How my life sentence with mortal punctuation has informed my writing

A.K.A. The period at the end of this series 🙂

I’ll preface this bit by saying that I don’t think I’m unique among writers in this respect.  In fact, I think every writer works, at core, with and through the same issues.  This past week, I read (and shared) a great interview with Chuck Wendig in which he talks about (among much other awesome) the themes that crop up in his work.  Surprise, surprise, death and family rank prominently.

In this morning’s The Sunday Edition with Michael Enright, one of the Canadian greats (with whom I was privileged to work, even though he didn’t like my genre/subject matter) Alistair MacLeod, mentioned the same influences and themes.

Think of just about any author you’re reading or have enjoyed, and I think you’ll find death and family cropping up: Rowling’s Potter books were all about death and the search for family despite its omnipresence; Martin’s Song of Fire and Ice is about a number of families and he keeps on killing off prominent members 😉 (note here: in this context, what is politics, but family drama writ large on the world stage?); Collins’s Hunger Games = Death/Family; Gabaldon’s novels are a series of time travelling family sagas and death plays a prominent role.

I could go on, but I won’t.  Search your own shelves/ereaders to find your own examples.

What’s unique about me is my story, my life, and I hope that translates to my characters so that even though the theme may be familar, the way that it is expressed through my characters and stories is something just a little different.

Death

Death finds its way into a lot of my stories in different ways:

In my first published short story, “Chlorophyll and Corruption” (which is probably the prologue to a YA sci-fi), my protagonist first saves his brother from being pushed out of their atmospheric containment bubble, then must flee an impending supernova. “For a Change” (which I have subsequently rewritten as “The Gabriel” and may yet become a sci-fi novel) my protagonist’s reaction to a world of sterile Transmat immortals is to attempt suicide, repeatedly.

In “Fox Fur,” my protagonist is trying to deal with the death of her parents by means of various encounters with foxes.  “Dead Issue,” is about a young woman who makes a personal discovery at a family funeral.

“Tonsillitis Blues” from my 1999 MA Thesis, Whispers in the Dark, is an interpretation of my adult exploration of the near-death experience prompted by my tonsillectomy trauma.  The protagonist of “Fool’s Journey” (subsequently rewritten as “A Terrible Thing” and likely a YA paranormal novel), another story from the same collection, attempts suicide because she can’t deal with the visions of danger and death she’s been gifted with.

Even my poetry is liberally sprinkled with death.

Ferathainn, the protagonist of Initiate of Stone, experiences the deaths of her best friend,

English: Colored version of the ancient Mesopo...

English: Colored version of the ancient Mesopotamian eight-pointed star symbol of the goddess Ishtar (Inana/Inanna), representing the planet Venus as morning or evening star. (Version not enclosed within a surrounding circle) Polski: Kolorowa wersja symbolu ze staroĆŒytnej Mezopotamii, oƛmioramiennej gwiazdy Bogini Isztar (Inany/Inanny), reprezentujacej planetę Wenus jako poranną lub zachodnią gwiazdę. (Photo credit: Wikipedia)

fiancĂ©, and father, and subsequently dies herself attempting to exact revenge.  She undergoes an Inanna-inspired journey into the underworld to reclaim herself and her will to live.  Eoghan witnesses the execution of his brother for heresy and when the goddess Auraya calls him to become her champion, or Kas’Hadden (hammer of light), he experiences an assassination of personality at her hands.  Dairragh, deeply affected by the death of his mother years earlier, inadvertently triggers the destruction of his home and the death of his father.  He succumbs to his wounds and is resurrected and set on a shamanic path by the mysterious anogeni.

I won’t get into the protagonists of my other unpublished works, but death and its impact are recurring themes.

Death is the period of every life sentence and so it is a universal.  Few readers will fail to be engaged by various explorations of death and its impact on those left behind.  Thrillers and mysteries are built around it and are two of the most popular genres in publishing today.

Family

Likewise, everyone has a family.  Even the only child who has chosen not to have children of her own (like me) has parents and understands the pull of the complicated legacy handed down to them.

In my, admittedly small, family, women proved to be the peace-makers, sacrificial lambs, care-takers, bread-winners, and all around protagonists of the story.

My maternal grandfather was an alcoholic and a womanizer.  He and my grandmother were unable to have children and adopted my mother and aunt.  My grandmother worked in a textile mill during the depression and worked for most of her life until her first major heart-attack forced her into early retirement.

On my father’s side, my grandfather died at a relatively young age because of heart failure and my grandmother was an entrepreneur.  I still meet people in Sudbury who hear my name and ask if it was my grandmother who owned Marttila Sewing Centre.  Yup.  That was her.  She remained fiercely independent until stroke and cancer eventually took her life.

My father was always an ill man and though he was the bread winner for most of his life, it was my mother who held the family together, getting her high school diploma and driver’s licence in her forty’s and starting a new career as a ward clerk in the hospital when my father had his breakdown.  My mother was the one who cared for her parents and my father until their respective deaths.  Though she doesn’t have to, she still takes care of me.

It’s no wonder then, that my work focuses primarily on strong female characters.

Incidentally, here are a couple of posts I came across this week from Marcy Kennedy on strong and likeable female characters.

I had trouble for many years writing strong and likeable men because that was an archetype largely absent from my experience.  I found my way to that eventually, though, because of Phil, and because I learned to recognize the good qualities in the men in my life and expand those into heroic proportions.

Everyone is a mix.  My paternal grandmother may have been a business woman, but she was a poor fiscal manager, and tried too hard to curry favour with the well-to-do women of Sudbury (read sycophantic).  She first promised my mom inheritance of her business, then rescinded the offer and sold the business to a third party.  I think this was because she was too embarrassed to let my mom see what a shambles she’d made of things.

Though family dynamics run through all of my stories and novels, I’ll just present one example, from IoS, because it’s going to take a while to break down for you 😉

Ferathainn’s family in IoS is complex.  Her parents, Selene and Devlin, can’t have children and adopted Fer when she was abandoned by a bedraggled, but clearly noble, woman who refused to speak and ran away before she could be made to explain anything.

Devlin, feeling the need of a child of his blood, fathered Fer’s half-sister Aislinn, with Willow, a family friend and eleph (read elf).  Willow is misanthropic and makes her living as a brew-master and owner of the local public house.  She readily gave Aislinn into Selene and Devlin’s care.

Aislinn is obviously a half-breed, and largely reviled by the Tellurin (human) villagers of Hartsgrove as a freak. She is destined to become a bridge between the eleph and Tellurin peoples, however, by virtue of her heritage.

When Selene and Devlin adopted Fer, the resident eleph, Willow and her brothers Oak and Leaf, invited the new family and Aeldred, the local mage, to a Shir’Authe.  The Shir’Authe foretells the destiny of the child in eleph culture.  At the ceremony, none of the eleph can see anything about Fer’s future, but Leaf sees his spirit-lights, or astara, in the baby’s eyes (if you’re an Elf Quester, this is recognition, if you’re a Meyers fan, it’s imprinting).  This is bizarre enough, because only eleph are supposed to bond with one another in this way.

Selene, understandably, freaks out, but Leaf promises never to act on this deep spiritual attraction unless Fer somehow miraculously sees her astara in his eyes, or otherwise returns his feelings once she is gown.

Aeldred senses a wild and powerful magickal talent in the infant.  He fears that he will not be able to control the child and that she will become a rogue mage.  She has the potential to wreak havoc on their world and her talents will be much sought after, by moral and immoral authorities, both magickal and political.

In an attempt to minimize Fer’s potentially negative impact, he merely tells the others that she has talent and that he will remain in Hartgrove to become her teacher.  He further tells them that Fer’s parents are powerful, but immoral, people and that they must protect the child in the event that either one, or both blood parents, come seeking her.

He gets everyone to agree to a magickal binding.  None of them will be able to speak of the circumstances of Fer’s birth or of her coming to Hartsgrove until the girl comes of age.  By then, Aeldred hopes that he will have thoroughly indoctrinated Fer in the disciplines of the Agrothe magicks and that he will therefore be able to control her chaotic potential and prevent her from doing harm.

In truth, Fer’s parents are Aline of Gryphonskeep and Halthyon, an eleph mage, or kaidin. Aline is descended from the de Corvus family and magick flows through the bloodline.  The original Kas’Hadden was a de Corvus, so the power of the gods has been passed down to Fer.  Aline is married to Killian of Gryphonskeep and mother to Dairragh (dun, dun, dun!).

Halthyon is one of those rogue magi that Aeldred worries about.  He has extended his lifespan far beyond the already lengthy eleph standard.  His goal is to accumulate magickal power (by draining it from others as he kills them) and to ascend to godhood (in the process of which he intends to kill the existing gods of Tellurin).

Halthyon is unable to extract the child’s location from Aline and subsequently kills her in the attempt.  He wants to find his child because he considers her the only person worthy of ascending with him.  In order to do that, Fer must become a god-killer as well.

Okaaaaaay.  So there, in a convoluted nutshell is the familial basis of the plot of not only

English: St. Etheldreda's Churchyard - Family ...

English: St. Etheldreda’s Churchyard – Family Plot with Snowdrops (Photo credit: Wikipedia)

IoS, but the ensuing novels in the series, which I have called Ascension.  You can see why I identify the book in the epic fantasy genre 😀

Family is an endlessly intriguing Gordian knot to unravel and I think you can see where I have mined my tapestry to create Fer’s.

It’s all variations on two essential themes.

How have your life experiences contributed to your creative work?  Do death and family inform your stories?  Do you have a family-plot?

I’d love to hear from you!

Here ends the series that was A life sentence with mortal punctuation.  I hope you have enjoyed it, and found it to be useful in your creative pursuits.

Coming soon: I’ll have a book review for Laura Howard’s The Forgotten Ones, and hopefully a couple of author interviews to throw your way.  I’ll definitely share my experience in Margie Lawson’s  A deep editing guide to making your openings pop course, and in Marcy Kennedy’s Crafting your logline and pitch workshop next weekend.  There might even be some Pupdates and Next Chapters in there.

A life sentence with mortal punctuation: part 5

Last week: A second routine surgery turns complicated and results in my second near-death experience.

The hits don’t stop coming

1987 was a massive year for me, not only because of my appendix problems, but also due to several other events, both related and unrelated to that trauma.

I mentioned some of the related bits last week: the implosion of my first serious relationship, academic struggles, and the revelations of the second surgery.

My first serious relationship yielded to my second in a few short months.  By the time of the second surgery, I was firmly entrenched in coupledom again.  At that point, I really didn’t know how to function socially without a partner.  I was still so awkward on my own, still doubted my own value so much that it seemed the only option.

The man in question was attracted to wounded women.  This is not to disparage him in any way, because he was an excellent person, but I still have trouble seeing my virtues and can’t figure out why else he decided to enter into a relationship with me.  This is just a statement of fact, something he revealed to me later himself.

With regard to my academic difficulties, I missed a lot of school and because I tended to fall asleep toward the end of the day, I was doing poorly even in the courses I was there for.  In an attempt to catch up, I wanted to enrol in a correspondence course in history to offset my poor performance in other classes.  My mom and I met with a counsellor to discuss my options.

I was told, point blank, “You’re not smart enough to complete a correspondence course successfully.”  The counsellor in question was clearly looking at my recent marks, not on the A’s and B’s of previous years’ courses.  When I tried to press the issue, she said that I didn’t have the time and dedication to complete a correspondence course.

“You’re recovering from surgery and still pretty sick.  You’re heading for a second one in a few months.  You have enough to worry about without a correspondence course.”  Essentially, she thought I was too lazy to complete the course.  This was not the case, but I couldn’t convince her otherwise, so I left the session empty-handed.

Other events were converging to form a perfect emotional storm.

English: Tropical Depression One upon being de...

English: Tropical Depression One upon being declared (Photo credit: Wikipedia)

In the winter, my paternal grandmother had a stroke while driving home from visiting my aunt and uncle down south.  Her car shot through an intersection just after entering Sudbury and ended up on an embankment.  Fortunately, no one else was injured, but the car was totalled.  She was admitted to hospital, but as the days and weeks progressed, she did not wake up.

At first, they thought the stroke had caused more damage than they originally determined.  Further scans revealed that this was not the case.  As time went on and her coma continued, they needed to insert a feeding tube to keep her alive.  She could not continue to survive on intravenous alone.

They couldn’t insert the feeding tube.  Something was in the way.  A quick exploratory revealed that her abdomen was full of cancer.

We couldn’t imagine the kind of pain she must have been in during her long months of silence leading up to the stroke.  My grandmother was an intensely private and fiercely independent woman.

Due to my own health issues, I was not encouraged to visit my grandmother much.  Then, when my state of infection became clear, I was discouraged from seeing her at all.  Finally, I was brought up to say my goodbyes.  Without the intervention of a feeding tube, my grandmother would slowly starve, if the growing cancer didn’t get to her first.

The decision was made to remove all supportive measures and let nature take its course.

Family came up to visit and either stayed or returned for the funeral.  It was about that time that I started to cry for no reason.  I couldn’t cry when it seemed appropriate: when saying my goodbyes and at the funeral, but at odd times, I’d just sob uncontrollably or stare off into nothing.

I had no idea what depression was then and even though my boyfriend tried to tell me, I was closed to the message.

My friendship with Margaret suffered as well.  My first boyfriend was very jealous of my time and rarely let me do anything on my own.  He was everywhere and became sulky when I wanted a “girl’s night” or to do anything with Margaret that didn’t involve him.

My quick turnaround into my second relationship didn’t help matters.  This time I was the needy one and relied on my boyfriend, the picture of the strong, silent archetype, almost exclusively.  Margaret found a relationship of her own to fill the gap.  She needed someone she could rely on too.

Margaret’s mother was getting remarried and would be moving to Mississauga at the beginning of the summer.  Margaret was allowed to stay on with me for the summer, in my grandmother’s house until she joined her mother in Mississauga and I went away to the University of Guelph in the fall.

My parents had settled my grandmother’s estate in the spring and my father had to buy out his brothers of their shares.  My grandmother hadn’t left a proper will and a lawyer was hired to sort through the mess.  They would be moving into my grandmother’s house in September after I relocated to Guelph and renting out their house to pay off the second mortgage they had to take out to make the proper financial arrangements.

My grandmother’s house, though large, only had one bedroom.  My move down south would be a permanent one.  There was no place for me at home anymore.

Throughout this time, I didn’t write, or even think about writing.  There wasn’t any room for it in my life and I was too busy trying to fast-track through highschool and try to maintain some form of a healthy relationship with anyone to spare any time for my creativity.

In a relatively short period of time, I had a serious infection bookended by two surgeries, ended my first major relationship and entered my second, lost my grandmother, my home, and my best friend.  This was the beginning of a situational depression that it would take me years to recognize and sort through.

Next week: Fumbling toward stability.

A life sentence with mortal punctuation: part 3

Last week: A near-death experience thanks to a narsty case of tonsillitis and some ripped stitches.

And now …

Friend wars

I had some friends before school, through Sunday School and swimming lessons, but they lived farther away from me than my mom would let me walk on my own, so I never got to see them outside certain structured activities.

There were also the children of my parents’ friends, but they moved away before I could develop much of an attachment, or hold any memories of them.  For a brief time, the family across the street had children my age, but they too, soon moved away.  Kindergarten was a bit of a blur, but I do remember some of the children I met there: Ronnie-Moe, whose Dad was a fireman, Mytie (I think that was how she spelled it), Paul, and a few others, but these were classmates, not friends per se.

For the most part, I was a happy child.  I was socially inept though.  Not really good at making friends or keeping them.  I compensated for this by being a little different.  I lived in my head a lot.  My teachers called it daydreaming and distraction.

I was also a giggle-puss.  I laughed at the drop of a hat, not only when I found something funny, but also when anything embarrassed me, frightened me, or made me angry.  Laughter was my catch-all reaction, because if other kids thought I was making some kind of joke, usually at my own expense and not theirs, they wouldn’t hate me outright.  They all thought I was weird though, and that didn’t earn me any friends.

My worst childhood crime was being a story-teller (read liar).  For show and tell, I’d make things up.  There was one particularly embarrassing stretch where I was really into cats and desperately wished I could have one.  I couldn’t though, so I made up stray cats that I’d take in and care of for a few days before they ran away.

Often, I wish this inclination had been harnessed earlier, that some kind teacher would have recognized in me the storyteller (not the story-teller, teller of tales, or liar) and helped me turn it in a different direction, but that didn’t happen until grade three.

Sir Ken Robinson

Sir Ken Robinson (Photo credit: eschipul)

I was just a creative kid with insufficient outlet within class to exercise my (even then) considerable abilities.  Last year, I discovered Sir Ken Robinson’s incredible TED Talk, “Do Schools Kill Creativity?”  It validated much of what I’d already figured out on my own.

So I was happy.  But lonely.

Then a young mother with twins (fraternal-brother and sister) my age moved into the apartment up the road from me.  When she saw that I walked to school, she asked my mom if we could all walk to school together.  So the girl, let’s call her Diana, became my first “friend.”

Soon, another young pedestrian joined our little gaggle.  She lived a few blocks further on, but we were all heading in the same direction, so I figured it was fine for her to join us.  Let’s call her Mary.  Diana got territorial, though.  I was her friend first.

Mary was small and thin.  I’m not sure why, but nobody much liked her in grade one.  I was her friend though, and when Diana started acting up, it became problematic.  Diana got physical and she had a temper.  She’d scream and push and punch.

Her behaviour toward Mary bothered me, and at one recess, as Diana was wailing away at me, rather ineffectually, after having pushed Mary down, I had enough.  I grabbed her arms and pinned her against the wall of the school so she couldn’t punch anymore.

I like to think I said something clever like “You don’t own me,” or “I don’t belong to you,” but I probably squeaked out a lame “I’m not your friend,” or just “stop it.”

Diana was in tears, frustrated that she couldn’t bully her way out of the situation.  I wasn’t small, or weak.  I think a teacher intervened, but the outcome was that Diana wasn’t my friend anymore.  She stopped walking to school with me, but Mary was now my BFF.  I’d defended her.  We became inseparable.

Mary was pretty much my only friend through grades one and two.  We’d walk to and from school every day.  Mary came over to play and we went to each other’s birthday parties.

I defended her again one winter from the attentions of a boy.  Of course, I had no clue that his shoving her around and making her cry meant that he liked her.  I just saw him as another bully, so I got into my first fist fight.  He clocked me good on the jaw, but I got my own licks in.  He didn’t bother Mary in front of me again, though.

Mary continued to be a small, thin child, and so to exert her power, she got devious.  She’d argue with me over nothing, routinely “breaking up” with me and then making up the next day as a means of keeping “drama” in our friendship.  When she came over to play at marbles, she decided to make things interesting, no longer content with claiming pretty marbles, by having each of us put up toys as a wager.  She liked to bend the rules in her favour too.  I was content to let her win when the stakes weren’t high but that stopped once I started losing toys.

First, I stopped playing marbles with her, then eventually, I stopped having her over to play altogether.  Mary’s friendship was exhausting.

In grade three, another single mother moved into the apartment up the street.  She had a daughter named Margaret.  No pseudonyms here.  Margaret’s still my BFF though she lives several hours away and most of our conversations are held over FB chat or by email.

While Margaret lived up the street, there was another girl who was interested in putting on talent shows and the like.  There were implications of bullying there too, but nothing that I witnessed.  Also, the other girl was much larger than I and I wouldn’t have been able to do anything about it, but things blew over before long.

Margaret’s Mom moved into a duplex, but it was still within walking distance.  Margaret was fun and funny.  We went to movies together, at first with parents in tow.  She had budgies and a hamster.  Margaret was also a big reader, something I hadn’t latched onto yet.

Mary got a little jealous at that point, but because I was already in the process of separating myself from her, the drama wasn’t as bad as it could have been.

In grade three, my parents got me my first pet, a dog I named Friskey because of her behaviour.  The dog book said to name your puppy according to what it did.  I did what the book said 🙂  I was so excited about my new pet, that I wrote a one-page report about her.  It wasn’t required for class, but when my teacher learned that I’d done it, she encouraged me to read it aloud.

That was the year I started reading and writing.

It was also the first year that cliques developed in the class.  Margaret was popular.  Me, not so much.  I was a tag-along at best.

Grade four was worse.  Years later, when I saw the movie “Heathers,” I could so relate.

Cover of "Heathers - 20th High School Reu...

Cover via Amazon

The Heathers of our school had other names, but they were no less manipulative or cruel, even though they were in elementary school.  I got into trouble a lot that year because of the drama between the cliques.  I think that was the summer I was grounded from seeing Margaret.

I also wrote a play for the Christmas pageant that year.  That didn’t help my popularity either.

Being alone wasn’t a problem for me.  I enjoyed being alone.  Envy was an issue, though.  Without thinking about why, I wanted to be in a clique.  I wanted to be popular.  Failing that, I wanted Margaret to be my friend to the exclusion of others.  When my desires were thwarted, I started to take my frustration out on Margaret, as Diana had on me.  Though it was to a much lesser degree (not that it excuses anything), I’d become the bully I’d previously defended others against.

In grade five, I was the first girl to hit puberty, or at least that’s the way it felt.  My growing breasts became a topic of discussion and ridicule in the change room as were my hairy legs.

The traits I exhibited in grade one had developed and changed over the years.  I now cultivated an air of “weirdo.”  To combat the change room taunting, I tried to claim my glorious boobage, a difficult thing to do when I felt that it was one of the things that made me a freak in the eyes of others.  It only served to cement my strange reputation.

Since grade three, I’d been writing little stories and I kept them in exercise books.  I had wild dreams and shared them with Margaret at recess.  I was a terrible storyteller, though, all rambling and out of order.  I know there were days when Margaret just wanted me to shut up or to get to the point, but I only realized the relative quality of my verbal diarrhoea after the fact.  Sorry Margaret.

When grade six arrived, the friend wars had settled down to a large extent, but there were still a few hard feelings that had to be resolved.

Mary, who’d still been in my life, but to a much lesser extent, made overtures to “bury the hatchet” between us.  She behaved like a real friend for the first time in years and when, after a short while, she asked to see my notebook of stories, I lent it to her.

She used most of a bottle of White-Out on it to obliterate my words.

After that, with the exception of Margaret, I was almost happy to be otherwise friendless.  New cliques formed, included Margaret, and I was again a hanger-on, just so I could remain in Margaret’s circle.  We were still BFFs, but we were also growing up, and apart.

The other members of the clique didn’t like me, and no wonder.  My laugh had become a hyena’s, and I routinely introduced myself in the following manner: Hi, I’m Mel.  I’m weird.  Just to get that out of the way.

I didn’t want any more friends.  Except for Margaret, I’d learned that friends just wanted to prove that they were better than you, to hurt you, and take you down in some way.  It wasn’t a problem with Margaret because she was always the better person in our friendship.  At least I stopped hitting her.  Sorry again, my friend.

Though I stopped sharing my stories even with Margaret, my creativity continued to be an albatross.  This might have been the skewed way I saw things in those days, but it felt true.

Following the friend wars, my self-confidence was shot.  Even in grade three, an off-hand comment could reduce me to tears.  I fled from conflict.  What happened to the girl who held Diana flailing arms and told her to stop?  I couldn’t stand up for anyone anymore, least of all myself.

These were the seeds sown that in later years would take root as depression.

If you haven’t yet, watch Shane Koyczan’s excellent “To this Day.”

Visit The Bully Project.  Watch the movie.

And last week, I saw an awesome documentary on Global’s Currents.  It’s from 2007, but it’s still relevant.  Erin Thomson’s The Bully’s Mark.

Did you have friend wars in the past?  Were you in a clique, or a hanger-on?  Were you a victim of bullying, or a bully?  Both?  How did it shape the person you would become?  How did it affect your creative development?  What lessons did you take away from the experience?  This is an important issue.  Please share if you feel you can.

Next week: Tummy troubles: Appendicitis and my second brush with death.

A life sentence with mortal punctuation: part 2

Last week: An early encounter with death.

The year I had my tonsils out

Tonsillitis is hell.  The true infection, the one that leaves your four-year-old self screaming, the monster pain in your ears reaching back into your brain, your throat, latching on with needle-like claws, and shredding.

I remember that.

I remember trying to lie still on my side on the couch while Mom administered oil-based ear medication into my ears, one after the other.  This would hopefully happen before the screaming started, was intended to pre-empt it.   I’d squirm and whine while the medication slowly dripped into my ears, swallowed doses of liquid antibiotics and Tempra (a liquid painkiller for children).

I remember once heading out in the car with my parents and maternal grandparents.  I’m not sure whether it was just for a picnic, or if it was a day trip to a camp site, but it was a ways out of town.  Mom hadn’t thought to bring my medication and just to spite her, my tonsillitis decided to act up.  Big time.

Mom and Nanny (I had to have a different name for this other older lady who wasn’t the same as Grandma, my paternal grandmother) tried to calm me down in the back seat, but I was howling by the time we reached our destination and we couldn’t stay.  I had to be returned home and dosed.

It quickly became apparent that surgery was in order.  Though this was the time during which doctors tried not to perform tonsillectomies, my situation was serious enough that everyone felt there was no other choice.

I don’t remember anything about the surgery itself.  I believe it went off without a hitch.  After the operation, all seemed well, and I returned home enjoying ice cream, popsicles, and TLC.

In the middle of the night, I woke, coughing, had trouble breathing, the air moving in and out of me with a rattling slurp, the sound of milk bubbling through a straw.  The next cough shot a black spatter onto my pyjamas and sheets.  I couldn’t summon the breath to call for my mom right away, my first attempt emerged a thready burble.

Each stuttering breath and cough produced a little more noise, until I was shouting, “Mom!”

The light switch flicked on, momentarily blinding me, but one look at the blood and I yelled again, despite the jagged burning in my throat, tried to crawl back from it, but it followed.  I was covered in blood.

My stitches had burst.

A frantic ride to the hospital and the doctor ordered me back into surgery and my parents were ordered out of the examination room, the male nurse assuring them that he could handle getting the intravenous inserted.

He sent Mom away.  It was abandonment, pure and simple.  A four-year old doesn’t distinguish between her parents leaving her and her parents being forced to leave her.

Worse, the nurse tried to stab me.  I showed him.

Mom and Dad were brought back in, allowed to hold my hand, held my legs down, while the newly bandaged nurse taped my arm to a block of wood and did his worst.  In the moment, I hated my parents for that, for letting the nurse hurt me.

I didn’t die, but I came close.

I don’t remember any of the iconic images typical of near-death experiences (NDEs).  No long tunnels.  No doorways of brilliant light.  No voices of lost loved ones calling to me.  No angels; no voice of God.

The road back from that second surgery was a long one.  I’d ingested so much blood, I became incontinent in the most embarrassing way, my family doctor plucked clots of blood out of my ears, and nothing, not even ice cream, tasted good for weeks.  More courses of liquid antibiotics followed, which stained my teeth indelibly and made me self-conscious for years.

I have a picture of myself right after the surgery, pale, skinny.  It was Christmas, but I couldn’t smile.

Mellie after the operation

Mellie after the operation

What’s stayed with me the most was the dream.

My first night home after the second surgery, I dreamed of my bed, empty.  The cheery yellow and white striped flannel sheets, the blue wool blanket turned down, the dark wood frame with the toy cupboard built in.  Just the bed in a kind of spot light, the rest of the room dark.  The image of the bed receded into the darkness and finally disappeared.

The feeling that I woke up with was that I had died, not that I really understood what that meant, but that I had ceased to exist and that the world I woke up in was a new one.  I had a new life, too.  A second chance.

Now, I’d say that I dreamed of one of those moments at which the infinite iterations of parallel universes converge.  I turned left.  The sensation was profound.

I started to have nightmares about falling, or being abandoned, that troubled me for years,

Deutsch: Engel holt die Seele eines Sterbenden

Deutsch: Engel holt die Seele eines Sterbenden (Photo credit: Wikipedia)

and am firmly convinced that I had spontaneous out-of-body experiences (OBEs) at night.  During the latter, I felt like a helium balloon in a wind storm, flung, sometimes painfully, to the furthest reaches of my tether but always yanked back.  The ‘string’ was attached to my navel.

Try an experiment for me.  Poke your finger into your belly-button.  Press in hard and wriggle it around.  That will give you some idea what having a string attached to it and being hauled around by it feels like.

I’ve heard that the navel is supposed to be an erogenous zone (thanks for that one, Dr. Oz).  Sadly, I’ve never found that to be true.  It’s always been a slightly disturbing feeling for me.  I figure that’s just me.  My wiring isn’t quite what other people might feel is normal.  I’m cool with that.

I’ve written a short story about this experience for my thesis called “Tonsillitis Blues.”  I’ve written short fiction and poetry about it.

This experience is still in me and claws its way out from time to time, like it has today.

Next week, I’ll be delving into the period of my life that I refer to as ‘friend wars.’  These were my first experiences of bullying.  I think I did pretty well, even though I had no idea what it was I was dealing with.  This was also the period when I developed my first defenses against bullying, several of which resulted in my further isolation, and one of which meant that I became a bully myself.

I see the ‘friend war’ years as the time when my predisposition to depression was first anchored in my psyche.  It destroyed my self-confidence.

Have any of you had a non-traditional near-death experience?  A youthful trauma that resulted in years of nightmares?  How about out-of-body experiences?  When were you able to understand what happened to you and how it affected you?  What creativity has emerged from these experiences?

I’ll be posting my interview with Brian Braden shortly.

Talk to you soon!

There’s something you should know about me

Photographic illustration of a near-death-expe...

Photographic illustration of a near-death-experience. (Photo credit: Wikipedia)

I’ve almost died … twice

Both times, I was under the knife for what should have been straightforward surgical procedures: a tonsillectomy and an appendectomy.  Both experiences changed me profoundly.  How?  I’ll share that with you in future posts.

I’m reopening the confessional category of my site, My history as a so-called writer, with a series that might strike you as a little morbid.  It’s about death and how it’s shaped my life.  Originally, this was to be a two-part guest post on Monique Liddle’s Bends in the Road, but since them it’s metamorphosed into something a little bigger, and I hope, better.

Yes, I’ve had a couple of near-death experiences, and my father and grandparents have all passed, leaving their marks on my heart and soul, but I’m not just talking about actual death here.  Mental illness and addiction, which I think of as two kinds of personality assassination, have also had their affects on me and my family.

If the ‘you-who-wants-to-live-in-this-world’ dies, even metaphorically, how can that be any better than actually dying?  It’s a question, I believe, that leads many to the depths of depression and suicide, which may seem like the logical conclusion of such ruminations.

I’m starting this series with Bell’s Let’s Talk initiative in mind as well as my impending bell-talkpersonal season of sorrow: my father’s birthday, the anniversary of his admission into the hospital for what proved to be his ultimate decline, the anniversary of his death and funeral, followed by Father’s Day.

I also thought this was a timely topic after listening to Michael Enright’s interview with Bob Ramsay last Sunday on CBC’s The Sunday Edition.  Bob died on the operating table, but didn’t have the typical near-death experience that most people report.  In fact he didn’t remember much of anything at all.  You can visit the link above, see some listener response, and listen to the podcast yourself.

Finally, I’m reading Gretchen Rubin’s The Happiness Project.  I picked it up on the recommendation of a friend and have been reading through it.  It’s a little slow going for me, since I’ve gone through some of what she writes about in my own way previously, and because I just can’t relate to some of the other experiences that she writes about.  I hope to share some of my  insights on happiness throughout this series as well.

On that note, this past week, I read Justine Musk’s blog post on the pursuit of happiness.  I think she has some valid points.

My encounters with death (physical and spiritual) have informed my development as a creative person and shaped the way that I respond to various negative events in my life.

What I’m hoping to accomplish

This isn’t supposed to be purely confessional or self-serving in any way.  I am a what-you-see-is-what-you-get (WYSIWYG) kind of gal, but to be honest, I expose myself as a means of defence.  If I share too much information (TMI), people tend to react in one of two ways:

  1. They never ask me a personal question again and generally leave me alone, or
  2. They understand I choose to share the deeply personal or embarrassing details of my life in an attempt to deepen my connection with the people who are important to me.

It’s a way of knowing who your friends are and of deepening your relationships with the people who mean most to you.

Doing this on my blog has been a bit of a mixed blessing.  I blogged most of my embarrassing, personal stuff early on in Writerly Goodness’s existence, thus ensuring that few people would actually look at it.  I wasn’t really risking much, but I also had no idea if this was the kind of subject material that would resonate with my readership.

I’ve mentioned a few times in various posts about how shy I am.  It would be very difficult for me to speak about these issues in a face-to-face kind of way without getting freaky and spastic.  This has happened, though.  It wasn’t pretty.

So now I’m pulling out the big guns again in an attempt to connect more with my friends on the interwebz and in the hope of sharing something of the themes and interests that inform my writing.  I’d like to start a conversation about these issues without getting self-indulgent because I think they are important to many creative people out there.

It’s an experiment of sorts and I’d love to hear from you.  What do you think about it?  Would it be of value to you?  Would you be willing to put yourself out there, along with me, on this crazy journey?

Let me know.  Please keep in mind that I moderate all comments and I have the dreaded day job.  If your comment doesn’t show up right away, it’s because I haven’t had a chance to review and respond yet.  Rest assured, I make every attempt to respond in a timely manner.  Your comments are important to me 🙂

Writerly Goodness, signing off.