Tipsday: Informal writerly learnings, March 26-April 1, 2023

Welcome to April, and to tipsday, your opportunity to peruse a select curation of informal writerly learnings. Enjoy!

Kamm Prongay offers one writer’s introduction to reading and writing essay. Then, Lori Walker interviews Patricia Leavy about the magic and science of writing. Anna M. Holmes wonders, are book cover design and blurbs agony or ecstasy? Next, Francesca Miracola shares five things to consider when writing a memoir that covers difficult subjects. DIY MFA

The unbelievably tragic story of Cú Chulainn. Fate & Fabled | PBS Storied

Matthew Norman bemoans so many decisions. Then, Kim Bullock offers some self-care for writers in a pseudo-dystopian world. Tessa Barbosa offers some advice on handling editorial feedback without getting overwhelmed. Next, Mary McDonough is navigating and seeing beyond writers’ roadblocks. Julie Carrick Daltoon is playing with point of view: we are all heroes. Writer Unboxed

How to structure a heist. Mary Robinette Kowal

Janice Hardy explains how to make backstory work for you. Then, Rayne Hall is plotting a short love story. Fiction University

K.M. Weiland shares how archetypes changed her life and her writing. Helping Writers Become Authors

Kris Maze shows you how to gift your author estate — writing to retire, part 2. Then, J. Alexander Greenwood offers some tips from podcast hosts for a good show. Lynette M. Burrows is crafting a story with the forces of antagonism. Writers in the Storm

How Sherlock Holmes killed his author. Tale Foundry

Carly Watters defines upmarket fiction. Then, April Dávila helps you banish writer’s block in five minutes flat. Allison K. Williams explains why you should be writing on social media. Jane Friedman

Angela Ackerman explains how to uncover your character’s deepest fear. Then, she says, if your story needs a hit of organic conflict, look to your setting. Writers Helping Writers

How many words in a novel? Reedsy

Nathan Bransford: plinko scenes.

Tiffany Yates Martin considers lucky breaks and tough shakes. Fox Print Editorial

Chris Winkle points out six signs of over-summarized prose. Then, Oren Ashkenazi says these eight RPGs also deserve mediocre movies. Mythcreants

Thanks for taking the time to visit. I hope you found something to support your current work(s) in progress.

Until Thursday, keep staying safe and well.

Tipsday: Informal writerly learnings, March 12-18, 2023

I celebrated the spring equinox yesterday while light snow fell (not at all sarcastically). It’s spring in northeastern Ontario. What else should I expect?

However you greeted spring, celebrate with some informal writerly learnings!

Kelsey Allagood says, for better creativity, spring clean your brain. Then, Marcie Geffner explains why we don’t need “heroines.” Desmond Hall is tunnelling into POV and perspective in this month’s Desmond’s Drops. Next, Julie Gerstenblatt considers the fabric of language, or what to wear on book tour. Writer Unboxed

How to condense your novel. Shaelin Writes

Jeanette the Writer explains how to find a book editor. Then, Tammy Lough helps you get noticed on social media. Whitney Cubbison is becoming a writer after spending a career writing. DIY MFA

The most powerful art you’ll ever make. Tale Foundry

Lori Freeland discusses piecing together the perfect scene. Then, Joseph R. Lallo is getting unstuck/finding a new rut. Eldred Bird shows you how to distinguish between history vs. legend when writing about the past. Writers in the Storm

The pitfalls of friendship – The Banshees of Innisherin. The Take

Oliver Fox shows you how to write horror. Helping Writers Become Authors

Nicki Howell explains why fear is a terrible friend…and how to crush it. Live, Write, Thrive

Roz Morris: once more with feeling – some notes about description. Nail Your Novel

2022-2023 Munro Beattie Lecture with Waubgeshig Rice: Anishnaabe history and writing the future. Carleton University Department of English

Joanna Penn offers some writing tips on setting and sense of place. The Creative Penn

Daphne Gray-Grant shows you how to survive editing. Then, Adriana Barton explains how to write a hybrid memoir. Tiffany Yates Martin discusses picking a point of view for your story. Jane Friedman

Jami Gold is making a long story about character arcs short. Writers Helping Writers

Over on her own site, Jami wonders, can short stories still have character arcs?

Nathan Bransford explains how to self-edit your novel.

This story will crush your hopes and dreams. Tale Foundry

September C. Fawkes shares five keys to a satisfying denouement. My Story Doctor

Rayne Hall explains how to write a short story spinoff from your novel. Fiction University

Writing lessons I wish I’d learned earlier (AKA how to stop worrying). Shaelin Writes

Tiffany Yates Martin says, do less than your best. Fox Print Editorial

Chris Winkle says Wolf Pack is about werewolves with nothing to do. Then, Oren Ashkenazi analyzes six stories with poorly designed factions. Mythcreants

Jonathan Migneault: reflections on the INCO superstack. Why is this in tipsday? Because the Sudbury Writers’ Guild is asking for submissions to their new stack anthology 🙂 CBC

Jan Grue considers the disabled villain and why sensitivity readers can’t kill off this ugly trope. The Guardian

Thank you for spending some time with me. I hope you found something to support your current work(s) in progress.

Until Thursday, keep staying safe and well!

Tipsday: Informal writerly learnings, Oct 23-29, 2022

Welcome to November! This will be the last tipsday until December 13th (!) That’s right, I’m NaNoing again and foregoing curation until December. Get your fill of informal writerly learnings now!

You could always peruse the archives if you miss tipsday too much 😉

Vaughn Roycroft presents Murphy’s Law—the unboxed writer’s version. Elizabeth Havey: what was that phrase about authenticity? Kelsey Allagood shares what horror teaches us. Then, Sarah Penner is making the most of Canva with these seven design ideas for writers. Victoria Strauss explains when new isn’t better: the value of experience. Writer Unboxed

Clive Barker’s weirdest monster. Tale Foundry

C.S. Lakin stops by K.M. Weiland’s site: how writers can infuse mood in story settings. Helping Writers Become Authors

Over on her own site, Susanne discusses writing about difficult emotional experiences. Live, Write, Thrive

Then, Susanne explains how to quickly establish the setting in scenes. Elizabeth Spann Craig

How school makes you a bad writer. Answer in Progress

Kris Maze offers the ABCs of school author talks: how to engage kids. Eldred Bird: writing horror vs. writing terror. J. Alexander Greenwood is making a podcast love connection. Writers in the Storm

Why the Bechdel test isn’t enough. The Take

Manuela Williams suggests some revision strategies for your poet’s toolbox. Then, Dominique Richardson wonders, should you write a YA series today? John Matthew Fox lists five ways movies sabotage your writing skills. DIY MFA

Don’t force your characters to ask leading questions just so you can deliver exposition. Nathan Bransford

Ann-Marie MacDonald on her new novel Fayne and the stage adaptation of Fall on Your Knees. CBC’s Q

Elizabeth Sims lists 20 reasons everybody should write short stories. Then, Michael Mohr reveals the secret sauce to being a good writer. Jane Friedman

Rayne Hall explains how to write a spooky ghost story. Fiction University

Why ASL was banned in America. Otherwords | PBS Storied

Tiffany Yates Martin discusses peopling your stories (and your world) with individuals. Fox Print Editorial

Colleen M. Story shows you how to tell if you’re self-publishing your book for the right reasons. Writers Helping Writers

What makes a good story idea? Shaelin Writes

Chris Winkle shares lessons from the entitled writing of Yarnsworld. Then, Oren Ashkenazi analyzes five stories that fail at human resources. Mythcreants

Sir Salman Rushdie has lost sight in one eye, agent Andrew Wylie. BBC

Thank you for spending some time with me. I hope you took away something to support your current work(s) in progress.

Until Thursday, keep staying safe and well.

Tipsday: Writerly Goodness found on the interwebz, Aug 15-21, 2021

You’ve made it through Monday! Reward yourself with some informal writerly learnings 🙂

Vaughn Roycroft is living with unpublished characters. Then, Barbara O’Neal is finding the particular. Barbara Linn Probst considers writing: is it an art, identity, or profession? Why not all three? Later in the week, Porter Anderson gets provocative about flights of self-censorship. Then, Kelsey Allagood explains how creation myths affect character motivation. Writer Unboxed

Princess Weekes explains how true crime reveals the corruption and failures of the legal system. Melina Pendulum

K.M. Weiland explains why you should always identify your characters, pronto. Helping Writers Become Authors

Jane (herself) says, the value of book distribution is often misunderstood by authors. Then, Tiffany Yates Martin shares the secret to a tight, propulsive plot: the want, the action, the shift. Sangeeta Mehta interviews agents Michelle Brower and Jennifer Chen Tran about whether you should publish with a small press. Jane Friedman

Related: E.J. Wenstrom shares what she’s learned in six years of small press publishing. Elizabeth Spann Craig

Story structures: In medias res. Reedsy

Melinda VanLone offers some advice for branding a series. Then, Lisa Norman lists seven things every author website needs. Miffie Seideman offers some helpful advice on writing about drugs: Fentanyl 101. Writers in the Storm

Andrea Turrentine shares two key factors in successfully outlining stories. Live, Write, Thrive

Rayne Hall lists 11 reasons you should submit your short stories to anthologies. Then, Janice Hardy wonders, why ask why? Because your readers will. Bonnie Randall considers the risks and rewards of uncommon narrative structures. Fiction University

Nathan Bransford advises what to cut when your book is too long. Nathan Bransford

Seven-point story structure. Reedsy

Ambre Dawn Lefler wants you to be a conference guru. Then, Susan Francis Morris explains how writing helped her live life after trauma. Later in the week, LA Bourgeois offers five ways to trick yourself into writing. DIY MFA

E.J. Wenstrom explains why we need ADHD representation in fiction. Terribleminds

Christina Delay is breaking free. Writers Helping Writers

Chris Winkle: what do writers need to describe? Then, Oren Ashkenazi analyzes five characters with the wrong skill set. Mythcreants

Why it’s time to write out the nag. The Take

Angie Hodapp introduces us to the trinity of premise, plot, and prose. What happens when one is missing? Then, Kristin Nelson shares 14 reasons why agenting is harder now than it was 20 years ago. Pub Rants

Nina Munteanu: to boldly go where no human has gone before ….

Rebecca Thomas explores Mi’kmaw language in poetry collection: I Place you into the Fire. CBC’s The Next Chapter

Vicky Qiao reports that Ojibway journalist and author Tanya Talaga to write three new nonfiction books. The first will be published in 2023. CBC

Thank you for taking the time to visit. I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Writerly Goodness found on the interwebz, July 11-17, 2021

Welcome to tipsday, your opportunity to reward yourself for making it through Monday and stock up on informal writerly learnings.

Greer Macallister wonders if authors should review books. Then, Jim Dempsey discusses the inherent nature of story structure. Juliet Marillier charts the ups and downs of a writer’s journey. Later in the week, Julie Duffy wants you to choose your own adventure. Then, Kelsey Allagood shows you how to be creative when you’re feeling “blah.” Writer Unboxed

Jill Bearup analyzes the Loki ep. 6 fight scene.

Richelle Lyn explains how Creativity, Inc. inspired her. Later in the week, Rachel Smith reveals how to use sensory details in historical fiction. Then, F.E. Choe shares five tips for navigating writing events as an extreme introvert. DIY MFA

Lindsay Ellis reveals the unappreciated women writers who invented the novel. It’s Lit | PBS Storied

Janice Hardy offers some advice. Do, or do not. There is no try. Clarifying what your characters do. Then, Kristin Durfee explains how to plot your way back from an unruly idea. Later in the week, Rayne Hall considers 12 story ending twists that don’t work. Fiction University

Why we can’t save the ones we love. Like Stories of Old

K.M. Weiland provides a summary of all the archetypal character arcs. Helping Writers Become Authors

Lisa Hall-Wilson helps you write complex emotions in deep POV: shame.

Alli Sinclair wonders, what is your character’s love language (and why does it matter)? Writers Helping Writers

Why there are so many lesbian period pieces. The Take

Kristen Lamb explains why editing matters (and simple ways to make your work shine). Then, she’s spotting terminological inexactitude syndrome.

Nathan Bransford advises you to avoid naming universal emotions in your novel.

Kathryn Goldman answers the question: are fictional characters protected under copyright law? Then, Jessica Conoley points out the most significant choice of your writing career. Jane Friedman

Why Disney kids take over everything—corporate girlhood. The Take

Eldred Bird presents five more writing tips we love to hate. Writers in the Storm

Chris Winkle explains how Romanticism harms novelists. Then, Oren Ashkenazi examines how Michael J. Sullivan employs the Neolithic in Age of Myth. Mythcreants

Award-winning speculative fiction author (and Damon Knight Grand Master) Nalo Hopkinson joins UBC creative writing faculty. I may just have to invest in another degree! UBC

Thank you for stopping by. I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Writerly Goodness found on the interwebz, June 20-26, 2021

It’s the last tipsday of June 2021! The year’s almost half over 😦 Console yourself with some informal writerly learnings. They’re good medicine.

Carol Van Den Hende wants you to judge a book by its cover: how to SPARC great cover design. Then, Hailey Milliman helps you to improve the clarity of your writing. DIY MFA

Jill Bearup makes the perfect murder dress.

Vaughn Roycroft: the value of friendship in storytelling. Then, Catherine Adel West says, advocacy is not a bad word. Desmond Hall drops some writing wisdom. Writer unboxed

Princess Weekes: So, DC’s trying to tell us that Batman doesn’t eat out? (Yeah, it’s exactly what you think—but also a plea to see healthy depictions of female pleasure on screen.) Melina Pendulum

K.M. Weiland covers the flat archetype of the elder in part 20 of her archetypal character arcs series. Helping Writers Become Authors

Emily Zarka considers the urban legend of black-eyed children. Monstrum | PBS Storied

Susan DeFreitas outlines three strengths and three weaknesses of starting your novel with character. Jane Friedman

Kris Maze shares three steps to create write time. Then, Ellen Buikema provides some advice about using weather in fiction. Writers in the Storm

The rise of relentless optimism. The Take

Rayne Hall considers goal and motivation: what does your character want, and why? Then, Colleen M. Story poses four questions to help you determine whether your writing matters. Fiction University

Chris Winkle explains what redemption arcs tell us about forgiveness. Then, Oren Ashkenazi shares lessons from three bad fight scenes. Mythcreants

How the five stages of grief are misrepresented on screen. The Take

Ali Pitargue: BC authors reclaim Filipino folklore from colonial influences. CBC

Thanks for visiting! I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, May 16-22, 2021

You’ve just survived a Tuesday-that-feels-like-a-Monday after a long weekend. Reward yourself with some informal writerly learnings.

Vaughn Roycroft shows you how story tropes can be our friends. Dave King writes to whom it may concern. Then, Barbara Linn Probst says, there’s writing—and then there’s writing about writing. Later in the week, Anne Brown wonders, why am I like this? Writer Unboxed

Can you swordfight in a wedding dress? (Things writers want to know.) Jill Bearup

K.M. Weiland introduces us to the six flat archetypes in part 15 of her archetypal character arcs series. Helping Writers Become Authors

What makes up a character’s identity? Breaking up aspects of self. Mary Robinette Kowal

Kris Maze outlines the value (and the struggle) of writer meditations. Then, Barbara Linn Probst wonders how your book ends—with destination or discovery? Writers in the Storm

Shaelin covers line editing. Reedsy

Janice Hardy explains how scene titles make it easier to writer your novel. Then, Rayne Hall tells you how to keep your short story short. Bonnie Randall shows you less cliché ways the body responds to emotional states. Fiction University

Basilisk of cockatrice? The mysterious king of serpents. Dr. Emily Zarka. Monstrum | PBS Storied

Christina Delay takes the anonymous road. Writers Helping Writers

Jessica Conoley: your final responsibility to your story is creative stewardship. Then, Jane herself delivers some tough love: how much do authors earn? Here’s the answer no one likes. Jane Friedman

Jeanette the Writers is writing for readers with dyslexia. Later in the week, Crystal Swain-Bates shares five tips to finish writing your book in 2021. DIY MFA

Jenna Moreci interviews Sacha Black about creating a podcast.

Kristine Kathryn Rusch continues her series on fear-based decision-making with part 2: fear vs. growth.

Chris Winkle does a narration makeover: giving action more immediacy. Then, Oren Ashkenazi analyzes six stories with weak romantic attraction. Mythcreants

And that was tipsday. Thanks for stopping by. I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe!