Ad Astra 2016, day 2: How to get an agent

Disclaimer: I am not perfect and neither are my notes. If you notice anything that requires correction or clarification, please email me at melanie (dot) marttila (at) gmail (dot) com.

Panellists: Amanda Sun, Mary Fan, Gerald Brandt, Matt Bin

HowToGetAnAgentPanel

AS: Online resources that can help you get an agent: #MSWL, Miss Snark, Query Shark, Guide to Literary Agents blog.

MB: #MSWL is critical these days.

GB: You have to do the research.

MF: There are writers who get an agent and their first novel fails to sell, their second novel fails to sell, but then their third sells big.

MB: The agent has to love your book.

GB: If your query doesn’t match their submission guidelines, it will be rejected.

AS: I used to be an acquiring editor for Room. If a submission didn’t meet the submission requirements, I’d never see it. It would go straight to the spam folder.

Q: How formal does your query have to be? I write YA.

GB: You have to be professional up front. Your second paragraph, where you’re pitching the novel has to have the flavour of your book, but it’s a sales pitch.

MB: The agent wants to understand how your book works and why it will appeal to readers.

MF: 250 words is a good goal length for your query.

Q: At what point do you look for an agent?

GB: As soon as you have a book that’s finished and ready to go out into the world.

MB: Query agents first. If you submit to publishers, agents will have their sales channels limited. Remember, it’s your agent’s job to sell your book to publishers.

GB: Take advantage of pitch sessions at conferences and conventions.

AS: And work on your next book.

GB: The agent is in it with you for the life of your career.

Q: So querying an agent first is better? Is that because editor A might love you book and editor B might hate it?

GB: At Penguin Random House, if one editor rejects the book, all of them do.

MF: That can happen at agencies, too. Agents can move around, too.

Q: What happens when your agent leaves the agency?

GB: In my experience, I was given the option to follow the agent or stay with the agency.

MB: When agents send your novel to publishers, they do so with a different perspective.

MF: I know a writer whose agent is all business. Some agents will want to help edit or develop the work prior to submission to publishers.

MB: Look at the agent’s reputation before you sign with them. You have to be able to work with them.

GB: When an agent is interested in your work, the tables turn.

MF: When you get an offer, don’t be afraid to ask for references.

AS: Don’t be too eager. You don’t have to back down 100% of the time. It’s a partnership.

MF: There are some Schmagents who aren’t legitimate. There should be no reading fee.

GB: The money should flow to the author. Check out Writer Beware and Preditors and Editors.

MB: Querying is the traditional road. Networking at conferences and conventions can help.

GB: But don’t be stalkery. Have your elevator pitch ready, just in case.

AS: Don’t burn your bridges. Publishing is a surprisingly small world.

MF: Maybe we should talk about the structure of a query? It’s three paragraphs. Introduce yourself and your book. The second paragraph is your pitch. Then the third paragraph is about you and your qualifications.

GB: List publication credits if you have any, memberships in any writing organizations. Make sure you look serious.

AS: Your introductory paragraph should focus on the reasons you’re querying this particular agent. Have you met at a con? Do you write books in the same genre as other authors they represent?

Q: Do you use Canadian, or US spelling?

GB: Everything should be in US spelling.

MF: Your comps (comparative novels) should be published in the last three years.

AS: X meets Y is a popular formula to use. Agents can use it to pitch to publishers.

MB: We should also mention online pitch contests like #PitMad. Look them up. Most of them are on Twitter and you have a limited time to pitch directly to agents. Use the hashtag. If an agent likes your 140 character pitch, they’ll respond to you. The rules are all online.

Q: How long should my book be?

MF: It really depends on your genre and category. There are a lot of resources for this online.

Q: Should you query to an agent if you mostly write short fiction?

AS: You can do that without an agent and, in fact, most agents won’t represent short fiction, even for authors they represent for novels.

GB: Collections of short stories are a hard sell.

And that was time.

Next weekend, it will once more be time for a next chapter update (already?).

Be good and write well!

Tipsday: Writerly Goodness found on the interwebz, Nov 1-7, 2015

First up: NaNoWriMo:

To temper things, Chuck then wrote that writing advice is bullshit.

The Query Shark CrimeBake 2015 effective queries workshop.

Common writing mistakes, pt. 45: Avoiding ‘said.’ K.M. Weiland.

What Katie learned about writing funny dialogue in the course of writing her novel, Storming.

Donald Maass offers his thoughts on positivity and protagonists on Writer Unboxed.

Marcy Kennedy guest posts on Jami Gold’s blog with five tips for finding POV errors.

Beth Revis builds a great first chapter on Writers Helping Writers.

Therese Walsh shares lessons from Breaking Bad on Writer Unboxed.

Matriarchies, patriarchies, and beyond. Mike Hernandez for Mythcreants.

Delilah S. Dawson writes for the Mary Sue: Everything I love is problematic.

Ellipses can be powerful or annoying. Here’s a guide to using them well. Lexicon Valley.

They’re adding more words to the dictionary again. The Guardian.

What your bookshelf says about your personality. Bustle.

How to judge people by the covers of their books. Bustle.

Literary address quiz, anyone? Ace it, and get a cheeky wink from Simon Pegg :)The Reading Room.

Levar Burton – Problems only book lovers understand:

Monstress: the fantasy comic about race, feminism, and the monster within. The Hollywood Reporter.

I didn’t mind The Golden Compass movie, but a series would probably be better. i09.

Lego Doctor Who? Eeeeee! i09.

Come back next week for more awesome. MOAR I say. Moar.

Tipsday