Tipsday: Writerly Goodness found on the interwebz, May 31-June 6, 2020

Black lives matter. Indigenous lives matter. All lives cannot matter until Black and Indigenous lives matter. I’m listening, I’m learning, and I’m trying to do better.

2020 has been an apocalyptic year between covid-19, George Floyd’s murder, and the resulting fed up protests. Last week I was mired in despair, complicit in my silence, and deeply aware—and ashamed—of my white privilege.

I’ve read Black authors, Indigenous authors, and authors of other cultural backgrounds. I’ve taken a few Writing the Other courses. I’ve long thought that Canada’s greatest shame was our treatment of Indigenous peoples, but I hadn’t realized the hateful legacy of Canada’s treatment of Black people. I’m deeply grateful to the Black writers who’ve published insightful articles in the Canadian media during the last week (I’ll share some of them on Thursday and in ensuing weeks).

I have hope, though, because all four officers involved in George Floyd’s murder have been charged, even though it took some time to happen. I have hope because of all the protests, not only across the US, but also across Canada and all over the world, in which white and black protestors have stood, or knelt, side by side, demanding change.

I understand it is only a beginning and that we cannot ease the pressure on our elected officials until true and lasting change occurs. But I have hope.

Now, onto the informal writerly learnings.

Therese Walsh: the ourstory of now (BLM). Don Maass: the quest in the quest (BLM). Jael McHenry is getting comfortable with failure. Writer Unboxed

David Chariandy in conversation with Lawrence Hill.

K.M. Weiland shares 11 exercises to enhance your visual storytelling skills. Helping Writers Become Authors

Jami Gold explains the point of foreshadowing. Later in the week, she suggests how to format unusual dialogue.

Jeanette the Writer: even MS Word says two spaces after a period is an error. Gabriela Pereira: this needs to be said (BLM). DIY MFA

Janice Hardy explains why you should tighten your novel’s narrative focus. Fiction University

Kristen Lamb says, unforgettable characters are fashioned from damaged pieces.

Michelle Barker warns of the dangers of anecdotal writing. Writers Helping Writers

Jenna Moreci discusses the worst friendship tropes in fiction (starting at 3:22).

Mira Singer analyzes three genre-defining books with underutilized tropes. Then, Oren Ashkenazi examines six characters with poorly handled arcs. Mythcreants

Chi Luu: the linguistic case for shit hitting the fan. JSTOR

Thank you for stopping by. I hope you were able to find something to support your current work in progress.

Until Thursday, be well and stay safe. Whatever your lane (education, support, donate, protest) become part of the solution. And vote with your conscience. We need to put pressure on our politicians to make change stick.

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Tipsday: Writerly Goodness found on the interwebz, March 8-14, 2020

As the covid-19 crisis continues to escalate, keep calm and stock up on informal writerly learnings from the comfort of your home.

Sophie Masson advises us about creating and presenting writing workshops. Jim Dempsey: writing when you’re not writing. Juliet Marillier wants you to tell a tale for our times. Kathryn Craft says, let your protagonist’s light shine. Writer Unboxed

K.M. Weiland uses critique to demonstrate six tips for introducing characters. Helping Writers Become Authors

Jenna Moreci shares her favourite paranormal tropes.

Laurence MacNaughton shares a six-point story checklist for powerful scenes. Then, Janice Hardy offers a three-step plan for returning to a partially finished manuscript. Fiction University

Jami Gold helps you find the right pace for your story. Writers Helping Writers

Nathan Bransford: everything writers need to know about book series.

Sara Letourneau offers some writing exercises for exploring the theme of man and the natural world. Later in the week, Dave Chesson shares five tips for levelling up your craft. DIY MFA

Some great tips for creating a consistent writing habit. Reedsy

Becca Puglisi shares eights ways to hook readers at the ends of chapters. Then, Oren Ashkenazi analyzes five plot twists that are too obvious. He tackles some well-known, bestselling, award-nominated, or award-winning novels and, while I can see and might even agree with the assessments, I’ll note that it did not have a negative impact on my enjoyment of the novels (well, with one exception, but I won’t get into that here). I think many readers enjoy these books regardless of, or despite, these faulty plot twists and that writing something similar won’t necessarily hurt your chances of publication. You can always strive to do better, and I think that’s the point of the article. Still, take it in context (and don’t panic). Mythcreants

Robert Lee Brewer explains how to daringly and correctly use semicolons. Writer’s Digest

Thanks for stopping by and I hope you took away something to help with your current work in progress.

Now more than ever, be well, my writerly friends.

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Tipsday: Writerly Goodness found on the interwebz, March 1-7, 2020

Welcome to the second week of March, the week that starts out with daylight savings time and International Women’s Day, proceeds through the full moon, and ends with Friday the 13th!

You’re going to need some informal writerly learnings to see you through.

Greer Macallister says, instead of promotion, try participation. Nancy Johnson: you had me at the title. Donald Maass: it can’t happen here. Bryn Greenwood can’t decide whether it’s a sophomore slump or derailment. Steven James: they just won’t understand. File in writers is weird. Writer Unboxed

K.M. Weiland: creativity vs. the ego, or, the value of unpublishable stories. Helping Writers Become Authors

James Scott Bell: synopsis writing made easy. Writers Helping Writers

Susanne Cokal lists four reasons to spend time with “bad” books. Jane Friedman

Nathan Bransford: you gotta tell the story. No matter what.

Shaelin offers eleven tips for new writers. I think these work for everyone. If nothing else, they’re good reminders. Reedsy

Jenn Walton explains how to deepen characters by assessing their fears. Sara Farmer introduces us to Jo March’s twisted sisters: the thrillers of Louisa May Alcott. Gabriela Pereira interviews Claire Waller about writing an unlikable but sympathetic protagonist. DIY MFA

Eldred Bird is colouring with words. Writers in the Storm

Kassandra Lamb explains the importance of backstory, or, how the brain connects the present with the past. Then, Janice Hardy shares three reasons your perfectly good scene is boring your readers.  Later in the week, Janice offers tips for showing character motivation. Fiction University

Jenna Moreci discusses the breaking point.

Chris Winkle explains how to describe female characters without degrading them. Then, Oren Ashkenazi recommends five questions to diagnose an overpowered hero. Mythcreants

Robert Lee Brewer extols the virtues of the Oxford, or serial, comma. Writer’s Digest

Sad news for the already small Canadian publishing scene. Bryan Eneas reports on the bankruptcy of Coteau books, closing their doors after 45 years. CBC

Thank you for visiting and I hope you came away with some fabulous resources to support your current work in progress.

Until Thursday, be well, my writerly friends 🙂

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Feb 16-22, 2020

Here we are in the final week of February. Winter is crawling to its end, the light returns, and so does the hope of spring. Celebrate with some informal writerly learnings 🙂

Tasha Seegmiller: writer, you are separate from your craft. Barbara Linn Probst considers likeable and relatable: why (and how) do they matter? Writers in the Storm

Vaughn Roycroft has a new take on readership. Dave King: the web of writing. Kathleen McCleary has answers to questions about writing. Porter Anderson analyzes the Authors Guild’s 2020 Report. Writer Unboxed

K.M. Weiland has some thoughts on how to be critical of stories in a way that makes a difference. Helping Writers Become Authors

Joanna Penn interviews Aiki Flinthart about writing fight scenes with female characters. The Creative Penn

Christina Delay wants you to fall in love with your second act. Angela Ackerman explains how to build powerful character relationships. Writers Helping Writers

Janice Hardy considers whether to stop and revise or keep writing the first draft. Fiction University

Brenda Joyce Patterson takes a deep dive into libretti. DIY MFA

Nathan Bransford helps you clear out the clutter around your verbs.

How to write character voices. Reedsy

Oren Ashkenazi explains why “but men are objectified, too” doesn’t hold up. Then, Oren lists ten ways to keep the authorities out of your plot. Mythcreants

Jami Gold wonders, what do you do with disappointment?

Robert Lee Brewer explains the difference between metaphor and personification. Writer’s Digest

Kate Knibbs says, the hottest new genre is doomer lit (formerly known as cli-fi). Wired

Charlie Jane Anders believes that to write about the future is to represent the past. Tor.com

Thank you for visiting and I hope you take away something to support your current work in progress.

Until next time, be well!

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Tipsday: Writerly Goodness found on the interwebz, Jan 19-25, 2020

Welcome to tipsday, your source for informal writerly learnings.

Angela Ackerman wonders, does your character’s behaviour make sense? Then, Lisa Hall-Wilson supplies one quick fix for telling in deep point of view. Writers in the Storm

Jan O’Hara explains what cows and writing competence have in common. Dave King had a solution to absent friends. Heather Webb is navigating an evolving writing process: writing on a boat, with a goat. Keith Cronin: on getting it and showing up. Writer Unboxed

K.M. Weiland examines the two different types of lie your character believes. Helping Writers Become Authors

Tim Hickson on writing first person. Hello, Future Me

Christina Kaye explains how to write a killer villain. Jane Friedman

Nathan Bransford shares nine ways to spice up your characters. Later in the week, he wonders, what does it mean to be your “real self” online?

Leanne Sowul wants you to use the power of habit to achieve your goals. Then, Bronwen Fleetwood wonders, should you use pop culture references in MG and YA fiction? Gabriela Pereira interviews Constance Sayers: stitching together multiple timelines. DIY MFA

Agents Sara Megibow wants you to make a list of personal influencers. Fiction University

Jami Gold considers how to make your protagonist more proactive.

How to introduce your characters, part 1. Reedsy

And part 2:

Chris Winkle examines six effective animal companions (including droids and baby Yoda). Then, Oren Ashkenazi critiques eight instances of sexism in The Witcher. Mythcreants

Robert Lee Brewer clarifies when to use canceled and when to use cancelled. Writer’s Digest

And that was tipsday. Thanks for stopping by, and I hope you took away something you need for your current work in progress.

Until Thursday, be well, my writerly friends 🙂

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Jan 12-18, 2020

Welcome to tipsday, the place to load up on informal writerly learnings.

Barbara Linn Probst wants a place to write. Kris Maze gives you three reasons to consider readability before you publish. Writers in the Storm

Janice Hardy touts the freedom of writing without chapters. Diana Gabaldon does this too … think Imma try this some time. Then, she shares a simple trick to keep readers turning pages. Fiction University

It was question week on WU! Sophie Masson wonders, what do you save? Then, Jim Dempsey asks, do you really want to be a writer? Natalie Hart: what do people get wrong about you? Jeanne Cavelos extolls the compelling, emotional, complex sentence. Writer Unboxed

K.M. Weiland offers three life-changing rules for finding more writing inspiration this year. Helping Writers Become Authors

Sacha Black shares six steps to setting yourself up financially as a writer in 2020. Writers Helping Writers

Sara Letourneau assigns additional reading on the theme of man and the natural world. Pamela Taylor is celebrating the solstice (a little late, but hey, SOLSTICE). DIY MFA

The Take unpacks the tough woman trope.

Then, Shaelin looks at the manic pixie dream girl trope (which, it turns out, is not a trope at all). Reedsy

Chris Winkle outlines six important differences between filmed and narrated stories. Oren Ashkenazi analyzes five stories where the heroes lack agency. Mythcreants

Robert Lee Brewer considers when to use a while and when to use awhile. Writer’s Digest

Thank you for taking the time to visit and I hope you found it worthwhile 🙂

Until Thursday, be well!

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Tipsday: Writerly Goodness found on the interwebz, Jan 5-11, 2020

It’s a lovely, sunny Sunday after 20 cm of snow. Please enjoy these informal writerly learnings!

Janice Hardy shares three things to remember when revising from a critique. Later in the week, Janice help you craft hook lines that draw readers in. Fiction University

Christopher Hoffmann: what your dialogue tags say about you. Then, Sangeeta Mehta interviews Jim McCarthy and Paula Munier about what it means to be a full-time author. Finally, Jane herself lists five common story openings you want to avoid—if you can help it. Jane Friedman

Tamar Sloan offers a writer’s roadmap to capturing an unhappy relationship. Writers Helping Writers

Jenna Moreci lists her favourite family tropes.

Nancy Johnson finds a new year brings fresh author envy. “But anticipatory angst is real, if a bit irrational, and I sometimes envy authors who make lists I’m not even eligible for, wondering if my own trajectory will be on par with theirs.” Juliet Marillier wants to be a light in the darkness. What will you use your writerly superpowers for this year? Kathryn Craft is bridging temporal story gaps. David Corbett: wherein we resume our discussion of evil. Writer Unboxed

Jenn Walton hopes you’ll use personality tests to enhance character development. Heather Viera shares five tips for creating a relaxing workspace. DIY MFA

Julie Glover: will your character fight, flee, or freeze? Writers in the Storm

Chris Winkle lists five masquerade explanations and why they’re bad. Then, Oren Ashkenazi points out six military blunders in speculative fiction. Mythcreants

Chuck Wendig blogs at clouds (to make a point about blogging). Terribleminds

Robert Lee Brewer distinguishes between heroes and heros. Writer’s Digest

Hélène Schumacher: is this the most powerful word in the English language? BBC

Georgie Hoole introduces us to Cecil Court: the secret alley full of curious old bookshops. Secret London

Thanks for your time and attention. I hope you came away with something you need for your current work in progress.

Until next time, be well, my writerly friends 🙂

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Dec 15-21, 2019

It’s Christmas Eve! Time to unwrap your package of informal writerly learnings.

books-wrapped

Erika Liodice suggests a new approach for the New Year: un-resolutions. Vaughn Roycroft: the hygge writer. Dave King goes in search of the story beyond the story. Writer Unboxed

Barbara Linn Probst suggests some visual-spatial tools for mapping—and enhancing—you story. John Peragine: the most difficult conversation for writers. Laura Drake recommends using comparison for power. Writers in the Storm

Is it possible to write an original story? Reedsy

K.M. Weiland shows you how to explore theme through your secondary characters: six important questions to ask. Helping Writers Become Authors

Lucy V. Hay shows you three steps to writing diverse characters. Angela Ackerman wants you to build a roadmap to the author future you want. Writers Helping Writers

Jenna Moreci goes over the pros and cons of past and present tense.

Jeanette the Writer answers an editorial question: how do I use italics? Manuela Williams shares five ways to build your author brand when you’re super busy. DIY MFA

Jami Gold explains how to write a strong resolution.

Chris Winkle: agency is what that sexy lamp is missing. Then Oren Ashkenazi suggests eight holiday presents for the fictional character in your life. Mythcreants

Robert Lee Brewer: should you use e-mail or email? Writer’s Digest

Neil Gaiman on the Tim Ferris show.

Thanks for visiting. I hope you take away something you need for your current work in progress.

Until next time, be well, my writerly friends … and to all, a good night!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Dec 8-14, 2019

Here are some informal writerly learnings to peruse while you’re preparing for, or celebrating, the holidays.

Lori Freeland says that show, don’t tell, are the three most misunderstood words in a writer’s vocabulary. Then, Colleen M. Story shared seven ways writers can overcome holiday anxiety. Julie Glover is saying no to get to a more important yes. Writers in the Storm

Shaelin shares five of her favourite tropes. Reedsy

Rheea Mukherjee makes notes on writer dreams, gratitude, and the anxiety of authenticity. Jim Dempsey wants you to manipulate your reader’s point of view. Sarah Callender asks, is imitating the greats helpful or harmful? Kathryn Craft is manipulating story time for maximum effect. David Corbett shares a lesson in forgiveness from The Crown. Writer Unboxed

K.M. Weiland critiques: ten ways to write a better first chapter using specific word choices. Helping Writers Become Authors

Roz Morris shares five post-NaNoWriMo ways to use the holidays to keep your new writing habits … without revising too early. Nail Your Novel

Abigail K. Perry digs into James Scott Bell’s signpost scene 13: the final battle. Brenda Joyce Patterson takes a deep dive into the essay. Then, Constance Emmett shares five tips for post-publication survival and success. DIY MFA

Robert Lee Brewer points out the difference between lets and let’s. Writer’s Digest

Nathan Bransford offer the eight essential elements of a story.

Chris Winkle shares five ways to make multiple points of view more engaging. Then, Oren Ashkenazi explains why some dark topics are more sensitive than others. Mythcreants

Tim makes some excellent points about writing power escalation. Hello, Future Me

Heidi Fiedler stops by The Creative Penn: five ways to quiet your inner editor.

Jami Gold asks, what’s your core story?

Thank you for stopping by. I hope you’re leaving with some great resources for your current work in progress.

Until Thursday, be well!

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Dec 1-7, 2019

Aaaaand … I’m back with some lovely informal writerly learnings for you 😉

Jael McHenry: writing, verbs, and time. Ray Rhamey extols the fun of pantsing. Donald Maass: un-con redux—operation phoenix. Susan Spann cries, curses—foiled again! Cathy Yardley wants you to play to win. Writer Unboxed

Jenna Moreci digs deep to list her top ten dystopian tropes.

Robert Lee Brewer clears up the confusion around lose, loose, and loosen. Writer’s Digest

Emily Wenstrom offers five tips to set (and keep) an author platforming resolution. And here’s my latest Speculations: five awesome ways NASA’s all-woman spacewalk inspires us. DIY MFA

James Scott Bell answers the question, is it necessary to write EVERY day? Then, Angela Ackerman is mastering show, don’t tell. Writers Helping Writers

Writing anti-heroes with Reedsy.

Spencer Ellsworth says, outlines are for revision (say what?)—a different approach for your process. Fiction University

Ellen Brock shares a simple strategy for novel editing.

Chris Winkle shares lessons from the disingenuous writing of Maximum Ride. Then, Oren Ashkenazi considers what makes an antagonistic group problematic. Mythcreants

Thanks for stopping by and I hope you found something you need to fuel your current work in progress.

Until Thursday, be well, my friends.

It’s good to be back.

Tipsday2019