I signed a contract with Latitude 46 Publishing for my debut poetry collection, The Art of Floating.
Now, we have a date for the launch! Saturday, April 13, 2024. Mark your calendars.
And stay tuned to this space for updates as they happen. New author headshots coming, cover reveal, preorder details, and more. All the good stuff!
Welcome to the first next chapter, back in its monthly format. This means it will be epic. Sorry, not sorry.
I’ve had to completely revamp my annual plan. Well, not completely, but mostly 🙂
My original plan had been to finish mapping out Alice in Thunderland in January and finish the first draft in February and March while continuing to work with Suzy on Reality Bomb. But a budget situation at work and the attendant loss of income meant I couldn’t continue working with Suzy. We parted ways at the end of January.
I then thought I’d continue working on my own and sign up again once my position and salary had been restored, but Phil had his accident (on Valentine’s Day, I’ll remind you), and all writing work was suspended until such time as he recovered.
In the interim, I got the hare-brained idea to start applying for grants. All of them.
Now that Phil’s recovered, I’ve committed to …
You can see why I’ve decided to cut back on blogging in the interim.
Alice is taking a back seat, for now. I think it was a good project, but I don’t have the head space or energy to get back to it right now. I do have the outline finished and a solid idea of where I need to head when I do get back to revisions. So, it’s in a good place.
That was the only big change from my original plan, aside from pushing out some timelines because life is what happens when you may other any plans.
So far, the experiment in rearranging my creative life (i.e., giving up curation and returning to monthly updates) seems to be working. I’m a lot less stressed out, that’s for sure. Or I was.
Unfortunately, the universe couldn’t take it easy on me. An added stress is that a general strike was called on April 19, 2023. I’m showing up and showing solidarity, but the first day was bitterly cold and I had to take a nap after I got home (which I never do) to warm up and recover. Subsequent days weren’t any easier, though I planned a bit better each day.
My executive function is definitely compromised. Meltdowns each morning, naps most afternoons, and I’m having trouble functioning on any level. At least I didn’t have to picket on the weekends. As of today (April 30, 2023) there’s a new offer on the table, but I haven’t heard anything yet. I expect we’ll be back on the picket line tomorrow.
In other developments, I’ll be one of three judges for the K. Valerie Connor Memorial Poetry Celebration contest held by the Leacock Museum in Orillia this year. I’m honoured to have been considered.
I received another bit of amazing (ah-MA-zing!) news this morning, but I’ll have to wait a bit before I make that announcement. Stay tuned! And yes, I’m a tease.
Just picking up from where I left off in my next chapter weekly updates. I’m not recapping the whole month (!) As you’ll see, it’s been a month FULL of events.
I attended the online book launch for Fonda Lee’s The Untethered Sky on April 10th. A great conversation between Fonda and Andrea Stewart about all aspects of the creative process.
I had signed up for a FOLD Academy webinar with Liselle Sambury on April 8th, but was unable to watch it live, because recovery. I watched the replay once it was posted to their YouTube channel. It’s an interesting method, and Sambury offered a lot of alternatives for outlining and tracking your novel.
I signed up for an Authors Publish webinar on a new (to me) poetry form, the zuihitsu, with Eugenia Leigh. Because it was held during the workday, I watched the replay. Zuihitsu is a fascinating form, but I don’t know if I could manage the consciously disordered nature of a zuihitsu collection. It does track with some of the ideas I’m hoping to play with poetically, though. We’ll see where it leads.
I met with my poetry editor, Tanis MacDonald, on the 12th. It was less fraught than I thought it would be (and that would have been on me—Tanis was lovely). Now I have my marching orders and some work to do 🙂
I attended the Writing Success Series Discovery Night on April 13th. I’ve signed up for the Donald Maass six-webinar package and will return for individual sessions by Eric Maisel, Janice Hardy, Tiffany Yates Martin, and Beth Baranay.
I signed up for another Dan Blank webinar about defining your identity and creative voice on April 14th. Again, because it was during the workday, I watched the replay. Dan has a lot of good information about how to engage with social media on your terms and it all begins with defining your identity and creative voice.
On April 15th, my friend and former poet laureate of Sudbury, Vera Constantineau, launched her poetry collection. Enlightened by Defilement is a collection of haibun inspired by the 108 defilements of Buddhism. It was a lovely afternoon at the Hilton Garden Inn, good food, and a lot of familiar faces that I haven’t seen in a while 🙂
That was a big week of writing-related events, I realized, and dialled it back a bit. Yeah, all of the above was in one week. I might have overdone things a bit.
Just four more writing-related events in the month.
I purchased a Rambo Academy webinar on revision that I could watch at my leisure, which I did.
I attended Mary Robinette Kowal’s Barriers to Writing webinar on Sunday, April 23. It was extremely helpful in a few different ways.
Finally, I registered for a TWUC webinar on marketing and self-promotion presented by Rod Carley and Ali Bryan, which I also watched in replay. With my debut poetry collection coming up next year, it was very helpful!
I almost forgot! The FOLD started on April 30th, but as the bulk of the event is in May, I’ll leave the details until next month’s update.
In the self-care department, I had an appointment with my doctor because of a bump on the inside of my wrist. It’s a ganglion cyst and nothing to worry about unless it gets bigger and/or starts causing pain or impeding my range of motion. Something to monitor for now.
Phil had another physio appointment and an appointment with an endocrinologist for his type II diabetes. Unfortunately, the diabetic clinic is being shut down. It’s disappointing because he was finally getting the treatment and support he needed. And then his appointment with the endocrinologist was cancelled. Super frustrating.
I took Torvi to the vet for her annual exam and flea/tic/worm medication. An expensive trip, but she was her crazy, adorable self for Dr. Andrews, and she’ll be protected for the coming year.
I finished watching The Witcher: Blood Origin (Netflix). An interesting origin story for the witchers, with great characters, fight scenes, and a tie-in to the main series. Also, it was only four episodes, so it didn’t have time to fall prey to some of the gaffs other series suffer from.
Next, I watched The Wonder (Netflix), based on the novel of the same name by Emma Donoghue. Mystery and pathos. Lib Wright is a nurse who is called upon, with a nun, to perform a 14-day watch on a girl is a small Irish village who hasn’t eaten in four months. Ah, my heart.
I finished watching the first season of The Peripheral (Amazon). Bizarre and brain-twisty, but I loved it. Virtual reality isn’t just VR. It’s time travel and the creation of alternate realities called stubs. A VR gamer and her ex-military brother are inducted into a program with new technology, and a whole new world of complex future and present political and corporate intrigue changes their lives.
I also finished off the first season of Extraordinary (Disney +). In a world where most people develop powers (some of which are bizarre, and others, totally useless), protagonist Jen is powerless. She’s also a horrible person who has no money to pay for the expensive treatment that could rectify the situation. Growth happens. British series. British humour.
Then, I watched Ghosted (Apple +). It was the fun escape I needed after three days of picketing. Lots of cameos by popular action actors. I was laughing out loud. It might have been the dysregulation, but I enjoyed it. There was some problematic content, though, like the white male protagonist getting all stalkery (repeated texts, tracking her, a surprise trip to see her) on his love interest after she apparently ghosts him. Unfortunately, the stalking is critical to the plot. Like, there would be none without his intrusive and unwanted behaviour.
In reading, I finished T.J. Klune’s Wolfsong. The protagonist, Oxnard, or Ox is clearly autistic coded. And bisexual (pan?). I loved the book for that alone, but it was a love story between a human boy and his wolf pack. Correction, packs. There are some explicit sex scenes if you’re not into that kind of thing. My heart (again)!
Then, I finished The Bookwoman of Troublesome Creek by Kim Michelle Richardson. A fascinating historical fiction based on true events. Look up the blue people. They were an actual thing. And the packhorse librarians. Loved it!
And that was the month in this writer’s life.
Until next month, be well and stay safe; be kind and stay strong. The world needs your stories!
Yesterday, On Saturday, April 15, 2023, I attended the launch of Vera’s collection of haibun, Enlightened by Defilement, at the Hilton Garden Inn, in Sudbury.
It was a lovely afternoon and I saw many members of the Sudbury Writers’ Guild, who came out to support our former Poet Laureate. Heather Campbell, the publisher behind Latitude 46 was also there, and I reconnected with an old friend (hi, Linda!—waves frantically).
Emily DeAngelis conducted an interview with Vera and asked her to read a few poems. It was a different format, and I appreciated it. The Sudbury Star interviewed Vera, as well.
The event was catered with sushi, spring rolls, fruit, cheese, meats, and crackers. Very good!
There was something for everyone.
I’ll encourage everyone to support Vera and Latitude 46 by purchasing a copy, either directly from the publisher’s page, or through Amazon.ca.
Welcome to the last tipsday for the foreseeable. As I mentioned in my most recent next chapter weekly, I’m cutting back on social media to devote more time to writing and revision.
Julianna Baggott: yes, I know how hard it is. Donald Maass explains where connection comes from. Then, Elizabeth Huergo muses on frigates and ChatGPT. Writer Unboxed
Margie Lawson is writing fresh: laughs, giggles, and snorts that carry power. Then, Hannah Jacobson explains what you can do with book awards and reviews. Stefan Emunds says characterization is one of the most vital writing skills. Writers in the Storm
What makes a movie “feminist”? Princess Weekes
Elizabeth Spann Craig is writing longhand.
Becca Puglisi says, if you need organizational help, try Trello. Then, Colleen M. Story shares six ways to make your author blog more successful. Writers Helping Writers
Is cyberpunk actually punk? Tale Foundry
Amy L. Bernstein provides a framework for moving beyond your first draft. Then, Matt Holmes lists the four pillars of book marketing, or how to sell more books in less time. Amy Goldmacher explains how to differentiate between desire and desperation in pursuit of publication. Next, John Matthew Fox helps you find comp titles using ChatGPT. Jane Friedman
My revision process—first draft to ready for publication. Shaelin Writes
Ashley Christiano shares chakras for storytellers, part 2: putting concept into practice. Then, Manuela Williams considers four poetry book cover design trends. Stacy Frazer explains how to recover from creative burnout and enhance your energy. Next, Lori Walker interviews Danielle Mitchell about reading and writing poetry. Brenda Rech shares five things she learned by entering writing contests. DIY MFA
Seven exercises to improve dialogue. Reedsy
Janice Hardy lists three steps to crafting a story arc that sucks (your readers in). Fiction University
Tiffany Yates Martin discovers how Camille Pagán revises—by betting on herself. Fox Print Editorial
Chris Winkle offers six tips for writing your first novel—and series. Then, Oren Ashkenazi analyzes five stories that undermine their own stakes. Mythcreants
Thank you for visiting, and I hope you found something to support your current work(s) in progress. You can always peruse the archives.
Until Thursday, keep staying safe and well, my writerly friends.
Welcome back to tipsday, your opportunity to get your fill of informal writerly learnings.
Chuck Wendig shares his writer’s resolution 2023: mounting an aggressive defense. Then, he declares, “Eat shit, robots!” (Or: No, the absolute intrusion of artificial intelligence is not inevitable.) Terribleminds
Lisa Hall-Wilson explains how to edit for deep point of view.
Visions of the future onscreen vs. reality—what came true? The Take
Greer Macallister considers choosing your habit, which reframes resolutions or goals in terms of habit-forming. Thought-provoking for this time of year. Then, Allyson Rice says, I’m sure I’ve landed on a federal list somewhere. Donald Maass discusses chaos and creating fiction. Then, Sarah Callender explains when good enough is good enough. Terah Shelton Harris discusses what we ask of our readers. Writer Unboxed
Elizabeth S. Craig offers some thoughts about writer self-care for the New Year.
Beatrix Potter: the secret life of a Victorian genius. Absolute History
Angela Ackerman wants you to force your character to make hard choices. Then, Colleen M. Story shares five reasons it’s still a good idea for a writer to have a blog. Writers Helping Writers
Ken Brosky reveals the biggest mistake even expert writers make. Then, Michael Evans presents the author-creator marketing playbook. Jane Friedman
How to set writing goals and actually achieve them. Reedsy
Karen DeBonis explains how to talk about your book. Then, J. Alexander Greenwood reveals how to get booked on a podcast by answering one question. Writers in the Storm
Tiffany Yates Martin finds out how Kyla Zhao revises by writing her way out of loneliness. Fox Print Editorial
Gabriela Pereira interviews Mary Robinette Kowal about writing diverse characters via nuanced shifts in language. Then, Manuela Williams talks about point of view in poetry. Stacy Frazer takes you from idea to drafting in five steps. Then, AK Nevermore shares how finding her tribe helped silence her self-doubt. DIY MFA
Chris Winkle analyzes five stories that crawl along. Then, Oren Ashkenazi says that the Willow series is a terrible sequel. Mythcreants
Hey! January 1st was public domain day 2023. Ever wanted to write something based on a property coming into the public domain? Duke Law
Another fabulous resource, courtesy of Jane Friedman: Dr. Mardy’s Dictionary of Metaphorical Quotations. Having trouble putting something to words? Find out how other writers and thinkers have done it. It really helps.
Thank you for visiting, and I hope you found something to support your current work(s) in progress.
Until Thursday, keep staying safe and well.
Happy New Year, everyone!
Your monthly PSAs:
All lives cannot matter until Black, Indigenous, and people of colour lives matter.
Continue to observe public health guidelines (washing hands, maintaining physical distance, masking where you can’t, getting your vaccinations—not just covid, but flu, etc.—as recommended). Covid is endemic. It ain’t going nowhere. Take care of yourselves and the people you love.
Russia’s unprovoked war in the Ukraine continues and continues to be deplorable. I stand with the Ukraine!
Reproductive rights are everyone’s fight!
Starting in the New Year, the monthly PSAs will cease. They have become performative, despite my best intentions. Y’all know my views. No need to harp.
First, I decided to let Alice in Thunderland sit until the 5th. Though this year’s NaNoWriMo wasn’t as exhausting as it sometimes can be, I still needed a break. Plus, I had some other writing work to do.
Even when I returned to Alice, though, the words weren’t flowing. I’m trying to listen to my body and brain more and on the 11th, I decided to let Alice sit until the New Year. She’ll still be on my mind, though. I have to think about the best way to end the story, which might involve me rewriting the beginning. Thinking of a circular, or echoing ending.
I had to do some work with Reality Bomb for Suzy, in any case, but I decided to take things easy and not stress out.
I had a stretch of vacation and wanted to focus on planning for the New Year and resting up. The dark time of the year is here, and I wanted to see what it would feel like to actually give myself some hibernation time when my energy reserves are low.
It was nice. I watched a lot of movies (see below) 🙂
Here’s how the month broke down:
The only writing/revision I did on RB this month was for my assignments. It wasn’t tonnes. No goal, but I wrote 9,398 words.
Like I said, I decided to let Alice percolate after the 11th. Between the 5th and the 9th, I wrote 1,008 words. Initially, I had thought Alice might be a full novel and I had committed to continue drafting through December. My goal was therefore fairly steep, and I chose not to change it (this time). So, 1,008 of 17,250 words works out to 6%.
For the first time all year, I didn’t meet or exceed my goal for the blog. That’s because I counted the bulk of my work on last month’s next chapter update towards my NaNo goal. Even including what I’d written of this update up to December 31st did not crack my goal. I wrote 4,644 words of my 5,000-word goal, or 93%.
I received the welcome news of another short story acceptance on the 8th. More on that later in the year.
And I received a lovely gift, just in time for the holidays, two of my poems, “Avalon” and “Blood Flower Moon,” were published in Polar Starlight 7.
And now for the year in review …
At the beginning of the year, I made what I thought were reasonable plans. I wanted to finish next round revisions of Reality Bomb by June (six months should have been doable, but alas), spend the summer focusing on poetry and short fiction, and then prep Maurshka for NaNoWriMo.
Welp, I was still working on RB in October when I signed up with Suzy. I decided to give up bulling my way through the revisions and see what Suzy had to say.
I did work on some poetry and sort fiction in the summer, but the short story I started (just something for myself) petered out and I haven’t thought of a way to proceed with it yet. I also decided that I’d set Marushka aside and prep Alice in Thunderland for NaNoWriMo instead.
With RB on hold, I did move on to work on Alice for NaNoWriMo, but I wasn’t aiming to win. I decided to take things easy and thought that Alice might be a novella, anyway.
And you already know how December worked out.
In terms of publication, it was a good year for me.
It started out with the publication of “The Undine’s Voice” in Polar Borealis 21 (May 2022), followed by the publication of my poem “Pillar” in Polar Borealis 22 (July 2022).
In August, “Torvi, Viking Queen” was published in Pirating Pups, edited by Rhonda Parrish, from Tyche Books.
And, as I mentioned above, I had two poems published in Polar Starlight 7 in December. So, two stories and four poems.
This may not seem like a lot, but it was great for me. In 2021, I had one story and four poems published and in 2020, I had three poems and a reprinted poem published. Slow progress, yes, but progress, nonetheless.
Also, I signed a contract with Latitude 46 for my first solo poetry collection, to be published in April of 2024. That’s not nothing 🙂
Here are the annual stats:
|
Project |
Goal |
Actual |
Percentage |
|
Reality Bomb |
Revise 50,000 words |
Revised 79,517 words |
159% |
|
Alice in Thunderland |
Write 90,000 words |
Wrote 29,307 words |
33% |
|
Blog |
Write 55,000 words |
Wrote 67,405 words |
123% |
|
Short Fiction |
Write 6,000 words |
Wrote 2,915 words |
49% |
|
|
Revise 10,000 words |
Revised 478 words |
5% |
|
Poetry |
No goal |
Wrote 20 new poems |
— |
As you can see, I undershot the most with respect to the short fiction. I only wrote one new story, revised a couple, and stalled out on the second short story I started.
I’m not counting Alice as an undershot because of the novella thing. I think it will probably come out between 40 and 50k by the time I’ve finished drafting it and revised it.
Here’s another look with a monthly breakdown:
This year, I’m giving myself ten months to revise RB down to my 100k goal length, and then I’ll work on a query and synopsis, and hit the trenches.
I’ll finish Alice by the end of March and revise her by the end of June.
Sometime in the spring, I’ll be working with an editor on my poetry collection. Not sure how long that will take, but I’m scheduling six months.
I’m hoping to write and revise 6,000 words (each) of short fiction this year. We’ll see how that goes.
I’m toying with a creative non-fiction project. Not going to talk about this too much until there’s something to talk about.
And I’ve chosen my NaNo project this year. More on that in the future.
Again, I think the goals I’ve set are reasonable ones, but that always changes as the year progresses.
I have to backpedal a bit to November. I signed up for Tiffany Yates Martin’s Prologues webinar through Jane Friedman and watched the replay. I always learn something from Tiffany’s webinars and she’s a great presenter.
On December 4th, I attended a Revisions workshop with Mary Robinette Kowal. Her approach really speaks to me. I’m learning a lot.
I signed up for another Jane Friedman webinar, this one from Allison K. Williams about writing your second draft.
And I signed up for an Authors Publish webinar about writing layered stories readers will love with Nev March.
I had my second call with Suzy on Dec 7th. Part of my assignment was to work on my protagonist’s “why,” but I wasn’t sure if the why I had established was compelling enough given the why of my antagonist. There’s some massaging to do, but we can make it work.
I received my next assignment, to reframe and reorganize the first 20 pages of my draft given her review of my first chapter. Our next meeting was on the 21st. Again, progress was made. I think I just have to learn to trust myself more. Our next meeting is January 19th.
I attended the in-person holiday get-together of the Sudbury Writers’ Guild on the 17th at Twigg’s. I had a lovely crab salad sandwich and London fog. And some cookies.
We lowkey celebrated Mom’s 79th birthday on the 20th. Chinese and cake.
Christmas was going to be at my mom’s on Boxing Day this year. Unfortunately, my brother- and sister-in-law got covid and we had to postpone. I’ll leave the decorations up until then, I think, though Phil says he wants to take down the railing garlands while the weather is mild.
Phil went full techie on my desktop, trying to keep things running well for as long as he can. I cannot afford a new computer right now.
I got a long-overdue haircut.
I also got my flu shot and had another meeting with my support group.
In the viewing department, Phil and I watched Wednesday. And we really enjoyed it. Jenna Ortega does an awesome job of letting us see what a teen Wednesday would be like. Yes, there were some overly complicated story beats.
Then, I watched The Guardians of the Galaxy Holiday Special while putting my Christmas tree together. Silly, fluffy, and kind of dumb, but totally enjoyable for all that 🙂
I watched Spirited (Apple+). A fun take on A Christmas Carol. Old Marley runs a whole spirit division dedicated to reforming curmudgeons every year. The current ghost of Christmas present (Will Farrell) sets his eyes on an “unredeemable.” I won’t spoil the twist 😉 And really, Ryan Reynolds makes anything fun.
I received a holiday surprise 🙂 Fraggle Rock (Apple+) released a holiday special, too! Comfort/nostalgia viewing.
Black Adam (Crave) was next. It was a movie. Dwayne Johnson was fine, but I prefer his comedic roles. And Pierce Brosnan was a good Dr. Fate, but I really didn’t care about the other superhero characters and wasn’t given any reason to.
Then, I watched Wolf Walkers (Apple+). A balm to my pagan half-Irish soul. And beautiful. Just watch it, y’all.
I also watched Glass Onion (Netflix). As brilliant as Knives Out, but totally different. Janelle Monae was spectacular.
I decided to watch Guillermo Del Torro’s Pinocchio (Netflix). A dark and decidedly anti-fascist take on the traditional tale. The ending was bittersweet.
Then, I watched Slumberland (Netflix). A touching tale about grief and the power of dreams.
Phil and I watched the last season of His Dark Materials. Really good. Loved, in fact.
Moving on to the month in reading, I listened to The World We Made by N.K. Jemisin. Living cities versus eldritch horrors, vol. 2. Awesome. Robin Miles is one of my favourite audiobook narrators, and Simon & Schuster does a good job of the production.
Then, I finished Fevered Star, the second in the Between Earth and Sky trilogy, by Rebecca Roanhorse. It was good, and I’m eager to read the third book.
I finally read Embers by Richard Wagamese. Brilliant and soulful. Teachings to return to.
I followed that up with another Wagamese book: One Story, One Song. The same as the above.
Then, and I think it was the weirdest read of the year, I read Bunny by Mona Awad. At first, I thought it was magical realism, then the body horror entered into the story, and then I wondered if everything was all in the protagonist’s head. It was a real trip, whatever it was. With thoughtful homage to, and feminist commentary on Alice in Wonderland, Frankenstein, fairy tales (Red Ridinghood, in particular), with a touch of Heathers and The Craft, Bunny was a wild critique (ha!) of MFA programs and the white privilege rampant in the university system.
Though it took me a while, I finished Ursula K. Le Guin’s The Real and the Unreal. There are a lot of stories in this collection, which was originally published in two volumes. A little Orsinia, a little Hainish, some science, and some whimsey. Good, but epic.
Next, I finally grabbed A Dead Djinn in Cairo, by P. Djèlí Clark. The missing piece of the Fatma puzzle! It explains a few things in Master of Djinn that were alluded to, but not fully fleshed out. Very good.
I finished Diana Gabaldon’s Lord John and the Hand of Devils. I didn’t realize how much of a lush Lord John was (!). Entertaining, and again, filled in a few gaps.
My favourite non-fiction read of the month was Chloé Hayden’s Different, not Less. Awesome to read about and autistic girl who received diagnosis and supports before she became an adult.
I didn’t quite meet my 2022 reading challenge. 55 books of my 60-book goal. Close, but no cigar. 92%. Not bad. This year, I’m taking my reading goal down to 40 books. Because I intent to do some close study/rereading this year, I don’t think I’ll be able to read many more.
And that was the month—and the year—in this writer’s life.
Until tipsday, be well and stay safe; be kind and stay strong. The world needs your stories!
Welcome to November! This will be the last tipsday until December 13th (!) That’s right, I’m NaNoing again and foregoing curation until December. Get your fill of informal writerly learnings now!
You could always peruse the archives if you miss tipsday too much 😉
Vaughn Roycroft presents Murphy’s Law—the unboxed writer’s version. Elizabeth Havey: what was that phrase about authenticity? Kelsey Allagood shares what horror teaches us. Then, Sarah Penner is making the most of Canva with these seven design ideas for writers. Victoria Strauss explains when new isn’t better: the value of experience. Writer Unboxed
Clive Barker’s weirdest monster. Tale Foundry
C.S. Lakin stops by K.M. Weiland’s site: how writers can infuse mood in story settings. Helping Writers Become Authors
Over on her own site, Susanne discusses writing about difficult emotional experiences. Live, Write, Thrive
Then, Susanne explains how to quickly establish the setting in scenes. Elizabeth Spann Craig
How school makes you a bad writer. Answer in Progress
Kris Maze offers the ABCs of school author talks: how to engage kids. Eldred Bird: writing horror vs. writing terror. J. Alexander Greenwood is making a podcast love connection. Writers in the Storm
Why the Bechdel test isn’t enough. The Take
Manuela Williams suggests some revision strategies for your poet’s toolbox. Then, Dominique Richardson wonders, should you write a YA series today? John Matthew Fox lists five ways movies sabotage your writing skills. DIY MFA
Don’t force your characters to ask leading questions just so you can deliver exposition. Nathan Bransford
Ann-Marie MacDonald on her new novel Fayne and the stage adaptation of Fall on Your Knees. CBC’s Q
Elizabeth Sims lists 20 reasons everybody should write short stories. Then, Michael Mohr reveals the secret sauce to being a good writer. Jane Friedman
Rayne Hall explains how to write a spooky ghost story. Fiction University
Why ASL was banned in America. Otherwords | PBS Storied
Tiffany Yates Martin discusses peopling your stories (and your world) with individuals. Fox Print Editorial
Colleen M. Story shows you how to tell if you’re self-publishing your book for the right reasons. Writers Helping Writers
What makes a good story idea? Shaelin Writes
Chris Winkle shares lessons from the entitled writing of Yarnsworld. Then, Oren Ashkenazi analyzes five stories that fail at human resources. Mythcreants
Sir Salman Rushdie has lost sight in one eye, agent Andrew Wylie. BBC
Thank you for spending some time with me. I hope you took away something to support your current work(s) in progress.
Until Thursday, keep staying safe and well.
Well, hello, Tuesday-that-feels-like-a-Monday! Launch yourself into this short week with some informal writerly learnings 🙂
K.M. Weiland shares seven tips for adding complexity to your story. Helping Writers Become Authors
Eldred Bird explains what blogging has taught him about writing. Then, James Preston warns of three common traps that can hurt your story (and how to avoid them). Writers in the Storm
Elizabeth Spann Craig helps you finish writing-related tasks quickly.
The secret to a well-paced plot (and it’s ridiculously easy). Shaelin Writes
Janice Hardy explains how writing a novel is like gardening. Fiction University
Alexander Lewis helps you grow your writing business by stepping away from your computer. Jane Friedman
Nathan Bransford: what is the “narrative voice”?
How to find time to write. Reedsy
Abigail K. Perry analyses the first chapter of Red, White, and Royal Blue. Then, Angela Yeh interviews Leslie Wheeler about how to take poetry personally. Mason Engel explains how to beat your writer’s burnout: a seven-step guide to tuning up your creative engine. Later in the week, Jennifer Craven shares five tips for writing multi-POV stories. DIY MFA
Yasmin Angoe relates the trials and tribulations of writing the second novel. Then, Kasey LeBlanc considers ebb and flow: a season for writing … and forgiveness. Liza Nash Taylor says, writer, edit thyself! Writer Unboxed
When the monster is hiding in plain sight. Tale Foundry
Tiffany Yates Martin explains how Elisa Lorello revises: rediscovering joy. Fox Print Editorial
Jordan Kantey lists seven ways to ensure you reach your writing goals. Writers Helping Writers
Chris Winkle wonders, can framing devices be better than terrible? Then, Oren Ashkenazi explains how Simmons scattered his world: building Hyperion. Mythcreants
Plot armour is good (sometimes). Hello, Future Me
Tavi Gevinson waxes on not being afraid to change up your process. The Creative Independent
Leanne Ogasawara is reassessing the workshop in light of culture shock. The Millions
Thanks for taking the time to visit, and I hope you took away something to support your current work(s) in progress.
Until Thursday, keep staying safe and well!
Ah, the weather’s already getting cooler. This summer was a good one up in northeastern Ontario. I’m sad to see the shortening days, this year.
Having said that, it’s pumpkin spice latte season!
Your monthly PSAs:
All lives cannot matter until Black, Indigenous, and people of colour lives matter.
Continue to observe public health guidelines (washing hands, maintaining physical distance, masking where you can’t, getting your vaccinations as recommended). Covid is endemic and new variants continue to crop up. Take care of yourselves and the people you love.
Russia’s unprovoked war in the Ukraine continues and continues to be deplorable. It’s been six months and there’s still no end in sight. I stand with the Ukraine.
Reproductive rights are everyone’s fight.
I was all over place in August. Some revision on Reality Bomb, a little short fiction, a little poetry, blogging, a little work on the Ascension series, some review of Alice in Thunderland (my alt-history/steampunk project), and I worked on a beta review as part of an exchange.
In terms of projects I’m tracking, here’s how the month worked out:
For RB, I didn’t put a revision goal up, but my main thrust is to cut 25k words from the last draft while also strengthening the plot and character arc. I didn’t count the days when I cut but noted when I added words. I’m still in the first half of the novel, which doesn’t need a lot of cutting.
I added 626 words but reduced the overall wordcount by just over 200 words. Not bad.
In terms of blogging, my massive July update contributed to achieving 142% of my 5,500-word goal (7818 words).
Short fiction stalled partway through the month after only writing 232 words. That’s 15% of my 1,500-word goal.
I set my poetry goal at 10 poems again and only wrote 8 (80%). I’m trying to turn my hand to capturing my autistic journey in poetry on the recommendation of a friend, but the result isn’t satisfactory. They’re all rather pedestrian. Lists of events, symptoms, reactions. I’ll have to revisit the lot of them at some future time. They’re not coming to life for me. Maybe poetry isn’t the medium for this? I don’t know.
With regard to projects I’m not tracking, I worked a little on the Ascension series master document based on the reading I’d completed to date. Then, I set it aside once other priorities started to take precedence.
I worked on my critique for the author I’d agreed to do a critique exchange with. It’s almost done. I’m hoping to be finished in the next day or so.
And I worked on my OAC grant application (see next section for more on that).
On Friday, August 12, I read an excerpt of “Torvi, Viking Queen” at the launch of Pirating Pups at When Words Collide (WWC). It was a lovely, intimate reading, done virtually. More on WWC in “filling the well.”
I also started my search for an editor/book coach to get RB ready to query. I’m now thinking that I’ll be ready to work with someone in October. There have been emails, intake forms, zoom meetings, and all kinds of administrivia going on around that effort.
I attended the CAA Board orientation on August 22nd. It’s the first time I’ve actually been able to attend one of these. Informative, but intimidating.
And I attended a special general meeting for SFCanada focused on the implementation of a new anti-harassment policy and amendment of the bylaws on August 27th.
I attended an information session from the Ontario Arts Council about applying for grants on Tuesday, August 9th. And … I started working on my application (!) for a literary creation project grant.
On the weekend of August 12 to 14, it was WWC 2022. I actually signed up for a couple of workshops on Thursday and Friday, and watched a few sessions live over the course of the weekend. I’m hoping that this year, more sessions will be made available on their YouTube channel, because there are always 10 sessions going on at the same time, and I can’t attend everything.
I signed up for a CAA/SFCanada webinar on August 17th with the intent of attending but didn’t have the spoons and ended up watching the replay. The session was presented by Den Valdron on publishing contracts, and he sent an impressive array of samples and resources.
Then, I attended a webinar about writing interiority delivered by agent Cece Lyra of PS Literary on the 18th. It was a-MA-zing. I found out about it after starting to listen to “The Shit No One Tells You About Writing” podcast. I think I’m going to watch the recording a few more times before I lose access.
I also signed up for a Mary Robinette Kowal webinar called “Earth’s future climate: a proactive SF approach” with Dr. Tom Wagner on August 23rd.
The next Tiffany Yates Martin webinar hosted by Jane Friedman focused on suspense and tension. It was during the day on August 24th, so I watched the replay.
Finally, Jane Friedman hosted a free roundtable discussion about the Department of Justice-Penguin Random House antitrust trial on the 26th. Again, it was during the day, and I watched the replay.
I also had an appointment with my optometrist and got myself some new (very expensive) glasses. Progressive lenses, anti-glare, and transitions. I’ll probably take a new headshot when I get them so y’all can see.
In the viewing department, I watched Lightyear (Disney +). It was fun and, as with most Pixar offerings, sentimental. Poor Buzz is so focused on completing his mission, he doesn’t realize he’s failed to live. The reveal of who Zurg is—I’ll leave that to you to find out. A recommended watch.
Then, I rented Everything, Everywhere, All at Once. Oh. My. God. So good. Everyone’s already said all the things about the movie that I could and then some, so I won’t waste your time. Best movie I’ve seen all year. This is one I want to own. Love and google-eyes, y’all.
The Groot shorts on Disney + were cute. I felt sorry for the … squirrel-bird? And the bonsai. And the mimic. And the little whatever-they-were. Admittedly, in the last instance, Groot felt bad about squishing them, too. And he tried to make it up to the bonsai. Emphasis on tried. Just a root-ball ‘o’ chaos, Groot.
I watched the last episode of season 4 of WestWorld on August 14th. The writers’ collective fondness for not letting their audience know when they’re watching continues to be irritating. Everything comes together, eventually, but until it does, the viewer is left feeling confused and stupid.
Dolores is now Christina, who works at a gaming company, writing stories for in-game characters. Her alternate, Charlotte Hale, has now *SPOILERS* created a world in which most people have been infected by what I assume is a technological virus, which makes them subservient to the AIs. There’s a resistance cell of people who’ve managed to avoid or are resistant to the virus (delivered by fly—I get it, but ew!) and they’re trying to defeat the AIs and free the humans.
Caleb, who died last season, appears to be back, but his consciousness has been repeatedly uploaded into a host body, which we know from past seasons never works out well. His daughter, Frankie/Cookie/C, leads the outliers as the resistance is called, and one of her main missions is to find her father.
Bernard returns from the Sublime, having run infinite simulations about how things in the world outside will turn out. Stubbs has been his faithful guardian in the meantime and the two set off to find the outliers, resurrect Maeve, who was killed early in the season (and then again later—but what is later, really?), infiltrate Hale’s city to rescue what’s left of Caleb, and set the next iteration of WW into motion.
Almost everyone dies in the end, but Christina is returned to the Sublime by Hale (after which Hale commits suicide) and begins her final, most dangerous experiment, which looks suspiciously like the original WW she was built for. Frankie gets back to her people, which are the only humans left alive after AI-William sets every other AI and human into a homicidal/suicidal frenzy. *END SPOILERS*
I guess we’ll see what Dolores has in store for us some time in 2023 or 4, now that Ed Harris spilled the beans that filming on season five will begin next spring.
I watched Luck (Apple +) next. I like anything Simon Pegg’s in, even if he’s a cat 🙂 It’s a cute story. Sam is the unluckiest person in the world. She’s just aged out of an adoption centre but wants better for a young friend (a forever home). She has her own apartment and new job. We follow her through a typical day, just to set up the fact that if any can go wrong for Sam, it will. Until she shares a panini with a black cat and finds a lucky penny for her friend when it leaves.
The next day, penny in pocket, Sam can do no wrong. Despite enjoying the hell out of her new luck, she’s going to give the lucky penny to her friend. Until she accidentally flushes it down a toilet. Re-enter the black cat, to whom she tells her tale of woe. And when he demands, in a Scottish accent, “What did you do that for?” Sam’s whole world changes. Fun and sweet and feel-good.
Phil and I watch Fullmetal Alchemist: The Revenge of Scar (Netflix). This is the second of the live-action FMA movies and does follow the FMA: Brotherhood series of events. Phil and I have seen all the iterations of the anime, animated movies, and now the live-action movies. If you’re a fan, you’ll want to watch it.
After a month of being locked out of Goodreads, they’ve finally fixed the issue. And I’m still five books behind in my reading challenge, even after entering the books I read during the outage 😦
I read Three Parts Dead by Max Gladstone. While it appears to be the first book published, it’s the third in the series (as its title implies). On his site, Gladstone says each book is standalone and I found this to be true. There was only a little bit of disorientation, but I find that I like books that expect me to figure things out on my own. I enjoyed the legal/spiritual/craft interweave in the novel and the world building, based on the magic system, is superb.
Then, I finished Colson Whitehead’s The Underground Railroad. It’s been a while since I watched the series on Amazon, but, in this instance, I like the book better. It’s cleaner than the series and more direct. Cora’s journey is Cora’s alone and the cruelties of the slave owners and catchers aren’t explained. There’s no need for explanation.
Next, I read The North-West is Our Mother by Jean Teillet. It’s a non-fiction book about the history of the Métis Nation. It was an interesting and informative read.
I read Micaiah Johnson’s The Space Between Worlds in gulps (it was just so tasty!). Traversers are recruited for a peculiar reason: they die a lot—in alternate realities. Because you can’t traverse to a world in which your alternate exists. The multiverse kills you for the offense.
Earth Zero identifies worlds that are similar enough to have the same resources and similar technologies because the main thrust of the traversers is information. Once the prospect world’s resources and technologies are identified, automated missions extract them to enrich Earth Zero.
I don’t want to get into the plot because it would be major spoilage and I don’t want to deny you the treat of reading this book for yourself.
Then, I finished Elan Mastai’s All Our Wrong Todays. I’ll be brief about this one too. It’s another fabulous read.
Tom Barren is a chrononaut, but he’s also a fuck-up and after he manages to derail the inaugural time travel mission, he breaks his timeline. How he tries to fix it is the story. And it’s hilarious and heartbreaking in equal measure.
And that was the month in this writer’s life.
Until next tipsday, be well and stay safe; be kind and stay strong. The world needs your stories!
Week four of August is here along with your weekly batch of informal writerly learnings! Enjoy!
K.M. Weiland explains how to write emotional scenes (without making them cringey). Helping Writers Become Authors
Lisa Norman reveals how to painlessly generate dozens of blog ideas. Then, Sandy Vaile digs into research: how far will fiction authors go for facts? Laurie Schnebly Campbell wonders how much does genre matter? Writers in the Storm
Joanna Penn interviews Becca Puglisi about writing conflict. The Creative Penn
How to write a plot summary and a synopsis. Reedsy
Roz Morris considers using real people in historical fiction—how much can you invent? Nail Your Novel
Barbara Linn Probst wonders what does “award-winning author” mean—and does it matter? Then, Marcie Geffner discusses aphantasia and writing fiction with no “mind’s eye.” Writer Unboxed
AJ Harper helps you get in front of your readers’ doubts and objections. Jane Friedman
Good characters are overrated. Tale Foundry
Christina Delay: small focus. Big creativity. Becca Puglisi wants you to use your character’s career to support your story’s theme. Writers Helping Writers
Nathan Bransford says don’t outsource your agent search.
Kris Hill considers fairy tales and once upon a time. Manuela Williams: what is the poetry of witness? Then, Daria White proposes an alternative to traditional time management for writers. Abigail Cutter suggests five ways to get inside your historical characters’ heads. DIY MFA
This fight changed everything … Jill Bearup
Angela Ackerman: does conflict really belong on every page? Jami Gold
Tiffany Yates Martin explains how to write a query letter (without losing your mind). Fox Print Editorial
Kristen Lamb examines the priority parallax: what’s truly important?
Chris Winkle lists ten reasons your characters might stop communicating. Then, Oren Ashkenazi analyzes five stories with well-written families. Mythcreants
How to write your first novel. Reedsy
Chris Martin discusses poetry, autism, and the joy of working with neurodiverse writers. Literary Hub
Peter Kafka: the newsletter boom is over. What’s next? Vox
S.L. Huang investigates the ghost of workshops past: how communism, conservatism, and the Cold War still mold our paths to SFF writing. Outstanding essay! Tor.com
Thank you for spending some time with me. I hope you found something to support your current work in progress.
Until Thursday, keep staying safe and well!
Always Looking Up 