Tipsday: Writerly Goodness found on the interwebz, Dec 1-7, 2019

Aaaaand … I’m back with some lovely informal writerly learnings for you 😉

Jael McHenry: writing, verbs, and time. Ray Rhamey extols the fun of pantsing. Donald Maass: un-con redux—operation phoenix. Susan Spann cries, curses—foiled again! Cathy Yardley wants you to play to win. Writer Unboxed

Jenna Moreci digs deep to list her top ten dystopian tropes.

Robert Lee Brewer clears up the confusion around lose, loose, and loosen. Writer’s Digest

Emily Wenstrom offers five tips to set (and keep) an author platforming resolution. And here’s my latest Speculations: five awesome ways NASA’s all-woman spacewalk inspires us. DIY MFA

James Scott Bell answers the question, is it necessary to write EVERY day? Then, Angela Ackerman is mastering show, don’t tell. Writers Helping Writers

Writing anti-heroes with Reedsy.

Spencer Ellsworth says, outlines are for revision (say what?)—a different approach for your process. Fiction University

Ellen Brock shares a simple strategy for novel editing.

Chris Winkle shares lessons from the disingenuous writing of Maximum Ride. Then, Oren Ashkenazi considers what makes an antagonistic group problematic. Mythcreants

Thanks for stopping by and I hope you found something you need to fuel your current work in progress.

Until Thursday, be well, my friends.

It’s good to be back.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Sept 29-Oct 5, 2019

A nice, compact batch of informal writerly learnings, this week.

Piper Bayard and Jay Holmes list ten character traits of an espionage hero. Later in the week, Janice Hardy stops by and explains what happens when your plot hides behind the details. Writers in the Storm

K.M. Weiland poses five questions to help you choose a protagonist who represents your story’s theme. Helping Writers Become Authors

Nancy Johnson asks, is your book done yet? Donald Maass explores the making of a hero or heroine. Bryn Greenwood talks about what happens after your dreams come true. Cathy Yardley: dare to deliver. Writer Unboxed

Tamar Sloan dig into writerly procrastination, why it happens, and how to break free of it. Then, Angela Ackerman wonders, how do you know if your protagonist is strong enough? Writers Helping Writers

How to write a strong protagonist. Reedsy

Leanne Sowul explains how to find your writing purpose. And here’s my latest Speculations column: five ways to rock NaNoWriMo. DIY MFA

Robert Lee Brewer sorts out the distinctions between imminent, immanent, and eminent. Writer’s Digest

Chris Winkle: six rape tropes and how to replace them. Then, Oren Ashkenazi examines siege warfare before gunpowder. Mythcreants

Thanks for stopping by. I hope you found something to help you wrestle your work in progress into shape.

Be well until Thursday!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Sept 15-21, 2019

Here we are, officially in the fall. Take the time to enjoy the turning leaves and the delicious smells of the season. And, of course, spoil yourself with some informal writerly learnings.

Vaughn Roycroft is using theme to leverage revision. Julie Carrick Dalton hopes no one will notice. Writer Unboxed

K.M. Weiland critiques another brave writer to demonstrate ten ways to write excellent dialogue. Helping Writers Become Authors

Susan de Freitas points out three things you won’t learn from an MFA program. Jane Friedman

Joanna Penn interviews James Scott Bell about writing unforgettable endings. Then, Harrison Demchick offers you four ideas to help authors revise a first draft. The Creative Penn

Chris Winkle returns with the fourth aspect of goal-oriented storytelling: satisfaction. Writers Helping Writers

Jenna Moreci offers her top ten tips on character arcs.

Nathan Bransford offers six ways to build intimacy between characters. Later in the week, he asks, are you creating a mystery, or are you just being vague?

Jenn Walton shares three ways to find inspiration at a writing conference (or any work event). DIY MFA

Jenny Hansen wants you to find and share your story’s theme. Writers in the Storm

Chuck Wendig explains how to be a professional author and not die screaming and starving in a lightless abyss. Terribleminds

Jami Gold helps you figure out how to build your story with chapters, scenes, or both. Then, Kris Kennedy returns with part four of her avoid infodumping by making backstory essential series.

Bunny discusses choosing a follow-up strategy for a popular story. Then, Oren Ashkenazi shares five ways to handle parents without killing them. Mythcreants

Robert Lee Brewer advises writers regarding spacing between sentences. Writer’s Digest

Daniel Ross Goodman shows us the haunting magic of Maurice Sendak. National Review

Thank you for visiting. I hope you found something you need to move your work in progress forward.

Until Thursday, be well!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Sept 8-14, 2019

I present this week’s batch of informal writerly learnings 🙂

Daryl Rothman visits Helping Writers Become Authors: how to write stories that matter with writing’s secret formula.

Jim Dempsey wants you to give useful criticism. Kathryn Craft studies showing through exposition. Juliet Marillier considers publicity and the introvert. David Corbett is turning a terrible truth into compelling fiction. Kathryn Magendie is living the dreamy dreamland. Writer Unboxed

Shaelin explains how to write a scene. Reedsy

Jami Gold considers what’s stopping our characters: avoiding change. Writers Helping Writers

Kris Kennedy returns to Jami Gold’s blog for part three of her avoid infodumping by making backstory essential series.

Nathan Bransford lists seven reasons your characters feel flat. Then, Nathan lays out your options in hybrid publishing.

Manuela Williams explains how to use Pinterest to create an author brand board. DIY MFA

Fae Rowan shares ten more f-words for writers and their characters. Writers in the Storm

Sophia Jeppson explains how to make time travel logical. Oren Ashkenazi considers five ridiculous organizations from popular series. Mythcreants

Robert Lee Brewer explains the difference between prophesy and prophecy. Then, he tackles the difference between allude and elude. Writer’s Digest

Thank you for stopping by and I hope you found the information you need to move forward with your current work in progress.

Until Thursday, be well, my friends!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Aug 25-31, 2019

Ah. Here we are in September. Back to … all the things. Ease back into your routine with some informal writerly learnings.

Lainey Cameron advises you use a three-tier backup plan. Then Tiffany Yates Martin helps you to reclaim the creative spark in troubled times. Writers in the Storm

K.M. Weiland explains how to use a truth chart to figure out your character’s arc. Helping Writers Become Authors

Julia Munroe Martin wonders, what makes you love your main character? Molly Best Tinsley explains how hearing voice(s) led to order in a previously chaotic manuscript. Barbara O’Neal explains what happens when the book takes over everything. Writer Unboxed

Pathologist Jane Bennett Munro wants to help you explain forensics to readers. Elizabeth Spann Craig

Jeanette the Writer reveals the secret importance of readability. Tess Enterline explains why it’s okay (and sometimes necessary) to step away from our writing.  Constance Emmett shares five tips for writing complex, flesh and blood, LGBTQ+ characters. DIY MFA

Janice Hardy doesn’t want you to create cardboard conflicts. Fiction University

Jami Gold explains how sequels make scenes stronger. Then, Kris Kennedy stops by to explain how to avoid info dumping by making backstory essential.

Chris Winkle: how to turn your fanfic into your original fiction. Then, Oren Ashkenazi answers the question, how do cannon affect your naval combat? Mythcreants

Robert Lee Brewer considers OK vs. Okay vs. O.K. Writer’s Digest

N.K. Jemisin, Jasmine Guillory, and Lauren Wilkinson: publishing’s still owned by white men. The Washington Post

Nick Venable talks to the creators of The Dark Crystal: Age of Resistance about the challenges of making a puppet series on Netflix. Saw the first episode—love! CinemaBlend

And that was tipsday. I hope you found something to help you progress with your work in progress.

Come back on Thursday for some thoughty goodness 🙂

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Aug 11-17, 2019

It’s time to dig into another week’s worth of informal writerly learnings 🙂

Elizabeth A. Harvey is remembering Toni Morrison. Then, Nancy Johnson shows us how Toni Morrison’s The Bluest Eye offers a masterclass in craft. Porter Anderson: murders she didn’t write, a provocation on writers in the context of real world gun violence. Rheea Mukherjee: negotiating social privilege as a writer. Jim Dempsey wants you to explore the wonders of your character’s world view. Sarah Callender forgets to remember that writing is an act of faith. Writer Unboxed

Jenna Moreci helps you get back into the writing habit after a break.

C.S. Lakin visits Helping Writers Become Authors: how to evoke reader emotions with “surprisingness.” Then, she heads over to Larry Brook’s Storyfix to explain how to effectively “tell” emotions in fiction.

Emily Wenstrom offers three tips for creating your author newsletter before you’re published. And here’s my latest column: find storytelling inspiration with the women of the Kalevala. Constance Emmett shares five tips for surviving rejection. DIY MFA

Lisa Hall-Wilson shares four ways to go deeper with point of view. Then, Laura Drake starts with character first. Writers in the Storm

Michelle Barker wants you to remember that the wand chooses the wizard. Writers Helping Writers

Janice Hardy explains why you want nitpicky critiquers. Fiction University

Robert Lee Brewer explains the difference between slight of hand and sleight of hand. Writer’s Digest

Some reassuring advice from Chris Winkle: why you shouldn’t worry about someone stealing your manuscript. Then, Oren Ashkenazi offers advice on choosing naval tactics for your pre-gunpowder world. Mythcreants

Sam Bleicher offers some unusual writing tips on dealing with facts in science fiction. The Creative Penn

Ferris Jabr: the story of storytelling. Harper’s

Thanks for visiting. Come back on Thursday for some thoughty.

Until then, be well!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Aug 4-10, 2019

You’ve worked hard this week (so far). Reward yourself with some informal writerly learnings.

Jael McHenry: it’s always in the last place you look. Donald Maass considers persuasion.  Then, Kathryn Craft wants you to give your reader an experience. David Corbett has a conversation with Zoe Quinton about developmental editing. And Kathryn Magendie writes about becoming a rogue planet (when you lose your publisher). Writer Unboxed

K.M. Weiland shares part two of her five character arcs at a glance series: the three negative arcs. Helping Writers Become Authors

Abigail K. Perry looks at characters in terms of grit, wit, and it. Slush Pile Survivor

C.S. Lakin explains when telling, not showing, emotion is the right choice. Writers Helping Writers

Leanne Sowul: what writing can do for you. DIY MFA

Jenna Moreci lists her top ten worst dystopian tropes.

Sangeeta Mehta interviews Sarah LaPolla and Kim Lionetti for Jane Friedman’s blog.

Chuck Wendig: on writing from a place of fear vs from a place of love. Terribleminds

Reedsy offers a guide to fantasy subgenres.

Chris Winkle: filling in your story’s middle. Then, Oren Ashkenazi relates six common forms of bad writing advice. Mythceants

Jami Gold: when writing advice goes wrong.

Robert Lee Brewer looks at the difference between it’s and its. I know, seems basic. Doesn’t mean I don’t make the mistake from time to time. Reinforcement is always good. Writer’s Digest

Richard Lea and Sian Cain pay tribute to Toni Morrison, who died August 6, at the age of 88. The Guardian

Dwight Garner honours Morrison as a writer of many gifts who bent language to her will. The New York Times

There were so many more tributes, this humble curation would have been huge. I just chose a couple.

Thanks for stopping by. I hope you found something of value.

Until Thursday, be well, my writerly friends!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, July 28-Aug 3, 2019

And here we are in August! It’s time to change direction and indulge in some informal writerly learnings.

Kathryn Craft: where a writer’s story begins. Laurie Schnebly Campbell asks, where, when, why? Writers in the Storm

K.M. Weiland helps you learn five types of character arc at a glance: the two heroic arcs, part 1 of 2. Helping Writers Become Authors

William R. Leibowitz delves into the challenges of believability in writing science fiction. C. S. Lakin

Allison Winn Scotch is writing in the chaos. Meanwhile, Cathy Yardly is addressing anxiety. Writer Unboxed

How to use and eliminate passive voice. Reedsy

Nathan Bransford explains what it costs to self-publish a book.

Sara Letourneau is identifying themes in poetry. Jeanette the Writer extolls the power of punctuation.  DIY MFA

Jami Gold: do we know what we’re capable of?

Peter Gelfan explains how to craft engaging dialogue exchanges. Writers Helping Writers

How to write a fight scene. Reedsy

Angela Ackerman is depicting characters held back by fear. Then, Oren Ashkenazi teaches authorial endorsement 101. Mythcreants

Robert Lee Brewer explains the difference between a lot and allot (and that alot is NOT a word!). Writer’s Digest

Cecelia Watson recounts the birth of the semi-colon. The Paris Review

Thanks for stopping by. I hope you found something helpful.

Until Thursday, be well, my writerly friends!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, July 14-20, 2019

The weeks continue to march along, whether we want them to or not. Summer’s passing too fast! Console yourself with some informal writerly learnings.

Jan O’Hara extolls the life-changing magic of zeroing non-writing commitments. Carol Newman Cronin says, there are no wasted words: power to the pantsers! Julie Carrick Dalton is interrogating characters about their motivations. Writer Unboxed

Manuela Williams looks at five mistakes you’re making with your author brand (and how to avoid them). Pamela Taylor is extrapolating the past. DIY MFA

Reedsy examines the chosen one trope.

Robert Lee Brewer: everyday vs. every day. Writer’s Digest

Jeri Bronson’s married to a coroner and she explains the hows, whys and the WHAT?! Writers in the Storm

Jenna Moreci answers all your critique partner questions.

Lisa Cron poses three simple questions that will unlock your story. Writers Helping Writers

Nathan Bransford explains how authors make money.

Angela Ackerman visits Jami Gold’s blog to explain how to avoid the boring stuff in character descriptions. Then, Kassandra Lamb stops by: what’s the right way to include multiple POVs?

Oren Ashkenazi examines six stories with failed turning points. Mythcreants

Nina Munteanu considers Vonnegut’s ice-nine and superionic ice. Science!

Thanks for stopping by, and I hope you found something you need to help you with your current work in progress.

Until Thursday, be well, my writerly friends!

Tipsday2019

Six questions with Jane Ann McLachlan

I “met” Jane Ann through a wonderful online collective, Wordsmith Studio, following Robert Lee Brewer’s April Platform Challenge of 2012.

Though I knew that many of us were writers, I had no idea Jane Ann was working on a science fiction novel. Last fall, she was even up in Sudbury, giving a reading at the Sudbury Public Library, which, because I was out of town, I had to miss.

I also had to miss her Twitterview with mutual friend Lori Sailiata for Hawaii Content Management (#HiCM), though I read the Storify afterward 🙂

Now that her novel is coming out in instalments, I decided I simply had to find out more about this virtual friend and fellow Canadian author.

Without further ado, here she is: Jane Ann McLachlan!

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Jane Ann McLachlan

Jane Ann McLachlan

Hi Melanie. We’ll have to meet when I’m in Sudbury in September for Cinefest. My parents were both originally northern Ontarians, although I was born in Toronto and grew up in Newmarket, a small town near Toronto, Canada. I taught at Conestoga College until a few years ago, when I decided to write full-time, although I still teach a couple of evening courses a year. I have written two college textbooks, published by Pearson/Prentice Hall, a science fiction e-book on Amazon called Walls of Wind http://www.amazon.com/dp/B00HNXOG98 , and my collection of short stories, Connections, which came out last fall, published by Pandora Press.  My website is http://www.janeannmclachlan.com

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WG: Welcome to Writerly Goodness, Jane Ann!

You are a writer of diverse talents. You’ve written two textbooks on professional ethics, a collection of inspirational short stories, and now a science fiction novel. I also understand you write historical fiction as well. How do all of your writerly personae intermingle, or do they?

JAM: I read extensively and enjoy a lot of different genres, so writing in different genres feels natural to me. But it didn’t always. I had to learn to accept the genre a story idea came to me in. I started writing science fiction, which I have always read, when I heard of a medieval superstition that really grabbed my imagination. An editor at Tor loved the idea, and liked my writing, and seriously considered it. He didn’t buy the book, but he gave me some excellent advice—he told me to re-write it as a medieval novel. I had to do a lot of research and reading in that genre (at that time I’d only read a few historical fiction authors) before I felt qualified to write historical fiction, but I’m pleased with the result. The Sorrow Stone is currently on offer with my agent. I guess I’m not a quick learner, because about the same time, I went through a traumatic event, and I tried to write it up as fiction. But it just kept dying on the page, until I gave in and wrote it as memoir. Impact: A Memoir of PTSD is now also with my agent. Now, I listen to the story and let it tell me which genre it needs to be written in.

WG: What is the origin story of J.A. McLachlan, author?

JAM: When people ask me, what made you start writing? I say, “I learned to read.” The first story I remember writing was a picture book, way back when that’s what I was still reading. It was about a pony, and I remember practicing for months to learn how to draw a horse. After that, I switched to poetry. I have a number of poems about dogs and horses my mom saved. They rhyme and they scan, but I wasn’t into very deep themes at age 8. 🙂

WG: Focusing on your fiction, what attracts you to each of the genres you write in (inspirational, historical, and speculative)?

JAM: I like a good story, with intriguing characters that are changed by their experiences in the novel, and an interesting “high concept” theme. Moral and philosophical quandaries really interest me, as well as a plot that keeps me guessing. These elements can be found in many genres.

WG: I’m a total process geek. I love to find out how people work their art and craft. Would you care to share anything about your writing process?

JAM: I need complete silence when I write, and NO interruptions. I write best when I’m all alone at home for hours, and I write on a laptop that is not connected to the internet (I have a separate computer in another room for that.) I start with a rough outline and let the characters alter it as I go. I would like to be a total plotter—that’s how I wrote my textbooks, with a very detailed outline for every chapter—but fiction, like life, just doesn’t work that way.  Stuff happens, and you have to adapt. Fiction (and life) can be a pain that way. 🙂

WG: With respect to Walls of Wind, why have you opted for publication in instalments?

JAM: It’s all about knowing your market. E-books do better in novella form, at low prices, for a number of reasons. It seems most people who read e-books like something they can read fairly quickly. If they want more, they’ll buy the next one. And since I’m an unknown author, readers are more willing to try me out if it’s not going to cost them much in time or money— Walls of Wind Part I is 4 chapters long and sells for .99c. I want people to be able to try it, because Walls of Wind is the best thing I’ve written, and I’m pretty confident anyone who likes science fiction and reads Part I will want to read the rest. Oh, and the link is:  http://www.amazon.com/dp/B00HNXOG98

But here’s an offer for your readers. Right now, book reviews of Walls of Wind are worth more to me than royalties, so anyone who will write a review on Amazon or GoodReads (or best of all, on both) for me—whatever they think of the book—I’d be happy to send them Part I for free. Just email me at:  jamclachlan@golden.net

WG: What’s next for you?

JAM: Right now, I’m editing Part III of Walls of Wind —Part II goes live on Feb. 1; Part III on March 1; and the complete trilogy, for those who want a longer read, in e-book form and in print, will be available on April 2. I’m also currently setting up a number of talks and readings in the US and Canada for Connections and will be doing the same for Walls of Wind when I have the print book. And while all that is going on, I have my next historical fiction novel—which takes place during the Third Crusade—AND a YA science fiction novel, both hollering around in my head trying to get out, so I’ll be writing them this year.

Thanks for a great interview and break a pencil in your future writing endeavours!

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About Walls of Wind:

Walls of Wind, Part II

Walls of Wind, Part II

What if males and females were completely different species from each other?

Walls of Wind explores this question and its ramifications on a world in which males and females are two different, equally intelligent species: Ghen and Bria. They are interdependent and reproductively symbiotic, although physically, emotionally and mentally they have little in common. Or so they believe, until their city-state is threatened by increasing internal conflict and a terrifying external predator that has invaded the forests beyond their walls. A handful of Ghen and Bria struggle desperately to find a solution before their civilization is destroyed.

Walls of Wind combines anthropological speculation with the tragedy, suspense and triumph of individual characters who struggle to overcome external threats as well as their own internal fears and prejudices.

Read Part I of Walls of Wind: http://www.amazon.com/dp/B00HNXOG98  Look for Part II on February 1st, 2014.