The next chapter: December 2018 update and year-end review

Let’s just get right into it with what happened in December.

My goals had been to continue drafting Tamisashki at the rate of about 500 words a day, to complete and submit my next DIY MFA column, to resume blogging, and complete a couple of critiques for my group.

Then, life intervened.

I slipped on the ice and fell on my right knee while walking Torvi. It was my third fall on that knee since August and the repeated trauma finally caught up with me. The first night, though I didn’t feel much pain, the knee swelled up so much that I couldn’t bend the joint or bear weight on it. When I looked at it, jest because it was feeling weird, it looked like the alien from Alien was trying to break out of my kneecap.

So, the next day I spent at the clinic, getting x-rays, icing and elevating, and plying the injury with anti-inflammatories.

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Though Phil “officially” retired Nov 30th, he returned to work to install a new piece of software. They haven’t managed to hire his replacement yet and he knew it was coming, but it was only supposed to be for Dec 11th and 12th. It turned out that he was working right through to Dec 28th. And, when he came home from work on the 20th, he had an abscess in one of his teeth.

Two appointments with his dentist on the 21st and the 31st fixed him up, but when the dentist’s insurance specialist submitted his claim, they were informed that his coverage had ceased. Though Phil retired, he’s on a salary continuance with access to his benefits right through to March 31st of 2019. So, he had to sort that out, too.

Turns out that was just a computer glitch (ironically). The insurance company had, in fact, processed the claims, but the system was erroneously sending out notifications, both through its online interface and by email/snail mail, that the claims had been refused.

Phil now has written confirmation that the claims have been processed and paid.

Between all that, I didn’t get as much as I’d hoped done. While I submitted and edited my column on time and completed my critiques, I only 67% of my writing goal on Tamisashki. Still, 10,346 words is nothing to sneeze at.

Also, toward the end of the month, and year, I decided to devote some time to planning out my 2019 writing year. More on that in a bit.

It took me a while to get back on track with curation after my NaNoWriMo break. So, I ended up being a bit short on my writing goal for the blog at 1,994 of 2,600 words, or 77%.

My DIY MFA Column came in at 1,047 words of my 1,000-word goal, or 105%.

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One thing I discovered, during my convalescence from my fall, was that standing really does improve my productivity. When I sit, whether at work or at home, when I write, I tend to lose track of my posture when I sit. I get so focused, regardless of what I do, that I tend to hunch over or slouch. My back, neck, and shoulders hurt more. It affects my breathing and I tend to feel more fatigued.

I’m happy to say that, with my doctor’s approval, I’m back to standing. I’ll let you know whether I notice any improvement. This is an anecdotal, personal experiment, of sorts, but it is supporting my preference for standing while working.

The holidays were quiet and understated. We did not exchange gifts. My sister-in-law hosted Christmas dinner at her place. Phil and I took Torvi out early in the day so that we could hit a local dog park with Buster.

We had a fabulous meal and played a few games of Sequence before returning home, with containers full of leftovers, around ten in the evening.

I took a picture of lovely sun dogs on the last weekend of December.

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And that was that.

2018 was a hard year. I had to work through my burnout and get to the bottom of it, which took me a lot longer than I expected. I thought, with my experiences in 2017, I’d have been able to work through the worst of it by the end of that year. Because Phil’s health problems and then his work problems were a big part of the reasons why I was burned out in the first place, I wasn’t able to dig my way out until he was able to dig himself out.

Accordingly, my plans for 2018 were all shot to hell. I didn’t finish drafting Playing with Fire until September. That was my year.

On PwF, I wrote 55,867 words of my 55,000-word goal, or 102%.

For Tamisashki, I wrote 47,174 words, or 72% of my 65,500-word goal.

I wrote about nine columns for DIY MFA, or 12,744 words of my 9,000-word goal (142%). Yeah. I tend to write long. Gotta work on that.

On the blog, I wrote 43,823 words of my 42,000-word goal, or 104%.

And I compiled six newsletters for the Sudbury Writers’ Guild until I resigned from those duties, writing 31,008 words of my 24,000-word goal, or 129%.

Finally, I “revised” Marushka for the critique group, managing 77,021 words of my 80,000-word goal, or 96%.

Interestingly, I managed 98% on my writing goal and 96% on my revision goal for the year.

 

 

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Not bad at all.

In 2019, I’m going to be continuing to draft Tamisashki. I figure that will take me to the end of April. Then I’m going to take two months to read the whole series, remap all the novels, and organize my series bible. With this final novel, though I’m not yet half way through it, I’ve had a number of ideas that reshape the world. I’m glad I decided to finish the series before getting into heavy revisions. The whole will be more cohesive and the story much improved as a result.

While I read and sort things out with the series, I’m going to prepare a draft of Reality Bomb for the critique group to work on.

After the reading and remapping, I’m going to get into those heavy revisions on the Ascension series. I hope to make it through the first three novels by September before I have to begin work on my outline for my 2019 NaNo project in October.

I’ve decided to begin finishing off the rest of the series I’ve started. I’m going back to Mageblood, my YA urban fantasy. It’s definitely going to be a duology.

That will fill up my November and December for 2019.

In addition to blogging and continuing my columns for DIY MFA, I’m trying two experiments this year.

First, I’m going to write an original short story every month and submit them to paying markets. I have ideas for four of them brainstormed and I’m working on one as we speak. So far, so good.

What do I hope to gain through this experiment? The knowledge that I can write short fiction and improve sufficiently to get some more of my work out there in the world.

The second experiment is one that I’ve talked about for a number of years, but never committed to. I’m going to work on a poetry collection and two collections of short fiction (one speculative and one non-speculative), all of which I’m going to self-publish in ebook format only. For now. If they generate enough interest, I might make them publish-on-demand (PoD) in the future.

The idea behind this is that I want to have something representative of my body of work to date. Also, even if they’re only ebooks, having some short form collections available will be valuable from a marketing perspective. The more work one has out in the world, the more one’s name is circulated.

Between the new short fiction I produce, and the collections of past work, I see this as another step forward in my platform building. Finally, having my stories edited and published will also give me material with which to start a newsletter. That probably won’t get set up until 2020 but starting the groundwork now will make that project easier in the future.

Although this might all seem very ambitious, I am, at least at the moment, feeling capable of doing it. I may well have to adjust my goals as the year progresses, but I’ve never had a problem doing that in the past.

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A week into 2019, and things are going well.

I’ll keep you updated.

Until next I blog, be well, be kind, and stay strong, my friends. The world needs your stories.

The Next Chapter

Ad Astra 2015 day 2: Cutting contracts and shaking hands

The business basics of writing

Panellists: Greg Wilson, Monica Pacheco, Gail Z. Martin, Leah Bobet

Cutting Contracts Panel

Q: Do I need an agent?

LB: First, you have to ask yourself what you want. What will your career look like?

MP: If you want a Big 5 publishing deal, film rights, foreign rights, etc., you need an agent.

GZM: Can you do your own taxes or do you have an accountant? An agent has specialized knowledge that’s critical in the publishing industry. Their 15% commission is well worth it.

LB: I have to clarify my response: if you want to self-publish, no, you don’t need an agent. If you focus on short fiction, you don’t need an agent.

MP: Short fiction is excluded in publishing contracts.

GW: The stuff that used to be done by acquisition editors in the publishing houses has shifted to agents. There are many ways to achieve the same result. Having an agent can free up more time to write.

GZM: I don’t need an agent for short fiction, but if I notice something hinky with the contract, I can run it by my agent. He gets paid if I get paid, so he’s invested in my success.

LB: Agents aren’t interchangeable. It’s like a marriage. Fortunately, break-ups are rarely acrimonious.

MP: Your agent is also a buffer between you and the editor, you and marketing, etc.

GZM: My agent can play the bad cop.

MP: There’s an imbalance of power.

GW: A bad agent can be worse than no agent at all. You have to believe in what you do. Get the right agent for you.

GZM: I recommend the Guide to Literary Agents.

LB: Don’t take the boiler plate! [Mel’s note: a boiler plate is a standardized contract that frequently offers the worst possible terms for the author.] When it comes to long form contracts, it depends on the publisher, the genre, and the specific rights asked for.

MP: An agent will get a different boiler plate as a starting point for negotiation. Sub-rights depend on whether the agency has a strong film/foreign rights department.

GW: Also look out for audio rights and gaming rights.

GZM: Ebook rights are now a part of the non-negotiable rights a publisher can ask for. It will differ by house. A lot of authors are doing more hybrid work as their careers progress. Your contract determines what you can do (e.g. when rights revert to the author).

LB: Non-compete clauses are something to examine carefully. Looking at the big picture, publishing houses are figuring out how to proceed in the world of epublishing and publishing on demand (POD).

GW: Distribution wars can have an affect on your novel. When Amazon and Hachette were fighting it out, some authors lost out because their books were getting into the stores.

GZM: The sales of your current book will determine how many copies of your next book stores will order.

GW: Titans fight and the peons pay. I self-published and then I got a traditional deal. Publishing and writers are both more flexible. Hybrid will become the norm. You have to have more awareness of the “shape” of the industry.

MP: We used to search WattPad to find the next author. Now, established authors are publishing on WattPad.

LB: I’m interested to see if WattPad will be monetized.

GZM: How does free translate to readers (which translates to income)? Some people read a book a day. They can’t afford their book habit, but if they read and review, they become influencers.

GW: We now have multiple avenues to get our work out there. You can leverage multiple fan bases. The more each author is successful, the more all authors are successful. The rising tide floats all boats.

LB: YA rules are a little different. It’s flush with money. It’s a gold rush. I’m aware of my limits as a writer, though. 18 hour days on an ongoing basis would kill me. Publishing is built on interns. Books are great, but they’re not everything. You have a life outside of books. Your career is your choice.

GZM: Precarious is in the eye of the beholder. I have a life and I do work long days.

GW: Being a college professor is precarious. You have to learn how to work smarter, not harder.

LB: No one knows what the magic button is.

And that was time.

Next week: We move on to DAY 3 (!) and making a living as a writer.