The next chapter: September 2024 update

Getting back into the swing of things…until the swing breaks.

Picture of a cloudy sky.

Life in general

Even though we’ve had another lovely stretch of warm weather through September, I’ve given up on the idea of swimming this year, for several reasons.

  1. My swimsuit. I haven’t bought a new one since I lost weight and it’s baggy. Baggy enough that it would probably fall off my shoulders while I swim (!) I definitely need a new one but haven’t gotten around to sourcing one yet. Speedo designs have also changed a lot over the years and I’m not sure what would suit—lol—me now.
  2. My rituals in the covid endemic age. Because I continue to work full time, and devote a good portion of the rest of my time to writing, I’m finding it challenging to fit a swim in. I really struggle in the mornings and don’t think I could get up any earlier to swim then, and after work, I often don’t have the spoons to do something that isn’t writing. I’ll have to give it some thought before next June.
  3. I’m far enough away from a beach that it would take a half hour to an hour to walk (depending on which one I go to) there and back, or I’d have to take my car, and there may not be enough parking, particularly on hot summer days. It’s another time sink and ritual adjustment that I have to account for.

Friday the 13th wasn’t kind. My mom was feeling poorly enough that she asked me to call 911 for her after work. After a 20-hour odyssey in the waiting room (during which she did not sleep, eat, or drink anything), seeing a doctor, tests, and a CAT scan, she was observed overnight. In the morning (Sunday) the surgeon called, recommending surgery. I agreed and laparoscopic surgery to repair/remove a bowel obstruction proceeded that afternoon.

So, I had to put a few things on hold.

If you’ve been reading my blog for a few years, you may remember that Mom had a similar surgery in November 2020. It was why we went with the option of an ambulance and agreed with the surgery when it was recommended. The illness that preceded it was familiar.

She was in the hospital until the following Thursday (Sept. 19) when Phil brought her home and life started its slow return to normal.

Work is still a source of stress. Transitioning to a new team is not easy, and doing it in the summer, when vacations mean that half your team is away, just makes it more difficult. I’m starting to get a handle on the projects and hope to feel like I’m making headway soon.

I’m pretty sure I’ve tipped the scales toward burnout.

The month in writing

I focused primarily on the climactic chapter of Reality Bomb when I could, but it eventually became apparent that words were not wording.

I was supposed to meet with Suzy once on the 18th, but Mom’s surgery forced me to postpone.

On September 1st, there was a flurry of activity for the anthology I’ve been included in. For most of August, I’ve been quietly reviewing proofs and the draft contract. On the 1st, I reviewed and signed my contract and reviewed and approved final proofs.

I’ll let you know more when I can. It’s kind of killing me not to be able to share the news.

On the 24th, my Sudbury Writers’ Guild member page went live.

And on the 25th, three of my poems appeared in The /tεmz/ Review! Trauma cluster I, II, and III can be read online. Please be advised that TCIII includes mentions of suicidal ideation. The whole tryptich is dark, so be aware if you choose to read. Take care of yourselves, y’all!

I met with my Dispatches writing group on the 3rd. Always good to catch up and share with writer friends. But then, because Mom, I had to withdraw from the next round of submissions and critiques.

I received another lovely review of The Art of Floating from Ramblings on my Bookshelves on the 11th. So, so grateful for each reader and every review that comes in!

The Wordstock annual general meeting was on the 11th, followed immediately by the Wordstock 2024 lineup announcement and open mic night. There are so many stellar authors in the lineup: Alicia Elliot, Drew Hayden Taylor, Hollay Ghadery, Danielle Daniel, Yvonne Blomer, Ariel Gordon…and the list goes on!

Heather Campbell and Kyla Heyming announcing the 2024 Wordstock Sudbury lineup.

I’m honoured to be in the Poetry Primer session on Friday, November 1st from 5:30 to 6:30 pm with Kelsey Borgford, moderated by Poet Laureate Alex Tétreault. If you’re in the Sudbury area in November, please come out to Place des Arts and take part in Wordstock 2024!

Here’s the link to the Wordstock website where you can look at all the author biographies, download the schedule-at-a-glance, and buy tickets 🙂

On the 19th, Emily De Angelis featured The Art of Floating in one of her five adjective reviews (on Facebook, Instagram, and Threads). She took a break over the summer, but otherwise Emily posts one of these charming, brief reviews every Friday.

Five Adjective Review of The Art of Floating.

In writing business, the SF Canada board met on the 24th. It was a brief, productive meeting.

Filling the well

The new Hazel moon in Virgo was on the 2nd, which was also Labour Day.

The full Corn/Leaves Changing Colour moon in Pisces and partial lunar eclipse was on the 17th. I watched the Time & Date coverage of the eclipse in various parts of the world where the eclipse was more pronounced and walked to the window to watch the wee nibble of shadow on the moon here. The moon was distinctly orange in the days leading up to the full.

And the autumnal equinox fell on the 22nd this year. I did my usual altar-lighting and contemplated the changing of the seasons.

Writing-related events started to ramp up again. I’d signed up for that series of Odyssey workshops last month and they continued through September. I also signed up for several Clarion West Workshops. And there were several book launches and events to attend.

On the 8th, I attended the Odyssey workshop “Point of View” with Paul Park. Solid writerly learnings.

On the 10th, I attended “playing with Perspective” with David Ly, a poetry workshop through the League of Canadian Poets. Since it was during the workday, I audited, but the workshop was verra interesting. I’ll have to work through it on my own time.

That same night was “Avoiding Common Science Pitfalls in Your SF with Ashley Christine, the first of the Clarion workshops I signed up for. Lots of science-y fact checking for worldbuilding and plotting.

Then, on the 12th, Rod Carley launched his latest novel, Ruff, at Place des Arts. It was lovely to meet Rod in person (we’ve only ever interacted online).

Rod Carley is conversation with Marcus Schwabe.

The 13th through the 15th was the DIY MFA Author Life Summit. Because that was also when my mom had her surgery, I just watched the sessions I was most interested in.

The next week, on the 19th, Kim Fahner launched her debut historical novel, The Donoghue Girl. Kim’s launches are always events. She invites musician friends to play, sings a couple of Irish songs, and then does a reading or two. This time, she asked Judi Straughan to interview her and livestreamed the event for out-of-town friends and fans. Her dress was absolutely gorgeous. Fabulous night!

Kim Fahner in conversation with Judi Straughan.

That weekend, I attended the virtual launch of Sara Letourneau’s debut poetry collection, Wild Gardens. Sara was a contributor to DIY MFA at the same time I was, and she was also one of the book coaches I considered before deciding on Suzy. I wanted to support a fellow debut poet.

The same evening, I attended the 2024 Anne Szumigalski Lecture, “Call and Response,” presented by Titilope Sonuga. Amazing presentation!

On the 22nd, Terese Mason Pierre presented the Clarion West Workshop “Discovering Speculative Poetry.” Loved! Generated some great ideas.

On the 27th was “Molecular Description” with Escher McDonell-Maulsby. I have to watch the session again. It. Was. Stellar!

Then, on the 28th, I attended an all-day virtual retreat, “All About Fantasy” presented by Bianca Marais and featuring lectures and workshops by authors Tomi Adeyemi, Amber Chen, and Andrea Hairston, agents Mary C. Moore and Elizabeth Hitti, and editor Saana Ali-Virani. There was so much writerly goodness going on, it’s another event I have to watch again.

Finally, on the 29th, I attended “The Business of Writing” with Arly Sorg, another Odyssey workshop. Excellent.

In non-writerly events, I attended “The Wisdom of the Witch” with Phyllis Curott. I have two of her books on witchcraft and was curious to hear her present. It was a good presentation and guided ritual.

On the 3rd, I picked up my new orthotics and glasses. It’s so nice to be more comfortable walking again and to be able to see better. I did need a tweak in my prescription.

Picture of glasses.
The picture doesn’t capture the colours. Pink and burgundy with gold-toned metal. Looks rose-gold.

What I’m watching and reading

I finally watched Furiosa: A Mad Max Saga (Crave). It was fine, and I did enjoy the performances, but overall, it suffered from the same issue many prequels fall prey to: viewers know where the story is heading. And while it was interesting to see Furiosa’s backstory, it really had little impact on the events of Mad Max: Fury Road. I really didn’t see the point of it. If they were books, I’d almost say combine the two, interweaving the past and present timelines, but I guess that wouldn’t have worked as well as a movie.

Phil and I zoomed through KAOS (Netflix). It’s an alternate reality in which the Greek gods still exist and what we think of as mythic stories play out in the modern day. Zeus (Jeff Goldblum) is obsessed with his prophecy—the Fates give everyone a prophecy at their birth—and is getting increasingly unstable. Hera and Poseidon are having an affair, Hades and Persephone are having a rough go (spoilers, if I tell you with what), most of Zeus’s children aren’t speaking to him except for Dionysus, who wants to do more than party all the time, and Prometheus has a plan, having to do with his own prophecy, to get out of his eternal punishment.

Enter the mortals. Eurydice, “Riddy,” is falling out of love with Orpheus, the rock star who obsesses over her as his muse. When Riddy dies and Orpheus is determined to rescue her from the Underworld, you think you know how the story goes (but you’d be wrong). Caeneus died but cannot enter The Frame. He must work in the Underworld until he earns his right to cross over. He and Riddy discover a conspiracy and begin to fall in love, as the dead do. Ariadne, “Ari,” has lived with the burden of having killed her twin Glaucus in their infancy. Riddy, Caeneus, and Ari all have critical roles to play in bringing about Zeus’s prophecy, freeing Prometheus, and bringing about the downfall of the gods.

This just touches the surface. It was an amazing show with awesome actors and ended on a cliffhanger. Phil and I are hoping Netflix doesn’t cancel the series, as they have with so many others we’ve loved (RIP Lockwood and Co. and Dead Boy Detective Agency).

Then, I finished watching Dark Matter (Apple TV) based on the novel by Blake Crouch that I read last month. So, here is the comparison I promised, and be warned [HERE BE SPOILERS]. Avoid if you want to read the book or watch the series without the benefit on my completely biased opinion 🙂

The plot is roughly the same between the novel and the series. Jason Dessen, college professor of physics, lives in Chicago with his wife Daniela, and their son, Charlie. After celebrating his neuroscientist friend Ryan’s win of a prestigious science award, he is abducted and drugged, waking up in what looks like a laboratory medical facility. Eventually, he figures out that he is in another world in which he decided to pursue the development of a prototype he once created, the Cube, which allowed a particle to exist and be observed in superposition without collapsing its waveform into one state or the other. The Cube has become the Box, which allows people to exist in superposition and choose the state, in this case world, they want to exist in. He realizes that this world’s Jason (forthwith called Jason2) regretted his decision not to marry Daniela and have Charlie.

Jason escapes with the lab’s psychiatrist, Amanda, and the two journey through multiple harrowing worlds before they figure out how the Box works. Amanda leaves Jason, and after a period of despair, Jason finally finds his world. But hundreds of Jasons have come into being in the Box, with every decision made and every world visited. And they’ve all come to Jason’s world seeking to reclaim their family from Jason2. What ensues is a farcical thrill-ride in which Jason avoids being killed by his numerous other selves, convinces Daniela and Charlie that he is their “real” Jason, escapes to a remote and unoccupied vacation home where Jason2 and a gang of his other selves track him down, manages to kill Jason2, and kill or avoid the rest of his others, returns to Chicago and the Box, where hundreds of other Jasons wait. There is more fighting, but most of the Jasons just want Daniela and Charlie to be safe and happy and make it possible for protagonist Jason to escape into the box with his family.

The first difference is that, in the novel, Daniela notices that there is something different about Jason, but it’s all good. He’s a more attentive husband and father. So, when protagonist Jason returns at the end of the novel, Daniela and Charlie illogically and immediately trust him.

The series fixes this in several ways. First, series-Charlie has a twin, Max, who died shortly after they were born. Every year, the family hold a memorial for Max. Jason2 misses this significant observance because he’s off trying to bilk an old friend out of millions by showing him how the Box works and sending him on his way. Then, Charlie has a severe allergy to nuts and Jason2 gives him ice cream with nuts in it, setting off anaphylactic shock. And Jason2 doesn’t know how to use Charlie’s EpiPen.

After this, Daniela grows suspicious and confides in Ryan. Ryan discovers that Jason2 somehow has a drug that Ryan is secretly developing. He confronts Jason2, who kind of confesses and takes Ryan into the Box, trapping him in another world. Jason2 then seals the Box in concrete (also filling another plot hole from the novel, where Jason2 leaves the Box open and unprotected throughout) to keep anyone he’s sent into its quantum maze from returning to this world. But when Jason2 becomes a suspect in Ryan’s disappearance, he breaks the concrete, finds another world’s Ryan and brings him back to halt the investigation.

Whew! This is already a lot.

In the novel, Amanda sneaks off while Jason sleeps, leaving him a note. Is the series, they visit a world that is a utopia compared to ours and she decides to stay.

In the novel, Jason2 tracks Jason and his family to the remote vacation home where they are hiding, changes clothes with Jason, and then Daniela and Charlie show up to witness their fight to the death (but who’s the real Jason?!). In the series, Jason2 is held hostage by another of the Jasons and learns what the other Jasons have suffered because of him. He still tracks Jason to the vacation home, but he does it to make up for the wrong that he’s done, gifting Jason with the means to use the Box to escape to another world with Daniela and Charlie. He also gives them Max’s ashes to take with them. Then, he stays behind to deal with the other Jasons.

Finally, the series provides a better denouement. Ryan is in Amanda’s utopian world, and they meet. Jason’s billionaire friend is having the time of his life, and we see Jason and his family enter another world, but we don’t know which one, though the light shining through the door seems to imply that it is the same utopian world Amanda chose to stay in.

By now, you’ve probably deduced that I liked the series better than the novel. Sometimes, an adaptation—if the author of the novel is involved—can provide opportunities for the author to make the changes they wished they’d been able to make before the novel was published. Or the adaptation demands changes that improve the story. [Here endeth the spoilers!]

Next, I finished the first season of Shogun (Disney +). I honestly can’t remember much of the original mini-series starring Richard Chamberlain and I never read the book, but I enjoyed this series. The actors were excellent. And I didn’t even mind the tactful absence of subtitles in the first few episodes. Suitably epic.

I watched Inside Out 2 when it was released on Disney +. Charming, sweet story about what happens when Riley hits puberty and a whole group of new emotions take over. The principle takeaway is that emotions don’t get to determine who Riley will be. It’s a lesson that Joy and Anxiety both have to learn.

My first book of the month was a The Great Courses and Audible Original collaboration. Victorian Animals in Literature and Culture by Deborah Morse considers the works of Anna Sewell (Black Beauty), Margaret Marshall Sanders (Beautiful Joe), Virginia Woolf (Flush), Beatrix Potter, Sir Arthur Connan Doyle, and Ernest Thomas Seaton. Morse brings the conversation into the 21st century with a discussion of Karen Joy Fowler’s We Are All Completely Beside Ourselves. The book includes discussion not only of animal welfare and rights, but also slavery, disability, social justice, and more. I was impressed and touched. An excellent listen.

Then, I finished reading The Stones of Burren Bay by Emily De Angelis. Loved! Norie (short for Honoria) can only bear witness as her beloved grandmother dies. When her father—always angling for a way to make money—wants to sell the antique artist’s box her grandmother left to her, Norrie protests. Unfortunately, he doesn’t tell her until he’s driving Norie and her mother to meet the buyer, and the resulting argument leads to a car fiery crash that kills her father and seriously injures Norie and her mother.

Of course, Norie blames herself. Norie’s journey is one of spiritual healing and reconciliation that takes place in a lovely lighthouse museum on Manitoulin Island among people who become Norie’s new “found” family. A second timeline runs through the novel in reverse chronological order detailing Oonagh’s journey from Ireland to the same Manitoulin lighthouse where her father was to be keeper and the fire that takes her life. Yes, I know the author, but I would have loved the book every bit as much even if I didn’t. Highly recommend.

Next, I read Mirrored Heavens, the third book in the Between Earth and Sky series by Rebecca Roanhorse. This is one of those books that to say anything of the plot automatically means spoilers. So, I won’t get into it except in very general terms. Serapio now rules Tova, but enemies are amassing on two fronts to take back the city. Xiala returns to Teek and has to defeat a warlord come to enslave her people. Naranpa travels north to a fabled graveyard that may be the key to mastering her powers as the sun god’s avatar and saving Tova from a fiery fate. Shifting alliances, political intrigue, betrayal, and sorcery. All the good things. Loved, though I did want a better ending for Naranpa. Just saying.

Then, I listened to A Beginner’s Guide to Numerology by Joy Woodward. I first encountered numerology years ago when I read Linda Goodman’s Star Signs. Goodman focused on Chaldean/Hebrew numerology, however. Woodward presents Ptolemaic numerology, and it’s a more straightforward, but more complex system of divination. I rediscovered an old special interest and had fun calculating various numbers. Since it’s all basic addition, it’s super easy.

Next, I read The Book of Elsewhere by Keanu Reeves and China Miéville. I hadn’t read a Miéville novel yet, though they’re on my TBR list. Not having read the BRZRKR comics on which the novel’s based, I wasn’t familiar with the specific context, though I do know of other series that deal with immortal warriors.

These day’s, he’s simply known as B but, over the aeons of his existence, he’s been called Unute, and Death. This last is pertinent, because he does tend to go into a true berserk rage, which even his allies can’t escape. It’s gotten so bad that some of his black-ops colleagues have attempted to kill him. And that was before a shadowy cabal actively began to subvert them. When one of his dead (like half-his-head-blown-off dead) colleagues comes back to life, it starts a whole series of events that culminate in a confrontation between B and the children of other gods. It was a great, if challenging read.

My next listen was Susan Cain’s Audible Original, Seven Steps to a Quiet Life. Narrated by the author, this was a short and sweet look at life, finding your purpose, moving through difficult life events and grief, seeking oneness, and having compassion for your fellow beings. Lovely.  

And that was the month in this writer’s life.

Until next month, be well and stay safe; be kind and stay strong. The world needs your stories!

The next chapter: A month in the writerly life
https://melaniemarttila.ca

Tipsday: Writerly Goodness found on the interwebz, July 5-11, 2020

Black lives matter. Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter.

We may be reopening, but for the love of all that’s holy, please wear a mask when you go out in public/to a business/outside your social bubble. Maintain social distancing, even if you think it’s stupid/ridiculous. Parents, pester your schoolboards, provincial, and federal politicians for a proper plan for the return to school. All we need is to have a class, or—heaven forefend—an entire school, of children and their teachers infected with covid-19.

We still don’t know the long-term effects of this damn virus, though serious neurological and cardio-pulmonary involvements have already been seen, even in asymptomatic patients. People who have had covid once, have been infected again, months later, and a few have even been symptomatic for months.

Despite the need to recover economically, we need to protect our communities while doing so. It’s a tricky balance to strike and we have to do this right.

On that cheery thought, please enjoy these informal writerly learnings 😀

Concepción de León, Alexandra Alter, Elizabeth A. Harris and Joumana Khatib interview Black publishing professionals: a conflicted cultural force. The New York Times

Tiffany Yates Martin explains how to weave in backstory without stalling your story. Then Nancy Johnson interviews Laura Rossi about publishing in a pandemic from a book publicist’s perspective. Melanie Conklin wonders, what about book two? Kathryn Craft is helping you identify and craft your inciting incident. Finally, David Corbett gets into more of his covid dreams and the lessons he’s learning from them: a visitor and a sin. Writer Unboxed

12 tips for new short story writers. Shaelin Writes

K.M. Weiland: how to get things done as a writer, or how this INTJ leverages her te. Helping Writers Become Authors

Orly Konig lists three reasons you should quit writing. Fiction University

Nathan Bransford says, even minor characters have needs and desires.

Sara Letourneau explains how to create discussion questions using your book’s themes. DIY MFA

The Take considers the controversial history of the hero cop trope.

John Peragine touts the importance of the triple edit. Writers in the Storm

Jami Gold suggests you get organized, for the sake of your creativity and your career.

Shonna Slayton recommends you improve your fiction by studying the Brothers Grimm. Writers Helping Writers

Nam Kiwanuka interviews Amanda Leduc about ableism and disability in fairy tales. TVO

Chris Winkle lists seven common reasons protagonists are unlikable. Then, Oren Ashkenazi explains how Frank Herbert sabotaged his own ideas. Mythcreants

Jen Sookfong Lee: what Anne of Green Gables taught me about grief. The Walrus

Thank you for stopping by and I hope you’ve taken away something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, May 3-9, 2020

Even as various provincial governments consider “opening up,” we are becoming aware of reports from China and South Korea that their attempts to do the same are resulting in another spike in infections and deaths. While I think that, with testing and tracking and sufficient PPE, a certain degree of business resumption can occur, I’m worried that the testing, tracking, and PPE are not in place as yet.

Time will tell.

In the meantime, this week was another rich one for informal writerly learnings. Enjoy!

Sara Letourneau explains how your protagonist’s motivations influence your story’s themes. Later in the week, Gabriela Pereira interviews Helen J. Darling for an inside look at self-publishing. Pamela Gay shares five ways to write about something difficult. DIY MFA

Sonja Yoerg encourages you to give your story the time of day. Donald Maass: the meaning of meaning. Julie Carrick Dalton considers the earned plot twist. Jennie Nash: the secret to more efficient revision is pattern recognition. Writer Unboxed

How to develop a novel, part 3: plot & world. Reedsy

Nathan Bransford shows you how to weave exposition naturally into your story. Later in the week, he suggests giving your protagonist a mini-quest before the plot takes off.

Aziraphale and Crowley share a message with the world.

Tiffany Yates Martin wants you to give your characters agency. Then, Susan DeFreitas serves up the next part of her developing a writing practice series: captivating. Jane Friedman

Jami Gold explains how to improve your story with action beats. Later in the week, she wonders, do your characters take on lives of their own?

The Take explains the woman-child trope.

Joanna Penn shares her self-editing process. The Creative Penn

Meg LaTorre explains how to juggle writing and parenting. Writers Helping Writers

Fae Rowan show you how small decisions can make big story impact. Julie Glover: in defense of editing as you go. Writers in the Storm

Juliette Dunn profiles five characters coded as autistic. Mythcreants

What English does that no other languages do. NativLang

Eileen Hunt Botting introduces us to Mary Shelley’s journals of sorrow. The Times Literary Supplement

I’ve been trying to avoid a lot of overt covid-19 material, but Kim Stanley Robinson’s article is too amazing not to share. Coronavirus is rewriting our imaginations. The New Yorker

And this: Sabrina Orah Mark. Fuck the Bread. The Bread is over. On making your own fairy tale, embarking on your own epic tasks, and finding meaning. Beautiful and wrenching and ultimately hopeful. The Paris Review

Thanks for stopping by, and I hope you’ve taken away something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, March 8-14, 2020

As the covid-19 crisis continues to escalate, keep calm and stock up on informal writerly learnings from the comfort of your home.

Sophie Masson advises us about creating and presenting writing workshops. Jim Dempsey: writing when you’re not writing. Juliet Marillier wants you to tell a tale for our times. Kathryn Craft says, let your protagonist’s light shine. Writer Unboxed

K.M. Weiland uses critique to demonstrate six tips for introducing characters. Helping Writers Become Authors

Jenna Moreci shares her favourite paranormal tropes.

Laurence MacNaughton shares a six-point story checklist for powerful scenes. Then, Janice Hardy offers a three-step plan for returning to a partially finished manuscript. Fiction University

Jami Gold helps you find the right pace for your story. Writers Helping Writers

Nathan Bransford: everything writers need to know about book series.

Sara Letourneau offers some writing exercises for exploring the theme of man and the natural world. Later in the week, Dave Chesson shares five tips for levelling up your craft. DIY MFA

Some great tips for creating a consistent writing habit. Reedsy

Becca Puglisi shares eights ways to hook readers at the ends of chapters. Then, Oren Ashkenazi analyzes five plot twists that are too obvious. He tackles some well-known, bestselling, award-nominated, or award-winning novels and, while I can see and might even agree with the assessments, I’ll note that it did not have a negative impact on my enjoyment of the novels (well, with one exception, but I won’t get into that here). I think many readers enjoy these books regardless of, or despite, these faulty plot twists and that writing something similar won’t necessarily hurt your chances of publication. You can always strive to do better, and I think that’s the point of the article. Still, take it in context (and don’t panic). Mythcreants

Robert Lee Brewer explains how to daringly and correctly use semicolons. Writer’s Digest

Thanks for stopping by and I hope you took away something to help with your current work in progress.

Now more than ever, be well, my writerly friends.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Jan 12-18, 2020

Welcome to tipsday, the place to load up on informal writerly learnings.

Barbara Linn Probst wants a place to write. Kris Maze gives you three reasons to consider readability before you publish. Writers in the Storm

Janice Hardy touts the freedom of writing without chapters. Diana Gabaldon does this too … think Imma try this some time. Then, she shares a simple trick to keep readers turning pages. Fiction University

It was question week on WU! Sophie Masson wonders, what do you save? Then, Jim Dempsey asks, do you really want to be a writer? Natalie Hart: what do people get wrong about you? Jeanne Cavelos extolls the compelling, emotional, complex sentence. Writer Unboxed

K.M. Weiland offers three life-changing rules for finding more writing inspiration this year. Helping Writers Become Authors

Sacha Black shares six steps to setting yourself up financially as a writer in 2020. Writers Helping Writers

Sara Letourneau assigns additional reading on the theme of man and the natural world. Pamela Taylor is celebrating the solstice (a little late, but hey, SOLSTICE). DIY MFA

The Take unpacks the tough woman trope.

Then, Shaelin looks at the manic pixie dream girl trope (which, it turns out, is not a trope at all). Reedsy

Chris Winkle outlines six important differences between filmed and narrated stories. Oren Ashkenazi analyzes five stories where the heroes lack agency. Mythcreants

Robert Lee Brewer considers when to use a while and when to use awhile. Writer’s Digest

Thank you for taking the time to visit and I hope you found it worthwhile 🙂

Until Thursday, be well!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Sept 22-28, 2019

Welcome to October, when everything is pumpkin spice! And thus, I must inflict upon you the guinea pigs:

Now that you’ve survived that, please enjoy some informal writerly learnings.

Janice Hardy helps you figure out which opening works best in a novel. Then, she hopes you don’t let your plot hijack your story. Fiction University

Susan Spann wants you to throw your writing from the train. Heather Webb offers some do’s and don’ts of writing query letters. Writer Unboxed

Lori Freeland lists the up and down sides of critique groups. Writers in the Storm

K.M. Weiland says, if you’re struggling to be creative, this might be why. Helping Writers Become Authors

Joanna Penn interviews Jen Louden about trusting your creativity and choosing yourself. The Creative Penn

Sara Letourneau differentiates between topic and theme. Richelle Lyn offers five steps to creating your writing wind up (setting the stage for a productive writing session). DIY MFA

Nathan Bransford wants you to let the reader diagnose your characters.

Kris Kennedy returns to Jami Gold’s blog with the fifth and final part of the avoid infodumping by making backstory essential series.

Jenna Moreci shares her top ten science fiction tropes.

Gavin Hurley looks at effective repetition in writing as demonstrated by A Song of Ice and Fire. Writer’s Digest

Thank you for taking the time to visit. I hope you took away something for your current work in progress.

Until Thursday, be well, my writerly friends!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, July 28-Aug 3, 2019

And here we are in August! It’s time to change direction and indulge in some informal writerly learnings.

Kathryn Craft: where a writer’s story begins. Laurie Schnebly Campbell asks, where, when, why? Writers in the Storm

K.M. Weiland helps you learn five types of character arc at a glance: the two heroic arcs, part 1 of 2. Helping Writers Become Authors

William R. Leibowitz delves into the challenges of believability in writing science fiction. C. S. Lakin

Allison Winn Scotch is writing in the chaos. Meanwhile, Cathy Yardly is addressing anxiety. Writer Unboxed

How to use and eliminate passive voice. Reedsy

Nathan Bransford explains what it costs to self-publish a book.

Sara Letourneau is identifying themes in poetry. Jeanette the Writer extolls the power of punctuation.  DIY MFA

Jami Gold: do we know what we’re capable of?

Peter Gelfan explains how to craft engaging dialogue exchanges. Writers Helping Writers

How to write a fight scene. Reedsy

Angela Ackerman is depicting characters held back by fear. Then, Oren Ashkenazi teaches authorial endorsement 101. Mythcreants

Robert Lee Brewer explains the difference between a lot and allot (and that alot is NOT a word!). Writer’s Digest

Cecelia Watson recounts the birth of the semi-colon. The Paris Review

Thanks for stopping by. I hope you found something helpful.

Until Thursday, be well, my writerly friends!

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Tipsday: Writerly Goodness found on the interwebz, June 2-8, 2019

Here’s a nice bundle of informal writerly learnings for you 🙂

Jael McHenry is making room for silence. Nancy Johnson: what white writers should know about telling black stories. Donald Maass explores the myriad ways in which mystery shapes your story (and returns to the pithy one-word titles). Cathy Yardley offers a snapshot of her writing process. Writer Unboxed

K.M. Weiland explains how to write interesting scenes. Helping Writers Become Authors

James Scott Bell wants you to stay thirsty. Writers Helping Writers

Sara Letourneau is identifying themes in poetry. Laura Highcove wants you to reclaim your agency from writer’s block. Then, Charlene Jimenez describes the five people fiction writers need in their lives. DIY MFA

Jenna Moreci rails against her ten most hated hero tropes.

Fae Rowan suggests these six f-words to create compelling characters. Writers in the Storm

Tara East guest posts on Joanna Penn’s blog: how overwriters can reduce their word count. The Creative Penn

Emily Wenstrom suggests several different tools to track world building in a fantasy series. Writer’s Digest

Chris Winkle explores five relationship dynamics for stronger romances. Then, Oren Ashkenazi explains five ways terrain affects fantasy battles. Mythcreants

Hank Green shares eight things he wished he’d known when he wrote his first book – vlogbrothers

Nathan Bransford thinks this Roald Dahl video is everything. I so love process-y stuff 🙂

And Catherine Ryan Howard shares her process (in parts—more to come): the BIG IDEA.

I hope you enjoyed this curation and found something for your current of next creative project.

Come back on Thursday for your weekly dose to thoughty!

Until then, be well, my writerly friends 🙂

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Apr 7-13, 2019

Happy Tuesday! Time to reward your hard work this week with some informal writerly learnings.

Rheea Mukherjee explains what it’s like to be the bi-cultural writer. Jim Dempsey helps you discover your characters’ goals. Sarah Callender asks, so you think you can write? Kathryn Craft encourages you to use short story collections as novel prompts. Writer Unboxed

James R. Preston has a conversation about pushing the envelope of first person. Becca Puglisi discusses first pages and character emotion. Julie Glover shares ten things she learned from ten years of writing. Writers in the Storm

K.M. Weiland: what is the relationship between plot and theme? Helping Writers Become Authors

Sara Letourneau provides some exercises for exploring the theme of family in your writing. Later in the week, Jeanette the Writer looks at five famously rewritten novels. DIY MFA

Jami Gold is worldbuilding a series but writing without a plan.

Oren Ashkenazi analyses six unsatisfying character arcs. Mythcreants

Nina Munteanu explains how walking in nature helps her write.

Jenna Moreci updates her list of the top ten worst romance tropes.

 

For balance, Jenna also shares her ten favourite villain tropes.

 

Jessica Leigh Hester: for centuries, know-it-alls carried beautiful, miniature almanacs wherever they went. Atlas Obscura

Nicola Davis reports on the latest research indicating that Beowulf was the work of a single poet. The Guardian

Alison Flood: “extraordinary” 500-year-old library catalogue reveals works lost to time. The Guardian

Thanks for stopping by and I hope you found something to feed your creative process or craft.

I invite you to return on Thursday for some thoughty inspiration.

Until then, be well!

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Tipsday: Writerly Goodness found on the interwebz, Mar 17-23, 2019

Here is your weekly batch of informal writerly learnings. Enjoy 🙂

K.M. Weiland wants you to find your thematic principle. Helping Writers Become Authors

Vaughn Roycroft, inspired by Jo Eberhardt’s last post, writes about layers of antagonism and why you should embrace them. Dave King: the lessons of genre. “In fact, here’s a dirty little secret: literary fiction often behaves like just another genre.” Julie Carrick Dalton looks at novel writing intensives as an alternative to the MA. Stephanie Cowell explores her novelist’s journey: the ghost worlds within me. Writer Unboxed

Chris Winkle: narrating a close point of view. Mythcreants

Chris Winkle produces the next instalment in the goal-oriented storytelling series: novelty. Then, Sara Letourneau has a helpful strategy if you’re struggling with flashbacks: try using the PAST method. Writers Helping Writers

Lisa Cooper Ellison offers a primer on schmoozing for introverts: how to network like a pro. Then, Barbara Linn Probst stops by to talk about beta readers: who, when, why, and so what? Jane Friedman

Mary Robinette Kowal shares some great advice for debut authors: so, you’ve been nominated for an award …  She follows up with another pithy piece on status and hierarchy shifts. Check out the series navigation links. This stuff is GOLD.

Helen J. Darling is helping you build your publishing team: your cover designer. DIY MFA

Alexa Donne muddles through the middle.

 

Janice Hardy digs into her archives for this fun test to check your scene’s narrative drive. Fiction University

Piper Bayard and Jay Holmes (better known as Bayard & Holmes) help you figure out which firearms can’t be silenced. Then, Margie Lawson drops by to discuss creating compelling cadence. Writers in the Storm

Angela Ackerman visits Jami Gold’s blog: creating characters who clash.

Jenna Moreci helps you identify your category (not genre).

 

Bryan E. Robinson, PhD shares eight ways to stay mentally fit and mindful during the writing process. Writer’s Digest

Nina Munteanu: surfing Schumann’s wave and catching the ion spray. Everything in life is vibration.

And that was Tipsday.

Hope you found something that will take your craft to a new level. Come back on Thursday for some thoughty.

Until then, be well!

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