Tipsday: Writerly Goodness found on the interwebz, Aug 15-21, 2021

You’ve made it through Monday! Reward yourself with some informal writerly learnings 🙂

Vaughn Roycroft is living with unpublished characters. Then, Barbara O’Neal is finding the particular. Barbara Linn Probst considers writing: is it an art, identity, or profession? Why not all three? Later in the week, Porter Anderson gets provocative about flights of self-censorship. Then, Kelsey Allagood explains how creation myths affect character motivation. Writer Unboxed

Princess Weekes explains how true crime reveals the corruption and failures of the legal system. Melina Pendulum

K.M. Weiland explains why you should always identify your characters, pronto. Helping Writers Become Authors

Jane (herself) says, the value of book distribution is often misunderstood by authors. Then, Tiffany Yates Martin shares the secret to a tight, propulsive plot: the want, the action, the shift. Sangeeta Mehta interviews agents Michelle Brower and Jennifer Chen Tran about whether you should publish with a small press. Jane Friedman

Related: E.J. Wenstrom shares what she’s learned in six years of small press publishing. Elizabeth Spann Craig

Story structures: In medias res. Reedsy

Melinda VanLone offers some advice for branding a series. Then, Lisa Norman lists seven things every author website needs. Miffie Seideman offers some helpful advice on writing about drugs: Fentanyl 101. Writers in the Storm

Andrea Turrentine shares two key factors in successfully outlining stories. Live, Write, Thrive

Rayne Hall lists 11 reasons you should submit your short stories to anthologies. Then, Janice Hardy wonders, why ask why? Because your readers will. Bonnie Randall considers the risks and rewards of uncommon narrative structures. Fiction University

Nathan Bransford advises what to cut when your book is too long. Nathan Bransford

Seven-point story structure. Reedsy

Ambre Dawn Lefler wants you to be a conference guru. Then, Susan Francis Morris explains how writing helped her live life after trauma. Later in the week, LA Bourgeois offers five ways to trick yourself into writing. DIY MFA

E.J. Wenstrom explains why we need ADHD representation in fiction. Terribleminds

Christina Delay is breaking free. Writers Helping Writers

Chris Winkle: what do writers need to describe? Then, Oren Ashkenazi analyzes five characters with the wrong skill set. Mythcreants

Why it’s time to write out the nag. The Take

Angie Hodapp introduces us to the trinity of premise, plot, and prose. What happens when one is missing? Then, Kristin Nelson shares 14 reasons why agenting is harder now than it was 20 years ago. Pub Rants

Nina Munteanu: to boldly go where no human has gone before ….

Rebecca Thomas explores Mi’kmaw language in poetry collection: I Place you into the Fire. CBC’s The Next Chapter

Vicky Qiao reports that Ojibway journalist and author Tanya Talaga to write three new nonfiction books. The first will be published in 2023. CBC

Thank you for taking the time to visit. I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Writerly Goodness found on the interwebz, April 11-17, 2021

Ah, Tuesday! The day when you get to catch up on your informal writerly learnings of the previous week.

Janice Hardy explains how the wrap up works in a novel. #storystructure Fiction University

K.M. Weiland continues her archetypal character arc series by introducing us to the hero’s shadow archetypes. Helping Writers Become Authors

Wonder Woman 1984: gravity would like a word … Jill Bearup

Kathleen Marple Kalb explains how to navigate a book launch through social media. Then, Sharon Oard Warner wonders which comes first: character or plot? Jane Friedman

Shaelin explains how to write science fiction. Reedsy

Then, she covers sci-fi tropes to avoid or embrace. Reedsy

Nicole Souza shares some tips for creating strong female characters. Elizabeth Spann Craig

Alli Sinclair wants to help you use your fiction skills to earn money. Writers Helping Writers

Jim Dempsey tells you how to cut the cost of a professional editor. Then, Kathleen McCleary explains how regrets reveal and forge character. Later in the week, Porter Anderson is suiting up for serialization. Kelsey Allagood: writer, know thyself. Writer Unboxed

Erica Brozovsky: what’s the longest word? Otherwords | PBS Storied

My latest Speculations column went live on April 13: celebrating Perseverance. DIY MFA

Brannan Sirratt defines nonfiction and fiction dimensions. Story Grid

Queer coding, explained. The Take

Piper Bayard lists 10 common kitchen items to use as weapons. Writers in the Storm

Chris Winkle explains how to teach world terms without confusing readers. Then, Oren Ashkenazi analyzes five stories with unsatisfying endings. Mythcreants

The sympathetic villain. The Take

Kristen Lamb: how to write stories that grip readers and don’t let go.

Thom Dunn explains why it’s harder for neurodivergent people to break into publishing. Boing Boing

Julia Skinner: libraries and pandemics, past and present. JSTOR Daily

And that was tipsday for this week. Thanks for stopping by, and I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, Feb 14-20, 2021

You’ve made it through Monday. Time to reward yourself with some informal writerly learnings.

Janice Hardy explains why rescuing your protagonist might be a terrible idea. Yeah, I have this problem. Then, she lists four mistakes that doom your first page. Confession: first pages KILL me. Or maybe it’s the other way around. Later in the week, Bonnie Randall provides a cheat sheet that will help you write rich characterization. Fiction University

K.M. Weiland covers the maiden’s arc in her archetypal character arcs series, part 2. Helping Writers Become Authors

Princess Weekes: Bridgerton and the problem of pastel progressivism. Melina Pendulum

Vaughn Roycroft explains why we need tragic stories, now more than ever. Dave King is keeping it real. Later in the week, Kelsey Allagood offers the confessions of a conflict-avoidant writer. Then, Porter Anderson makes the case for kindness. Writer Unboxed

Why a bad series finale can ruin the whole show. SciShow Psych

Lori Freeland delves into backstory and how you can dodge the infodump. I’m trying to find the right balance here. Then, Barbara Linn Probst shares four of the best writing exercises EVER. Later in the week, Margie Lawson returns: hugs you’ve got to love! Writers in the Storm

The romance addict trope, explained. Love isn’t all you need. The Take

Kristina Adams explains how building your self-awareness makes you a better writer. Another issue I’m struggling with. Elizabeth Spann Craig

Christina Delay helps you identify your reader. Then, Gilbert Bassey shows you how to master the happy-sad ending. Writers Helping Writers

Princess Diana, according to The Crown. The Take

E.J. Wenstrom shares the secret formula to author newsletter joy. Later in the week, Gabriela Pereira interviews Ellie Cypher about language as world building in YA fantasy. Then, Sara Farmer interviews Kellye Garrett. DIY MFA

Fay Onyx helps you to rid your monsters of ableism. Then, Oren Ashkenazi looks at five antagonists who never stood a chance. Mythcreants

Bulletproof Monk: the worst flirty fight scene ever? Jill Bearup

Lisa Hall-Wilson asks, what’s your character’s emotional Kryptonite?

Chuck Wendig offers some gentle writing advice. Terribleminds

Alison Flood reports that after a year inside, novelists are struggling to write. Some have been struggling all along. Others haven’t. Still others have noticed a distinct lack in the quality of the work they manage to produce. The Guardian

As ever, thank you for taking the time to visit. I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Writerly Goodness found on the interwebz, Dec 13-19, 2020

Ah! The penultimate tipsday of the year! Time to get your informal writerly learnings 🙂

John J. Kelley helps you stage the scene. Yuvi Zalkow is embracing the I-don’t-know-ness. Porter Anderson hopes you work wonders in 2021. Writer Unboxed

Janice Hardy shares three steps to crafting a stronger first draft. Fiction University

Jenna Moreci shares her top ten tips for writing fantasy.

Lori Freeland lists five things every writer needs to thrive. Then, Barbara Linn Probst considers scene coherence from the reader’s perspective. Writers in the Storm

My name is Inigo Montoya: Princess Bride fight analysis. Jill Bearup

Lucy V. Hay shares ten steps to revise your NaNo novel. Writers Helping Writers

Nathan Bransford explains what to expect when you work with a freelance editor.

The strong female character trope, explained. The Take

Abigail K. Perry demonstrates the importance of internal and external value shifts in characters. Later in the week, Amy Ayers offers five ways to talk about writing with nonwriters. DIY MFA

The funny fat girl trope, explained. The Take

Ken Brosky explains how to effectively manage multiple narrators in your novel. Then, Louise Tondeur asks, is your writer’s block really writer’s indecision? Jane Friedman

Chris Winkle does a narration makeover to create tension. Oren Ashkenazi: what The Black Company teaches us about dark stories. Mythcreants

Emily Zarka considers the Nuckelavee, Scotland’s skinless, evil monstrosity. Monstrum |PBS Storied

Mildred Europa Taylor: Cynthia Erivo to star in and produce film about enslaved Yoruba girl who became a gift to the queen of England. Face 2 Face Africa

Stephanie Cram: Darcie Little Badger’s YA debut Elatsoe landed on Time’s list of the best fantasy novels of all time. CBC’s “Unreserved”

A Poem for All The ‘Old Hags’ // Sarah MacGillivray

Tom Grater reports that Charlie Mackesy, author of The Boy, the Mole, the Fox, and the Horse, teams up with Bad Robot to produce animated short. Deadline

Thanks for dropping by, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Writerly Goodness found on the interwebz, Aug 16-22, 2020

Welcome to another week of informal writerly learnings!

Black lives matter. Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter. This is a fundamental truth.

The EI ERB and CERB have been extended for the third time and three new transitional benefits are being created to support Canadians in this crisis. It’s resulted in chaos at work, but chaos has been the rule since March 15th.

Wear a mask. Wash your hands. Stay within your bubbles and avoid crowded events. Take care and stay safe. You don’t know who you could be putting at risk with careless behaviour.

K.M. Weiland shares five exercises for honing your story instincts. Helping Writers Become Authors

Vaughn Roycroft explains why he prefers novels with prologues. Dave King is discussing fiction in the time of plague. Then, Sarah Penner shares the results of a working-from-home survey: navigating changes to our work environments. Later in the week, Porter Anderson discusses emergent voices. Writer Unboxed

Shaelin Bishop shares some of her favourite writing techniques. Shaelin Writes

Tasha Seegmiller: every novel needs a village. Then, Barbara Linn Probst advises us to read like a writer and write like a reader. Later in the week, John Peragine explains the vital importance of your writing community. Writers in the Storm

The muse trope, explained. The Take

Rochelle Melander suggests some tools for revision. Fiction University

Christina Delay uses the lyrics of “Yesterday” to look back at the first act. Writers Helping Writers

Helen J. Darling helps you build your author newsletter list. Then, Pamela Taylor helps you figure out whether you’re writing historical fiction, or something else. Later in the week, Chere Hughes describes the key features of a no-fear critique. DIY MFA

Susan DeFreitas explains what your first 50 pages reveal. Jane Friedman

Nathan Bransford wants you to be very careful with dreams and hallucinations in novels.

Chris Winkle explains why story structures like the Hero’s Journey don’t work. Then, Oren Ashkenazi analyzes five stories with anticlimactic endings. Mythcreants

What English can’t do. NativLang

Alexandra Alter: “We’ve already survived an apocalypse”: Indigenous authors are changing science fiction. The New York Times

Thanks for visiting and I hope you’re taking away something that will support your current work in progress.

Until Thursday, be well and stay safe.

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Tipsday: Writerly Goodness found on the interwebz, Feb 16-22, 2020

Here we are in the final week of February. Winter is crawling to its end, the light returns, and so does the hope of spring. Celebrate with some informal writerly learnings 🙂

Tasha Seegmiller: writer, you are separate from your craft. Barbara Linn Probst considers likeable and relatable: why (and how) do they matter? Writers in the Storm

Vaughn Roycroft has a new take on readership. Dave King: the web of writing. Kathleen McCleary has answers to questions about writing. Porter Anderson analyzes the Authors Guild’s 2020 Report. Writer Unboxed

K.M. Weiland has some thoughts on how to be critical of stories in a way that makes a difference. Helping Writers Become Authors

Joanna Penn interviews Aiki Flinthart about writing fight scenes with female characters. The Creative Penn

Christina Delay wants you to fall in love with your second act. Angela Ackerman explains how to build powerful character relationships. Writers Helping Writers

Janice Hardy considers whether to stop and revise or keep writing the first draft. Fiction University

Brenda Joyce Patterson takes a deep dive into libretti. DIY MFA

Nathan Bransford helps you clear out the clutter around your verbs.

How to write character voices. Reedsy

Oren Ashkenazi explains why “but men are objectified, too” doesn’t hold up. Then, Oren lists ten ways to keep the authorities out of your plot. Mythcreants

Jami Gold wonders, what do you do with disappointment?

Robert Lee Brewer explains the difference between metaphor and personification. Writer’s Digest

Kate Knibbs says, the hottest new genre is doomer lit (formerly known as cli-fi). Wired

Charlie Jane Anders believes that to write about the future is to represent the past. Tor.com

Thank you for visiting and I hope you take away something to support your current work in progress.

Until next time, be well!

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Tipsday: Writerly Goodness found on the interwebz, Aug 11-17, 2019

It’s time to dig into another week’s worth of informal writerly learnings 🙂

Elizabeth A. Harvey is remembering Toni Morrison. Then, Nancy Johnson shows us how Toni Morrison’s The Bluest Eye offers a masterclass in craft. Porter Anderson: murders she didn’t write, a provocation on writers in the context of real world gun violence. Rheea Mukherjee: negotiating social privilege as a writer. Jim Dempsey wants you to explore the wonders of your character’s world view. Sarah Callender forgets to remember that writing is an act of faith. Writer Unboxed

Jenna Moreci helps you get back into the writing habit after a break.

C.S. Lakin visits Helping Writers Become Authors: how to evoke reader emotions with “surprisingness.” Then, she heads over to Larry Brook’s Storyfix to explain how to effectively “tell” emotions in fiction.

Emily Wenstrom offers three tips for creating your author newsletter before you’re published. And here’s my latest column: find storytelling inspiration with the women of the Kalevala. Constance Emmett shares five tips for surviving rejection. DIY MFA

Lisa Hall-Wilson shares four ways to go deeper with point of view. Then, Laura Drake starts with character first. Writers in the Storm

Michelle Barker wants you to remember that the wand chooses the wizard. Writers Helping Writers

Janice Hardy explains why you want nitpicky critiquers. Fiction University

Robert Lee Brewer explains the difference between slight of hand and sleight of hand. Writer’s Digest

Some reassuring advice from Chris Winkle: why you shouldn’t worry about someone stealing your manuscript. Then, Oren Ashkenazi offers advice on choosing naval tactics for your pre-gunpowder world. Mythcreants

Sam Bleicher offers some unusual writing tips on dealing with facts in science fiction. The Creative Penn

Ferris Jabr: the story of storytelling. Harper’s

Thanks for visiting. Come back on Thursday for some thoughty.

Until then, be well!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, May 12-18, 2019

And here is your latest curation of informal writerly learnings.

Sophie Masson talks big publishers, small publishers, and contract negotiations. Jim Dempsey wants you to tune out your self-doubt. Julie Carrick Dalton praises the power of writerly kindness. Porter Anderson considers the place of place in our writing. Writer Unboxed

K.M. Weiland shares five ways writers (try to) fake their way to good storytelling. Helping Writers Become Authors

James Navé and Alegra Huston stop by Jane Friedman’s blog: how to plan a book reading that delights your audience.

September C. Fawkes offers story structure in a flash. Then, Sacha Black wants you to nip and tuck your saggy middle with conflict. Writers Helping Writers

Jeanette the Writer covers the stages of editing grief. Later in the week, Gabriela Pereira interviews Sam Sykes about the emotional weight of storytelling. DIY MFA

Jami Gold wonders, are you a pantser, a plotter, or something in between? Click through to the original tweet by Cheyenne A. Lepka—it’s AWESOME! Warmed this old gamer’s heart 🙂

Jenny Hansen shares Brené Brown’s top ten tips for success. Laura Drake follows up on Jenny’s column with this: dare to be vulnerable in your writing life. Writers in the Storm

Chris Winkle wants you to understand exploitative plots. Mythcreants

Guy Gavriel Kay offers some writing advice: don’t take writing advice. Literary Hub

Thanks for stopping by. I hope you found something to help you with your latest creative project.

Until Thursday, be well, my writerly friends!

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Tipsday: Writerly Goodness found on the interwebz, Dec 16-22, 2018

Happy holidays (whatever you celebrate, or don’t)! It’s time to open your present of informal writerly learnings!

present

Tiffany Yates Martin says, NaNoWriMo was the easy part and shows you how to see your story across the finish line. Writers in the Storm

Vaughn Roycroft considers the gifts of the writing life. Writer Unboxed

Kathleen McCleary explains how to navigate families in fiction. Writer Unboxed

Porter Anderson offers a provocation: “The New Year’s Eve of time.” Writer Unboxed

Chris Winkle drops by Writers Helping Writers to discuss attachment, the first element of goal-oriented storytelling.

Over on Mythcreants, Rachel Meyer shares the five essentials of an opening scene. Later in the week, Oren Ashkenazi considers eight terrain features for fantasy kingdoms to fight over.

Janice Hardy takes a first look a first draft: how to revise your manuscript. Then, she shares a goal-checking trick for plotting your novel. Fiction University

Sara Letourneau explores why the theme of family is important. DIY MFA

Becca Puglisi stops by Writers in the Storm to share nine tension-building elements for character dialogue.

Kitty the Retro-Writer visits Jami Gold’s blog: if you have a complex story, use a crime wall.

And that was Tipsday.

Enjoy your seasonal celebrations with family and friends.

Until next time, be well, my friends.

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Tipsday: Writerly Goodness found on the interwebz, Oct 14-20, 2018

Another lovely week filled with informal writerly learnings.

K.M. Weiland explores why writers cherish language. Helping Writers Become Authors

Janice Hardy stops by Writers in the Storm: plot backward to move forward with your novel.

Lisa Hall-Wilson offers five tips on writing a trauma backstory. Writers in the Storm

Roz Morris explains how to outline your novel without killing the fun of writing it. Nail Your Novel

Lisa Cron tells you how to nail your first three pages. Writers Helping Writers

Barbara Poelle answers another funny you should ask question: how fast-paced should a thriller be? Writer’s Digest

Janice Hardy tells you what you need to know about internalization. Fiction University

Rachael Stephen: how to write when you don’t want to. #preptober

 

Sara Letourneau helps you let go of perfectionism the DIY MFA way. DIY MFA

Dan Koboldt stops by Jane Friedman’s blog to explain how to research your writing to ensure technical accuracy. Also, check out Dan’s new book: Putting the Science in Fiction. I’m a fan 🙂

Kathleen McCleary: it takes a village. Writer Unboxed

Porter Anderson wonders, but how much are you reading? Writer Unboxed

Chris Winkle presents six wordcraft questions writers fight over. Then, Oren Ashkenazi points out seven common problems with speculative fiction technology. Mythcreants

Cold Crash Pictures debunks the four most annoying scientific inaccuracies in film.

 

Jenna Moreci lists her worst sci-fi tropes ever.

 

And Cold Crash Pictures tackles four more sexist tropes.

 

Thanks for stopping by. I hope you found something helpful in this curation.

Be well until thoughty Thursday!

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