Tipsday: Writerly Goodness found on the interwebz, July 17-23, 2016

I am pleased to present your informal writerly learnings for the week.

K.M. Weiland: four ways to verify if your story concept is strong enough. Helping writers become authors. Also: four places to find the best story conflict.

You know what your novel means, but does your reader? Roz Morris advises that you approch the problem with two mindsets. Nail your novel.

Liz Lazzara guest posts on Writer Unboxed. Storytelling: an exercise in empathy.

Jeanne Kisacky: the synergy of the first draft, whether you trim or embellish. Writer Unboxed.

Dan Blank presents a hobbit’s guide to launching your book. Writer Unboxed.

Pamela Hodges lists fourteen books that should be on every writer’s shelf. The Write Practice.

Jennifer Louden guest posts on Jane Friedman’s blog: five ways to develop your writer’s voice.

Karen Woodward: never give up your dreams.

Chris Winkle offers seven common causes of reader confusion. Mythcreants.

Gail Carriger lends her expertise to Janice Hardy’s Fiction University. How to write (and how not to write) an author bio.

Derek Newman-Stille interviews Kate Story for Through the Twisted Woods.

The Writer’s Block features Matt Murphy.

Victoria (V.E.) Schwab writes about the slow pursuit of overnight success.

Writing as resistance. Chris Hedges for Truth Dig.

Keeping up with the Wangs. (SF related.) The Economist.

Grant Munroe interviews Margaret Atwood for Literary Hub.

Gabrielle Bellot explains why Calvin and Hobbes is great literature. Literary Hub.

This live-action Futurama fan film is both incredibly impressive and creepy. Bryan Menegus for i09.

Coldplay and Michael J. Fox play a tribute to Back to the Future. The Hollywood Reporter.

The Vulture lists every major film reference in Stranger Things. This series is full of homage. Lurve.

John Squires shares what Stephen King thinks about Stranger Things. iHorror.

Germain Lussier presents the first Wonder Woman trailer. Yum! i09

Come back Thursday ya’ll and get ya’s some thoughty 🙂

Tipsday

Ad Astra 2016, day 1: The influence of Shakespeare on science fiction and fantasy

Disclaimer: I am not perfect and neither are my notes. If you notice anything that needs correction or clarification, please let me know: melanie (dot) marttila (at) gmail (dot) com and I fix things post-hasty.

Panellists: Kate Heartfield, Arlene F. Marks, Kate Story

ShakespearePanel

AFM: Shakespeare’s plays were, in his time, entertainment and education. They’re lessons in history, then and now. They also were some of the earliest examples of genre. Hamlet is, in part, a ghost story. MacBeth can be seen as urban legend. A Midsummer’s Night’s Dream is fantasy.

KS: Shakespeare needed to make a living. That’s why he wrote. He was a great enabler of public discourse.

KH: You don’t have to go far to find gender queer characters in Shakespeare.

AFM: The Hogarth Shakespeare series from Penguin Random House is asking well-known authors, like Margaret Atwood, to re-imagine his plays. That’s the brilliance of Shakespeare. You can put any one of his plays into any era or milleu.

KH: A lot of adaptations of his work are coming out because it’s the 400th anniversary of his death.

KS: My father was a scholar in Newfoundland. We had a cultural renaissance in the 60’s and 70’s and we started to make some connections. Maybe we have something to offer to the tradition. I think the spirit of Shakespeare’s time was close to Newfoundland’s now. Shakespeare has always been there and has always been an influence. Shakespeare’s women were far more realistic than the women characters of many modern playwrights.

[Kate then performed the monologue from her story in Carbide Tipped Pens, edited by Ben Bova and Eric Choi. It was a variation of Romeo and Juliet, set in space. She’s currently working on the stage play. I just sat back and enjoyed 🙂 ]

Ian McKellan said in an interview, “Where in the modern world would it be so wrong for two people to fall in love?” It resulted in a 70’s production of Romeo and Juliet set in Belfast.

AFM: In Shakespearean times, it was forbidden for women to go in stage. All women’s roles were played by men, or, more often, boys. The audience was very demanding. If they didn’t like a play, or the actors, they brought rotten vegetables to throw.

KS: He was asking the audience to be clever, to know it’s a man playing a women, pretending to be a man. It engaged the audience, drew them in.

AFM: It’s the fiction of the people. The only publisher that approaches this today is Harlequin, who would hold regular “reader appreciation” luncheons to meet their most popular authors. In Shakespeare’s day, there would be nobles and prostitutes in the same audience. It was whoever had the money to pay.

KS: It was nuts for the theatre. A sixth of the population of London would attend the performances.

KH: The culture of fandom/fanfic has a lot in common with the culture of Shakespeare. There’s nothing more Shakespearean than fanfic. Most of Shakespeare’s plays were drawn from earlier works. He borrowed liberally from Ovid.

Q: Shakespeare’s plays address universal themes. The more popular ones get done. Some might say overdone, but the historical plays are ignored.

KS: My theatre did a gender-swapped Taming of the Shrew.

KH: The film industry has done a better job. My Own Private Idaho, The Hollow Ground series, Looking for Richard.

AFM: A Thousand Acres was the story of King Lear. Shakespeare was brilliant of using every member of the company. There were often comic actors. Characters like Falstaff were written for them. If there were acrobats, he’d give them something to do. They had to be very practical in terms of costuming for these reasons.

KH: Titus Andronicus and Troilus and Cressida were essentially horror. Shakespeare was a great worldbuilder. He was consistent in terms of how fairies, spirits, and witches behaved. His idea of Titania was dark, but comic. Fairies had an alien sense of good and evil.

AFM: He built on the motivations of all his characters.

And that was time.

Next week: The do’s and don’ts of writing erotica (oh, my!).

Ad Astra 2015 day 1: The beldam, the hag, and the hedgewitch: Witches in popular culture

Panelists: Derek Newman-Stille, Kate Story, Karen Dales, and Gail Z. Martin

GZM: How has the trope of the witch been used in the past?

KS: In the European tradition, witches were evil. We have a countercultural fascination with them.

GZM: That might depend on your point of view.

KD: The roots of the word witch are from the Anglo Saxon wicce/wicca. It means wise. The vilification of witches came about as a result of the Inquisition and the malleum malificarum (the witches hammer). Disney’s portrayals of witches have cemented the pejorative image witches have.

GZM: Every village had a hedgewitch. Someone wise, who knew about herbs, could deliver a baby, and so forth.

KD: Hereditary witches are still around today.

DNS: In Greek and Roman times, the practitioners were mostly men. They used curse tablets and imported Egyptian and Jewish words.

KS: Nnedi Okorafor writes about witches in her young adult novels. In Nigeria, there are actual witch camps.

GZM: Voodoun and Hoodoo, though they started in similar ways, are very different traditions. Santeria, too, started with the mystification of Catholic saints and ritual.

KS: One of the lenses we’re looking through is the appeal of the witch to young people. It’s the attraction of the unseen, ghosts, supernatural abilities; it’s the longing to see and work with these things.

KD: Llewellyn publications has seen a massive uptake in sales of their informational magic books. In Toronto, we have four occult shops. Young women are attracted to wiccan practice thanks to shows like Charmed and Buffy the Vampire Slayer (Willow). The attraction is the ability to have a personal relationship with the divine without an intermediary.

GZM: The young protagonist may not even know what’s happening to them.

DNS: There’s actually an organization called the Harry Potter Alliance and they are activists. They do good for a lot of different people in a lot of different situations.

GZM: In Bewitched, the curses the witches made were all to Hecate. The Kathryn Kurtz novel Lammas Night was based on true events.

KD: Sir Terry Pratchett went to the Pan-European Convention to conduct research for his novels.

GZM: Butcher’s Dresden was not an evil character, but, because he was taught by an unscrupulous master, he suffered repercussions for decades afterward.

DNS: We love delving into the darker aspects of the witch. Look at “Dark Willow” from Buffy, and Stephen King’s Carrie.

GZM: A character can find an ouija board and an old book and suddenly there are unforeseen consequences.

DNS: It plays into political conservatism. If you experiment, bad things will happen to you. Essentially, it’s fear of knowledge.

GZM: You have to take responsibility for your actions.

KD: In The Mummy, the characters are told not to read the book. She reads it anyway and releases the mummy.

KS: A little knowledge is a dangerous thing.

Q: Do you find in fictional depictions that it’s the girls who are called to the dark side? Boys seem to get away with anything.

KD: Maybe the guys can handle it and the girls can’t? I’d argue that’s societal bias and not necessarily accurate.

GZM: Our culture is still struggling with women who have power. In reality, there are just as many foolish boys as there are foolish girls.

DNS: Knowledge is still forbidden to women in many ways. In fiction, it’s often a traumatic event that triggers the emergence of power. It reflects institutionalized abuse.

GZM: In Norse culture, it’s okay for women to have power.

KD: In Celtic legends the king could only assume power—and keep it—by virtue of having ritualized sex with the goddess, or her representative.

KS: There’s a South African contemporary dancer who has recently revealed that he is from a long line of shaman. That’s how he channels his dance.

DNS: The curse tablets I mentioned earlier were meant to harness Cthonic powers (under the earth). England is a particularly rich source because they used lead tablets which were then rolled. These have lasted much longer that their stone equivalents. They were stabbed with nails to enact the curse.


And that was my short hand for what was a lively discussion of witches in various popular media 🙂