Nancy Stohlman

Tipsday: Writerly Goodness found on the interwebz, March 14-20, 2021

/ Melanie Marttila

Spring has sprung, the grass is ris’, do you know where your informal writerly learnings is? Sorry. Old rhyme from childhood (if you substitute birdies for informal writerly learnings). I prolly should have left it there, eh?

Karen Abbott-Trimuel asks, are you happy? Vaughn Roycroft is waking from a dream. Then, Dave King shares another episode of the reality show. Stacey Allagood offers six writing lessons from an actual backyard gardener. Writer Unboxed

Does your book need a prologue? Reedsy

Janice Hardy shares four ways a strong point of view strengthens a novel. Later in the week, Bonnie Randall considers the intersection between cathartic writing and cathartic reading. Fiction University

What is a denouement and how do you write one? Reedsy

K.M. Weiland continues her archetypal character arcs series with part six: the crone arc. Helping Writers Become Authors

Self-care for writers. These are truly excellent. Shaelin Writes

Monya Baker offers six tips for writing in deep third person point of view. Then, Nancy Stohlman considers jealousy in the age of quarantine: the green-eyed monster. Jane Friedman

For St. Patrick’s Day, Emily Zarka looks at the leprechaun: from gold-loving cobbler to cultural icon Monstrum | PBS Storied

Julie Glover explains what happens when illness interrupts your writing. Writers in the Storm

Lucy V. Hay points out three things worth thinking about before you start your novel. Writers Helping Writers

WandaVision’s sitcom universe. The Take

Nathan Bransford recounts a year of covid.

Ambre Dawn Leffler recommends you sync your creative process with birdsong. Heather Campbell lists five ways writing a novel is like running a marathon. Then, Alexander Weinstein introduces us to 4th person perspective: the we without an I. DIY MFA

The origins of the e-girl. The Take

Chuck Wendig tackles the craft question, should writers write every day? Terribleminds

Chris Winkle helps you understand conflict and tension. Then, Oren Ashkenazi is (facetiously) taking the politics out of six popular stories. Mythcreants

El Jones’ poem, “Glass Hands,” is everything I want to say about the pandemic. CBC’s “The Current”

Sierra Garcia: how early sci-fi authors imagined climate change. JSTOR Daily

Thank you for taking the time to visit, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Writerly Goodness found on the interwebz, Oct 11-17, 2020

/ Melanie Marttila

Another week, another collection of informal writerly goodness.

Black and Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter.

Wear your masks. Maintain physical distance when you can’t. Wash your hands. Get your flu shot as soon as you can.

K. Tempest Bradford: World Fantasy, the convention that keeps on failing. The lack of diversity on panels and lack of a properly enforced anti-harassment policy have been ongoing for the better part of a decade and organizers are reluctant to admit there are problems, let alone take action on them.

Princess Weekes breaks down true womanhood and black girlhood in media. Melina Pendulum

Jeanette the Writer: yes, there are different types of English. Later in the week, Jeremy Hance explains how he decided to write a memoir about his hilarious mental illness. Then, Ambre Leffler offers five ways to be kind to your eyes. DIY MFA

K.M. Weiland explores the link between the first and second pinch points. Helping Writers Become Authors

Shaelin shares five fantasy tropes to avoid, be careful with, or embrace. Reedsy

Lori Freeland details the five key elements to layering your scene. Later in the week, Jenny Hansen lists the five fears that spook most writers. Writers in the Storm

Janice Hardy explains the difference between a first page that hooks and a novel that hooks. Fiction University

Jim Dempsey wants you to ground your characters with all five senses. Then, Barbara Linn Probst wonders, what is your story about, anyway? Word, phrase, sentence, equation. Later in the week, Anne Greenwood Brown explains how to communicate without words. Writer Unboxed

Alli Sinclair is asking the right questions with character interviews. Writers Helping Writers

Nancy Stohlman extols the benefits of writing flash fiction. Jane Friedman

Chris Winkle shares lessons from the exposition of Crescent City. Then, Oren Ashkenazi lists six signs your story is about the wrong character. Mythcreants

The setting of a story: what is it and how to write it. Reedsy

Thanks for stopping by. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!