Tipsday: Writerly Goodness found on the interwebz, June 14-20, 2020

Black lives matter. Indigenous lives matter. All lives cannot matter until all Black and Indigenous lives matter. I don’t have a huge platform, but I’ll make use of it as I can to keep this message front and centre for my readers. I’m still listening. I’m still learning. And I’m still trying to do better.

Meanwhile, reopening continues, to more or less success, given the area/province/state. They’re discovering people who’d apparently recovered from covid getting sick again two months on. Worldwide, the number of cases continue to increase. This thing is a beast.

Let’s get to the informal writerly learnings.

Vaughn Roycroft: regarding privilege, empathy, and voice. Writer Unboxed

A Black booktuber shares her experience. Click through to her other videos and to the resources in the notes. Silence is complicity. Listen. Do the work. Don’t stop. Bookish Realm

And if you’re a booktube fan, legitimately commit to diversify your viewing and support some of these lovely people. Google is a thing you can use. Besides, like one video and YouTube will generally cue up three similar vids for you to check out.

Nic Stone: don’t just read about racism—read about Black people living. Cosmopolitan

Black Lives Matter. How can I help? Jenna Moreci

John Peragine helps you harness the power of pronouns (part 1). Then, Lori Freeland says, write your story forward. Writers in the Storm

Joanna Penn interviews Kris Spisak about self-editing your novel. The Creative Penn

K.B. Owen visits Elizabeth Spann Craig’s blog: writing real-life historical characters.

Sangeeta Mehta interviews Stefanie Sanchez von Borstel and Leslie Zampetti about writing, pitching, and promoting in the age of coronavirus. Jane Friedman

Lucy V. Hays explains how to avoid a half-baked idea. Writers Helping Writers

Kristen Lamb explains how you can use the Johari window to understand and harness the character blind spot.

Nathan Bransford: the climax should resolve your character’s desires.

Shaelin explains line editing (with examples). Reedsy

Rochelle Melander helps you revise your book for word choice. Fiction University

The Take considers the tomboy trope.

Chris Winkle gets facetious: if stories treated straight couples like they treated queer couples. Then, Oren Ashkenazi considers five over-burdened stories and how to fix them. Mythcreants

Thanks for the visit. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Feb 2-8, 2020

You’ve survived Monday! Reward yourself with some informal writerly learnings.

Janice Hardy says, author, we have a problem: four plotting tips. Later in the week, Janice is poking dead scenes with a stick. Fiction University

K.M. Weiland shares six steps to create realistic and powerful scene dilemmas. Helping Writers Become Authors

Jami Gold uses an, ahem, moving metaphor to discover what matters in our stories. Then, she wonders, where do you want your story (or career) to go?

Jenna Moreci explains how to tell if you should write a series (and when you shouldn’t).

Abigail K. Perry covers James Scott Bell’s final signpost scene: transformation. As one series ends, another begins. The first of my three-part series on the tarot as a tool for mythic storytelling: an introduction to the tarot. DIY MFA

Donald Maass revisits the uncon again: world building for non-SFF writers. Cathy Yardley: your subconscious speaks a different language. ‘Cause tarot (see above)! Writer Unboxed

Meg LaTorre explains how to find critique partners and beta readers. Writers Helping Writers

Kris Spisak advises you to look at these four problem areas when revising. Jane Friedman

Joanna Penn interviews Jennie Nash: would you make a good book coach? The Creative Penn

Chris Winkle explains how storytellers use reactivity and proactivity for effect. Then, Oren Ashkenazi shares seven tricks to improve your minions. Mythcreants

Etuaptmumk: two-eyed seeing. Rebecca Thomas TEDxNSCCWaterfront

Brit Marling: I don’t want to be the strong female lead. The New York Times

Thanks for stopping by. I hope you’re taking away something to help with your current work in progress.

Until Thursday, be well, my writerly friends 🙂

Tipsday2019