Tipsday: Informal writerly learnings, Aug 14-20, 2022

Week four of August is here along with your weekly batch of informal writerly learnings! Enjoy!

K.M. Weiland explains how to write emotional scenes (without making them cringey). Helping Writers Become Authors

Lisa Norman reveals how to painlessly generate dozens of blog ideas. Then, Sandy Vaile digs into research: how far will fiction authors go for facts? Laurie Schnebly Campbell wonders how much does genre matter? Writers in the Storm

Joanna Penn interviews Becca Puglisi about writing conflict. The Creative Penn

How to write a plot summary and a synopsis. Reedsy

Roz Morris considers using real people in historical fiction—how much can you invent? Nail Your Novel

Barbara Linn Probst wonders what does “award-winning author” mean—and does it matter? Then, Marcie Geffner discusses aphantasia and writing fiction with no “mind’s eye.” Writer Unboxed

AJ Harper helps you get in front of your readers’ doubts and objections. Jane Friedman

Good characters are overrated. Tale Foundry

Christina Delay: small focus. Big creativity. Becca Puglisi wants you to use your character’s career to support your story’s theme. Writers Helping Writers

Nathan Bransford says don’t outsource your agent search.

Kris Hill considers fairy tales and once upon a time. Manuela Williams: what is the poetry of witness? Then, Daria White proposes an alternative to traditional time management for writers.  Abigail Cutter suggests five ways to get inside your historical characters’ heads. DIY MFA

This fight changed everything … Jill Bearup

Angela Ackerman: does conflict really belong on every page? Jami Gold

Tiffany Yates Martin explains how to write a query letter (without losing your mind). Fox Print Editorial

Kristen Lamb examines the priority parallax: what’s truly important?

Chris Winkle lists ten reasons your characters might stop communicating. Then, Oren Ashkenazi analyzes five stories with well-written families. Mythcreants

How to write your first novel. Reedsy

Chris Martin discusses poetry, autism, and the joy of working with neurodiverse writers. Literary Hub

Peter Kafka: the newsletter boom is over. What’s next? Vox

S.L. Huang investigates the ghost of workshops past: how communism, conservatism, and the Cold War still mold our paths to SFF writing. Outstanding essay! Tor.com

Thank you for spending some time with me. I hope you found something to support your current work in progress.

Until Thursday, keep staying safe and well!

Tipsday: Informal writerly learnings, May 22-28, 2022

Wish a fond farewell to May with some informal writerly learnings.

Stephanie BwaBwa shares some editing tools for your self-publishing toolbox. Then, Robin Farrar Maass reveals what her MFA taught her and what she learned on her own. Lori Walker lists five ways to deal with burnout. DIY MFA

The psychology of Severance. Like Stories of Old

Vaughn Roycroft considers an Audible enhancement to storytelling. Gwen Hernandez: losing the plot means writing by the seat of your pants. Kelsey Allagood wonders, are your words working hard enough? Danielle Davis: it’s not me, it’s the story. Kathryn Magendie considers painting a chair, when it’s just painting a chair. Writer Unboxed

K.M. Weiland helps you deepen your book’s theme with the thematic square. Helping Writers Become Authors

Princess Weekes thinks Marvel needs to really get Elektra right.

Tiffany Yates Martin poses four questions to ask when writing flashbacks. Then, Laurie Schnebly Campbell wonders, when is your story done? Ellen Buikema is writing memorable character flaws. Writers in the Storm

Colleen M. Story suggests four things to remember when writing about difficult subjects. Elizabeth Spann Craig

Catherine Baab-Maguira presents the Julie & Julia formula: how to turn writing envy into writing success. Then, Sonya Hubers helps you market your book with your values. Jane Friedman

Erica Brozovsky wonders, is gossip … good? Otherwords | PBS Storied

Liz Alterman explains the ins and outs of blurb requests. Then, Becca Puglisi considers subterfuge in dialogue. Writers Helping Writers

The love genre: stories about obsession, courtship, and marriage. Story Grid

Kristen Lamb predicts that boutique books will be the fall of the mega-author titans.

What is xenofiction? Tale Foundry

Tiffany Yates Martin wonders, how can writing matter in the face of suffering? Fox Print Editorial

Chris Winkle shares four ways to create a bittersweet ending. Then, Lewis Jorstad introduces us to four supporting characters your hero can learn from. Mythcreants

Why do we love problematic romances? The Take

Claire Handscombe: the one line that’s missing from all writing advice. Book Riot

Michele Debczak lists seven facts about Octavia Bulter’s Kindred. Mental Floss

Oliver Holmes reports that “How to Murder Your Husband” author found guilty of murdering husband. Life isn’t stranger than fiction … The Guardian

Thank you for stopping by. I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Informal writerly learnings, Oct 24-30, 2021

This will be the last tipsday until December 7th! Yup, it’s NaNo again. So, stock up for the month and feel free to peruse past weeks’ posts as well. I don’t know if it’s a coincidence, but this tipsday is jam packed full of writerly goodness. Enjoy!

Kim Bullock faces a fork in the writerly road. KL Burd: “The loss we carry, a sea we must wade.” Elizabeth Huergo discusses genre and its discontents. Then, Milo Todd is losing the magic of writing: The Sweatbox. Heather Webb: Halloween is all about fear; turns out, so is publishing. Writer Unboxed

Racism and horror | Khadija Mbowe

K.M. Weiland poses six questions to help you avoid repetitive scenes. Helping Writers Become Authors

Lisa Cooper Ellison says that structure isn’t the Holy Grail you’re looking for. Jane Friedman

Vivek Hariharan shares six tips for expanding a novel into a series. Live, Write, Thrive

Princess Weekes reveals what the f—k happened behind the scenes of Justice League. Melina Pendulum

Kris Maze offers a worry-free approach to double down on your writing goals. Then, Laurie Schnebly Campbell asks, how deep should you go into your POV? Kathleen Baldwin makes the case for “was” and the much maligned passive voice. Writers in the Storm

Shaelin explains how to write a horror novel. Reedsy

Then she follows up with the best and worst horror tropes. Reedsy

Sue Coletta: what are pinch points and where do they go? Then, Colleen M. Story explains how to tell if you’ve found the best book marketing niche. Lisa Hall-Wilson lists five ways trauma makes your character an unreliable narrator. Writers Helping Writers

Kris Hill is creating characters using collaborative storytelling. Then, Manuela Williams explains how to organize a collection of poetry. Gabriela Pereira interviews Debbie Macomber about writing and publishing a Christmas novel. Then, Alison Stine explains how to write a cli-fi novel. Sarah Van Arsdale shares five ways to resist the inexorable forces pulling you from your writing. DIY MFA

On her own channel, Shaelin shares 20 NaNoWriMo tips. Shaelin Writes

Chuck Wendig reviews the worldbuilding in Villeneuve’s Dune. Emmie Mears shares five things she learned building a writing career the wrong way. Terribleminds

Chris Winkle lists five important ways episodic stories are different. Then, Oren Ahskenazi analyzes To Sleep in a Sea of Stars: how Paolini undercooked his setting. Mythcreants

Princess Weekes shares everything you didn’t know about the father of science fiction. It’s Lit | PBS Storied

Patricia A. Jackson shares a pantser’s tale: follow the white rabbit. Fiction University

Emily Zarka presents the werewolf’s modern metamorphosis. Monstrum | PBS Storied

Kristen Lamb explains how horror can improve your writing in any genre.

Guy Kawasaki interviews Seth Godin: marketing god, blogger, and author. The Remarkable People Podcast

“Queerbaiting” is a tricky term. Don’t abuse it. The Take

Alan Garner: “You don’t want to have a brilliant idea for a novel at the age of 87.” The Guardian

Ena Alvarado reveals the science and slavery in Aphra Behn’s Oroonoko. JSTOR Daily

Hanna Flint says that Dune is an accomplished escape into the realm of cinematic Arab appropriation. The New Arab

Thanks for stopping by. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, Aug 22-28, 2021

And here it is, the last day of August (!) How did that happen? Get your informal writerly learnings now, before summer disappears!

Susan DeFreitas lists the three strengths and three challenges of starting your novel with theme. Then, Carol J. Michel explains how to market your book without social media. Jane Friedman

Tiffany Yates Martin shares the one tool that transforms your writing. Then, Tasha Seegmiller composes a letter to a writer: keep learning. Laurie Schnebly Campbell is tremendous, terrible, triumphant. Writers in the Storm

Elizabeth S. Craig is regaining confidence.

C.S. Lakin lists seven sensory elements that writers ignore. Live, Write, Thrive

To kill … To Kill a Mockingbird? It’s Lit | PBS Storied

C.S. Lakin explains how to nail the purpose of your novel’s scenes. Then, Lisa Hall-Wilson shows you how to use trauma strategically to create an emotional arc. Writers Helping Writers

David Corbett: the people we think we know (and the characters they inspire). Then, Diana Giovinazzo helps you utilize video games in your writing. Heather Webb says, if you want to be a career author, you have to avoid pitfalls (and a few trips, too). Then, Natalie Hart touts the gift of hunger. Writer Unboxed

K.M. Weiland shares the main reason your story’s premise is important. Helping Writers Become Authors

Studio Ghibli’s Ponyo: a love letter to the natural world. The Take

Savannah Cordova provides an honest appraisal of Amazon exclusivity for first-time authors. Then, Marina Barakatt considers the merits of The Wicked + the Divine. Leora Krygier considers multigenerational trauma in memoir. DIY MFA

Ann Harth offers a layered method for creating consistent characters. Fiction University

Kristen Lamb considers writer’s block: is it laziness, or a critical part of being a long-time author?

Oren Ashkenazi analyzes five stories that neglect tension. Mythcreants

Why super heroine movies don’t empower us all. The Take

K.W. Colyard explains why authors can’t get enough of this little-known fairy tale. Bustle

Vida Cruz declares, we are the mountain: a look at the inactive protagonist. Fantasy Magazine

Clive Thompson explains how data science pinpointed the creepiest word in Macbeth. OneZero

Steve Edwards is misunderstanding Thoreau: reading neurodiversity in literature and in life. Literary Hub

Sebastian Leck reports that a unique literary festival focuses solely on Haudenosaunee storytelling and publishing. CBC

Peter Knegt: the first piece of queer Mauritian literature ever published is by Montreal’s Kama La Mackerel. CBC

Thanks for taking the time to visit. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, April 18-24, 2021

Your weekly batch of informal writerly learnings has arrived. Get them while they’re hot!

Jan O’Hara shares a display hack for your story’s outline. Dave King: the non-writing part of writing. Then, Barbara Linn Probst wonders, why was my protagonist so prickly? Juliana Baggott explains when to reject rejection. Yuvi Zalkow wants you to make something terrible (and make it again). Writer Unboxed

Janice Hardy says infighting is a lousy way to create conflict in your novel. Then, Bonnie Randall deconstructs Deadly Illusions to explain what not to do with your manuscript. Fiction University

K.M. Weiland explores the queen’s shadow archetypes in part 11 of her archetypal character arcs series. Helping Writers Become Authors

Shaelin Bishop shares her top 12 writing tips. Shaelin Writes

Becca Puglisi shares tips for landing a guest posting gig. Then Barbara Linn Probst shares ten different writing tricks to make your point. Later in the week, Laurie Schnebly Campbell explains when, why and how to show emotion. Writers in the Storm

Jane Friedman explains how the pandemic is affecting book publishing. Jane Friedman

Princess Weekes wonders, what’s in a (pen) name? It’s Lit | PBS Storied

Adam W. Burgess touts the magic of queer fiction. Gabriela Pereira interviews C.L. Clark about character, conflict, and world building in fantasy. Janelle Hardy wants you to shift creative resistance using your body. Then, LA Bougeois shares five creativity exercises to fire up your writing muse. DIY MFA

Lisa Hall-Wilson offers four tips for writing your characters PTSD and trauma memories. Writers Helping Writers

The actress trope. The Take

Chris Winkle offers five tips for using an arbitrary magic system. Then, Oren Ashkenazi analyzes five novels with bizarre tangents. Mythcreants

Zoraida Córdova explains what it’s like writing Gamora in ‘Women of Marvel’ #1. Marvel

Camonghne Felix interviews Barry Jenkins about bringing The Underground Railroad to TV. Vanity Fair

Thank you for taking the time to visit, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends.

Tipsday: Writerly Goodness found on the interwebz, Feb 21-27, 2021

Welcome to March! You’ve made it through Monday. Reward yourself with some informal writerly learnings 🙂

K.M. Weiland presents part three of her archetypal character arcs series: the hero arc. Helping Writers Become Authors

Writing Fat Characters – a conversation with Marianne Kirby | Writing the Other

Tiffany Yates Martin explains the difference between criticism and critique. Then, Tasha Seegmiller asks, are you a whole-hearted writer? Later in the week, Laurie Schnebly Campbell explains why character motivation matters. Writers in the Storm

Tim Hickson talks elemental magic systems. Hello, Future Me

Susan DeFreitas shares four key tactics for addressing backstory and exposition. Jane Friedman

Abigail K. Perry points out some must-knows about picking comparable titles. Then, Sara Farmer recounts crime authors caught up in real crimes, cozy to cold-blooded. Later in the week, Constance Sayers shares four historical fiction writing hacks. Then, Briana Cole offers five tips to get your story written fast. DIY MFA

Shaelin breaks down the Save the Cat plot structure. Reedsy

Janice Hardy offers some tips to understand and control your novel’s pacing. Then, Orly Konig shares some revision tips for pantsers: three steps to a full rewrite. Fiction University

Kasey LeBlanc is learning to say no thanks: standing up for your creative vision. Heather Webb declares that hope springs eternal: hang on, writers. We’re almost there. Then, Julianna Baggott shares the results of a survey on process: that thing you do. Later in the week, Julie Duffy wants you to focus on short fiction. Writer Unboxed

Literary Icons You NEED to Know from the Harlem Renaissance (feat. Princess Weekes). It’s Lit | PBS Storied

Kristen Lamb: tough choices are the professional writer’s daily grind.

Chris Winkle set out to praise “The Eye of Argon” and all she got were these lousy writing lessons (and a t-shirt?). Then, Oren Ashkenazi looks at ten justifications for oppressed mages and why they fail. Mythcreants

Bridgerton is a fan fiction about today. The Take

The Jewish American Princess – beyond the stereotype. The Take

Trey Mangum reports that Ta-Nehisi Coates will write the next Superman film for DC and Warner Bros. Shadow and Cut

Thanks for visiting. I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, Oct 25-31, 2020

Welcome to the first—and last—tipsday of November! Load up on informal writerly learnings and I’ll see you in December. ‘Cause NaNoWriMo.

Black and Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter.

Wear your masks. Maintain physical distance. Get your flu shot. We are firmly in the second wave and the situation is getting steadily worse. We all have to pull together to survive and protect each other until a vaccine is available.

Kim Bullock explains why writers need rooms of their own. Later in the week, Barbara O’Neal distinguishes between using memory vs. backstory. Writer Unboxed

K.M. Weiland: the midpoint as the swivel of your novel’s linked structure. Helping Writers Become Authors

Janice Hardy shares six steps to creating a great character. Fiction University

Susan DeFreitas says, don’t hold out for publishing to make you feel seen. Pursue this goal instead. Jane Friedman

The Karen trope, explained. The Take

And then, the witch trope, explained. The Take

Tasha Seegmiller: how do your characters love? Later in the week, Eldred Bird offers some tips for upping your “what if” game. Then, Laurie Schnebly Campbell explains why we love (and resent) alpha males. Writers in the Storm

Gilbert Bassey offers four ways to fix a boring story. Writers Helping Writers

Helen J. Darling wants you to reconnect with your values if you’re feeling stuck. Then, Pamela Taylor helps you create authentic details in historical medicine. Later in the week, Gabriela Pereira interviews Laura Jamison about writing the ensemble cast. Then Sara Farmer interviews Linda Olson. DIY MFA

Shaelin reviews structuring your novel with Dan Harman’s plot embryo. Reedsy

And then, she looks at the traditional three act structure. Reedsy

Jami Gold gives some thought to world building on an epic scale.

Oren Ashkenazi analyzes the mixed climaxes of Marvel’s phase three, part 1. Mythcreants

Kristen Lamb explains why some stories fall apart and fail to hook readers (spoilers: it’s story structure).

Summer H. Paulus offers some insight into the origins of Halloween and its traditions. Fantasy Faction

Tricia Ennis reveals the strange, difficult history of queer coding. SyFy

Aja Romano explains how voice actors are fighting to change an industry that renders them invisible. Vox

Disney’s new content warnings on classic animation featuring racist characters. BBC

Thank you for visiting, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, Aug 23-29, 2020

Welcome to tipsday 🙂 Pick up some informal writerly learnings to get through your week.

Black lives matter. Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter. I don’t want this to be a “performative wokeness” thing. I believe it wholeheartedly. I’m going to keep putting this message out there until real change happens.

Next week will see Ontario students return to class. Though additional money has been allocated to help schoolboards prepare, there still doesn’t seem to be a firm plan across all schoolboards. We’re going to have to wait and see.

Tiffany Yates Martin considers whether you should set your stories in a pandemic world. Then, Laurie Schnebly Campbell wants you to follow your heroine beyond the Hero’s Journey. Writers in the Storm

Kathleen McCleary: get me out of here. Barbara O’Neal: a writer’s sacred task to observe. Then, Heather Webb is struggling through the shitty first draft. Writer Unboxed

Shaelin explains how to write a plot twist. Reedsy

K.M. Weiland offers five steps to get past your fears of sharing your work. Helping Writers Become Authors

Nathan Bransford compares third person omniscient, third person limited, and head-hopping.

Tim Hickson explains how class systems fall. Hello, Future Me

Savannah Cordova shares some predictions for publishing trends in late 2020 and beyond. Writers Helping Writers

Bonnie Randall is learning from the mistakes of the greats. Then, Janice Hardy offers three quick steps to write a scene. Fiction University

Kristen Lamb helps you find focus during crazy times: only so many ducks to give.

Sara Farmer interviews Marcie Rendon. DIY MFA

Nina Munteanu explores the Mozart effect and the power of music.

Oren Ashkenazi lists six common misconceptions of new writers. Mythcreants

Catching up on some awesome from The Take. First up: is Kill Bill’s Beatrix Kiddo a feminist hero?

Then, the model minority trope, explained.

Next, The Take explains how Kat, from 10 Things I Hate About You emphasizes the feminist message of Shakespeare’s Taming of the Shrew.

Finally, the neurotic, type A woman trope, explained.

Hephzibah Anderson reveals the surprising secrets of writers’ first drafts. BBC

Roxanne Fequiere: Black women are topping the bestsellers lists. What took so long? Elle

Farzana Doctor explains why her latest novel, Seven, is about khatna, or genital mutilation. Chatelaine

Thank you for visiting, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, July 26-Aug 1, 2020

Black lives matter. Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter. This is not a political statement. It’s a fundamental truth.

22 new confirmed cases of covid-19 have occurred in Sudbury over the last week or so, most of them in people under 30. Just because we’ve entered phase 3 of reopening doesn’t mean we’re back to normal. Wear your masks people. Maintain physical distance.

And now, onto the informal writerly learnings!

The Take traces the development of the interracial relationship onscreen.

K.M. Weiland shares seven misconceptions about being a writer. Helping Writers Become Authors

Bonnie Randall explains how to weave setting into a deep point of view. Later in the week, Bethany Henry shares seven ways to deal with burnout. Fiction University

Sacha Black: what “read more to improve your writing” really means. Writers Helping Writers

Abigail K. Perry offers another Story Grid scene analysis: Something Borrowed. Later in the week, Indiana Lee shares five ways to protect your privacy while promoting your writing online. DIY MFA

Shaelin offers some tips about working with critique partners. Reedsy

Then, she helps you deal with rejection. Key takeaway: NEVER give up. Reedsy

Nathan Bransford shares his thoughts on how to spice up relationships in novels.

Laurie Schnebly Campbell reveals the most important reader question. Then, Kris Maze lists five steps to better writer self-care. Writers in the Storm

Jael R. Bakari visits Jami Gold’s blog to discuss writing process: developing a coherent story.

Aiki Flinthart is creating unique voices for multiple point of view characters—and how to show their emotions. Lisa Hall-Wilson

The universal beauty of LGBT+ love stories. Like Stories of Old

Kim Bullock wants you to use uncertainty to enhance your story. Writer Unboxed

Chris Winkle helps you create a magical atmosphere with this description makeover. Then, Oren Ashkenazi considers five cool storylines that went nowhere.  Mythcreants

John Foxwell explains why many writers say they can hear the voices of their characters. The Conversation

Matt Blake lists the greatest literary groups in history. Penguin

Thanks for visiting. I hope you found something to support your current work in progress (whatever state it’s in).

Until Thursday, be well and stay safe, my writerly friends.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, May 24-30, 2020

Welcome to June! However you’ve been weathering the pandemic, I hope you’re keeping safe and well. It’s time to reward yourself with some informal writerly learnings.

But first, my brief weekly update.

#Pandemiclife continues, and I’ve heard some confirmation that my employer will keep up to 90% of staff working from home. So, I’m here for the long haul, as expected. I’m also just coming off two weeks of virtual training and entering into two more. In recent years, training of any kind has exhausted me. Virtual training brings its own complications. Still, I seem to be doing a decent job. The feedback has been positive, in any case.

The added distress of violence against people of colour here in Canada and in the US is depressing. It’s reprehensible and I keep hoping—naively—that we’ve grown past such hateful conflicts. My faith in the human race is crumbling.

Here are some good words from some good people (we can take some comfort in that):

Abigail K. Perry demonstrates a Story Grid scene analysis of Giver of Stars. Then, Brenda Joyce Patterson promotes writing small in viral times. Later in the week, Sacha Black shares five ways to improve your description. DIY MFA

Sacha Black drops by Writers Helping Writers, too: three ways to differentiate your characters.

Shaelin explains how to discovery write your novel. Reedsy

Laurie Schnebly Campbell considers the pros and cons of writing a series. Then, Lisa Hall-Wilson offers three exercises to help you dive deeper into character emotions. Writers in the Storm

K.M. Weiland devotes this week’s post and podcast to an editing Q&A. Helping Writers Become Authors

How to stay motivated as a writer. Reedsy

September C. Fawkes stops by Elizabeth Spann Craig’s blog: how to write subtext.

Jessi Rita Hoffman discusses the problem of self-conscious writing: do you torture your metaphors? Jane Friedman

Janice Hardy shares a handy checklist to strengthen the narrative drive in your scenes. Then, Swati Teerdhala explains when to tell rather than show. It’s such a delicate balance! Fiction University

Robin LaFevers wants you to break through writer’s block. Writer Unboxed

Jenna Moreci helps you set the scene.

Jami Gold: what do readers want from a story’s POV? Then, she explains that word choice is about more that picking the right word.

Chris Winkle shares six character archetypes for love interests. Oren Ashkenazi facetiously lists seven reasons it’s definitely okay to ignore storytelling rules. Mythcreants

Thanks for visiting. I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe, my friends.

Tipsday2019