Nobel Prize for Literature

Tipsday: Informal writerly learnings, Oct 2-8, 2022

/ Melanie Marttila

Fall is in the (very chilly) air! Hope all my Canadian friends had marvelous Thanksgiving weekends, but now, it’s back to the grind. Hello, Tuesday-that-feels-like-a-Monday. It’s time to reward yourself with some informal writerly learnings 🙂

K.M. Weiland explains (very briefly) how to pull off a plot twist. Helping Writers Become Authors

Karen DeBonis recommends you celebrate every writing milestone. Lisa Norman: welcome to the future, part 2. Stefan Emunds shares three principles to make your story experience as real-to-life as possible. Writers in the Storm

Tikbálang, the Filipino nightmare shapeshifter. Monstrum | PBS Storied

Elizabeth Spann Craig shares five tips to make your life easier as a writer.

Greer Macallister: knowing your no. Donald Maass returns with more novels that shouldn’t work but do, and why. Then, Sarah Callender is stealing style, structure, and subject from other writers: imitation and emulation. Susan DeFreitas: I’ll feel what she’s feeling.  Yuvi Zalkow is rewriting the bookstore event. Writer Unboxed

Jill Bearup gets creative: the fantasy heroine vs. the writer.

Joe Ponepinto is writing small for a bigger impact. Then, Allison K. Williams says motivation doesn’t finish books. Allison also starts her “Ask an Editor” series answering this question: when should writers stand their ground rather than defer to an editor? Jane Friedman

Tim Hickson fixes the final season of Legend of Korra. Hello, Future Me

E.J. Wenstrom helps you overcome the book promotion scaries. Then, Sara Farmer presents her favourite Jane Austen mysteries. Lori Walker interviews Carol Van Den Hende about finding inspiration and writing purpose-driven fiction. Then, Mason Engel reveals the secret to maintaining the motivation—and discipline—to write: writeforce. Rita Zoey Chin shares five tips for writing dynamic characters. DIY MFA

How to brainstorm effectively. Reedsy

Janice Hardy explains why “the worst that can happen” is terrible writing advice. Fiction University

Becca Puglisi says themes and symbols go together like peas and carrots. Writers Helping Writers

Tiffany Yates Martin discovers how Emi Nietfeld revises: writing and real life. Fox Print Editorial

How to structure a short story. Shaelin Writes

Chris Winkle explains when to kill a hero—or not. Then, Oren Ashkenazi hosts another three-way ANTS death match between Three Parts Dead, House of Blood and Earth, and A Master of Djinn. Mythcreants

Emily Zarevich wonders if Mary Wollstonecraft’s Letters Written During a Short Residence in Sweden, Norway, and Denmark was the original Eat, Pray, Love. JSTOR Daily

Justyna Pawlak and Simon Johnson announce that the scrutiniser of self, France’s Annie Ernaux, beats long path to Nobel literature prize. Reuters

And that was tipsday. Thanks for spending some time with me, and I hope you found something to support your current work(s) in progress, whatever stage they’re at.

Until Thursday, keep staying safe and well, my writerly friends.

Tipsday: Informal writerly learnings, Oct 3-9, 2021

/ Melanie Marttila

A belated Happy Thanksgiving to my Canadian readers! It’s time to indulge in some informal writerly learnings. Enjoy!

K.M. Weiland presents the archetypal antagonists of the crone arc: death blight and tempter. Helping Writers Become Authors

Greer Macallister seeks success without self-promotion. Then Jeanne Kisacky is walking the line between insanity and perseverance. Donald Maass reveals the secret of passive protagonists: seeking vs. suffering. Nancy Johnson: the blessed curse of the second book. Then, David Corbett discusses the character in secret search of midnight. Writer Unboxed

Jill Bearup made armor. In a cave shed. From a box of scraps.

Karen DeBonis helps you navigate a story identity crisis. Then, Eldred Bird wonders, what (the heck) is a MacGuffin? Jenny Hansen: writing and the law of loss aversion. Writers in the Storm

Shaelin helps you edit your short story. Reedsy

Angela Ackerman says, if you want powerful conflict, you can’t forget the stakes. Elizabeth Spann Craig

Then, over on Jami Gold’s blog, Angela explains how to write conflict without “bad guys.”

Bethany Henry is making magic systems that work and wow. Fiction University

Why fat phobia is still a problem onscreen. The Take

E.J. Wenstrom presents book promotion graphics for newbies. Then, Sara Farmer looks at some modern girl detectives. Maan Gabriel shares hacks to combat writer’s block and develop discipline. Then, Jane Elizabeth Hughes offers five tips for writing a historical mystery. DIY MFA

Seth Harwood says, your writing matters; a coach can help. Jane Friedman

The Bond Girl, her secret, and her future. The Take

Chris Winkle explains how to keep mysteries from looking like mistakes. Then, Oren Ashkenazi analyzes five stories that break their worlds’ themes. Mythcreants

Lindsay Syhakhom: writing and the art of surrender. Nathan Bransford

Allison Flood celebrates Abdulrazak Gurnah’s 2021 Nobel Prize in literature win. The Guardian

Thanks for stopping by. I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Writerly Goodness found on the interwebz, Oct 4-10, 2020

/ Melanie Marttila

Now that we’ve entered month seven of the pandemic, we have to balance self-care with medical compliance. Be kind to yourself and nurture your creativity with some informal writerly learnings.

Black and Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter.

Wear your masks. Maintain physical distance. Get your flu shot as soon as you can. Sacrifice now (and really, it’s not that much of a sacrifice) will mean that fewer people have to contract covid-19 and fewer people have to die from it. Compliance is not a violation of your rights. It is respect for your fellow human beings.

Princess Weekes critiques Antebellum and movies about slavery in general. Melina Pendulum

Abigail K. Perry does another Story Grid scene analysis: Harry Potter and the Deathly Hollows. Erin Tyler shares five tips for writing about family dynamics. DIY MFA

Joanna Penn interviews K.M. Weiland about outlining your novel and filling the well. The Creative Penn

Over on Helping Writers Become Authors, K.M. points out the link between your story’s first and third plot points.

Jenna Moreci shares her top ten tips for killing off characters.

Janice Hardy shows you what makes a good beginning (if you’re struggling with yours). Then, she explains what makes a good middle (beware of getting stuck in the mud). Fiction University

Leslie Vedder shares three tips for cutting your word count (without giving your whole story the axe). Jane Friedman

If you’re not sure about NaNoWriMo, Shaelin looks at the pros and cons. Reedsy

Therese Walsh: the edge of now, and its gift for writers. Then, Donald Maass discusses timeless endings. Kathryn Craft lists five ways paragraphing supports story. Writer Unboxed

The girly girl trope, explained. The Take

Chris Winkle lists five signs your story is classist. Then, Oren Ashkenazi analyzes the Star Trek series finales, from worst to best. Mythcreants

Jill Bearup explains why a corset stopping a knife strike (ala Enola Holmes) is plausible.

Words with lost meanings (AKA that word you keep using. I don’t think is means what you think it means). Merriam-Webster

Petra Mayer: amidst global troubles, the MacArthur “Genius” Grant winners provoke and inspire, including N.K. Jemisin, Jacqueline Woodson, and Christina Rivera Garza. NPR

Emma Reynolds reports that the 2020 Nobel Prize for literature awarded to Louise Glück. CNN

Thank you for stopping by. I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends.