Wordsmith Studio Homecoming 2015: What are you reading?

For the best effect, please read the headline of this post with an incredulous tone šŸ˜‰

WSS Homecoming 2015

1) What are you reading?

Just like I work on multiple project in my writing, I read multiple books, both ebooks and print, cause I kind of have this problem. I can’t stop buying books of any variety (!)

So here’s my current reading list:

  • 1Q84 by Haruki Murakami. Although I’m sure it suffers in translation, I’m enjoying this novel immensely.
  • InFusion by Scott Overton. I’m beta reading this SF novel for an author friend. I’ll save my specific feedback for him, but, just so you know, I think it’s great šŸ™‚
  • The Art of Work by Jeff Goins. On finding your calling. It’s kind of serendipitous that I found out about this book back in January.
  • Moon Called by Patricia Briggs. I picked this up last year after seeing Patricia at Ad Astra. I figured I should get off my butt and read it . . .
  • Pain, Porn, and Complicity by Kathleen McConnell. An academic work on SF&F movies and television series. It’s been a while since I dipped my toes in that particular non-fiction pool.
  • Lock In by John Scalzi. I’m listening to this on Audible. Narrated by the inimitable Wil Wheaton.

2) What was your favorite read in the last year (or month, or…)?

My favourite reading of recent recall is A Turn of Light by Julie Czerneda. I rated it five stars, though I haven’t written a proper review. Yet. This is the kind of fantasy novel I love to read. It’s also the kind I write and there were a lot of similarities between Czerneda’s Jenn Nalynn and Ferrathainn Devlin, the protagonist from my WIP. I was enthralled to the end šŸ™‚

3) Do you have a favorite genre?

Yes and no. I favour fantasy novels of any age range, but I also read science fiction, historical fiction, the classics, mysteries, and romance novels (though I must say I haven’t read many of those recently). I try to alternate fiction and non-fiction reading, as well. Again, most on my non-fiction reads tend to be writing craft books, but I also read as a form of research for my various works in progress, and sometimes, stuff that I’m just interested in. I learn something from everything I read, even if I don’t particularly enjoy the book. In other words, I read as a writer.

4) Bend one step further: are there alternative forms of writing or art that you have found inspiring or even dabbled in?

In my ā€œsearchingā€ phase of university (the undeclared years) I majored in music and art at different times. Performance anxiety put the brakes on my music career, though I still love to sing. I was summarily drummed out of art class when my professor called me nothing more than an ā€œillustrator.ā€ From time to time, I still sketch, but I’ve honestly never been very good. I’ve sunk all my creativity into my writing for a number of years now. In 2000, I did the crazy, being in between jobs, and auditioned for a Theatre Cambrian production of Hair (Y2K). I sang and danced in that, for what it’s worth šŸ˜‰

6) Back to your main inspiration: Do you have ā€œmentorā€ titles for the writing you are working on?

I’ll reframe this in terms of ā€œcomps,ā€ or comparative works. As I mentioned above, I learn something from every book I read, so I don’t have any ā€œmentorā€ titles, per se, though I would identify several novels/authors whose work I aspire to.

  • The above-mentioned Julie Czerneda and her A Turn of Light. I’ve committed to read more by Julie.
  • Juliet Marillier’s Celtic legend inspired Seven Waters series.
  • Guy Gavriel Kay’s novels. Though he writes in a created world, it is based on painstaking historical research. I’m not that dedicated, but I love the stories he writes. He’s actually made me cry in the reading.
  • Sherri S. Tepper. Just anything she writes. I love her ideas. Or should I say lurve?

6) If you didn’t already do this for #4, what music inspires your writing?

Okay, now you’re going crazy. Or you will if I offer up all 963 songs on my iPod (!) Suffice it to say that any music I like is generally something I’ll add to my playlist. I have music from the 60’s, 70’s, 80’s, 90’s, and the new millennium. I like some pop, a lot of alternative, celtic, and world music. I also have more eclectic selections on CD: The Rites of Spring, Satie’s gymnopedies, The Symphonie Fantastique, Carmina Burana, Gregorian chant, a number of Sequentia recordings (including the Eddas), gamelan music, Tibetan singing bells, shakuhachi flute music . . .

My favourite artists (I’ll pick up just about anything they release):

  • Imogen Heap
  • Tori Amos
  • Sarah Slean
  • Florence + the Machine

7) Have you ever thought of this: what book is your main character reading?

Interesting question. I’ll even answer it.

  • Ferathainn Devlin: Sadly, all of Fer’s reading would be studying for her forthcoming initiation, so all of it would be history, scholarly works on magic, or non-fiction works on herbs and simples, astronomy, and the like.
  • Charlene Kalveras: School textbooks, and, because of what’s happened to her father, true crime.
  • Gerod: Owing to his impoverished upbringing in an environment of medieval feudalism, Gerod doesn’t know how to read. He learns, though.
  • Marushka: She hasn’t had any formal schooling, hopping around the world in a magical hut, so she’s had to teach herself everything. She steals books from libraries and reads omnivorously.

8) Do you have a favorite book, article or magazine for writing advice?

Again, I have several šŸ™‚

  • Writing the 21st Century Novel, Donald Maass. Currently on loan to a member of my critique group. Actually all of Maass’s books have helped me immensely.
  • Any of K.M. Weiland’s writing craft books.
  • Any of Roz Morris’s Nail Your Novel series.
  • And the books that have helped me find my way to the writing life: Natalie Goldberg’s Wild Mind and Writing Down the Bones; Julia Cameron’s The Right to Write; Heather Sellers’ Page After Page and Chapter After Chapter; Stephen King’s On Writing; Terry Brooks’s Sometimes the Magic Works; Jane Yolen’s Take Joy; and Ursula K. Le Guin’s The Wave in the Mind.

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Alrightie, then!

I’ll have a wee Sundog snippet tomorrow about miscellaneous stuff, ā€˜cause sometimes you need miscellaneous stuff, you know?

Muse-inks

Some of my favourite books on the craft

Several months ago, I read a post called ā€œConfessions of a Craft Book Junkie.ā€Ā  I had no choice but to comment, because reading books on the craft of writing is an addiction for me.Ā  I’m always buying more!

I have no idea what brought this issue up for me again, but having thought of it, I’ve decided to share some of my favourite craft books with you, and may you reap their myriad benefits! I don’t care if you get them as ebooks, or from a used book shop.Ā  Just get ā€˜em šŸ™‚

In the beginning …

There was Natalie Goldberg.Ā  Writing Down the Bones and Wild Mind were the first two books I read about writing, and they’ve stuck with me through the years.Ā  Goldberg espouses a philosophy of ā€œfirst thoughts.ā€Ā  Writing in your journal first thing when you wake up.Ā  Sound like morning pages to you?

Goldberg introduced me to free-writing, and weaves in wonderful exercises for journal writing with Buddhist philosophy.Ā  Monkey mind and wild mind is a concept I come back to again and again.Ā  Monkey mind is the nattering, distracted place in our heads we occupy most of the time.Ā 

Wild mind … well, draw as big a circle as you can on a piece of paper.Ā  Put a wee speck of a dot in the middle of it.Ā  The dot is monkey mind.Ā  The rest of the circle—you guessed it—that’s wild mind, the cosmic consciousness that will endow your writing with greatness.

The key is to let go.Ā  Don’t worry.Ā  Don’t pin all your hopes on the greatness you might achieve.Ā  Just be in the moment and do it.

Word after word

Heather Sellers two books: Page After Page and Chapter After Chapter really changed my writing game.Ā  It was time for some tough love, and Sellers delivered.Ā  She was the first author I read who asked the question: do you want to be a writer, or are you a writer?Ā  She made the distinction very clear.

Wanting to be a writer means that you’re letting things get in the way, making excuses, because the phrase is always followed by the word ā€œbut.ā€

If you are a writer, you write.Ā  You write every day.Ā  You’re dedicated to your craft and you don’t let excuses get in the way.

Sellers also writes about her struggles, how the disapproval of peers and professors affected her, how relationships, good and bad, can influence your work, and how serious life incidents like car crashes and disease can change things forever.

In the end, you can only keep writing, word after word, page after page, and chapter after chapter šŸ™‚

The Maass Oeuvre

Donald Maass is an industry expert and he turned his expertise into several wonderful books.

His first, The Career Novelist, delved into the changing face of the publishing industry.Ā  No longer the land of monster advances, runaway auctions, and multi-book contracts, Maass discussed the kinds of writers, the kinds of agents, the kinds of editors, and publishers that were emerging, how they might survive the new era, and he offered a lot of practical advice about the mathematics of publishing (what do the numbers mean and why should I care?).

In the current market, this book has lost some of its relevance, but I would argue that it is still an important read.Ā  Understanding the changes that led to the current state of publishing offers the reading writer insight.Ā  Learning from history, we hope not to repeat it.

Writing the Breakout Novel gets more into the mechanics of how to write a damn good novel.Ā  Using his personal experience and that of some of his well-known clients, Maass explains what agents and publishers are looking for, and gives the reader tools to achieve their goals.

The Fire in Fiction is more of the same, but deeper.Ā  Maass really asks the writer to dig deep in this one and offers exercises to deepen your understanding of exactly what it is you’re doing.Ā  Analysis.Ā  Critical thinking.Ā  If you’re willing to work for it, Maass tells you how to write a novel that will WOW.

Finally, The Breakout Novelist, Maass’s most recent publication, is more of a workbook and reference than some of his other books.Ā  It combines the best of Writing the Breakout Novel and The Fire in Fiction with extra exercises.Ā  If you’re having trouble with a particular aspect of your novel, flip to that section and start working through the exercises.

Obviously, I’m a fan.

I’ll have more of these coming in future months.Ā  I just thought I’d start with what I think are the best of the best šŸ™‚

What are some of the craft books that you value and why?Ā  How did they speak to you?Ā  And as always, like, comment, share, subscribe!