I’ve never understood why it’s become common practice to write the author bio in the 3rd person. John R. Cameron lives in Sudbury, Ontario. If you’re taking the time to read my bio, isn’t it because you’re essentially interviewing me for a chance to be a part of your life for a short while?
Hi. I’m John.
I have a wife and a kid. They often drive me to the brink of madness; not a difficult thing to do, considering how close to the edge I already am. My daughter is a hellion. At the age of six, she’s both bright and bold, obstinate, and pushes every button I have. My wife blames my genetics: “I was never like that,” she claims. I deny it, despite knowing that I was also an uncontrollable child.
I’m thirty, and a teacher. I’m very worried about the current state of education. I’m concerned about the future, in general. I don’t think we all necessarily need to be alarmists, though I do believe that if you look at the world around you and aren’t a little worried, you and I probably aren’t going to agree on much. (Don’t worry, I’ll pretend not to look while you navigate elsewhere. There’s plenty of other entertainment online. Crushing Candy, and so forth…)
WG: When did writing first come into your life (or vice versa)? Give us the origin story of John Cameron, Superhero Writer.
JRC: I’ve been an avid reader my entire life. I was one of those people who sat around saying, “I’m going to write a book one day,” but just never got around to it. I can’t claim that I couldn’t have found the time. I’d be lying if I did. I’ve pissed away a solid three decades of my life. Over the past few years, it’s like the thoughts running through my mind have turned into a constant third person narrative. We’ll call it the ‘itch’, I suppose. I realized the day was coming when I’d open a Word file, and start typing. I just didn’t know when that day would come, or what I’d be writing about. Until this past winter, I’d never made any attempt at a serious literary endeavour.
WG: What was the idea that became The Second Lives of Honest Men and how did it occur to you?
JRC: In December of 2011, I walked away from a terrible car crash. This was only because of blind luck, or fate, or whatever you’d like to call it. I slammed into a guard rail doing 100 kilometres an hour, backwards. I was pushing it – trying to get home on the first snowy day of winter, before the roads got worse. I rounded a bend, and low and behold, that stretch of road was worse. I fishtailed back and forth over the slush, trying to correct my course. It was a hopeless effort, and I quickly lost control. I clutched the steering wheel and braced myself against the seat, preparing for the inevitable. I blew out seven posts of the short, twenty post rail, coming to a dead stop in the middle of the highway. It was the only guard rail on that side of the kilometre long stretch.
I could have hit one of the many rock cuts, or been flung into the deep, stony valley between the East and Westbound lanes. Instead, I momentarily laughed off my good fortune while I waited for a tow truck. I even went bowling that night. When you walk away from an accident like that, the implications of ‘what if?’ begin encroaching on your soul. The harder you try not to think about it, the more the darkness grips you. I eventually came to terms with what mortality really is, and what it really means. I spent the better part of 2012 in a deep apathy, as I began seeing a lot of things in an entirely new light. I questioned how I’d been interpreting the world around me, and what my role was in it. In October of 2012, I was watching television with a good friend while we discussed the problems of society; how the moral compass seemed to be broken. An advertisement for Spielberg’s Lincoln came on during a commercial break. I made an off-hand remark, something to the effect of, “Maybe that’s what we need – Honest Abe to travel through time, and come fix things.” The idea was one I simply couldn’t shake. A premise, characters, and a rough plot formed in my head over the next few weeks. When I had enough pieces of the puzzle, I opened up the Word file and set to work.
WG: How long has it taken to take The Second Lives of Honest Men from idea to finished manuscript? Can you give us some idea of your drafting or revision process in your response?
JRC: My first draft took me seven weeks, working on it 8-10 hours a day, often more. I think the word is ‘obsessed.’ Once I felt that it was reasonably polished, I printed ten copies, and brought it to my first group of beta-readers. A month later, I met with each of the readers, gathering honest, critical feedback. After this process, I had a pretty good feel for what the book was lacking, and had some ideas how to improve it. I made several major changes to a couple of characters, altered some aspects of the plot, and narrative… It was a fairly extensive edit, that added about 6,000 words to the manuscript. I brought the second draft to a Philosophy professor and a History professor, both of whom were very encouraging, and willing to offer more great feedback. The third draft was a less exhausting revision than my second one was, and it saw its way to several more professors (three English professors and another History professor), and to many other people in my life. Again, all the feedback was extremely positive, and the additional advice was also great. One of the English professors convinced me to do two things: Write a fourth draft to fix a few lingering problems, and hire a professional editor. I’d hoped to avoid the latter. He made the case that no matter how good the book was, ‘Even Stephen King has an editor.’ That’s a rather humbling statement if ever there was one. So, I wrote the fourth draft, and had it professionally edited.
WG: When you mentioned your genre to me, you admitted that it sounded convoluted.
Writerly Goodness challenge time!
Imagine I am a high-powered literary agent, like Kristin Nelson, Janet Reid, or Donald Maass. If I told you I could negotiate you a six-figure advance if you could nail down your genre, what would you say?
JRC: I always try to explain it like this: If you asked George Orwell what genre 1984 fell into, I seriously doubt the answer he would have given is “Science Fiction.” (Or, like me, he simply cringed whenever he was asked the question.) That’s the genre we typically associate with his novel, however; that is, the genre that our culture has branded it with through the passing of time. My book (should anyone ever care enough to define it) will undoubtedly be classified as science fiction. Like 1984, it’s set in an urban dystopia. I tried to use only as much science fiction as necessary to carry the plot, and have been relentless in making that aspect of the book accessible to readers of all genres. Personally? I think of The Second Lives of Honest Men as a character driven, philosophical odyssey that touches on technology, truth, freedom, hope, and redemption.
*Sigh.* I’m not getting that advance, am I?
WG: All kidding aside, you’ve opted for self-publishing over a traditional publishing deal. Why have you chosen that route?
JRC: Several reasons. I feel that my book is very relevant to today’s world, and the problems which we’re facing as a society. I’ve seen so many authors who try to go the traditional route, and they often end up disappointed, jaded with the system, and their hard work sits on a shelf (or in a file) for years. Eventually, they simply give up on it, the moment of ‘now’ having passed them by. I can only imagine how many great books have been written by authors who never saw their work get published. I don’t want to be one of them.
Over the past five years, the traditional publishing model has been flipped upside down. E-book sales represent about 30% of the market, a number that’s sure to climb as people continue to shun paper, using digital formats instead. The big traditional publishers won’t look at newcomers, and the small ones often don’t have the push to establish a new author. Big or small, traditional publishers expect authors to do most of their own promoting, then thank you for your hard work by taking the lion’s share of the profit. I don’t blame them for the business model: Most books don’t do well, and they ride out the losers by standing on the backs of their best authors. By self publishing a well crafted e-book at a modest price on all the major e-sellers, and having Print on Demand paperbacks available through Amazon, I can access a world-wide market. There are many successful authors using this business platform, bypassing traditional publishing routes to put food on their tables. Being able to take care of my family while I do what I love – I think that’s the dream of every author, no?
WG: What’s next for you and The Second Lives of Honest Men?
JRC: I’ve heard people say something to the effect of, “Writing the book is easy. The hard part comes after.” Let me tell you something: Writing the book wasn’t easy. My first draft may have only taken two months to complete, but they were also two of the most emotionally draining months I’ve ever been through. Still, the parable isn’t wrong in the sense that the harder part does come after. The editing process required a vast amount of work. The biggest obstacle was learning to put my faith in other people’s opinions. I only gave the book to people that I trusted to tell me the things I didn’t want to hear. And they did. It was always painful, as I listened to their advice over a hot drink (or a cold beer.) I’d scowl, counter-argue, and on some points I’d simply hold my tongue. After a number of days, (or weeks), a smattering of what they’d said would start sinking in. I’d be haunted by their voices as I tried, in vain, to sleep. I worked hard on the manuscript, mollifying the voices one by one, and repeating this process through each new draft (and each new round of well meant criticism), until I could finally rest. I passed the manuscript off to my editor the next day, and sent her a cheque. I struggled with the decision of what to write in the memo field. I finally settled on, ‘In Editor We Trust.’
Navigating the world of self-publishing has been an ordeal of its own. The Internet brings you a lot of information, but almost all of it conflicts. I made mistakes along the way – none fatal, but some costly. The good thing is that while I was waiting for my different rounds of beta readers to give me feedback, it left me plenty of time to prepare the other aspects of the book that a publisher normally takes care of: conceptualizing the cover, finding an artist, an editor, the best places to list the e-book, to promote the e-book, hiring (and working with) a website designer, finding a company to convert the book into slick, multi device / multi client formatted .epub, .mobi , and Print on Demand files…
Anyway, long story short… It’s finally all come together. The book is now for sale on all major e-sellers, and available in paperback through Amazon.
The website is up, and I’ll be using it as a platform to coordinate my Facebook, Goodreads, and Twitter accounts. You can visit at www.johnrcameron.com , www.thesecondlivesofhonestmen.com , or www.embracetheirony.com. (All three domains lead to the same website.) I have a well crafted, fun short story that I’ve made available on the website for free: Moonshine Perfume. I’ll also be writing short essays (I think they call them blogs, now) to accompany any more short stories that I find the time to write.
I’ll have a table at the Paranormal Show in Sudbury, Ontario, on November 30th, where I’ll be premiering the book and signing copies. The Paranormal Show itself is “a spectacular assortment of Supernatural feats that will make you question everything you thought you understood about REALITY.” – For more info, check out the Facebook page, https://www.facebook.com/events/590105517693380/
Come for the stage show, stay to check out the great work of local artists and authors.
I’ll be having signings at some of the more traditional outlets early in the new year: dates to be announced.
You can also find me on Goodreads, https://www.goodreads.com/author/show/664867.John_R_Cameron , on Facebook, https://www.facebook.com/embracetheirony , and on Twitter, https://twitter.com/EmbraceTheIrony .
Thanks for a great interview, John, and all the best with your future authorial adventures!