques.

The dark side of happy endings. Tale Foundry

F.E. Choe wants you to be brief; be specific; be gorgeous. Then, LA Bourgeois shares five more creativity exercises for writers. Lori Walker interviews Jumata Emill about exploring social justice topics in a YA thriller. Next, Anna M. Holmes says that research is the key to immersive world building. Monica Cox shares five tips for making the most of your first read through. DIY MFA

Tiffany Yates Martin has some advice for college students on how to pursue a career in editing. Then, Julie Vick offers advice about promoting your book as an introvert in the age of TikTok. Jane Friedman

Shaelin shares her 6-arc story structure (character-driven and pantser-friendly) with template. Shaelin Writes

Christina Delay helps you build suspense with secrets. Then, Becca Puglisi discusses originalizing your story idea. Writers Helping Writers

Maria Connor shares five tips for managing your author business during times of crisis. Ellen Buikema: writing science fiction, part 1. Writers in the Storm

On writing antiheroes. Hello, Future Me

Tiffany Yates Martin has some advice about the Dunning-Kruger Effect or dealing with author despair syndrome. Fox Print Editorial

Joanna Penn interviews Oliver Altair about the importance of confident creative direction, voice, and taste in generative AI art. The Creative Penn

Chris Winkle explains why we stigmatize enjoyment. Then, Oren Ashkenazi ranks the climaxes of Marvel’s phase four, from worst to best. Mythcreants

Thank you for stopping by, and I hope you took away something to support your current work(s) in progress.

Until Thursday, keep staying safe and well, my writerly friends!

Join me at DIY MFA for my latest Speculations

This edition of Speculations came out on June 29th. I did not have the spoons at the time to post it in a timely manner.

Still, better late than never 🙂

This time around, Speculations focuses on the works of a handful of AAPI authors of science fiction and fantasy.

While you’re there, please check out the other great columnists and Gabriela’s fabulous resources.

Until tipsday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, June 27-July 3, 2021

Welcome to another week of informal writerly learnings 🙂 Enjoy!

Erika Liodice explains how to create an authentic setting from a place you’ve never been. Matthew Norman advises, when in doubt, look about. Then, Deanna Cabinian offers some tips from a pregnant lady on deflecting unsolicited writing advice. Nancy Johnson shares three tips for mastering conflict in your novel. Later in the week, Julie Carrick Dalton is crafting climate futures we can survive. Writer Unboxed

Princess Weekes looks at WandaVision and the feminine madness. Melina Pendulum

K.M. Weiland completes her review of the flat archetypal arc with the mentor in part 21 of her archetypal character arcs series. Helping Writers Become Authors

Colleen M. Story lists three reasons writing is a healthy form of escape. Elizabeth Spann Craig

Writing compelling character relationships. Shaelin Writes

James Scott Bell says, act like a professional. Colleen M. Story explains how to tell the difference between procrastination and a true writing crisis. Writers Helping Writers

Princess Weekes loves Octavia E. Butler, the grand dame of science fiction. It’s Lit | PBS Storied

Tasha Seegmiller is exploring a character’s past wound. Then, Julie Glover shares five more quick dialog tips. Writers in the Storm

Emily Zarka looks at the macabre origins of the grim reaper. Monstrum | PBS Storied

My latest speculations: ten AAPI science fiction and fantasy authors to read right now. Later in the week, Lauren Eckhardt shared five ways to catch your golden butterfly. DIY MFA

Why slow adulting is a good thing. The Take

Kristine Kathryn Rusch presents part seven of her fear-based decision-making series: fear and all writers.

Rachelle Shaw lists ten alternative types of short fiction. Fiction University

Jane Friedman breaks down where her money comes from.

The dangerous woman. How we package female sexuality. The Take

Chris Winkle points out what you need to know when planning character arcs. Then, Oren Ashkenazi analyzes six twists that hurt the story. Mythcreants

Nate Berg: stunning new museum brings Hans Christian Andersen’s stories to life. Fast Company

Hank you for taking the time to stop by, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, April 11-17, 2021

Ah, Tuesday! The day when you get to catch up on your informal writerly learnings of the previous week.

Janice Hardy explains how the wrap up works in a novel. #storystructure Fiction University

K.M. Weiland continues her archetypal character arc series by introducing us to the hero’s shadow archetypes. Helping Writers Become Authors

Wonder Woman 1984: gravity would like a word … Jill Bearup

Kathleen Marple Kalb explains how to navigate a book launch through social media. Then, Sharon Oard Warner wonders which comes first: character or plot? Jane Friedman

Shaelin explains how to write science fiction. Reedsy

Then, she covers sci-fi tropes to avoid or embrace. Reedsy

Nicole Souza shares some tips for creating strong female characters. Elizabeth Spann Craig

Alli Sinclair wants to help you use your fiction skills to earn money. Writers Helping Writers

Jim Dempsey tells you how to cut the cost of a professional editor. Then, Kathleen McCleary explains how regrets reveal and forge character. Later in the week, Porter Anderson is suiting up for serialization. Kelsey Allagood: writer, know thyself. Writer Unboxed

Erica Brozovsky: what’s the longest word? Otherwords | PBS Storied

My latest Speculations column went live on April 13: celebrating Perseverance. DIY MFA

Brannan Sirratt defines nonfiction and fiction dimensions. Story Grid

Queer coding, explained. The Take

Piper Bayard lists 10 common kitchen items to use as weapons. Writers in the Storm

Chris Winkle explains how to teach world terms without confusing readers. Then, Oren Ashkenazi analyzes five stories with unsatisfying endings. Mythcreants

The sympathetic villain. The Take

Kristen Lamb: how to write stories that grip readers and don’t let go.

Thom Dunn explains why it’s harder for neurodivergent people to break into publishing. Boing Boing

Julia Skinner: libraries and pandemics, past and present. JSTOR Daily

And that was tipsday for this week. Thanks for stopping by, and I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, March 14-20, 2021

Spring has sprung, the grass is ris’, do you know where your informal writerly learnings is? Sorry. Old rhyme from childhood (if you substitute birdies for informal writerly learnings). I prolly should have left it there, eh?

Karen Abbott-Trimuel asks, are you happy? Vaughn Roycroft is waking from a dream. Then, Dave King shares another episode of the reality show. Stacey Allagood offers six writing lessons from an actual backyard gardener. Writer Unboxed

Does your book need a prologue? Reedsy

Janice Hardy shares four ways a strong point of view strengthens a novel. Later in the week, Bonnie Randall considers the intersection between cathartic writing and cathartic reading. Fiction University

What is a denouement and how do you write one? Reedsy

K.M. Weiland continues her archetypal character arcs series with part six: the crone arc. Helping Writers Become Authors

Self-care for writers. These are truly excellent. Shaelin Writes

Monya Baker offers six tips for writing in deep third person point of view. Then, Nancy Stohlman considers jealousy in the age of quarantine: the green-eyed monster. Jane Friedman

For St. Patrick’s Day, Emily Zarka looks at the leprechaun: from gold-loving cobbler to cultural icon Monstrum | PBS Storied

Julie Glover explains what happens when illness interrupts your writing. Writers in the Storm

Lucy V. Hay points out three things worth thinking about before you start your novel. Writers Helping Writers

WandaVision’s sitcom universe. The Take

Nathan Bransford recounts a year of covid.

Ambre Dawn Leffler recommends you sync your creative process with birdsong. Heather Campbell lists five ways writing a novel is like running a marathon. Then, Alexander Weinstein introduces us to 4th person perspective: the we without an I. DIY MFA

The origins of the e-girl. The Take

Chuck Wendig tackles the craft question, should writers write every day? Terribleminds

Chris Winkle helps you understand conflict and tension. Then, Oren Ashkenazi is (facetiously) taking the politics out of six popular stories. Mythcreants

El Jones’ poem, “Glass Hands,” is everything I want to say about the pandemic. CBC’s “The Current”

Sierra Garcia: how early sci-fi authors imagined climate change. JSTOR Daily

Thank you for taking the time to visit, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

The next chapter: September 2020 update

I blink, and it’s October.

Black and Indigenous lives matter

The good fight goes on despite losses. There was no justice for Breonna Taylor. Joyce Echaquan died after enduring racist abuse from the people who were supposed to be helping her. Two of the staff were fired, but it looks like there won’t be justice for Joyce Echaquan either.

On the positive side, Annamie Paul is the first Black leader of a Canadian political party. I’m watching with interest.

We have to keep educating ourselves (those of us who benefit from white privilege), listening, reading, promoting Black and Indigenous artists and entrepreneurs, and bringing issues affecting Black and Indigenous people to the fore. We need to do better.

Pandemic life

Ten months into this hellacious year and seven months into the pandemic. We’re firmly into the second wave in many areas of the province and country. Pre-reopening restrictions have been institutes again. We all have to do our part to protect each other.

Wear your masks, maintain physical distance, wash your hands, don’t go out unless you need to, and get your flu shots as soon as they’re available.

I’m just boggled that Trump decided to break quarantine to give his supporters a “gift.” What gift is that? The rona? I shake my head and wait to see what happens next.

Work wise, while front line workers have returned to the office (with appropriate protections), the rest of us are teleworking for the foreseeable. So, nothing new there. I’ve adapted to my new work laptop and the shelf Phil made for me to elevate my monitors over my laptop also provides additional storage space.

With respect to the assessment process I was involved in for the new job at work … the manager wanted to proceed with next steps in the informal process. If I was interested. To which I responded with a resounding “YES!” The potential start date has been pushed to November to accommodate any approvals that might need to be obtained. And then I was called for the interview in the formal process. Still nervous about it, but they did proceed to contact my references from there.

And now … we wait. Again. Did I mention these things tend to take a fair amount of time?

The month in writing

Please excuse the block caps, but I think some shouting is in order. THE NEVERENDING DRAFT FINALLY ENDED! Yes, I finished this iteration of Reality Bomb. It was basically 120k and I have to cut around 30k, but I’m optimistic. I’m currently mapping in anticipation of revising later this month.

So, 5,234 words, or 105% of my 5k-word goal.

I finished the short story I started last month and promptly submitted it. It was rejected and so will be added to my pile of revise and resubmit stories, but I feel that it was an accomplishment, nonetheless. Then, I started on another story, not expecting to finish it, let alone submit it, but I did both! I probably won’t hear from that submission process for a while yet. I’m just happy to have done it.

I also submitted a previously published story for consideration in a Canadian reprint special issue of a popular SFF magazine. I’ll definitely let you know if anything comes of that 🙂

2,489 word of short fiction in the month, or 124% of my 2k-word goal.

I blogged 6,815 words of my 3,750-word goal, or a whopping 182%. Whop.

Overall, I wrote 14,538 words. I’d aimed for 10,750 and surpassed my goals on all counts. 135% of my monthly writing goal ain’t bad.

In the poetry arena, “Fire and Ice,” one of the five poems accepted for publication in Polar Borealis was also selected for Stellar Evolutions, an anthology featuring the best of the first 15 issues of PB. The pieces for the anthology were selected by Rhea E. Rose of RainWood Press. Pre-orders start October 15th, and the anthology is officially out on October 31st—my birthday!

Isn’t the cover beautiful?

It’s nice to get some external validation again.

Filling the well

Over Labour Day long weekend, our small family gathered at my sister-in-law’s for what’s probably our last outdoor family gathering of the year (it’s too cold for the moms, now). Chicken wings on the barbeque and fresh-cut fries. The sandhill cranes (AKA dinos) were EVERYWHERE.

Later in the month, I went out with Torvi a couple of times for walks in the fields.

In September, I attended Jane Friedman’s workshop on Researching Agents and Publishers like a Pro, a Word on the Street event with Michael Christie (Greenwood), Kerri Sakamoto (Floating City), and Doreen Vanderstoop (Watershed), the Writing Excuses Retreat fall reunion, How to Astronaut with Mary Robinette Kowal and Terry Virts, a NaNoWriMo session on How to Unlock the Key to Your Novel (adaptation to screen) with Jenny Han (To All the Boys I’ve Loved Before), Angie Thomas (The Hate U Give), Nancy Springer (Enola Holmes), and Roshani Chokshi (Aru Shah), a world building tutorial with Mary Robinette Kowal, and a presentation on The Inner Workings of Spacesuit Design with Adam Savage, Cady Coleman, and (again) Mary Robinette Kowal.

Whew! That was a lot of virtual events.

I also attended several meetings for the Canadian Authors Association and the AGM for CIRA as well as several learning events at work (virtual facilitation, Orange Shirt Day, anti-racism, and mental health). What can I say? I’m a learning mutt.

What I’m watching and reading

Because many series stopped filming and/or production because of covid-19, there hasn’t been a lot on cable these days. Don’t get me wrong, I’m kind of grateful. I get more writing done of an evening if I don’t have regular series to watch. I’m actually catching up on my streaming viewing, but I haven’t finished any more series/seasons that way, either.

I watched the first six episodes of Wynona Earp. It’s the usual wacky shenanigans, but we didn’t get much of anywhere before covid intervened. Apparently, the rest of the season should start coming out in January. I’ll reserve full judgement until then.

Phil and I endured Cursed. It’s okay to envision a new interpretation of traditional myths and legends, but you have to have some kind of cohesive story going in. This was just stuff happening, just to have stuff happen. Pirates and Vikings and fairies, oh my? In what timescape do these all coexist with Arthurian legend (the fairies, okay, but the rest)? It’s fiction. I get it. But it all felt contrived, like, oh yeah, now we have the Inquisition (nobody expects the Spanish Inquisition)!

By all means, let Nimue be the one true queen, but she should act like one (some of the time, please?). She can have (indeed should have) conflicting goals and desires, but she’s running away with Arthur one minute and then making deals with Uther to save her people the next? Everyone was changing allegiances, left, right, and centre, again, apparently for no reason.

In short, nothing came together for us. We’ve watched and enjoyed shows that have done truly bizarre things with Arthurian legend, but they worked because there was a cohesive story to wrap all the crazy in. Someone let their idea monkey out of its cage and the poor dear just started flinging poop everywhere.

The rest of my viewing was long form, that is movies.

I watched Birds of Prey (and the fantabulous emancipation of one Harley Quinn) and it was fabulous. I think it’s the best DCEU film I’ve seen yet. It was all style and fun and it had a legit story. Margot Robbie was *chef’s kiss.* Nice to see strong women coming together to kick some ass and save each other.

Then, I saw Knives Out. Hilarious and clever, though I did wonder how Benoit Blanc, master detective, missed the distinct scent of vomit when he got into the car. You know the scene I’m talking about. This movie isn’t a whodunnit, but a who-woulda-dunnit-if-the-intended-victim-hadn’t-dunnit-first … and committed murder, extortion, and arson to cover their tracks. It’s about true friendship and kindness and a suspect who vomits every time she lies. A feelgood movie. Yeah, that’s what I’m going with.

Finally, Phil and I watched Enola Holmes. Another feelgood movie. It’s a plot wrapped in a mystery. Millie Bobbie Brown was perfect and got to use her own accent (sort of). Henry Cavill and Helena Bonham Carter were lovely. There were a few key differences from the book as I understand it, but I think I’m going to pick it up. I’ve always enjoyed Nancy Springer’s novels 🙂

In terms of reading, I have four offerings, two short story collections and two novels.

The first collection was Lynn Coady’s Hell Going. This collection won the Giller in 2013. I enjoyed the stories, but they all seemed to revolve around absences, and how people only end up hurting themselves by not communicating.

Daniel José Older’s Salsa Nocturna is a collection of stories featuring the characters from the first two novels in his Bone Street Rumba series. Humans who can see the dead, half-dead ghost hunters, witches who trap the souls of their victims in dolls, mammoth ghosts (not big ghosts, but the ghosts of woolly mammoths), and regular folks who get caught up in the world of the NY Council of the Dead.

Then, I read Justina Ireland’s Deathless Divide, the sequel to Dread Nation. As dark as the first novel was, DD is darker. You have to read them both to get the full effect, and I’m not going to spoil it.  The metaphoric nature of the story is killer (pun intended).

Finally, I read Barney’s Version by Mordecai Richler. Well, I listened to it. Audible offered Giller prize winning novels for free back in the spring and I got a bunch. I didn’t expect to like this novel, but I did. The twist in the final pages is perfect. The narrator … I’m not as impressed with. He persisted in pronouncing yarmulke (yah-muhl-kah) as yarmuckel—that’s not even how it’s written—gah! I would think a professional voice actor would care enough to look up these things before he began narration … but I’ll leave it there.

Barney is the ultimate unreliable narrator. He’s starting to forget things and eventually dies from complications related to Alzheimer’s. So, basically, the reader can’t trust a word he’s written. He’s writing his memoir, such as it is, in response to former friend turned rival, Terry MacIvor’s fictional expose.

The problem is that Barney readily admits his faults and he does terrible things, but he’s adamant on one point: he did not kill his best friend as everyone thinks he did.

And that was the month in this writer’s life.

Until next time, be well and stay safe, be kind, and stay strong. The world needs your stories.

Tipsday: Writerly Goodness found on the interwebz, Aug 16-22, 2020

Welcome to another week of informal writerly learnings!

Black lives matter. Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter. This is a fundamental truth.

The EI ERB and CERB have been extended for the third time and three new transitional benefits are being created to support Canadians in this crisis. It’s resulted in chaos at work, but chaos has been the rule since March 15th.

Wear a mask. Wash your hands. Stay within your bubbles and avoid crowded events. Take care and stay safe. You don’t know who you could be putting at risk with careless behaviour.

K.M. Weiland shares five exercises for honing your story instincts. Helping Writers Become Authors

Vaughn Roycroft explains why he prefers novels with prologues. Dave King is discussing fiction in the time of plague. Then, Sarah Penner shares the results of a working-from-home survey: navigating changes to our work environments. Later in the week, Porter Anderson discusses emergent voices. Writer Unboxed

Shaelin Bishop shares some of her favourite writing techniques. Shaelin Writes

Tasha Seegmiller: every novel needs a village. Then, Barbara Linn Probst advises us to read like a writer and write like a reader. Later in the week, John Peragine explains the vital importance of your writing community. Writers in the Storm

The muse trope, explained. The Take

Rochelle Melander suggests some tools for revision. Fiction University

Christina Delay uses the lyrics of “Yesterday” to look back at the first act. Writers Helping Writers

Helen J. Darling helps you build your author newsletter list. Then, Pamela Taylor helps you figure out whether you’re writing historical fiction, or something else. Later in the week, Chere Hughes describes the key features of a no-fear critique. DIY MFA

Susan DeFreitas explains what your first 50 pages reveal. Jane Friedman

Nathan Bransford wants you to be very careful with dreams and hallucinations in novels.

Chris Winkle explains why story structures like the Hero’s Journey don’t work. Then, Oren Ashkenazi analyzes five stories with anticlimactic endings. Mythcreants

What English can’t do. NativLang

Alexandra Alter: “We’ve already survived an apocalypse”: Indigenous authors are changing science fiction. The New York Times

Thanks for visiting and I hope you’re taking away something that will support your current work in progress.

Until Thursday, be well and stay safe.

Tipsday2019