The next chapter: October 2018 and #NaNoWriMo week 1 update

Sooo…. I didn’t have the time on Wednesday to prepare this post and schedule it. And then NaNoWriMo started. And then Wordstock Sudbury started.

Accordingly, this will be a very brief update and combined with m week 1 NaNoWriMo check in.

My main project for October was to complete the outline for Tamisashki and I’m happy to say that work was completed Wednesday night.

20181104_122110

Because the outline is written in a notebook, I didn’t count the words. Further, I did a more rambling, draft version for each plot line, so it’s over double the word count of the final product. I’m better prepared to finish NaNo this year, though, and better prepared to finish the draft in the months following.

OctProgress

I wrote 4,528 words on this blog, which is 162% of my 2,800-word goal, and I submitted my DIY MFA column on time at 1,079 words (it’s coming out Tuesday), or 108% of my 1,000-word goal.

While there were no writing-related events in October, Phil and I did attend the 50th birthday celebration for our friend, Mark Kuntsi.

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Timing is everything with NaNo and for the past three years, the Wordstock Sudbury Literary festival has been on the first weekend in November. I do support the event and I make the time to attend, but that means sacrificing NaNo time.

I also signed up for Mary Robinette Kowal’s No-prep NaNoWriMo workshop, which was on Monday night. Though I’ve outlined, I figured having additional tools at my disposal (because I always, ALWAYS diverge from the outline) would be good. I also dig Mary’s strategies. Though I’ve heard many of them before, the reinforcement is always useful.

After the workshop, she stayed online for a group writing session which I didn’t participate in. I’d managed to write 1,758 words already that day and felt good about that progress.

On Friday, I attended Sarah Selecky’s book club about her new novel, Radiant, Shimmering, Light. I’ve been subscribed to her newsletter for years and found the concept—the commodification of self-care and how it affects two women, cousins, who navigate the social media minefield—and bought the book (of course).

Then, I attended a session on telling a good story with Waubgeshik Rice and Lee Maracle, two indigenous writers, moderated by Will Morin.

20181103_133755

I wrote 1,290 words on Friday.

On Saturday, I attended Alternate Realities, a session with Brit Griffin and Elan Mastai, both authors of speculative fiction. the discussion was moderated by CBC‘s Morning North’s host, Marcus Schwabe.

I then personned the Sudbury Writers’ Guild table until 5 pm, helped Dave Wickenden pack up, and went to supper with my dear friend, Kim Fahner, who gifted me with this lovely, lovely, handmade journal.

I managed only 690 words yesterday.

Here’s my book haul…

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Today, I’m off to the launch of Rosanna Micelotta Battigelli’s La Brigantessa, an historical novel set in the aftermath of Italy’s 1861 Unification.

Will update you next week about the launch and my NaNo progress for the week. I’m back to the day job for most of it.

Until then, be well, be kind, and stay strong. The world needs your stories.

The Next Chapter

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Recently in the writerly life

Greetings, all!

Here we are, at my last pre-NaNoWriMo weekend post.

I’m going to recap some of the writerly events I’ve attended in recent weeks and mention a thing or two that will be happening in the nearish future.

First, we’ll be going back in time to September 28 and the Latitude 46 fall launch. One that evening, five authors were reading from their works.

LiisaKovala

Liisa Kovala is a friend from the Sudbury Writers’ Guild and she was launching Surviving Stutthoff, her memoir of her father’s experiences behind the death gate.

Also launching books that night were Sudbury’s Roger Nash, with his nineteenth poetry collection, Whazzat?, Rod Carley from North Bay, Hap Wilson from Rousseau, and Suzanne Charron with the second edition of Wolf Man Joe LaFlamme: Tamer Untamed.

The event was held at Ristorante Verdiccio, and it was a delightful evening.

Last weekend, October 21st, I attended the launch of Kim Fahner’s fourth poetry collection, Some Other Sky, which was held at St. Andrew’s Place in downtown Sudbury.

Kim not only reads, but she also sings, and she usually has The Wild Geese perform Celtic music before, during, and after.

Next weekend, November 2-4, I’ll be attending Wordstock Sudbury.

On Thursday, I’ll be at a poetry reading by Emily Ursuliak, Tanya Neumeyer, Kateri Lanthier, and Kim Fahner at One Sky, followed by the festival opening, and then a dramatic reading of Kim’s play Sparrows Over Slag.

On Saturday, I’ll be attending Merilyn Simonds’ masterclass on The First Page and then Nathan Adler’s masterclass on Writing Speculative Fiction.

Torvi

Phil and I will also be visiting our new puppy, Torvi 🙂 She’s still a few weeks from adoption age, so we’re bringing a blanket and toy out for the pups. When we do adopt, we’ll be able to aid the transition with the smell of momma Mocha and a familiar toy.

Tipsday and Thoughty Thursday will be posted this week, but after that, I’m getting to puppy prep and working on Playing with Fire. I’ll see you after the writerly masochism that is NaNoWriMo!

As ever, be kind, be well, and stay strong, my friends. The world needs your stories!

How to get published with Madeleine Callway and Wordstock Sudbury 2015

I know I’m a little tardy with this report, but after spending the day at Wordstock on Saturday, I was exhausted, and returning to work on Tuesday, so forgive me, but I’m not going to apologize outright.

So first up is Madeleine Harris-Callway’s “How to get published” workshop which took place on June 18.

To Madeleine, there are three main components: confidence, commitment, and courage. Her presentation focused on the traditional publishing industry because that’s where she’s had her experience and her success.

After introducing the group to her experience and to the state of publishing today, we moved onto the three C’s of publishing success.

I’ll go over each component in a little more detail below:

Confidence

Perfect your writing skills.

  1. Formal learning
  • Creative writing courses at universities and colleges.
    Cambrian College: The Essentials of Writing Fiction
    Correspondence courses: e.g. Humber College, Toronto
  • Writing workshops by established teachers.
    Brian Henry – Quick Brown Fox
  • Workshops and panels by published authors.
    Literary festivals
    Authors associations
    Public libraries
  1. Feedback on your work
  • Critique groups are essential to success
    Join and existing group, or form your own.
    Consider manuscript evaluation services or freelance editors
    Find them through professional associations or writing conferences.
    Explore mentoring programs
    Find them through professional associations, universities or colleges, or make a private agreement with an established author.
  1. Grow into a novel
  • Write short fiction first for magazines or anthologies
    Start a blog
  1. Writing awards and contests
  • An excellent way to get recognition for your writing
    Short story competitions
    Unpublished novel contests

Commitment

  1. Just write
  • Every day
    Use the ten minute rule (even if you don’t feel like it, try writing for 10 minutes – if you still want to stop, then stop)
    Critique groups provide motivation
  1. Network
  • Join writing associations
    Stay in touch with writers you’ve met
    Attend book launches
    Local author readings
    Attend literary festivals and conferences
  1. Social Media
  • Join online literary groups
    Connect to other writers through Facebook and Twitter
    Subscribe to online writing publications
    Join literary sites (e.g. Goodreads)

Courage

  1. Rejection is the norm
  2. Take heart – even famous authors were rejected
  3. Use strategy
  • Contact publishers in your genre only
    Study their websites
    Follow their submission guidelines to the letter
  • Edit your queries and proposals – eliminate typos and formatting mistakes
  • Multiple submissions are fine
    Follow up
  • Find an agent
    Study their websites
    Follow their submission guidelines to the letter
    Attend pitches at writing conferences
  • Consider small publishers
  • Consider epublishers

Then, Madeleine ended the evening with a Q&A session.

Having organized the session, I forgot to take pictures 😦

Wordstock Sudbury 2015

This was only the second edition of the festival, but the organizers made a number of improvements.

Friday night began with a reception at the Speakeasy, followed by the announcement of the Youth Writing Contest winners and “An evening with Terry Fallis and Sandra Shamas.”

Saturday started early with book table set up and the organization of the two venues for the workshops and panels at Sudbury Secondary School. Over at the Greater Sudbury Public Library, Danielle Daniel held a children’s story time.

As of 10:30 am, the workshops and panels began and continued right through until 5:15 pm. I’ll let you read the program on their web site to get the details if you wish.

Madeleine Callway readingI participated in the author readings at noon, attended the genre fiction panel at 1 pm, volunteered at the indie book table until 4 pm, and then caught the graphic novel panel.

After we closed up the book table, the venue moved to the Motley Kitchen at 6 pm for a dinner and performance by Corin Raymond, back to Sudbury Secondary for Cheryl Cecchetto’s book launch, and finally back to the Motley Kitchen for Spoken Word After Dark.

It was a busy day. Hence the tired.

Wordstock Sudbury 2015 was a success, in my opinion, but it has room to develop and grow as a literary festival.

I’m looking forward to the next iteration.

Genre Panel

Graphic Novel Panel

Up next: I’m getting miscellaneous.

When Words Collide wrap post

So . . . it’s been a few months since I attended When Words Collide in Calgary, Alberta. It was an interesting event. Organizers billed it as a literary festival, but it grew out of a fan con. It was an interesting mix, one part writing conference, one part reader/fan convention.

It takes its organizational model from conventions, asking a nominal membership fee rather than a pricey conference fee. Most of the sessions were panels with a few workshops and guest of honour sessions worked into the schedule.

I enjoyed my first WWC and got a lot out of it, as you may have gathered if you’ve been following my WWC posts over the past months.

One thing I didn’t appreciate was the heavy scheduling. With the exception of the banquet, there were no set breaks for meals, and even during the banquet, which was an optional extra cost, there were concurrent sessions.

It made what was already a difficult decision between a plethora of sessions even more challenging. They should have handed out time turners at the door 😉

I met a lot of authors I had previously only known on the interwebz and I got to act all fangirlish around Brandon Sanderson. I also reconnected with a lot of authors I had previously met at other conferences and stayed an extra day so I could spend some time with an old university roommate hiking at Lake Louise and Johnston Canyon.

There was a book room, and of course, I bought a few books. Not as many as at past conferences, but I picked up enough to keep feeding my addiction and weighing down my bookshelves.

WWCBooks

One of the other bonuses was the writing contest, which I was happy to place second in with my paranormal short story, “On the Ferry.” I got to read an excerpt from my story, meet all the other top ten authors, and the judges of the contest, who also gave all of the top ten their comments.

I am currently revising that story for another market.

Overall, it was a rewarding time. I probably won’t be able to attend every year, however. Like the Surrey International Writers’ Conference I attended last year, the air fare and accommodation costs make WWC an occasional treat rather than a definite must.

And that, as they say, is a wrap.

Next week: I’ll be updating you on Nuala’s situation and the state of things in the yard and driveway.

WWC 2014, Days 2 and 3: All the Brandon Sanderson

Brandon Sanderson

Photo by Nazrilof

If you want to find out moar about Brandon Sanderson, please visit his eponymous web site.

I attended several of Brandon’s sessions at When Words Collide, but I didn’t take notes in any of them. I just soaked up the writerly goodness 🙂

On the Saturday, I attended “An hour with Brandon Sanderson,” in which Brandon shared his path to publication, as well as the highlights of his involvement in finishing Robert Jordan’s The Wheel of Time series. Much of the information is summarized in the About Brandon page of the above linked site.

I love finding out how authors started out, how they made it work, and how they manage to make a living writing, which is a rare privilege (IMHO).

On Sunday, I attended Brandon’s two hour “The Writing Process” session, followed by a panel discussion he sat on about “How to build a consistent and original magic system.”

Both were fabulous.

I’ve read many posts recently about attending author sessions at conferences and conventions. The warning is that some authors don’t know what their processes are, or if they do, they speak to how they write only, without giving context or alternatives. Some are speaking as a form of self-promotion, or to get you to buy and read their books and don’t necessarily offer anything of value in terms of what the individual writer can take away and apply to their own work and process.

There’s nothing wrong with promotion, but it’s best not to dress such sessions up as workshops.

I’m happy to say that Brandon was nothing like that. He achieved his Master’s degree in English from Brigham Young University and subsequently took over teaching their SF&F creative writing class, which used to be taught by David Farland (from whom Brandon himself learned in his undergraduate years).

You can find links to Brandon’s courses and videos on his web site (linked above), but you can also find them by Googling Write About Dragons. Here’s a link to his 2012 and 2013 lectures on their site, and another to their YouTube channel.

Another great way to get your hands on Brandon Sanderson’s writing advice is to listen to the Writing Excuses podcast, which he co-hosts with Mary Robinette Kowal, Dan Wells, and Howard Tayler. I started listening in the spring.

Needless to say, Brandon did a mah-veh-lous job of his workshop. The two hours flew by. He’d either enter into a topic by describing his process and expand out to discuss alternative methods, or, he’d cast his net wide, and describe the various approaches to an aspect of the writing life, and then describe his personal preferences.

I appreciated this, because, ultimately, every writer develops her or his own process, and there is no one correct way to write a novel. It’s a message that can’t be sent often enough.

As the saying goes, anyone who tries to tell you differently is selling something.

Finally, in the magic system panel, I was just fascinated about how the authors approached their individual magic systems and how they all applied the rule that all magic comes with a cost. There was even some speculation about writing a magic system without a cost, but, it was argued, that would be science and technology.


 

Next weekend, I have a few posts that have to take precedence: my month end (and NaNo) update, a post about my intrinsic motivations for writing, and a Caturday quickie on a blog award I received this month.

So My When Words Collide Wrap Post won’t arrive until the second weekend of December. In the meantime, Tipsday and Thoughty Thursday posts will continue and, just to whet your appetite, I’ll have posts coming up about teaching team building, the Humber Writers workshop I attended, a pupdate on poor Nuala, and the state of the driveway and yard now the construction season has ceded to snow.

I’ll even have a couple of book reviews coming up for my friend Jane Ann McLachlan. So, yes, December’s going to be a busy month on the blog.

Fare thee well until Tipsday and my book review of Jane’s The (occasional) Diamond Thief.

WWC 2014, Day 3: Marketing your book with Jodi McIsaac

Jodi MacIsaacJodi McIsaac grew up in New Brunswick, Canada. After stints as a short-track speed skater, a speechwriter, and fundraising and marketing executive in the nonprofit sector, she started a boutique copywriting agency and began writing novels in the wee hours of the morning. She currently lives with her husband and two feisty daughters in Calgary, Alberta.


 

There’s a lot of competition out there, so you have to distinguish yourself.

In 2012:

  • 1.5 million print books were published
  • 347,000 traditional books deals were made
  • 391,000 ISBNs were assigned

There are currently 30 million books on the market. Only 500 of those will sell 100,000 or more copies.

There’s not much difference between the Big 5, small publishers, micro publishers, and self-publishers with respect to how much work the author will have to devote to marketing.

Ten authors per year might get marketing support.

Word of mouth is still the best way to sell anything.

  1. Write another book. Nothing sells backlist like a new book.
  2. Be professional. This is your livelihood. Treat it as such.
  3. Understand your audience. You’re a match-maker between your book and its readers.
  4. You need a web site. Also set up shop on Amazon, Goodreads, Shelfari, Library Thing, etc.
  5. Mobilize your existing network. Never underestimate the value of family and friends.
  6. Build an email list. Mailchimp is great for this and easy to learn.
    6.5 (inserted for this presentation): Create a “street team” or “launch team.” These are people in your existing network who can be depended upon to help you make creative decisions like your title and cover and who will promote your book across their networks. As a perk, they get a copy of your advanced reader copy (ARC) so they can post reviews on Amazon, Goodreads, etc.
    Obtain reviews outside your street team.
  7. Contact book bloggers. My personal opinion is that blog tours are a waste of time. You have to produce so much content, it’s rarely worth the effort. There’s no dependable way to measure the marketing value (i.e. how many sales resulted from the tour). If you feel you would like to do one, however, I won’t discourage you. You may get different results.
  8. Giveaways. Always budget for this, especially if you are self-publishing. You need to have enough copies set aside so you can give them away on Goodreads, or on Facebook using Rafflecopter, or during your in person events.
  9. Goodreads. Not only can you participate in giveaways, but you can also have book chats, groups, and other online events to support your launch.
  10. Paid advertising. This has not been proven to sell books. Usually not cost-effective. BookBub may be the exception.
  11. Social media. Focus on one and try not to get spammy. Asking your followers to buy your book continually can come off as desperate. You might actually lose followers this way.
  12. Traditional media and promotion. Have a press release and a media package ready to go. If you’re not sure what should be in your media package, Google it. There are a lot of great resources out there.

So when do you do all of this? You have to make the time. It’s not so much work/life balance as it is work/life blend. You have to find what works for you.

We then went through a brief example with the time we had remaining.


 

This is the last of the formal posts I will have on the When Words Collide sessions I attended. Do to my entry into the In Places Between contest, I attended the reading and judging sessions on Sunday morning and it limited the sessions I could get to.

Next week: I’ll post about Brandon Sanderson. I attended three of his sessions altogether and I didn’t take notes at one. I just soaked up the wisdom 😀 So this will be a kind of summary post with links to resources.

That will leave the wrap post for the first weekend in December.

See you again on Tipsday!

WWC 2014, Day 3: Querying your YA novel

Panellists: Jacqueline Guest, Danielle L. Jensen, Jessica Corra, Shawn L. Bird, Karen Bass

Jacqueline GuestDanielle L. JensenQ: Do you query a trilogy?

DJ: It depends on your genre. Some say your novel has to be a standalone, but I’ve been successful querying a trilogy.

JC: It’s okay to mention that your novel has series potential, but you can go too far with this. I was once queried with a nine book series. That was too much.

SB: It’s good to know the career potential of the author, though.

DJ: Focus on one book in your query.

JC: It’s a business letter.

KB: It’s your pitch. Three sentences. Short, punchy, and pithy.

JC: Think about the backbone of your book. That’s your through line.

JG: You’re not selling to a reader. You’re selling to an agent or publisher. Don’t tease.

SB: The basic structure of a query letter is three paragraphs: pitch, comps, and bio.

JC: You need to mention genre, word count, and title.

DJ: You Jessica Corracould write: I am seeking representation for TITLE, a GENRE novel, complete at LENGTH (in thousands of words, rounded to the nearest thousand). I actually got my agent through a logline contest for Ms. Snark.

JC: Sometimes you don’t need an agent, though.

KB: Small Canadian publishers, no. Big publishers or genres, yes. Anything in the States, yes.

DJ: I’d die without my agent. She takes care of things

like foreign riShawn L. Birdghts. It really depends on your skill set.

SB: Sometimes, it depends on the agent.

DJ: I’d recommend Query Tracker.

JC: Jim Butcher proposes this formula for youKaren Bassr log line: *WHEN SOMETHING HAPPENS*, *YOUR PROTAGONIST* *PURSUES A GOAL,* but will he succeed when *ANTAGONIST PROVIDES OPPOSITION*?

JG: Spell check, for God’s sake. You have two sentences to hook an agent or editor.

DJ: Your first five to ten pages must be perfect.

JC: We know you’re human, though. We’ll overlook something small.

JG: There are lots of library books that will help you.

DJ: Online critique groups can help as well.

Q: How do I know the agent is reputable?

DJ: Writer Beware, Preditors & Editors, and Absolute Write are three sites where you can check out questionable agents, agencies, or scams. If you post on social media or forums, don’t bitch about being rejected.

Q: How many queries do you receive and how many of those do you read?

JC: We have readers, so I don’t see them all, but everyone I receive, I read.

Q: You’ve published several books. Do you still slave over your letters?

JG: Yes. Every time.

WWC 2014, Day 2: An hour with Jack Whyte

Jack WhyteJack is simply fabulous. You can read more about him on his web site, camulod.com/aboutjack.


 

When I wrote The Sky Stone, I was called by the Historical Society to speak to a bunch of academics. Do you know what I told them? “Do you think my head buttons up the back?”

Eventually, I was decided to go, and I ended up getting three standing ovations. One of the reasons why? Historians are bound by the historical record. Writers get to speculate. We get to write what the historians wish they could.

That’s the kind of research you have to do, though. You have to be able to speak to a room of historians as though they were your peers.

You can do it all on the internet, but don’t rely on Wikipedia. Because anyone can contribute, occasionally, they do. It’s a place to start, but then go to your public or university library.

Research can obsess you. Answer the questions you need to proceed with your novel but no more.

You have to be able to write with authority.

Look at the art of the time, the architecture, the fashion, the design. Get the whole picture first. Most of it won’t even make it into your novel, but when you get the details right, your fictional world will come alive for the reader.

Q: How did you start?

In college, I was dating a beautiful woman. I called her “the Polish princess.” We made a date to go for a walk together. I read Quo Vadis, while I waited. She was an hour late. It turns out her grandfather was the author. I thought, “Wouldn’t that be neat if this happened to me?”

Everything I write is written to be heard.

I was a great fan of Frank Yerby (Mel’s note: Yes, I totally get the irony of citing Wikipedia in this transcription, but as Jack said, it’s a starting place. You want to find out more, go research.). He wrote magnificent historical fiction.

Read your work aloud. I record it and listen to it while driving. Your errors will become apparent.

Q: What’s a typical writing day for Jack Whyte?

I write from 8 pm to 2 am. The next day, I print and edit the pervious day’s work.

Discipline is the key.

Q: Do you plot?

When I begin writing, I know the ending. Then I look for the start. But I just write. I don’t plot, per se.

I’ve written 9 novels in 37 years.

There’s a bit of snobbery in Canadian Literature. Look at Pierre Burton and Farley Mowat. Commercial success and genre fiction are dirty words.

Q: Have you ever had any legal issues?

Not really. We have a moral obligation not to defame anyone who doesn’t deserve it.

In the end, everything is fiction. Even an historical document, because it was written through the frame of the time its author lived in.


 

Next week: Business planning for creative people.

Tomorrow: Finally ready to write my Series discoveries post and I’ll have a brief update on the week.

WWC 2014, Day 2: Have pen, will travel, with Jacqueline Guest

You can find out more about Jacqueline at her web site.Jacqueline Guest


 

When I was young, two books saved my life: A Child’s Book of Bible Ethics, and Alice’s Adventures in Wonderland.

Don’t give up. If you have the passion to write, revise, edit, and make your novels perfect, you will get published.

As a writer, I have adventures. I travel and meet a lot of interesting people. You have to be flexible to make this happen, though.

I went to Inuvik and when I arrived, this weird dude picks me up—on a snow machine. He’s a man of few words. He takes me back to his place for the night. His place is full of hunting gear. (Mel’s note: This story was much more detailed and entertaining in Jacqueline’s telling. I only recorded the highlights.)

I found out later that he was a fixture of the community. People started dropping by, the elders and other villagers, and everyone told him their stories. I learned so much and met most of the community that way.

One of my books, Wild Ride, was written about the spring bear hunt, or rather against it. The ability to raise awareness is the power of the pen.

Another of my books features the Rocky Mountain Rally. I research everything I write, and experience what I can first hand.

Experience equals content.

The Writers’ Union of Canada and other writers’ organizations keep lists of where presenters have been and where they’re wanted. Do your research and find out where you can go to gain your experience.

What is unique about your book? This is your selling point.

History can give you what you need, but you can’t change it.

There’s also a need for what are called “hi-lo” books. It stands for high interest, low vocabulary and is intended to attract reluctant readers or those with learning disabilities who find it difficult to read.

Books become our touchstones, our points of connection with one another.

What if we are all connected?

Put out positive energy. You reap what you sow.


 

Tomorrow: I’ll have a Sundog snippet for you including a couple of writerly events around town and a brief update on the construction.

WWC 2014, day 2: An hour with Mark Leslie

Mark is a writer, editor and bookseller who was born and grew up in the Greater Sudbury Region, spent many years in Ottawa and currently lives in Hamilton, Ontario.

Find him online at markleslie.com.

mark-leslie


 

I ended up in publishing because I’ve always loved writing. I’ve always wanted to be a writer. When I was a kid, I told stories with my Fischer Price people.

I got a job in a university books store and I noticed that the new edition of a textbook was being developed before the current one was even on the shelves. Students were getting outdated information. Sometimes the changes were subtle and I realized it was a big money grab. I decided to do something about this abuse of students.

I talked the bookstore into investing in an Espresso Book Machine and we entered into an agreement with McGraw-Hill Ryerson and Nelson publishers. A professor would choose the chapters he felt were pertinent to the class he was teaching and the publisher would provide a .pdf of the chapters. These were printed and sold in store.

The custom edition of the material would be 50-60% cheaper for students. The publisher made more. The store made more. Free digital copies were made available if sales of the print edition were reasonable and everyone still profited.

I tried it out for fiction. Amazon ships in 24 hours, but with the Espresso, I could print on site in 15 minutes.

I learned that if you put authors first, you can both make money.

A textbook that cost $86 could be printed for $25 on the Espresso and we could ship it wherever the client wanted. Later, we uploaded it to Kobo and the ebook is still selling everywhere for $10.

I became a consultant for On-Demand Books and then joined Kobo. When Kobo wanted to put out a writer-centric platform, I wanted a part of that action. Kobo Writing Life came into being. It was less money, but I was passionate about books and authors.

Kobo Writing Life was built for writers. We’re in the top five in every territory. We sell more units than Random House in Canada.

As the platform grew, I gained staff. My team nurtures authors.

Q: How does Kobo Writing Life make self-publishing easier?

Authors used to have to go through the same process as a publisher to get their books on Kobo. Now you can do it overnight.

This raises an important question: you can put your book up overnight, but should you? Many authors rush into self-publishing before they’re really ready. Make sure you’re putting your absolute best work out there.

Q: I was in Adrienne Kerr’s session and she mentioned Booknet. Can you speak to that?

The average author can’t access Booknet. Until we can more of the key players on board, it won’t happen.

Q: If I’m an indie publisher or author, why should I bother with Kobo?

Don’t put all your eggs in one basket. The more ways your readers can get hold of your books, the better. It’s not Kobo only, but Kobo and.


 

As ever, my notes cannot reflect the full experience. I can’t write that fast (!) And, Mark, if I’ve gotten anything wrong, please let me know and I’ll fix ‘er up post-hasty.

Up next: a Caturday quickie on the developments (construction and dog-wise) of the week.

Next weekend: Jacqueline Guest: Have Pen, Will Travel.

In the meantime, Happy Thanksgiving to all my Canadian readers, and we’ll see you on Tipsday with the Writerly Goodness of the week.