Jami Gold

Tipsday: Writerly Goodness found on the interwebz, April 19-25, 2020

/ Melanie Marttila

Sunday (April 26th) marked one month since I started working from home and a little over six weeks since covid-19 was declared a pandemic and physical distancing measures were put in place. In that time, several of the small businesses and independent workers whose services I used have shut down operations. This past week, one of those small businesses made the decision to close permanently.

I understand the decision and wish the two wonderful businesswomen all the best, but it makes me sad that they were forced to the extremity. Unfortunately, none of the measures the government offered for small businesses were appropriate for them. I worry that more small businesses will follow suit.

This has been a trying time for everyone for a variety of reasons. Take care of yourselves and take some time to enjoy these informal writerly learnings.

Jan O’Hara: turning points (or, how not to kill your partner during covid-19 lockdown). Dave King discusses the practice novel (also called the shelf novel or trunk novel—scarier words were never writ). Anne Greenwood Brown reveals the science behind the meet-cute. Heather Webb explains how to find and hone your author voice. Writer Unboxed

Becca Puglisi offers nine ways to originalize your story. Writers in the Storm

Shaelin starts a new series about developing a novel. Part one: concept and idea. Reedsy

K.M. Weiland lists four ways writing improves your relationship with yourself. Helping Writers Become Authors

Joanna Penn talks to Gail Carriger about building a unique author brand. The Creative Penn

Susan DeFreitas continues her series on developing a writing practice with part four: easy. Jane Friedman

Lisa Hall-Wilson explains what emotional context is and why your story needs it. Later in the week, Angela Ackerman shows you how to describe a location you’ve never visited. Writers Helping Writers

Jami Gold helps you use scene and sequel better.

Chris Winkle lists five common dialogue problems and how to fix them. Then, Oren Ashkenazi digs into the world building of Naomi Novik’s Temeraire. Mythcreants

How the manic pixie dream girl has evolved. The Take

And the crazy woman.

Maria Popova introduces us to The Lost Words: an illustrated dictionary of poetic spells reclaiming the language of nature. Brain Pickings

Kate Yoder considers the words this unprecedented time of change have brought into our lexicon. Grist

Thank you for stopping by and I hope you found something to support your current work in progress.

Until next time, be well and stay safe, my writerly friends.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, April 12-18, 2020

/ Melanie Marttila

I hope everyone is staying safe and keeping well. Here’s your weekly dose of informal writerly learnings to help fill some of your time (I know you’re all doing what you can to keep yourselves occupied).

Helen J. Darling says that if you’re finding it hard to write, try keeping a pandemic journal. Sara Farmer considers fiction from Daphne du Maurier to Megan Abbott: the gothic horror of womanhood. Later in the week, Gabriela Pereira interviews Jeff Garvin about dismantling the stigma of mental illness. DIY MFA

Lori Freeland helps you understand point of view: P-O-What? Writers in the Storm

K.M. Weiland explains how to get some writing done: discipline vs. enthusiasm. Helping Writers Become Authors

Jim Dempsey offers a simple guide to symbolism in stories. Kathleen McCleary wants you to fuel your writing with feeling. Barbara Linn Probst shares five ways to light the spark of a novel. Writer Unboxed

Sacha Black wants you to breathe life into your prose with the sense of touch. Writers Helping Writers

Specificity and concrete language. Shaelin Writes

Susan DeFreitas shares part three of her developing a writing practice series: important.  Then, Mathina Calliope reveals the easy-to-fix tense problem that might be tripping up your readers. Jane Friedman

Jami Gold explains the difference between passive and active voice: was and not was. Later in the week, she wonders if pandemic anxiety is forcing everyone to count their spoons.

Chris Winkle breaks down act 3 of Dr. Horrible’s Sing-Along Blog. Then, Oren Ashkenazi looks at six magic systems that need stricter limits. Mythcreants

Writing fight scenes. Hello, Future Me

Chuck Wendig writes about being broken in half but wanting to be whole. Terribleminds

Steve Toase confronts the default: portraying homelessness in fantasy and science fiction. Tor.com

Thanks for stopping by, and I hope you take away something that will support your current work in progress.

Until Thursday, stay safe and well, my writerly friends.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, April 5-11, 2020

/ Melanie Marttila

Another week of physical distancing has come and gone. Another week of working from home or unemployment, and increasing numbers of confirmed illness, hospitalisation, and deaths from covid-19. There is also hope that, in some areas, at least, that we’re reaching a peak, beginning to flatten or plank the curve.

Treatments are being investigated while a vaccine is in development, but this new normal may pertain until a vaccine is available. I hope that you’re finding a way to navigate the enforced isolation.

My own humble contribution is this curation of informal writerly learnings. Enjoy.

K.M. Weiland lists seven ways writing saves us when life is hard. Helping Writers Become Authors

Susan DeFreitas returns to Jane Friedman’s blog with part two of her developing a writing practice series: community. Then, Susann Cokal suggests that instead of setting a goal, try a writing dare.

Shaelin Bishop explains show, don’t tell, so you can actually understand it. Shaelin Writes

Over on Reedsy, Shaelin lists the pros and cons of past and present tense so you can choose the best one for your story.

Tamar Sloan shares what you need to know to keep the words flowing in difficult times. Writers Helping Writers

Jeanette (the Writer) Smith considers whether you can trust editing software. And here’s my latest column: five books on the tarot for writers. DIY MFA

Jenna Moreci shares her favourite man tropes 🙂

Jami Gold wants you to escape generic storytelling by asking why. Then she helps us understand the past perfect tense.

Janice Hardy helps you identify whether it’s a loss of momentum or writer’s block. Fiction University

Chris Winkle tackles Act II of Dr. Horrible’s Sing-Along Blog. Then, Oren Ashkenazi explains what Tolkien did right—and wrong—when he built Middle Earth. Mythcreants

Kristen Lamb shares the truth about introverts and why isolation is hard on us, too.

Thank you for visiting, and I hop that you’ve found something here to support your current work in progress.

Until Thursday, be well and stay safe.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, March 22-28, 2020

/ Melanie Marttila

I hope you’re all keeping safe and well.

I’m now working from home and only leaving to walk the dog. Phil continues to be our designated shopper. We’re all remaining as isolated as possible given the circumstances.

While you’re at home, you might have the time to catch up on your informal writerly learnings.

Julianna Baggott is creating in the time of quarantine. Liz Michalski: sea glass. Heather Webb says, the beauty is in the words. John J Kelley: for the love of Moira—the arc of a memorable character. Writer Unboxed

K.M. Weiland touts the power of hopeful stories in a stressful time. Helping Writers Become Authors

E.J. Wenstrom explains how authors can build a true community of fans. Later in the week, Savannah Cordova lists five signs your story’s structure needs work. DIY MFA

Shaelin shares six ways to improve your craft. Reedsy

Barbara Linn Probst visit’s Jane Friedman’s blog to explain the when, why, and how of peer critique and professional editing.

Lisa Hall-Wilson explains how to write compelling emotional triggers. Ellen Buikema explores white space on the page. Writers in the Storm

The Take takes on the weird girl trope.

Chris Winkle helps you make the most of your narrative premise. Then, Oren Ashkenazi explains why zombies aren’t a good pandemic parallel. Mythcreants

Meg LaTorre shares ten fantasy tropes she loves. iWriterly

Jami Gold explains how point of view affects dialogue.

Nina Munteanu: dreams and perceptions and “the other.”

Robert Lee Brewer clarifies fable vs. parable vs. allegory. Writer’s Digest

Adrienne Westenfeld recommends the best books for distancing yourself from reality right now. Esquire

Open Culture introduces us to the world’s first author: the Sumerian High Priestess Enheduanna.

Thank you for visiting, and I hope you took away something to support your current work in progress.

Until Thursday, be well!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, March 8-14, 2020

/ Melanie Marttila

As the covid-19 crisis continues to escalate, keep calm and stock up on informal writerly learnings from the comfort of your home.

Sophie Masson advises us about creating and presenting writing workshops. Jim Dempsey: writing when you’re not writing. Juliet Marillier wants you to tell a tale for our times. Kathryn Craft says, let your protagonist’s light shine. Writer Unboxed

K.M. Weiland uses critique to demonstrate six tips for introducing characters. Helping Writers Become Authors

Jenna Moreci shares her favourite paranormal tropes.

Laurence MacNaughton shares a six-point story checklist for powerful scenes. Then, Janice Hardy offers a three-step plan for returning to a partially finished manuscript. Fiction University

Jami Gold helps you find the right pace for your story. Writers Helping Writers

Nathan Bransford: everything writers need to know about book series.

Sara Letourneau offers some writing exercises for exploring the theme of man and the natural world. Later in the week, Dave Chesson shares five tips for levelling up your craft. DIY MFA

Some great tips for creating a consistent writing habit. Reedsy

Becca Puglisi shares eights ways to hook readers at the ends of chapters. Then, Oren Ashkenazi analyzes five plot twists that are too obvious. He tackles some well-known, bestselling, award-nominated, or award-winning novels and, while I can see and might even agree with the assessments, I’ll note that it did not have a negative impact on my enjoyment of the novels (well, with one exception, but I won’t get into that here). I think many readers enjoy these books regardless of, or despite, these faulty plot twists and that writing something similar won’t necessarily hurt your chances of publication. You can always strive to do better, and I think that’s the point of the article. Still, take it in context (and don’t panic). Mythcreants

Robert Lee Brewer explains how to daringly and correctly use semicolons. Writer’s Digest

Thanks for stopping by and I hope you took away something to help with your current work in progress.

Now more than ever, be well, my writerly friends.

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Feb 23-29, 2020

/ Melanie Marttila

March first was lamb-like. I’m hoping for a gentle month. How about you?

Now, it’s time to get your fill of informal writerly learnings.

Tiffany Yates Martin lists ten specific ways to encourage your reader to like your protagonist. Kris Maze shares five steps to becoming a superstar self-editor. Writers in the Storm

Julia Munroe Martin is not above spying … again. Barbara Linn Probst is taking it scene by scene: the “middle level” of writing. Heather Webb tackles the social media meltdown and burnout. Writer Unboxed

K.M. Weiland shares the professional resources she uses for all aspects of writing and publishing processes. Helping Writers Become Authors

Do you need to outline your book? Reedsy

Then, Shaelin recommends how to develop your best writing process. Reedsy

Joanna Penn interviews Barbara Poelle about finding and pitching a literary agent. The Creative Penn

Sarah Chauncey lists five flashback mistakes. Jane Friedman

Nathan Bransford: don’t release the tension.

Manuela Williams shares five tips for writing an author bio that stands out. DIY MFA

Jami Gold explains how to get advice from an editor. Later in the week, she wonders, do our stories have deeper meanings?

Chris Winkle lists the four essentials of an effective character arc. Then, Oren Ashkenazi explains how to use failure in your story. Mythcreants

Thanks for stopping by. I hope you took away something tasty that will support your current work in progress.

Until Thursday, be well!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Feb 16-22, 2020

/ Melanie Marttila

Here we are in the final week of February. Winter is crawling to its end, the light returns, and so does the hope of spring. Celebrate with some informal writerly learnings 🙂

Tasha Seegmiller: writer, you are separate from your craft. Barbara Linn Probst considers likeable and relatable: why (and how) do they matter? Writers in the Storm

Vaughn Roycroft has a new take on readership. Dave King: the web of writing. Kathleen McCleary has answers to questions about writing. Porter Anderson analyzes the Authors Guild’s 2020 Report. Writer Unboxed

K.M. Weiland has some thoughts on how to be critical of stories in a way that makes a difference. Helping Writers Become Authors

Joanna Penn interviews Aiki Flinthart about writing fight scenes with female characters. The Creative Penn

Christina Delay wants you to fall in love with your second act. Angela Ackerman explains how to build powerful character relationships. Writers Helping Writers

Janice Hardy considers whether to stop and revise or keep writing the first draft. Fiction University

Brenda Joyce Patterson takes a deep dive into libretti. DIY MFA

Nathan Bransford helps you clear out the clutter around your verbs.

How to write character voices. Reedsy

Oren Ashkenazi explains why “but men are objectified, too” doesn’t hold up. Then, Oren lists ten ways to keep the authorities out of your plot. Mythcreants

Jami Gold wonders, what do you do with disappointment?

Robert Lee Brewer explains the difference between metaphor and personification. Writer’s Digest

Kate Knibbs says, the hottest new genre is doomer lit (formerly known as cli-fi). Wired

Charlie Jane Anders believes that to write about the future is to represent the past. Tor.com

Thank you for visiting and I hope you take away something to support your current work in progress.

Until next time, be well!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Feb 2-8, 2020

/ Melanie Marttila

You’ve survived Monday! Reward yourself with some informal writerly learnings.

Janice Hardy says, author, we have a problem: four plotting tips. Later in the week, Janice is poking dead scenes with a stick. Fiction University

K.M. Weiland shares six steps to create realistic and powerful scene dilemmas. Helping Writers Become Authors

Jami Gold uses an, ahem, moving metaphor to discover what matters in our stories. Then, she wonders, where do you want your story (or career) to go?

Jenna Moreci explains how to tell if you should write a series (and when you shouldn’t).

Abigail K. Perry covers James Scott Bell’s final signpost scene: transformation. As one series ends, another begins. The first of my three-part series on the tarot as a tool for mythic storytelling: an introduction to the tarot. DIY MFA

Donald Maass revisits the uncon again: world building for non-SFF writers. Cathy Yardley: your subconscious speaks a different language. ‘Cause tarot (see above)! Writer Unboxed

Meg LaTorre explains how to find critique partners and beta readers. Writers Helping Writers

Kris Spisak advises you to look at these four problem areas when revising. Jane Friedman

Joanna Penn interviews Jennie Nash: would you make a good book coach? The Creative Penn

Chris Winkle explains how storytellers use reactivity and proactivity for effect. Then, Oren Ashkenazi shares seven tricks to improve your minions. Mythcreants

Etuaptmumk: two-eyed seeing. Rebecca Thomas TEDxNSCCWaterfront

Brit Marling: I don’t want to be the strong female lead. The New York Times

Thanks for stopping by. I hope you’re taking away something to help with your current work in progress.

Until Thursday, be well, my writerly friends 🙂

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Jan 26-Feb 1, 2020

/ Melanie Marttila / 1 Comment

Welcome February, Imbolc, Groundhog Day, and the return of the light! We’ve made it through the better part of winter. Reward yourself with some informal writerly learnings.

Janice Hardy: things to consider when adding a point of view character. Fiction University

Jenny Hansen shares tips for Word’s track changes features, her favourite editing lifesaver. Kris Maze: when rejection becomes connection. Writers in the Storm

Kim Bullock: the benefits of sensory deprivation for writers. Ann Marie Nieves says, we need more of that. Writer Unboxed

The Take examines the smart girl trope.

Jami Gold helps you build a bridge from story beginning to main conflict. Writers Helping Writers

Over on her own site, Jami Gold wonders what calls for diversity mean for our writing.

Ellen Brock shares her theory of four types of writers (across two spectra). Very intriguing. I’m looking forward to the next videos in the series.

Nathan Bransford shares his plot framework. Then, he explains why protagonists need to be active.

Emily Wenstrom lists her top 2020 social media trends for authors. DIY MFA

Jane Friedman offers her guide to getting the most out of a writing conference.

Juliette Dunn lists six things writers should know about autistic people. Then, Oren Ashkenazi analyzes six overpowered characters and explains how to fix them. Mythcreants

The Lost Words Blessing – The Lost Words. Don’t think this belongs in tipsday? Listen. Just listen. You’ll understand.

Caught up in the details? Stop overthinking and just write. CBC Books

Thank you for visiting. I hope you take away some great supports for your current work in progress.

Until Thursday, be well!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Jan 19-25, 2020

/ Melanie Marttila

Welcome to tipsday, your source for informal writerly learnings.

Angela Ackerman wonders, does your character’s behaviour make sense? Then, Lisa Hall-Wilson supplies one quick fix for telling in deep point of view. Writers in the Storm

Jan O’Hara explains what cows and writing competence have in common. Dave King had a solution to absent friends. Heather Webb is navigating an evolving writing process: writing on a boat, with a goat. Keith Cronin: on getting it and showing up. Writer Unboxed

K.M. Weiland examines the two different types of lie your character believes. Helping Writers Become Authors

Tim Hickson on writing first person. Hello, Future Me

Christina Kaye explains how to write a killer villain. Jane Friedman

Nathan Bransford shares nine ways to spice up your characters. Later in the week, he wonders, what does it mean to be your “real self” online?

Leanne Sowul wants you to use the power of habit to achieve your goals. Then, Bronwen Fleetwood wonders, should you use pop culture references in MG and YA fiction? Gabriela Pereira interviews Constance Sayers: stitching together multiple timelines. DIY MFA

Agents Sara Megibow wants you to make a list of personal influencers. Fiction University

Jami Gold considers how to make your protagonist more proactive.

How to introduce your characters, part 1. Reedsy

And part 2:

Chris Winkle examines six effective animal companions (including droids and baby Yoda). Then, Oren Ashkenazi critiques eight instances of sexism in The Witcher. Mythcreants

Robert Lee Brewer clarifies when to use canceled and when to use cancelled. Writer’s Digest

And that was tipsday. Thanks for stopping by, and I hope you took away something you need for your current work in progress.

Until Thursday, be well, my writerly friends 🙂

Tipsday2019