Tipsday: Informal writerly learnings, Jan 8-14, 2023

It’s tipsday! Your chance to stock up on informal writerly learnings!

Nick Taylor explains how to create authentic queer characters. Louise Harnby

Kelsey Allagood wonders, how do you explain climate change to a magnolia tree? Then, Jim Dempsey explains how to write a successful novel. Juliet Marillier muses on the power of story. Next, Kathryn Craft points out three key places where stakes will shape your story’s meaning. David Corbett is writing cromulent dialogue. Writer Unboxed

The poem no one understands. Tale Foundry

Elizabeth S. Craig offers some tips on how to handle reviews as an author. Spunk on a Stick

Hannah Jacobson explains how to find the best awards for your book. Then, Lisa Norman wants you to EAT your heart out to empower your web site. Jenny Hansen points out the importance of great mentors (for you and your books). Writers in the Storm

C.S. Lakin points out the intersection of voice and deep point of view. Live Write Thrive

Joanna Penn interviews Roz Morris about how to (finally) finish your novel. The Creative Penn

Write your book in 2023. Reedsy

Ambre Leffler helps you use water’s superpower of creative flow in winter. Then, Angela Yeh says flash fiction is no flash in the pan. Neil Chase shares seven tips to create a unique sidekick character. Next, AK Nevermore lists five things feeding the lie that there’s no time to write. DIY MFA

Tiffany Yates Martin says backstory is essential to story—except when it’s not. Then, Hattie Fletcher answers the question: Is it OK to ask for before/after examples from a freelance editor? Jane Friedman

Sue Coletta helps you make an unbreakable promise to readers. Becca Puglisi offers some thoughts on writing insecure characters. Writers Helping Writers

Nathan Bransford shows you how to live creatively.

Tiffany Yates Martin asked an AI, what does AI mean for writers? Fox Print Editorial

Chris Winkle lists 12 sources of wish fulfillment for your story. Then, Oren Ashkenazi hosts another three-way ANTS battle between Severance, Andor, and Interview with a Vampire. Mythcreants

Kristen Lamb wonders, is writing a career or a hobby?

Rebecca Solnit: why we need new stories about climate. The Guardian

The Idioms: Largest idioms dictionary. Courtesy of David Corbett (above).

Amanda Perry covers the Griffon Poetry Prize shakeup: new rules, new controversy. The Walrus

Guy Kawasaki interviews Julia Cameron (for the second time) about her new book Write for Life. The Remarkable People Podcast

Thanks for stopping by. I hope you found something to support your current work(s) in progress.

Until Thursday, keep staying safe and well.

Tipsday: Informal writerly learnings, Jan 1-7, 2023

Welcome back to tipsday, your opportunity to get your fill of informal writerly learnings.

A heavily cloud-veiled moon above a winter naked tree.
A heavily veiled moon.

Chuck Wendig shares his writer’s resolution 2023: mounting an aggressive defense. Then, he declares, “Eat shit, robots!” (Or: No, the absolute intrusion of artificial intelligence is not inevitable.) Terribleminds

Lisa Hall-Wilson explains how to edit for deep point of view.

Visions of the future onscreen vs. reality—what came true? The Take

Greer Macallister considers choosing your habit, which reframes resolutions or goals in terms of habit-forming. Thought-provoking for this time of year. Then, Allyson Rice says, I’m sure I’ve landed on a federal list somewhere. Donald Maass discusses chaos and creating fiction. Then, Sarah Callender explains when good enough is good enough. Terah Shelton Harris discusses what we ask of our readers. Writer Unboxed

Elizabeth S. Craig offers some thoughts about writer self-care for the New Year.

Beatrix Potter: the secret life of a Victorian genius. Absolute History

Angela Ackerman wants you to force your character to make hard choices. Then, Colleen M. Story shares five reasons it’s still a good idea for a writer to have a blog. Writers Helping Writers

Ken Brosky reveals the biggest mistake even expert writers make. Then, Michael Evans presents the author-creator marketing playbook. Jane Friedman

How to set writing goals and actually achieve them. Reedsy

Karen DeBonis explains how to talk about your book. Then, J. Alexander Greenwood reveals how to get booked on a podcast by answering one question. Writers in the Storm

Tiffany Yates Martin finds out how Kyla Zhao revises by writing her way out of loneliness. Fox Print Editorial

Gabriela Pereira interviews Mary Robinette Kowal about writing diverse characters via nuanced shifts in language. Then, Manuela Williams talks about point of view in poetry. Stacy Frazer takes you from idea to drafting in five steps. Then, AK Nevermore shares how finding her tribe helped silence her self-doubt. DIY MFA

Chris Winkle analyzes five stories that crawl along. Then, Oren Ashkenazi says that the Willow series is a terrible sequel. Mythcreants

Hey! January 1st was public domain day 2023. Ever wanted to write something based on a property coming into the public domain? Duke Law

Another fabulous resource, courtesy of Jane Friedman: Dr. Mardy’s Dictionary of Metaphorical Quotations. Having trouble putting something to words? Find out how other writers and thinkers have done it. It really helps.

Thank you for visiting, and I hope you found something to support your current work(s) in progress.

Until Thursday, keep staying safe and well.

Tipsday: Informal writerly learnings, Aug 28-Sept 3, 2022

Well, hello, Tuesday-that-feels-like-a-Monday! Launch yourself into this short week with some informal writerly learnings 🙂

K.M. Weiland shares seven tips for adding complexity to your story. Helping Writers Become Authors

Eldred Bird explains what blogging has taught him about writing. Then, James Preston warns of three common traps that can hurt your story (and how to avoid them). Writers in the Storm

Elizabeth Spann Craig helps you finish writing-related tasks quickly.

The secret to a well-paced plot (and it’s ridiculously easy). Shaelin Writes

Janice Hardy explains how writing a novel is like gardening. Fiction University

Alexander Lewis helps you grow your writing business by stepping away from your computer. Jane Friedman

Nathan Bransford: what is the “narrative voice”?

How to find time to write. Reedsy

Abigail K. Perry analyses the first chapter of Red, White, and Royal Blue. Then, Angela Yeh interviews Leslie Wheeler about how to take poetry personally. Mason Engel explains how to beat your writer’s burnout: a seven-step guide to tuning up your creative engine. Later in the week, Jennifer Craven shares five tips for writing multi-POV stories. DIY MFA

Yasmin Angoe relates the trials and tribulations of writing the second novel. Then, Kasey LeBlanc considers ebb and flow: a season for writing … and forgiveness. Liza Nash Taylor says, writer, edit thyself! Writer Unboxed

When the monster is hiding in plain sight. Tale Foundry

Tiffany Yates Martin explains how Elisa Lorello revises: rediscovering joy. Fox Print Editorial

Jordan Kantey lists seven ways to ensure you reach your writing goals. Writers Helping Writers

Chris Winkle wonders, can framing devices be better than terrible? Then, Oren Ashkenazi explains how Simmons scattered his world: building Hyperion. Mythcreants

Plot armour is good (sometimes). Hello, Future Me

Tavi Gevinson waxes on not being afraid to change up your process. The Creative Independent

Leanne Ogasawara is reassessing the workshop in light of culture shock. The Millions

Thanks for taking the time to visit, and I hope you took away something to support your current work(s) in progress.

Until Thursday, keep staying safe and well!

Tipsday: Informal writerly learnings, Aug 7-13, 2022

Welcome to another week filled with informal writerly learnings. Enjoy them on your porch or deck with some iced tea or lemonade as you soak in the summer!

Richelle Lyn is acquiring a virtual mentor. Then, Jeanette the Writer is applying the scientific method to writing and editing. Lori Walker interviews Sarah Adlakha about time travel and alternate timelines in historical fiction. Later in the week, Dominique Richardson explores the ins and outs of writing a young adult novel. Finally, Helen Scheuerer shares five tips for writing a successful series. DIY MFA

A procrastinator’s guide to finishing things. Struthless

Sarah Callender enumerates the perks and perils of pursuing approval. Jim Dempsey: writers have a lot too think about. Kathleen McCleary: to tell the truth. Kathryn Craft wants you to fill your writing life. David Corbett wonders what your character is hiding: the power of secrets. Later in the week, Yuvi Zalkow shares the fuzzy secrets to writing a decent novel. Writer Unboxed

Is Siren Head the ultimate modern monster? Monstrum | PBS Storied

Melinda Van Lone considers fantastic fantasy and scintillating science fiction covers. Then, Sarah (Sally) Hamer wonders how many scenes does it take to tell your story? Ellen Buikema offers some important font considerations for writers. Writers in the Storm

K.M. Weiland wonders how perfect does your structural timing need to be? Helping Writers Become Authors

Why villains love contracts. Tale Foundry

C.S. Lakin shares four steps to create perfect plot twists. Live, Write, Thrive

Tiffany Yates Martin explains how suspense and tension work together to increase story impact. Then, Sangeeta Mehta interviews agents Allison Hunter and Jennifer Weltz about how books are adapted for the screen. Jane Friedman

How mountains inspire mythology. Fate & Fabled | PBS Storied

Marissa Graff shares three tricks to reel in your readers with flashbacks. Then, September C. Fawkes explains why a strong plot requires a significant goal. Writers Helping Writers

Tiffany Yates Martin is having fun with query letters (no, seriously). Fox Print Editorial

Nine things to do before starting a novel. Shaelin Writes

Chris Winkle says your story needs tension, not violence. Oren Ashkenazi: Strange New Worlds reveals the danger of a theme-breaking plot. Mythcreants

The content genre: object of desire and values in story. Story Grid

Tim Hickson fixes Legend of Korra season three. Hello, Future Me

Emily Zarevich uncovers the hoax that inspired Mary Shelley. JSTOR Daily

Ada Palmer: the plotter vs. pantser divide has been exaggerated. Tor.com

Shashi Tharoor says the attack on Salman Rushdie is also an attack on freedom of expression. The Quint

Thank you for taking the time to visit, and I hope you took away something to support your current work in progress, whatever stage it’s at.

Until Thursday, keep staying safe and well, my writerly friends!

Tipsday: Informal writerly learnings, Oct 24-30, 2021

This will be the last tipsday until December 7th! Yup, it’s NaNo again. So, stock up for the month and feel free to peruse past weeks’ posts as well. I don’t know if it’s a coincidence, but this tipsday is jam packed full of writerly goodness. Enjoy!

Kim Bullock faces a fork in the writerly road. KL Burd: “The loss we carry, a sea we must wade.” Elizabeth Huergo discusses genre and its discontents. Then, Milo Todd is losing the magic of writing: The Sweatbox. Heather Webb: Halloween is all about fear; turns out, so is publishing. Writer Unboxed

Racism and horror | Khadija Mbowe

K.M. Weiland poses six questions to help you avoid repetitive scenes. Helping Writers Become Authors

Lisa Cooper Ellison says that structure isn’t the Holy Grail you’re looking for. Jane Friedman

Vivek Hariharan shares six tips for expanding a novel into a series. Live, Write, Thrive

Princess Weekes reveals what the f—k happened behind the scenes of Justice League. Melina Pendulum

Kris Maze offers a worry-free approach to double down on your writing goals. Then, Laurie Schnebly Campbell asks, how deep should you go into your POV? Kathleen Baldwin makes the case for “was” and the much maligned passive voice. Writers in the Storm

Shaelin explains how to write a horror novel. Reedsy

Then she follows up with the best and worst horror tropes. Reedsy

Sue Coletta: what are pinch points and where do they go? Then, Colleen M. Story explains how to tell if you’ve found the best book marketing niche. Lisa Hall-Wilson lists five ways trauma makes your character an unreliable narrator. Writers Helping Writers

Kris Hill is creating characters using collaborative storytelling. Then, Manuela Williams explains how to organize a collection of poetry. Gabriela Pereira interviews Debbie Macomber about writing and publishing a Christmas novel. Then, Alison Stine explains how to write a cli-fi novel. Sarah Van Arsdale shares five ways to resist the inexorable forces pulling you from your writing. DIY MFA

On her own channel, Shaelin shares 20 NaNoWriMo tips. Shaelin Writes

Chuck Wendig reviews the worldbuilding in Villeneuve’s Dune. Emmie Mears shares five things she learned building a writing career the wrong way. Terribleminds

Chris Winkle lists five important ways episodic stories are different. Then, Oren Ahskenazi analyzes To Sleep in a Sea of Stars: how Paolini undercooked his setting. Mythcreants

Princess Weekes shares everything you didn’t know about the father of science fiction. It’s Lit | PBS Storied

Patricia A. Jackson shares a pantser’s tale: follow the white rabbit. Fiction University

Emily Zarka presents the werewolf’s modern metamorphosis. Monstrum | PBS Storied

Kristen Lamb explains how horror can improve your writing in any genre.

Guy Kawasaki interviews Seth Godin: marketing god, blogger, and author. The Remarkable People Podcast

“Queerbaiting” is a tricky term. Don’t abuse it. The Take

Alan Garner: “You don’t want to have a brilliant idea for a novel at the age of 87.” The Guardian

Ena Alvarado reveals the science and slavery in Aphra Behn’s Oroonoko. JSTOR Daily

Hanna Flint says that Dune is an accomplished escape into the realm of cinematic Arab appropriation. The New Arab

Thanks for stopping by. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe!

Tipsday: Writerly Goodness found on the interwebz, June 13-19, 2021

Welcome back to tipsday, your chance to peruse all the informal writerly learnings 🙂

K.M. Weiland covers the flat archetype of the ruler in part 19 of her archetypal character arcs series. Helping Writers Become Authors

Sue Campbell offers a guide for how to be a great podcast guest. Jane Friedman

Shaelin shares her long journey with confidence as a writer. Shaelin Writes

Elizabeth S. Craig is checking in on goals half-way through the year.

Dave King is managing a motif. Then, Barbara Linn Probst is pausing at the border of fiction. Later in the week, Kristan Hoffman posts on not letting ambition take over. Writer Unboxed

What people get wrong about African American English. Otherwords | PBS Storied

Becca Puglisi has some advice for revising your plot after the first draft. Fiction University

Lucy V. Hay shares eight ways to write your novel’s outline. Then, Jessica Conoley returns to complete your writing support triangle with part 3: accountability. Writers Helping Writers

Nathan Bransford: writers are storytellers, not theme-tellers.

Jane Eyre: why we keep reading it (featuring Princess Weekes). It’s Lit | PBS Storied

Anita Ramirez shares the life of a writer—episode 2: the unthinkable. Then, Angela Yeh is discovering ekphrastic poetry. Later in the week, Marissa Levien says, focus on the story, not the word count. Then, Kate Allen shares five tips for balancing writing and your full-time job. DIY MFA

Barbara Linn Probst is bringing a character to life. Jenny Hansen shares five “rules” that may change your writing future. Writers in the Storm

Kristine Kathryn Rusch continues her fear-based decision-making series with part 6: FOMO and the indie writer.

Chris Winkle shares six ways to add stakes to a mystery. Oren Ashkenazi: what a panic on Twitter revealed about writers today. Mythcreants

Why we need the manic pixie dream boy. The Take

Colleen Romaniuk peruses Painted Voices: Sudbury writers publish chapbook about St. Joseph’s Hospital. The Sudbury Star

Claire Cock-Starkey: a star is born (on the history of the asterisk). Lapham’s Quarterly

Ashawnta Jackson: James Baldwin and the FBI. JSTOR Daily

Open Culture shares a never-televised profile of James Baldwin.

Keyaira Boone compiles this list of 18 books to celebrate Juneteenth. Essence

How Jane Austen’s writing reveals her spiritual side. CBC’s “Tapestry”

Kevin Griffin reports that English Bay’s Berkeley Tower to be covered with Douglas Coupland’s murals. Vancouver Sun

Thank you for taking the time to visit. I hope you found something to support your current work in progress.

Until Thursday, be well and stay safe, my writerly friends!

Tipsday: Writerly Goodness found on the interwebz, Jan 19-25, 2020

Welcome to tipsday, your source for informal writerly learnings.

Angela Ackerman wonders, does your character’s behaviour make sense? Then, Lisa Hall-Wilson supplies one quick fix for telling in deep point of view. Writers in the Storm

Jan O’Hara explains what cows and writing competence have in common. Dave King had a solution to absent friends. Heather Webb is navigating an evolving writing process: writing on a boat, with a goat. Keith Cronin: on getting it and showing up. Writer Unboxed

K.M. Weiland examines the two different types of lie your character believes. Helping Writers Become Authors

Tim Hickson on writing first person. Hello, Future Me

Christina Kaye explains how to write a killer villain. Jane Friedman

Nathan Bransford shares nine ways to spice up your characters. Later in the week, he wonders, what does it mean to be your “real self” online?

Leanne Sowul wants you to use the power of habit to achieve your goals. Then, Bronwen Fleetwood wonders, should you use pop culture references in MG and YA fiction? Gabriela Pereira interviews Constance Sayers: stitching together multiple timelines. DIY MFA

Agents Sara Megibow wants you to make a list of personal influencers. Fiction University

Jami Gold considers how to make your protagonist more proactive.

How to introduce your characters, part 1. Reedsy

And part 2:

Chris Winkle examines six effective animal companions (including droids and baby Yoda). Then, Oren Ashkenazi critiques eight instances of sexism in The Witcher. Mythcreants

Robert Lee Brewer clarifies when to use canceled and when to use cancelled. Writer’s Digest

And that was tipsday. Thanks for stopping by, and I hope you took away something you need for your current work in progress.

Until Thursday, be well, my writerly friends 🙂

Tipsday2019

Tipsday: Writerly Goodness found on the interwebz, Dec 29, 2019-Jan 4, 2020

It’s the first tipsday of 2020! Get yourself some informal writerly learnings here 🙂

Kris Maze offers some New Year’s reflections on wellness and this writer’s life. Eldred Bird says, let your characters tell the story. Writers in the Storm

Ten qualities an agent wants to see in a writer. Bookends Agency

Bess Cozby suggests five writing resolutions beyond “write every day.” Tammy Lough helps you ramp up your dialogue with help from Isaac Newton. Samantha Hanni shares five ways to aid your editor. DIY MFA

Donald Maass revisits the un-con a second time: emotional tipping points. Barbara Linn Probst shares a 2020 vision. Julianna Baggott wants you to set aside the planning and the pantsing and consider a land of your own invention. Writer Unboxed

Jenna Moreci lists ten things you should do before you write your novel. My favourite bit: Writing a book is hard. Books don’t just fall out of your mind vagina. 😀

Chuck Wendig says that in 2020 you should write with a knife to your back and the cliff’s edge at your feet. Terribleminds

Chris Winkle explains how The Rise of Skywalker finally made Kylo Ren worth redeeming. Mythcreants

Thank you for visiting and I hope you found something to fuel your current work in progress.

Until Thursday, be well!

Tipsday2019

The next chapter: December 2019 update and year-end wrap-up

Here we are at the beginning of a new year and a new decade. The possibilities seem endless. I hope you’ve all set reasonable goals and are diving into your work with passion and compassion.

The month in writing

Dec2019Progress

In December, my focus was on continuing to rewrite Reality Bomb. I set my goal at 500 words per day or 15,500 words for the month. I wrote 12,131 words, or 78% of my goal.

The only other thing on my writing plate was this blog. I wrote 4,789 words of my 4,250-word goal, or 113%.

And that’s it.

2019 in review

I started off the year ambitiously, as I always do (more on that in a bit). In addition to finishing drafting book five of my epic fantasy series, Tamisashki, roughly revising RB for presentation to my critique group, blogging, and my bi-monthly Speculations column for DIY MFA, I’d decided to write, revise, and submit one short story per month, revise a poetry collection and two collections of my previously published short fiction.

Add to that my involvement in the critique group, which meant—surprise—critiquing some of my partners’ work, attending Ad Astra, Can-Con, and Wordstock Sudbury, and I had a fuller-than-usual plate. Yes, I was finally over my burnout, but I suspected, even as I set these ambitious goals, that I wasn’t up to accomplishing all of them.

Yeah. While I did revise my poetry collection (and wrote a new poem—yay, me), I only managed to write and revise one short story and start on one more before I realized that the one-story-per-month goal was untenable. I never got to either of the short story collections aside from putting them on my 2019 Writing and Revision Tracker.

I did write one side project, a guest post about writers’ grief for WarpWorld, but that was the only unplanned writing I did.

So, I adjusted my goals. Several times. But what I have on this summary page is what I ended up with.

2019Progress

On the writing side of things, I did rather well. Of my collective 114,150-word goal, I wrote 138,875 words, or 122%.

I revised (or rewrote) 123, 155 words of my 157,110-word goal, or only 78%.

Interestingly, the average of my writing and revision percentages is 100%.

Still, between writing and revising, I produced 262,030 words in 2019. That’s over a quarter of a million words. I’m damned pleased with that.

Filling the well

I relaxed in December. I’m fairly certain that I, like many people in northern Ontario, suffer from some degree of seasonal affective disorder (SAD). Self-care is important for me at this time of year. Accordingly, I spent a quiet holiday with family.

Consider me a bear. Winter is my time to hibernate 🙂

What I’m watching and reading

With regard to series, Phil and I watched the new Watchmen series and His Dark Materials in December.

We liked Watchmen because it was consistent with the feeling of the graphic novels and, to some extent, the movie. It was a slow burn to start with, which we don’t mind, particularly in this case, as everything came together in a truly surprising twist. The denouement was satisfying, and the cliffhanger was something that, while I’d be happy to see what happens next, if a second season isn’t in the cards, I would be satisfied with the possibilities it presents without needing a definitive answer.

His Dark Materials was well done, better than the movie, in any case. As in many adaptations, changes were made that would better serve the medium, and I appreciated many of the decisions made for this iteration of Phil Pullman’s novels. I liked the actors and the incorporation of Will’s plotline into this season. A solid season and I hope BBC’s collaboration with HBO will continue.

We started watching Witcher, but it was more of a gap-filler and Phil gave up after the third episode. We didn’t even get through the first episode of the second season of Lost in Space before Phil walked away. I’ll probably pick up both when I’ve made some room on my personal Netflix viewing.

Reading-wise, I grabbed Erin Morgenstern’s The Starless Sea right after Call Down the Hawk. I enjoyed it right up to the ending, which was confusing and unsatisfying for that reason.

Then, I picked up Diana Gabaldon’s collection of novellas, Seven Stones to Stand or Fall. It was a bit of a cheat because I’d read all but two in their individual novella forms. I’m a big Gabaldon fan, though, and I like the way she writes into the gaps in her larger series of books.

Next, I read Tomi Adeyemi’s Children of Virtue and Vengeance. It was okay but suffered from many of the same problems as the first book in the series. The characters are all moving between love and hate for themselves and one another so quickly that I got whiplash. I understand that this is YA and the characters are all teenagers, but there were several points at which I felt that the drama was just too much.

Six of Crows was much stronger than Shadow and Bone. Maybe Leigh Bardugo is better at ensemble casts, or heist plots? The characters were stronger and had more agency. They felt more grounded and complex. Whatever the reason, I enjoyed it.

To finish off the year, I returned to a couple of classics. Charles Dickens’ The Chimes, and A.A. Milne’s Winnie the Pooh. Dickens has a fondness for ghosts and time travel lessons. Winnie was just charming.

I’d set myself a reading goal for the year of 50 books and ended up reading 71 (!) or 142% of my goal.

What’s up in 2020

I think I’ve finally learned my lesson, writing-wise. I’ve focused in on what I need to do and let my ambitions amuse themselves.

Given my reduced—but still good—production, I’m giving myself until the end of April to finish the rewrite of RB. The core story remains the same, but the content is different enough that it is like writing a new novel. Accordingly, while I counted the work I did in November and December as revision, I’m counting everything in 2020 as writing.

Then, I’m going to begin work on revision/rewriting Marushka. I’d put it up for critique in early 2019 but didn’t feel as strongly about getting back to it as I did about RB. I have to make some decisions about this novel which could entail a significant rewrite … or not. I’ll make those decisions when I review the novel and the critique feedback.

Throughout the year, I’m going to be steadily working on the Ascension series. I should finish my initial reread by the end of January. Then, I’m going to work on the series bible and revision notes on all five novels. By November, I should be ready to tackle revision/rewrites on book one.

I’ll blog, as usual and keep up with my Speculations column. If I can fit it in, I’ll work on some short fiction. I haven’t made any hard and fast goals with respect to the short fiction, though. If it has to go by the wayside, so be it.

The one last thing I’m going to do is shop the poetry collection around, as well as some of my unpublished poems, to see if I can’t do something with them.

2020Goals

I’ll likely attend Ad Astra, Can-Con, and Wordstock again.

So, my plans are much more modest this year. I’m hoping I won’t have to sacrifice much more than the short fiction.

I’ve set my reading goal for 60 books this year, but I’m not sure I’ll achieve it. I put off reading several monster books that I’ll probably tackle in 2020.

By the way, if you like the Writing and Revision Tracker in the screen shots, Jamie Raintree created it. Please do yourself a favour and visit her website to find out more.

That’s it for this update. I generally do them on the first weekend of every month.

Until next time, be well, be kind, and stay strong. The world needs your stories.

The Next Chapter

Tipsday: Writerly Goodness found on the interwebz, July 7-13, 2019

Looking for some informal writerly learnings? Here they are!

Jim Dempsey offers some fiction therapy: achieve your writing goals. Juliet Marillier explains why editing matters. Then, David Corbett shares the content of his Thrillerfest workshop about characters in search of a moral compass. Writer Unboxed

Sacha Black explains why every novel needs a sprinkling of fear. Writers Helping Writers

How to write with multiple POVs. Reedsy

Julie Cantrell wonders, should authors break free from their brands? Then, Julie Glover shares seven tips for finding a great critique partner. Writers in the Storm

Jenna Moreci shares her top ten romance tropes.

Rebecca Fish Ewen explains how to draw nothing. DIY MFA

Chris Winkle lists five information technology blunders and how to fix them. Then, Oren Ashkenazi examines five popular tropes writers struggle with. Mythcreants

Show, don’t tell, the Reedsy way.

Nathan Bransford explains why Robert Louis Stevenson’s Treasure Island works. This novel was one of two I focused on for my independent study in grade 12 English class. I have a fondness, and a bias 😉

I’m putting this in tipsday, because reasons. The Lost Words Blessing – The Lost Words.

Thanks for stopping by and I hope you found something useful.

Until Thursday, be well, my writerly friends!

Tipsday2019