Tipsday: Informal writerly learnings, March 13-19, 2022

You’ve survived Monday! Reward yourself with some informal writerly learnings 🙂

Sophie Masson helps you use varied narrative forms in your novel. Then, Dave King wonders if you’re drowning your story in imagery. Barbara Linn Probst wants you to write secondary characters with purpose and pizzaz. Porter Anderson: evil and The Age of Madness. Writer Unboxed

K.M. Weiland: how do you know when you’re a successful author? Helping Writers Become Authors

Ellen Brock explains how to write your novel as an intuitive pantser.

Lori Freeland returns with to comma, or not to comma, part 3. Then, Lynette M. Burrows shares even more things she wishes she knew before she published (also, part 3). Eldred Bird tells a modern writing horror story. Writers in the Storm

Tim Hickson wonders if there’s any hope for Amazon’s Lord of the Rings series. Hello, Future Me

Lori Walker reviews 1984 by George Orwell—in graphic novel form. Then, Stephanie BwaBwa fills your self-publishing toolkit for authorial success with writing tools. Ashley Christiano helps you beat writer’s block and plot your novel with tarot cards. Brittany Capozzi explains five ways the vagus nerve helps writers focus. DIY MFA

Shaelin explains how to write compelling secondary characters. Reedsy

Ashleigh Renard explains how to make money through social media without being an influencer. Then, Caroline Topperman helps you figure out which social media platform is the best. Jessi Rita Hoffman unpacks children’s dialogue: they don’t talk like adults. Jane Friedman

On her own channel, Shaelin shares how she works on multiple projects. Shaelin Writes

Lucy V. Hay helps you figure out if your story is a mystery, thriller, or horror. Then, Becca Puglisi recommends choosing the right job for your character. Writers Helping Writers

Nathan Bransford: writing a book is a time game.

Dr. Moiya McTier explains what constellations mean to different cultures. Fate & Fabled | PBS Storied

Story theme: definition and examples for a controlling idea. Story Grid

Chris Winkle examines six types of downward turning points. Then, Oren Ashkenazi discusses five conflicts with weak turning points, and how to fix them. Mythcreants

Angie Hodapp is zeroing in on comps (part 2). Pub Rants

This story will break your heart—The Ocean at the End of the Lane by Neil Gaiman. Tale Foundry

Anna Russell enters the secret life of Beatrix Potter. The New Yorker

Erin Somers reports how editorial resignations at big houses spark reckoning. Publishers Lunch

Jonah Berger analyzes the science of blockbusters: what makes a good story? University of Pennsylvania, Wharton

Why Game of Thrones already feels dated. The Take

Allegra Hyde considers what makes a great opening line. Literary Hub

Anne Delaney unpacks filler words and floor holders: the sounds our thoughts make. JSTOR Daily

Thanks for spending some time with me, and I hope you found something to support your current work in progress, whatever stage it’s at.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, May 24-30, 2020

Welcome to June! However you’ve been weathering the pandemic, I hope you’re keeping safe and well. It’s time to reward yourself with some informal writerly learnings.

But first, my brief weekly update.

#Pandemiclife continues, and I’ve heard some confirmation that my employer will keep up to 90% of staff working from home. So, I’m here for the long haul, as expected. I’m also just coming off two weeks of virtual training and entering into two more. In recent years, training of any kind has exhausted me. Virtual training brings its own complications. Still, I seem to be doing a decent job. The feedback has been positive, in any case.

The added distress of violence against people of colour here in Canada and in the US is depressing. It’s reprehensible and I keep hoping—naively—that we’ve grown past such hateful conflicts. My faith in the human race is crumbling.

Here are some good words from some good people (we can take some comfort in that):

Abigail K. Perry demonstrates a Story Grid scene analysis of Giver of Stars. Then, Brenda Joyce Patterson promotes writing small in viral times. Later in the week, Sacha Black shares five ways to improve your description. DIY MFA

Sacha Black drops by Writers Helping Writers, too: three ways to differentiate your characters.

Shaelin explains how to discovery write your novel. Reedsy

Laurie Schnebly Campbell considers the pros and cons of writing a series. Then, Lisa Hall-Wilson offers three exercises to help you dive deeper into character emotions. Writers in the Storm

K.M. Weiland devotes this week’s post and podcast to an editing Q&A. Helping Writers Become Authors

How to stay motivated as a writer. Reedsy

September C. Fawkes stops by Elizabeth Spann Craig’s blog: how to write subtext.

Jessi Rita Hoffman discusses the problem of self-conscious writing: do you torture your metaphors? Jane Friedman

Janice Hardy shares a handy checklist to strengthen the narrative drive in your scenes. Then, Swati Teerdhala explains when to tell rather than show. It’s such a delicate balance! Fiction University

Robin LaFevers wants you to break through writer’s block. Writer Unboxed

Jenna Moreci helps you set the scene.

Jami Gold: what do readers want from a story’s POV? Then, she explains that word choice is about more that picking the right word.

Chris Winkle shares six character archetypes for love interests. Oren Ashkenazi facetiously lists seven reasons it’s definitely okay to ignore storytelling rules. Mythcreants

Thanks for visiting. I hope you took away something to support your current work in progress.

Until Thursday, be well and stay safe, my friends.

Tipsday2019