Tipsday: Writerly Goodness found on the interwebz, Feb 14-20, 2021

You’ve made it through Monday. Time to reward yourself with some informal writerly learnings.

Janice Hardy explains why rescuing your protagonist might be a terrible idea. Yeah, I have this problem. Then, she lists four mistakes that doom your first page. Confession: first pages KILL me. Or maybe it’s the other way around. Later in the week, Bonnie Randall provides a cheat sheet that will help you write rich characterization. Fiction University

K.M. Weiland covers the maiden’s arc in her archetypal character arcs series, part 2. Helping Writers Become Authors

Princess Weekes: Bridgerton and the problem of pastel progressivism. Melina Pendulum

Vaughn Roycroft explains why we need tragic stories, now more than ever. Dave King is keeping it real. Later in the week, Kelsey Allagood offers the confessions of a conflict-avoidant writer. Then, Porter Anderson makes the case for kindness. Writer Unboxed

Why a bad series finale can ruin the whole show. SciShow Psych

Lori Freeland delves into backstory and how you can dodge the infodump. I’m trying to find the right balance here. Then, Barbara Linn Probst shares four of the best writing exercises EVER. Later in the week, Margie Lawson returns: hugs you’ve got to love! Writers in the Storm

The romance addict trope, explained. Love isn’t all you need. The Take

Kristina Adams explains how building your self-awareness makes you a better writer. Another issue I’m struggling with. Elizabeth Spann Craig

Christina Delay helps you identify your reader. Then, Gilbert Bassey shows you how to master the happy-sad ending. Writers Helping Writers

Princess Diana, according to The Crown. The Take

E.J. Wenstrom shares the secret formula to author newsletter joy. Later in the week, Gabriela Pereira interviews Ellie Cypher about language as world building in YA fantasy. Then, Sara Farmer interviews Kellye Garrett. DIY MFA

Fay Onyx helps you to rid your monsters of ableism. Then, Oren Ashkenazi looks at five antagonists who never stood a chance. Mythcreants

Bulletproof Monk: the worst flirty fight scene ever? Jill Bearup

Lisa Hall-Wilson asks, what’s your character’s emotional Kryptonite?

Chuck Wendig offers some gentle writing advice. Terribleminds

Alison Flood reports that after a year inside, novelists are struggling to write. Some have been struggling all along. Others haven’t. Still others have noticed a distinct lack in the quality of the work they manage to produce. The Guardian

As ever, thank you for taking the time to visit. I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Writerly Goodness found on the interwebz, Dec 13-19, 2020

Ah! The penultimate tipsday of the year! Time to get your informal writerly learnings 🙂

John J. Kelley helps you stage the scene. Yuvi Zalkow is embracing the I-don’t-know-ness. Porter Anderson hopes you work wonders in 2021. Writer Unboxed

Janice Hardy shares three steps to crafting a stronger first draft. Fiction University

Jenna Moreci shares her top ten tips for writing fantasy.

Lori Freeland lists five things every writer needs to thrive. Then, Barbara Linn Probst considers scene coherence from the reader’s perspective. Writers in the Storm

My name is Inigo Montoya: Princess Bride fight analysis. Jill Bearup

Lucy V. Hay shares ten steps to revise your NaNo novel. Writers Helping Writers

Nathan Bransford explains what to expect when you work with a freelance editor.

The strong female character trope, explained. The Take

Abigail K. Perry demonstrates the importance of internal and external value shifts in characters. Later in the week, Amy Ayers offers five ways to talk about writing with nonwriters. DIY MFA

The funny fat girl trope, explained. The Take

Ken Brosky explains how to effectively manage multiple narrators in your novel. Then, Louise Tondeur asks, is your writer’s block really writer’s indecision? Jane Friedman

Chris Winkle does a narration makeover to create tension. Oren Ashkenazi: what The Black Company teaches us about dark stories. Mythcreants

Emily Zarka considers the Nuckelavee, Scotland’s skinless, evil monstrosity. Monstrum |PBS Storied

Mildred Europa Taylor: Cynthia Erivo to star in and produce film about enslaved Yoruba girl who became a gift to the queen of England. Face 2 Face Africa

Stephanie Cram: Darcie Little Badger’s YA debut Elatsoe landed on Time’s list of the best fantasy novels of all time. CBC’s “Unreserved”

A Poem for All The ‘Old Hags’ // Sarah MacGillivray

Tom Grater reports that Charlie Mackesy, author of The Boy, the Mole, the Fox, and the Horse, teams up with Bad Robot to produce animated short. Deadline

Thanks for dropping by, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Writerly Goodness found on the interwebz, Aug 16-22, 2020

Welcome to another week of informal writerly learnings!

Black lives matter. Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter. This is a fundamental truth.

The EI ERB and CERB have been extended for the third time and three new transitional benefits are being created to support Canadians in this crisis. It’s resulted in chaos at work, but chaos has been the rule since March 15th.

Wear a mask. Wash your hands. Stay within your bubbles and avoid crowded events. Take care and stay safe. You don’t know who you could be putting at risk with careless behaviour.

K.M. Weiland shares five exercises for honing your story instincts. Helping Writers Become Authors

Vaughn Roycroft explains why he prefers novels with prologues. Dave King is discussing fiction in the time of plague. Then, Sarah Penner shares the results of a working-from-home survey: navigating changes to our work environments. Later in the week, Porter Anderson discusses emergent voices. Writer Unboxed

Shaelin Bishop shares some of her favourite writing techniques. Shaelin Writes

Tasha Seegmiller: every novel needs a village. Then, Barbara Linn Probst advises us to read like a writer and write like a reader. Later in the week, John Peragine explains the vital importance of your writing community. Writers in the Storm

The muse trope, explained. The Take

Rochelle Melander suggests some tools for revision. Fiction University

Christina Delay uses the lyrics of “Yesterday” to look back at the first act. Writers Helping Writers

Helen J. Darling helps you build your author newsletter list. Then, Pamela Taylor helps you figure out whether you’re writing historical fiction, or something else. Later in the week, Chere Hughes describes the key features of a no-fear critique. DIY MFA

Susan DeFreitas explains what your first 50 pages reveal. Jane Friedman

Nathan Bransford wants you to be very careful with dreams and hallucinations in novels.

Chris Winkle explains why story structures like the Hero’s Journey don’t work. Then, Oren Ashkenazi analyzes five stories with anticlimactic endings. Mythcreants

What English can’t do. NativLang

Alexandra Alter: “We’ve already survived an apocalypse”: Indigenous authors are changing science fiction. The New York Times

Thanks for visiting and I hope you’re taking away something that will support your current work in progress.

Until Thursday, be well and stay safe.

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Tipsday: Writerly Goodness found on the interwebz, Feb 16-22, 2020

Here we are in the final week of February. Winter is crawling to its end, the light returns, and so does the hope of spring. Celebrate with some informal writerly learnings 🙂

Tasha Seegmiller: writer, you are separate from your craft. Barbara Linn Probst considers likeable and relatable: why (and how) do they matter? Writers in the Storm

Vaughn Roycroft has a new take on readership. Dave King: the web of writing. Kathleen McCleary has answers to questions about writing. Porter Anderson analyzes the Authors Guild’s 2020 Report. Writer Unboxed

K.M. Weiland has some thoughts on how to be critical of stories in a way that makes a difference. Helping Writers Become Authors

Joanna Penn interviews Aiki Flinthart about writing fight scenes with female characters. The Creative Penn

Christina Delay wants you to fall in love with your second act. Angela Ackerman explains how to build powerful character relationships. Writers Helping Writers

Janice Hardy considers whether to stop and revise or keep writing the first draft. Fiction University

Brenda Joyce Patterson takes a deep dive into libretti. DIY MFA

Nathan Bransford helps you clear out the clutter around your verbs.

How to write character voices. Reedsy

Oren Ashkenazi explains why “but men are objectified, too” doesn’t hold up. Then, Oren lists ten ways to keep the authorities out of your plot. Mythcreants

Jami Gold wonders, what do you do with disappointment?

Robert Lee Brewer explains the difference between metaphor and personification. Writer’s Digest

Kate Knibbs says, the hottest new genre is doomer lit (formerly known as cli-fi). Wired

Charlie Jane Anders believes that to write about the future is to represent the past. Tor.com

Thank you for visiting and I hope you take away something to support your current work in progress.

Until next time, be well!

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Tipsday: Writerly Goodness found on the interwebz, Aug 11-17, 2019

It’s time to dig into another week’s worth of informal writerly learnings 🙂

Elizabeth A. Harvey is remembering Toni Morrison. Then, Nancy Johnson shows us how Toni Morrison’s The Bluest Eye offers a masterclass in craft. Porter Anderson: murders she didn’t write, a provocation on writers in the context of real world gun violence. Rheea Mukherjee: negotiating social privilege as a writer. Jim Dempsey wants you to explore the wonders of your character’s world view. Sarah Callender forgets to remember that writing is an act of faith. Writer Unboxed

Jenna Moreci helps you get back into the writing habit after a break.

C.S. Lakin visits Helping Writers Become Authors: how to evoke reader emotions with “surprisingness.” Then, she heads over to Larry Brook’s Storyfix to explain how to effectively “tell” emotions in fiction.

Emily Wenstrom offers three tips for creating your author newsletter before you’re published. And here’s my latest column: find storytelling inspiration with the women of the Kalevala. Constance Emmett shares five tips for surviving rejection. DIY MFA

Lisa Hall-Wilson shares four ways to go deeper with point of view. Then, Laura Drake starts with character first. Writers in the Storm

Michelle Barker wants you to remember that the wand chooses the wizard. Writers Helping Writers

Janice Hardy explains why you want nitpicky critiquers. Fiction University

Robert Lee Brewer explains the difference between slight of hand and sleight of hand. Writer’s Digest

Some reassuring advice from Chris Winkle: why you shouldn’t worry about someone stealing your manuscript. Then, Oren Ashkenazi offers advice on choosing naval tactics for your pre-gunpowder world. Mythcreants

Sam Bleicher offers some unusual writing tips on dealing with facts in science fiction. The Creative Penn

Ferris Jabr: the story of storytelling. Harper’s

Thanks for visiting. Come back on Thursday for some thoughty.

Until then, be well!

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Tipsday: Writerly Goodness found on the interwebz, May 12-18, 2019

And here is your latest curation of informal writerly learnings.

Sophie Masson talks big publishers, small publishers, and contract negotiations. Jim Dempsey wants you to tune out your self-doubt. Julie Carrick Dalton praises the power of writerly kindness. Porter Anderson considers the place of place in our writing. Writer Unboxed

K.M. Weiland shares five ways writers (try to) fake their way to good storytelling. Helping Writers Become Authors

James Navé and Alegra Huston stop by Jane Friedman’s blog: how to plan a book reading that delights your audience.

September C. Fawkes offers story structure in a flash. Then, Sacha Black wants you to nip and tuck your saggy middle with conflict. Writers Helping Writers

Jeanette the Writer covers the stages of editing grief. Later in the week, Gabriela Pereira interviews Sam Sykes about the emotional weight of storytelling. DIY MFA

Jami Gold wonders, are you a pantser, a plotter, or something in between? Click through to the original tweet by Cheyenne A. Lepka—it’s AWESOME! Warmed this old gamer’s heart 🙂

Jenny Hansen shares Brené Brown’s top ten tips for success. Laura Drake follows up on Jenny’s column with this: dare to be vulnerable in your writing life. Writers in the Storm

Chris Winkle wants you to understand exploitative plots. Mythcreants

Guy Gavriel Kay offers some writing advice: don’t take writing advice. Literary Hub

Thanks for stopping by. I hope you found something to help you with your latest creative project.

Until Thursday, be well, my writerly friends!

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Tipsday: Writerly Goodness found on the interwebz, Dec 16-22, 2018

Happy holidays (whatever you celebrate, or don’t)! It’s time to open your present of informal writerly learnings!

present

Tiffany Yates Martin says, NaNoWriMo was the easy part and shows you how to see your story across the finish line. Writers in the Storm

Vaughn Roycroft considers the gifts of the writing life. Writer Unboxed

Kathleen McCleary explains how to navigate families in fiction. Writer Unboxed

Porter Anderson offers a provocation: “The New Year’s Eve of time.” Writer Unboxed

Chris Winkle drops by Writers Helping Writers to discuss attachment, the first element of goal-oriented storytelling.

Over on Mythcreants, Rachel Meyer shares the five essentials of an opening scene. Later in the week, Oren Ashkenazi considers eight terrain features for fantasy kingdoms to fight over.

Janice Hardy takes a first look a first draft: how to revise your manuscript. Then, she shares a goal-checking trick for plotting your novel. Fiction University

Sara Letourneau explores why the theme of family is important. DIY MFA

Becca Puglisi stops by Writers in the Storm to share nine tension-building elements for character dialogue.

Kitty the Retro-Writer visits Jami Gold’s blog: if you have a complex story, use a crime wall.

And that was Tipsday.

Enjoy your seasonal celebrations with family and friends.

Until next time, be well, my friends.

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Tipsday: Writerly Goodness found on the interwebz, Oct 14-20, 2018

Another lovely week filled with informal writerly learnings.

K.M. Weiland explores why writers cherish language. Helping Writers Become Authors

Janice Hardy stops by Writers in the Storm: plot backward to move forward with your novel.

Lisa Hall-Wilson offers five tips on writing a trauma backstory. Writers in the Storm

Roz Morris explains how to outline your novel without killing the fun of writing it. Nail Your Novel

Lisa Cron tells you how to nail your first three pages. Writers Helping Writers

Barbara Poelle answers another funny you should ask question: how fast-paced should a thriller be? Writer’s Digest

Janice Hardy tells you what you need to know about internalization. Fiction University

Rachael Stephen: how to write when you don’t want to. #preptober

 

Sara Letourneau helps you let go of perfectionism the DIY MFA way. DIY MFA

Dan Koboldt stops by Jane Friedman’s blog to explain how to research your writing to ensure technical accuracy. Also, check out Dan’s new book: Putting the Science in Fiction. I’m a fan 🙂

Kathleen McCleary: it takes a village. Writer Unboxed

Porter Anderson wonders, but how much are you reading? Writer Unboxed

Chris Winkle presents six wordcraft questions writers fight over. Then, Oren Ashkenazi points out seven common problems with speculative fiction technology. Mythcreants

Cold Crash Pictures debunks the four most annoying scientific inaccuracies in film.

 

Jenna Moreci lists her worst sci-fi tropes ever.

 

And Cold Crash Pictures tackles four more sexist tropes.

 

Thanks for stopping by. I hope you found something helpful in this curation.

Be well until thoughty Thursday!

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Tipsday: Writerly Goodness found on the interwebz, July 8-14, 2018

Another week, another batch of informal writerly learnings.

K.M. Weiland says, don’t let anyone tell you how to write, or, eight tips for learning responsibly. Helping Writers Become Authors

Greer Macallister tries some reverse psychology: how to write bad characters. Writer Unboxed

Keith Cronin: if I know then what I know now. Writer Unboxed

Juliet Marillier says that the magical formula is setting priorities. Writer Unboxed

Kathryn Craft: when perspective is the story. Writer Unboxed

Gwen Hernandez shows you how to compile a docx in Scrivener 3. Writer Unboxed

Kathryn Magendie: hey! Let’s all celebrate the madness! Writer Unboxed

Tamar Sloan shares five things writers need to know about characters with mental illness. PsychWriter

Roz Morris has some advice for shy writers: feel the fear and put yourself out there. Nail Your Novel

Sacha Black: how do you lead readers to your theme? Writers Helping Writers

Piper Bayard explains how to nail the character of an espionage hero for your spy novel. Writers Helping Writers

Orly Konig give you three reasons to embrace the prickly synopsis. Writers in the Storm

Ashly Hilst shares five ways to take your novel from good to great. DIY MFA

Oren Ashkenazi engages in some Q&A: what should I consider when creating a fictional economy? Later in the week, Chris Winkle helps you understand character karma. Mythcreants

Chuck Wendig examines the Save the Cat conundrum. Later in the week, T.J. Berry shares five things she learned writing Space Unicorn Blues. Terribleminds

Jenna Moreci lists her ten worst fantasy tropes.

 

Joanna Penn shares seven continuity issues to avoid when writing a series. The Creative Penn

Writer’s Digest interviews three agents about current science fiction trends.

Mary Robinette Kowal geeks out: five really cool things I learned at the NASA’s neutral buoyancy lab. Tor.com

Porter Anderson reports that the European parliament rejected a new copyright directive. What does that mean for copyright on this side of the pond? Porter Anderson Media

Adam O’Fallon Price: on semicolons and the rules of writing. The Millions

Be well until Thursday, when you can come back for your weekly dose of thoughty.

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Tipsday: Writerly Goodness found on the interwebz, June 10-16, 2018

You’ve made it through Monday and now it’s time to reward yourself with some informal writerly learnings 🙂

Roz Morris shares five tips for writing good prose. Nail Your Novel

K.M. Weiland walks you through the five steps to creating great character chemistry. Helping Writers Become Authors

Jeanne Kisacky explores non-verbal communication in writing. Writer Unboxed

Sarah Callender laments losing a beloved critique partner. Writer Unboxed

David Corbett follows up on Sharon Bially’s post (which I shared—last week, was it?) with whiff of death, meet moment of clarity. Writer Unboxed

Porter Anderson looks at solitude and solidarity and the advocacy of the Authors Guild. Writer Unboxed

Chuck Wendig presents the opposite of “kill your darlings.”  Then, he’s setting free the sacred cows of writing advice. He was going to slaughter them, but, ick. Terribleminds

Piper Bayard and Jay Holmes glean five writing lessons from “The Americans.” Writers in the Storm

Lisa Hall-Wilson says that emotional layers are the gateway to deep point of view. Writers in the Storm

Becca Puglisi helps you determine your character’s emotional range. Writers in the Storm

Jami Gold stops by Writers Helping Writers: watch out! Avoiding sneaky plot holes.

Christina Delay dives deep into POV on Writers Helping Writers.

Kristen Lamb talks boundaries: be nice … until it’s time to not be nice.

Brenda Joyce Patterson helps you solve the riddle of voice. DIY MFA

Valentine Ferrari shares five tips to keep your blog healthy and vital for many years. DIY MFA

Nathan Bransford advises you to watch out for empty gestures in your novel.

Rebecca Monterusso on Jane Friedman’s blog: what does it mean to write a scene that works?

Chris Winkle presents five underused character archetypes. Mythcreants

And that was Tipsday. Be sure to come back for some thought on Thursday!

Until then, be well.

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