Prologue

Tipsday: Writerly Goodness found on the interwebz, March 14-20, 2021

/ Melanie Marttila

Spring has sprung, the grass is ris’, do you know where your informal writerly learnings is? Sorry. Old rhyme from childhood (if you substitute birdies for informal writerly learnings). I prolly should have left it there, eh?

Karen Abbott-Trimuel asks, are you happy? Vaughn Roycroft is waking from a dream. Then, Dave King shares another episode of the reality show. Stacey Allagood offers six writing lessons from an actual backyard gardener. Writer Unboxed

Does your book need a prologue? Reedsy

Janice Hardy shares four ways a strong point of view strengthens a novel. Later in the week, Bonnie Randall considers the intersection between cathartic writing and cathartic reading. Fiction University

What is a denouement and how do you write one? Reedsy

K.M. Weiland continues her archetypal character arcs series with part six: the crone arc. Helping Writers Become Authors

Self-care for writers. These are truly excellent. Shaelin Writes

Monya Baker offers six tips for writing in deep third person point of view. Then, Nancy Stohlman considers jealousy in the age of quarantine: the green-eyed monster. Jane Friedman

For St. Patrick’s Day, Emily Zarka looks at the leprechaun: from gold-loving cobbler to cultural icon Monstrum | PBS Storied

Julie Glover explains what happens when illness interrupts your writing. Writers in the Storm

Lucy V. Hay points out three things worth thinking about before you start your novel. Writers Helping Writers

WandaVision’s sitcom universe. The Take

Nathan Bransford recounts a year of covid.

Ambre Dawn Leffler recommends you sync your creative process with birdsong. Heather Campbell lists five ways writing a novel is like running a marathon. Then, Alexander Weinstein introduces us to 4th person perspective: the we without an I. DIY MFA

The origins of the e-girl. The Take

Chuck Wendig tackles the craft question, should writers write every day? Terribleminds

Chris Winkle helps you understand conflict and tension. Then, Oren Ashkenazi is (facetiously) taking the politics out of six popular stories. Mythcreants

El Jones’ poem, “Glass Hands,” is everything I want to say about the pandemic. CBC’s “The Current”

Sierra Garcia: how early sci-fi authors imagined climate change. JSTOR Daily

Thank you for taking the time to visit, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Writerly Goodness found on the interwebz, Aug 16-22, 2020

/ Melanie Marttila

Welcome to another week of informal writerly learnings!

Black lives matter. Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter. This is a fundamental truth.

The EI ERB and CERB have been extended for the third time and three new transitional benefits are being created to support Canadians in this crisis. It’s resulted in chaos at work, but chaos has been the rule since March 15th.

Wear a mask. Wash your hands. Stay within your bubbles and avoid crowded events. Take care and stay safe. You don’t know who you could be putting at risk with careless behaviour.

K.M. Weiland shares five exercises for honing your story instincts. Helping Writers Become Authors

Vaughn Roycroft explains why he prefers novels with prologues. Dave King is discussing fiction in the time of plague. Then, Sarah Penner shares the results of a working-from-home survey: navigating changes to our work environments. Later in the week, Porter Anderson discusses emergent voices. Writer Unboxed

Shaelin Bishop shares some of her favourite writing techniques. Shaelin Writes

Tasha Seegmiller: every novel needs a village. Then, Barbara Linn Probst advises us to read like a writer and write like a reader. Later in the week, John Peragine explains the vital importance of your writing community. Writers in the Storm

The muse trope, explained. The Take

Rochelle Melander suggests some tools for revision. Fiction University

Christina Delay uses the lyrics of “Yesterday” to look back at the first act. Writers Helping Writers

Helen J. Darling helps you build your author newsletter list. Then, Pamela Taylor helps you figure out whether you’re writing historical fiction, or something else. Later in the week, Chere Hughes describes the key features of a no-fear critique. DIY MFA

Susan DeFreitas explains what your first 50 pages reveal. Jane Friedman

Nathan Bransford wants you to be very careful with dreams and hallucinations in novels.

Chris Winkle explains why story structures like the Hero’s Journey don’t work. Then, Oren Ashkenazi analyzes five stories with anticlimactic endings. Mythcreants

What English can’t do. NativLang

Alexandra Alter: “We’ve already survived an apocalypse”: Indigenous authors are changing science fiction. The New York Times

Thanks for visiting and I hope you’re taking away something that will support your current work in progress.

Until Thursday, be well and stay safe.

Tipsday2019

Will the third draft be the charm?

/ Melanie Marttila / 2 Comments

Nope.

I finished the second draft in September 2009 and devoted some time to writing other things.  I entered a few contests, but was unsuccessful.  In December, I printed everything out and began to reread, make notes, and chart things out as before.  I invested in a bulletin board, pinned all my bits of paper to it this time and had a really good look at the structure.  The puzzle still wasn’t together in the right way.

More changes.

Without the prologue and the framing pieces, nearly 100 pages disappeared from the manuscript.  Third time through, I cut mercilessly, and though I also wrote considerably to add to the novel, the net reduction was over 300 pages.  I was now below the 1000 page mark, an accomplishment in itself.

Finished in October of 2010, I was feeling fairly good about this draft.  Once again, I turned my attention toward writing other things and once again submitted a few short stories. Unsuccessfully.

I decided that I would attend the 2011 CAA CanWrite! conference and booked a 20 page manuscript evaluation.  Though the conference wasn’t until May, I started reading and making notes all over again.  This time, I played with POV.

I had the first two chapters revised by the time the conference came around.

What I learned:

  • If the changes that occur as you revise are substantial, then you still have work to do.
  • The value of a bulletin board for structural rework is immense.
  • Always have backups of the work.
  • Prologues and framing pieces are about telling.  Consider carefully.

Books on editing that have been helpful: