Joan Didion

Tipsday: Informal writerly learnings, Jan 23-29, 2022

/ Melanie Marttila

Another week, another batch of informal writerly learnings 🙂 Enjoy!

Sara Farmer shares the mystery series she enjoys so much, they’re automatic buys. Then, Savannah Cordova lists her top tips for self-publishers in 2022. Gabriela Pereira interviews Sue Campbell about marketing mindset shifts for writers. Then, Marina Barakatt invites you into the pages of Don’t Go without Me. Wilnona and Brandy provide five tips for genre-hopping with ease. DIY MFA

Holiday Barbie, warrior princess. Jill Bearup

Vaughn Roycroft: WU’s greatest gift. Elizabeth Huergo shares a lesson from Joan Didion: clarity trumps expedience. Then, Kelsey Allagood suggests four ways to silence your inner comments section. Julie Carrick Dalton wonders, who are you writing for? Liz Michalski wants a room of her own. Writer Unboxed

Don’t Look Up—a problematic metaphor for climate change? Like Stories of Old

Kris Maze shares nine productivity tips she learned from knitting. Then, Lisa Hall-Wilson shares four tips for writing a trauma disclosure in deep point of view. Ellen Buikema explains how to use touch in writing. Writers in the Storm

Shaelin explains how to write in omniscient point of view. Reedsy

K.M. Weiland lists 11 ways to tell if your inner critic is healthy. Helping Writers Become Authors

Liz Keller Whitehurst is writing magic in a real-world setting. Writers Helping Writers

Princess Weekes goes inside the absurdist mind of Kurt Vonnegut. It’s Lit | PBS Storied

Jane discovers what kind of books translate well to the screen. Jane Friedman

Nathan Bransford helps you figure out whether you’re an athlete or an artist.

How the dyed-hair girl stopped being edgy. The Take

Chris Winkle shares five tips for reviving bland prose. Then, Oren Ashkenazi figures out who wins on engagement: Buffy, Supernatural, or Teen Wolf? Mythcreants

Toni Morrison lists the 10 steps that lead countries to fascism. Hauntingly accurate. Open Culture

Mazey Eddings explores the benefits of writer friends. Neurodiverse authors rule 🙂 Publishers Weekly

Sales soar for Maus after US school district bans the Holocaust graphic novel. CBC

Thanks for stopping by. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Informal writerly learnings, Dec 19-25, 2021

/ Melanie Marttila

Ack! It’s the last tipsday of 2021! Where did the year go?

E.J. Wenstrom suggests three author platform resolutions for 2022. Then, Sara Farmer shares her favorite children’s mysteries (so far). J.L. Torres offers a masterclass in short fiction, voice, and opening lines. Then, Carol Van Den Hende considers five 2021 book cover trends. DIY MFA

Tim Hickson shares the seven stories that changed his life. Hello, Future Me

Lisa Norman lists nine keys to being media ready. Then, Ellen Buikema explains how to use sound to make your writing memorable. Writers in the Storm

Tom Scott walked into a bar … and then I threw him out a window. Jill Bearup

Vaughn Roycroft: joy to the (writerly) world! Then, Kelsey Allagood says, keep making art, even if the world is ending. Kasey LeBlanc explains how not to miss the forest for the trees: appreciating the long and winding writing road (and its many detours, pitfalls, and stumbles). Then, Erika Liodice shares the 3-2-1 rule for protecting your work in progress. Natalie Hart recommends you give the gift of a good book gush. Writer Unboxed

Dynamic vs. static characters, and why you need both. Reedsy

Susan DeFreitas wonders, what makes a story feel like a story? Jane Friedman

Chris Winkle shares lessons from the vague writing of The Remnant Chronicles. Then, Oren Ashkenazi analyzes five movies that audiences loved but critics hated. Mythcreants

Chuck Wendig offers his thoughts on The Matrix: Resurrections, or the conversations art has with itself. Terribleminds

Santa’s cruel fairy tale cousin, the demon of frost. Tale Foundry

Nina Munteanu explains why you should keep a journal.

Hua Hsu considers the revolutionary writing of bell hooks. The New Yorker

Emma Cline unpacks Joan Didion’s specific vision. The New Yorker

Toniann Fernandez: Jeremy O. Harris and Samuel Delaney in conversation. The Paris Review

Beginnings at the End of Love: Rebecca West’s Extraordinary Love Letter to H.G. Wells in the Wake of Heartbreak. The Marginalian

Julia Métraux wonders if Trinity’s the real hero of The Matrix. JSTOR Daily

Thank you for stopping by, and I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!